November 18th, 2013 · 2013. 12. 2. · Project 1: Design Methodology APD2 Conceptual Product ......

November 18th, 201347

APD1Project 1: Design Methodology

APD2Conceptual Product Solutions

BFA1Design, New and Traditional Technology

BFA2 & BFA3Hot Team

IDIDesign management, Patrik Westerlund

Enjoy the videos on UID vimeo page www.vimeo.com/uid & vimeo.com/ixdumea

Kasta inte ut barnet med badvattnet.Translation and English equivalent: Do not throw the baby out with the bathwater.Do not reject something in its entirety just because parts of it are bad; other parts might be good.

Tweet with UID with: #lifeatuid hashtag Or follow us: @wozzop

Futuring Pune, Indiais looking for design students who are seeking international internships that will last for 6 months starting Dec 2013 / Jan 2014.

Responsibilities :Design Research, Concept development, Industrial design, Renderings and Presentations.

PositionsIndustrial design : 3Transportation design ( 2 wheelers ) : 2

Duration:06 Months starting December 2013/ January 2014

Accommodation:Accommodation is provided by the company

Students who wish to apply can send an email with portfolio on [email protected]. The selection process is based on portfolios and skype interviews.

Visit the UID facebook page www.facebook.com/uid

STAY IN THE LOOPIxD1Project 1: Professional Product

IxD2 & TD2 Vehicle Interior

TD1CAID - Advanced level, step 2

Single Subject CoursesProduct design: Semantics and formBehaviour and design aspects in planningLife drawing

SWEDISH SAYING OF THE WEEK

INTERNSHIP OPPORTUNITY

Check out the program blogs!http://www.interactiondesign.se/bloghttp://www.advancedproductdesign.se/bloghttp://www.transportationdesign.se/blog

YAY Festival 2013 is the 7th of December back in Stockholm for one night, and one night only. On stage you´ll meet and see Jessica Walsh (Partner Sagmeister & Walsh) and James Victore (MoMA exhibitor, writer and provocateur), two of New York’s absolute finest. Besides amazing talks you can

also look forward to music, drinks and one hell of a time.

Student price is 169:- The students can come at 7th of December and we can make a group discount if there will be many to come and have an inspiring evening in the city with lectures, music and festival.

Jessica Walsh (US) is the partner of the incredible rockn’roll agency Sagmeister & Walsh. She is the award winning designer and art director who has been named “Top Rising Star in Design” and an ADC “Young Gun. She doesn’t fear public dating nor nudity and she tells you “All shy swedish people can expect moments of embarrassment and at least two or three swear words”

James Victore (US) is a firestarter who teaches creatives how to illuminate their individual gifts in order to achieve personal greatness. Described as “part Darth Vader, part Yoda,” James is widely known for his timely wisdom and impassioned views about design and its place in the world. On his Youtube channel “Burning Questions”, he answers your questions about life, love, and work in his signature blunt and honest manner.

the new creative mind !

AT FUTURING, INDIA. INTERNSHIP

Futuring Design Pvt. Ltd. of India is an award-winning industrial design firm, with studios in Mumbai and Pune, focused on new product development through meaningful innovations. It is recognized for the past decade as a thoughtful team with a talent for creating evocative designs. It has a multi disciplinary design studio committed to Design for Good - an user focused approach to design and providing innovative solutions.

Futuring design team in India wants to get a fresh view and bold ideas from a new generation of international designers and expend its global vision. Futuring is looking for students to join our International Design Internship Program. Design students, at least in their 3rd / 4th year, highly motivated and creative team players, demonstrate strong conceptualising, sketching, modelling & rendering skills and will be able to join our growing design team in an internship that will last for 6 months. INDUSTRIAL DESIGN : 03 Positions TRANSPORTATION / MOBILITY DESIGN : 02 Positions 06 Months starting December 2013 / January 2014 Send your resume & portfolio : [email protected]

CREDITSThanks for your contributions.Future articles & photos can be sent to:[email protected] by Thursday evenings.We love hearing from you!!

Editor: Ayse Gokce BorGraphic Designer: Ayse Gokce BorContributions: Kevin Gaunt, Stephanie Knödler ©2013 UID

DART PUB With APD’s great efforts, a new stress management way was introduced to UID!

PHOTO BOOTHUp and running!

PRESENTATIONS all over the school IDI

BAPhDEarly Movember Maddness

Light Festival in UmeåIxD1 Field Trip

THE WEEK

THAT WAS

39

SEPTEMBER 30th 2013

W12

Introducing the doodles and vector

illustrations of Mr. Daniel Jansson

from BA3 (more all around...)

HAPPY PERSIAN NEW YEAR!Haft-sin or the seven ‘S’s is a traditional

table setting includes seven specific items, all

starting with the (s) in the Persian alphabet.

The items symbolically correspond to seven

creations and holy immortals protecting them.

It may also include: mirror, gold fish, ancient

book, candles, flowers, sweets and painted eggs

which are all symbolic.

Haji Firuz is the traditional herald of the

Nowruz season symbolizes the rebirth; paints

his face in black (symbol of good luck) and

wears a red costume, then sings and dances

through the streets.

The thirteenth day of the new year festival

people go for picnic with family. At the end

of this day,sabzeh grown for the Haft-Sin

(symbolically collected bad luck) is thrown

into running water ,before discarding, they tie

the leaves while saying their wishes for the new

year. Another tradition the process of lying to

someone and making them believe it (similar

to April Fools Day).

Happy Nowrūz,

//Negar, IDI

Nowrūz (Persian: “New Day”, originally “New

Light”) is the name of the New Year in Iranian

calendars. It marks the first day of spring and

the beginning of the year. It is celebrated on

the day of the astronomical vernal equinox,

which usually occurs on March 21 or the

previous/following day depending on where

it is observed. Spring cleaning, or Khouneh

Tekouni (literally means ‘shaking the house’)

is commonly performed before Nowruz. On

the New Year’s Day, families dress in their new

clothes and start the twelve-day celebrations by

visiting the elders of their family, then the rest

of their family and finally their friends; they

wish 100 years of happiness for each other.

Some celebrants believe that whatever a person

does on Nowruz will affect the outcome of

the rest of the year. The night before the

last Wednesday of the year is the festival of

light winning over darkness; the symbolism

behind the rituals are all rooted back to

Zoroastrianism. People jump over bonfires in

streets, while singing the traditional song: “My

yellowness (pain, sickness) is yours (the fire),

your redness (strength and health) is mine”.

Many children wrap themselves in shrouds

and run through the streets banging on pots

with spoons and knocking on doors to ask for

treats.(Trick-or-treating)

For momentum of thought,Helping the creativite mindon the path of discovery.

In this room you can set

the stage for your specific

needs to push the creative

gaspedal flat out.

Constant change of scene is one of the ground pelarsfor creative thinking.Doing “something else”“being somewhere else”.

Are you seated comfortably?Try changing it up a bit. Lay on the floor or in a bean bag, sadle the fatboy,hang, slouch, roll up, do it lotus style, stay in motion,frog style, on the side, upside down, folded over, twist and turn.

1. Take off your shoes when you’re in the “rugg room” Let’s help out to keep the room clean and nice for everyone to enjoy it. Do you walk with shoes on at home? Take the oportunity to change your mood set by taking of your shoes and chill in a bean bag

2. Everything that belongs to the room STAYS in the room The beneftis that this room can give you, relies on that it’s fully equiped and ready to serve your creative needs. If stuff starts to dissapear it’s not much of a use to anyone and it starts to die. Don’t kill the room.

3. Take good care of it, and help out with making it better Try to contribute to the room and make it better, smarter and richer. If you have any ideas about improving it or you have somethings you would like to donate to it Do not hesitate to contact a group responsible or Ställverket.

Project any images of your choice on

the wall to put youin the mood. Make

a slide show of the world you’re

designing for.

In this room you can change the mood and look of the room by several parameters.

What color is your project?Change the color of the lightin the room or have no light.What do you see when youcan’t see a thing?

Play around with the sound in the room. What soundscape do you need to get in the mood?

The Black CREATIVE room, THIS IS IT!

Some rules...

The creative room project, by: The creative room goup

Design has a history of violence. It can be an act of creative destruction and a double-edged sword, surprising us with consequences intended or unintended. Yet professional discourse has been dominated by voices that only trumpet design’s commercial and aesthetic successes.

Historically, designers’ ambitions have ranged from the quotidian to the autocratic, from the spoon to the city. Under the guise of urban renewal or the cliché of disruptive innovation, designers of all kinds—from architects and typographers to interface, product, and fashion designers—have played a role in the reconfiguration of ways of life, ecosystems, and moral philosophies. Although designers aim to work toward the betterment of society, it is and has been easy for them to overstep, indulge in temptation, succumb to the dark side of a moral dilemma, or simply err.

Design and Violence is an online curatorial experiment whose purpose is to explore the idea of violence in contemporary society using design objects as prompts for wider questions and reflections.

At the bottom of each post, we will ask a provocative question about violence. We would like each post to spark an online discussion about the manifestations of violence in contemporary society, prompted by the design object and by the “expert”’s reaction. We will moderate this discussion and invite comments to get the discussion started, if necessary.

Black Room in UID is a unique room. It was designed to boost your creativity, get in the mood when you need it and explore different interactions. Check if the room is booked via Time Edit and set your creativity free! Don’t forget to take your shoes off!

Wozzop is looking for new team members. If you are interested in joining Wozzop and contribute to UID magic contact us at [email protected] till Friday.

Violence, on the other hand, is one of the most mutable constants in history. It accommodates myriad definitions, spanning a wide spectrum between the symbolic and the real, and between the individual and the public. In recent years, technology has introduced new threats and added dramatically to its many manifestations. Our exploration of the relationship between design and violence will shed light on the complex impact of design on the built environment and on everyday life, as well as on the role of violence in contemporary society.

As we define it, violence is a manifestation of the power to alter circumstances, against the will of others and to their detriment. We have assembled a wide range of design objects, projects, and concepts that have an ambiguous relationship with violence, either masking it while at the same time enabling it; animating it in order to condemn it; or instigating it in order to prevent it. Almost all were designed after 2001. We see that year as a watershed because it marks four historical shifts in the modern evolution of violence: the beginning of a permanent War on Terror; a global shift from symmetrical to asymmetric warfare; the emergence of nation-building as an alternative to military supremacy; and the rise of cyberwarfare. The few exceptions—the AK-47, for instance—are archetypal examples of the entanglement between design and violence in the 20th century.

DESIGN AND VIOLENCE

ARTICLE LIFE IN UID

an online experiment

Url: http://designandviolence.moma.orgTwitter: @desviolenzTeam: Paola Antonelli and Jamer Hunt (co-curators), Kate Carmody (Curatorial Assistant, MoMA), and Meagan Durlak

week 21May 23, 2011

Correct answers are inside!

Week 11 | March 14,

2011

Introducing

the illustrat

ions of Mr. Anders

Lindh, BA 3

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16 Karta över Umeå Höstljus 2013, installationer och ljussättare

Grön eld Järnvägstorget, White arkitekter

Mellanrum Rådhusesplanaden, Johan Andersson Sundén

Viewpoint C Rådhusesplanaden, biblioteksfontänen, Robert Berglund

KulturexplosionRådhustorget, Glashuset, Robert Berglund

Cirkel av ljusRådhusparken, Tobias Hagström Ståhl, SUTODA

Comfort lightLjussättning av fasad, Balticgruppen, Johan Lindahl

The crown of the Plaza Per Larsson, Creative Light Scandinavia

1000-tals lyktor – OBS! endast fredagVänortsparken, lyktor tända fredag från klockan 17.30. Umeå kommun, Idéan

”hidden/happy” Vänortsparken, Chrisander Brun

River of sorrow Vänortsparken, Emma Weil

Övriga Besök även Umeås ljussatta parker.

Vänortsparken

Varvsparken Teg

Körsbärsdalen Teg

Broparken Döbelns plan

Lysande cyklar – Extrainsatt! Järnvägstorget, Umeå kommun, Be Green

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Mer information om installationerna finns på www.umea.se/hostljus

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LIFE IN UMEA

November 18th, 2013 · 2013. 12. 2. · Project 1: Design Methodology APD2 Conceptual Product ......

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