No. sixty-two July/Augus 1975 t · No. sixty-two July/Augus 1975 t ... N.Z. Academy of Fine Arts,...
Transcript of No. sixty-two July/Augus 1975 t · No. sixty-two July/Augus 1975 t ... N.Z. Academy of Fine Arts,...
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N o . s i x t y - t w o J u l y / A u g u s t 1 9 7 5
The Journal of the Canterbury Society of Arts
66 Gloucester Street Telephone 67-261 P.O. Box 772 Christenurch Registered at the Pol l Office Headquerters. Wellington a t magazine.
President: Secretary-manager: Exhibitions Officer: Receptionist: Editor of News
Miles Warren Russell Laidlaw Tony Geddes Joanna Mowat Stuart McMillan
These pots, by Margare t Higgs, have been bought by the McDouga l l Ar t Gal lery. Kei th Nico lson took the pho tograph . Canterbury pot ters wil l exh ib i t in the CSA gal lery f rom August 3 to Augus t 17.
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GALLERY CALENDAR (Subject to adjustment)
June-July 13 July 2-19 July 2-16 July 15-Aug 3
July 15-Aug 3 July 23-Aug 6 July 23-8pm July 18-31 July 18-31 Aug 5-8pm July 20-8pm A u g 7-19 A u g 9-26 A u g 4-17 A u g 21-Sept A u g 21-Sept Aug 23-Sept . 7 Aug 19-Sept. 3 A u g 27-8pm Sep tember
10 6
CSA O p e n Exhib i t ion A n d r e w Harney & Nei l McLeod Don Peebles (Opening day 6th) Michae l Eaton, Don Peebles, Ne i l Dawson, Michael Thomas, Larence Shustak & Mart in Mende lsberg . Yvonne Rust Phi l ip Temp le "The Hero As Art is t" . Ron Jorgenson Lee Ad le r Prints. "Red Rugs of Central As ia" . Contemporary Mus ic Soc ie ty Town & Count ry Group . Phi l l ipa Hu tcheson Canterbury Potters S tephan ie Sheehan & Joanne Hardy LynneZy l s t r a Jef f rey Harr is Peter B ruce "The Light Of Exper ience" . Desmond He lmore Octagon Group Genn ie de Lange Mol l ie Atk ins Col in McCahon Derek Breach Weavers
Sept. 24-8pm October
November
December
"Sk in o f Our Tee th " . The Group Deidre Tupper Sue Tonk in Gavin & Vivian Bishop El izabeth S tevens May Patterson Techn ica l Inst i tute David Hoare Marjor ie Ruther ford Buck Inn Townsend & Muschamp Mai t land A l len Eddie & Gypsy Poulston Michael Ebel CSA S u m m e r Exhib i t ion Jun ior A r t Exh ib i t ion
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N.Z. A c a d e m y o f F i n e A r t s , R e c e i v i n g d a y J u l y 2 2 n d O a m a r u L i c e n s i n g T r u s t , R e c e i v i n g d a y S e p t e m b e r 6 t h T o k o r o a P a i n t i n g A w a r d Las t D a y f o r E n t r y F o r m s S a t u r d a y A u g u s t 3 0 t h .
T h e S o c i e t y w e l c o m e s t h e f o l l o w i n g n e w m e m b e r s .
Mrs J. Bunne t t Mrs E. A. Stewart Mr Peter L. Bannan Mrs Moi E. Webb Mr Richard Coburn Mrs Margaret Yeatman Mr Bruce Edgar Mrs Diana Wh i tby Miss Lenore Wi l l iams M r l a n L a u g h l i n Mrs Zoe El l iot t Mr Robert Hoope r M r S . M. Hintz Mr Peter Kundyck i Mr I. R. & Mrs E. E. A tk inson Miss Adr ienne Read Miss F. E. McGi lvary M r C . R. Jones Mrs J. M. Herb ison Mr Jef f rey Harr is Mrs L. M. As t ley M r & M r s E . J , B. Cut ler Mr B. Evans Mrs Pamela Cockf ie ld M r G . R. Bryant M i ssG . J. Hami l ton
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W e d n e s d a y e v e n i n g s , c o m m e n c i n g S e p t e m b e r 3 r d t o W e d n e s d a y O c t o b e r 8 t h .
T i m e 7 . 3 0 p m t o 1 0 p m . F e e $ 1 8 . 0 0 m e m b e r s . $ 2 0 . 0 0 n o n m e m b e r s . T u t o r s : B a s h i r B a r a k i
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The exhibitions A N D R E W H A R N E Y A N D N E I L M A C L E O D - P H O T O G R A P H Y J U L Y 2 - 1 9
A N D R E W H A R N E Y , C a r p e n t e r . O c c u p a t i o n : P h o t o g r a p h y . W o r k s w i t h M a m i y a C - 2 2 0 a n d R o l l e i f l e x S L - 3 5 .
N E I L M A C L E O D , T r u c k - D r i v e r . O c c u p a t i o n : P h o t o g r a p h y . U s e s A s a h i P e n t a x e s .
T o s a y t h a t w e a r e s e l f - t a u g h t m e a n s t h a t w e h a v e l e a r n e d f r o m a h u n d r e d t e a c h e r s a n d a t h o u s a n d m i s t a k e s . W h e t h e r v i s u a l l y s t i m u l a t i n g , c o m m u n i c a t i n g o r j u s t d o o d l i n g , t h e i m a g e s a r e o u r s , t h e i m p r e s s i o n s a r e y o u r s .
W A N T E D A c o p y o f ' A r t N . Z . 7 4 " C a t a l o g u e
ROWNEY T o p Q u a l i t y A r t i s t s M a t e r i a l s Oil Colours, Water Colours, Acrylic Colours. Brushes,
Palettes Everything for the Artist M A N U F A C T U R E R S O F A R T I S T S M A T E R I A L S
S I N C E 1 7 8 9
Y V O N N E R U S T P O T T E R Y J U L Y 1 5 - A U G U S T 2
T a u g h t a r t in h i g h s c h o o l s f o r 3 0 y e a r s a l a r g e p o r t i o n o f t h i s t i m e b e i n g s p e n t in C h r i s t c h u r c h . S h e b e l i e v e s C h r i s t c h u r c h k n o w s m o r e a b o u t h e r t h a n s h e d o e s h e r s e l f a n d c o u l d p r o b a b l y t e l l m o r e s t o r i e s .
S t a r t e d p o t t i n g , 1 9 5 6 , b y d i r e c t i n g a n a t i o n a l p o t t e r y s c h o o l at C . U . C . t h e n h e l p e d e s t a b l i s h c r a f t c e n t r e . In 1 9 5 9 t r i e d f o r 6 y e a r s t o e s t a b l i s h a p o t t e r y s c h o o l f o r N .Z . c a l l e d " S t u d i o o f D e s i g n " in C o l o m b o S t . m a n y N . Z . p o t t e r s b e g a n t h e i r c a r e e r in t h a t s t u d i o a n d m a n y o v e r s e a s p o t t e r s i n c l u d i n g H a m a d a w o r k e d t h e r e .
D u r i n g h e r e a r l y p e r i o d in p o t t e r y s h e s p e n t m u c h o f h e r t i m e e x p e r i m e n t i n g w i t h N .Z . c l a y s a n d g l a z e s " W h i t e H o r s e C l a y " b e i n g h e r s p e c i a l i n t e r e s t . In 1 9 6 6 s h e d e c i d e d it w a s a n i m p o s s i b l e f i n a n c i a l t a s k f o r o n e p e r s o n t o t r y t o a c h i e v e h e r i d e a l s d i s i l l u s i o n e d le f t C h r i s t c h u r c h t o g o t o t h e W e s t C o a s t t o s e c u r e " W h i t e H o r s e C l a y . A g a i n s h e f a i l e d as m i n e r ' s r i g h t s h a d b e e n t a k e n o u t o n t h i s c l a y b u t i n G r e y m o u t h s h e s t a r t e d a m o v e m e n t in p o t t e r y t h a t d i d , a n d w i l l , c o n t i n u e . In 1 9 7 2 r e t i r e d f r o m t e a c h i n g a n d le f t G r e y m o u t h t o b e c o m e a f u l l - t i m e p o t t e r in W h a n g a r e i , h e r h o m e t o w n . O n a b e a u t i f u l p r o m o n t o r y o n t h e W h a n g a r e i H a r b o u r s h e c o n d u c t s a n n u a l p o t t e r y s c h o o l s f o r a m o n t h at C h r i s t m a s a n d f o r t h e r e s t o f t h e y e a r b u i l d s h e r h o m e a n d p o t s .
S h e h a s e x h i b i t e d in a l l m a i n c e n t r e s o f N .Z . a n d s e v e r a l s m a l l t o w n s a n d h a s e x h i b i t e d o v e r s e a s . A t p r e s e n t 12 o f h e r p o t s a l o n g w i t h 2 0 o t h e r N .Z . p o t t e r s a r e o n t h e i r w a y t o M e l b o u r n e .
Y v o n n e is r e t u r n i n g t o C h r i s t c h u r c h in J u l y w i t h a n e x h i b i t i o n , s h e q u o t e s . . . " C o l l a g e P ie P o t s w i t h a D i f f e r e n c e " . In a c t u a l f a c t i t ' s a n e x h i b i t i o n i n c l u d i n g t h e fu l l r a n g e o f h e r p r e s e n t w o r k .
S a y s : "I b e l i e v e a p o t t e r s h o u l d c o n t i n u e e x p e r i m e n t i n g w i t h t h e e a r t h o f h i s c o u n t r y , f i r e a n d t e c h n i q u e s . H e s h o u l d b e o f h i s t i m e s a n d n o t t r y a n d r e c a p t u r e t h e pas t a n d a b o v e a l l t r u e t o h i m s e l f a n d h i s c r a f t . "
P H I L I P T E M P L E P L A C E S & P E O P L E J U L Y 2 3 - A U G U S T 6
F i r s t e x h i b i t i o n , b u t m a j o r i t y o f p i c t u r e s i n c l u d e d h a v e a p p e a r e d in f o u r m a j o r b o o k s : Mantle of the Skies ( 1 9 7 1 ) , Christchurch ( 1 9 7 3 ) , Patterns of Water ( 1 9 7 4 ) a n d n o w Philip Temple's South Island w h i c h is b e i n g l a u n c h e d w i t h t h e o p e n i n g o f t h i s e x h i b i t i o n . F o r t h e f i r s t t i m e , w i t h t h i s e x h i b i t i o n , i n d i v i d u a l b l a c k a n d w h i t e p r i n t s w i l l b e a v a i l a b l e f o r p u r c h a s e . T i t l e o f e x h i b i t i o n w i l l b e " P l a c e s & P e o p l e P h o t o g r a p h s f r o m t h e S o u t h I s land b y P h i l i p T e m p l e ' .
E x h i b i t i o n c o m p r i s e s o f 4 7 b l a c k a n d w h i t e p r i n t s o f p l a c e s a n d p e o p l e o f t h e S o u t h I s l a n d f r o m s i x y e a r s o f p e r i o d i c t r a v e l a n d e x p e r i e n c e ; p e r s o n a l v i e w s a n d i m p r e s s i o n s .
A U G U S T H O L I D A Y W O R K S H O P F O R C H I L D R E N
S e c o n d w e e k o f A u g u s t H o l i d a y s , S e p t e m b e r 1 - 5 . E x h i b i t i o n o f w o r k f o r p a r e n t s f r o m S e p t e m b e r 5 -7 . F e e , $ 1 0 . 0 0 m e m b e r s c h i l d r e n , $ 1 2 . 0 0 n o n m e m b e r s . E a r l y e n r o l m e n t a d v i s e d . P l e a s e r i n g 6 7 - 2 6 1 .
STAIRWAY ARTS 88 B u r n e t t Street
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A S H B U R T O N P H O N E 6 7 3 3
Paint ing P o t t e r y Weaving S c r e e n - P r i n t i n g Basketware Glass C h i n a W o o d Copper H a n d w o r k Silver
o ART MATERIALS ART MATERIALS ART MATERIALS ART MATERIALS ART MATERIALS ART MATERIALS ART MATERIALS ART MATERIALS ART MATERIALS ART MATERIALS
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142 Gloucester St, Christchurch (opposite Gloucester Arcade)
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Book our 800 sq. f t . Gallery now for your next Exhibi t ion.
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RON JORGENSEN -PAINTINGS JULY 17 - July
T h i s w i l l b e R o n J o r g e n s e n ' s s e c o n d C h r i s t c h u r c h o n e - m a n s h o w , t h e o t h e r h a v i n g b e e n in t h e C S A ' s M e z z a n i n e G a l l e r y last M a r c h . T h e c o n s i d e r a b l e p u b l i c i t y w h i c h t h a t e x h i b i t i o n r e c e i v e d w a s n o d o u b t d u e t o t h e f a c t t h a t M r J o r g e n s e n w a s a t t h e t i m e s e r v i n g a l e n g t h y p r i s o n s e n t e n c e , f o r h i s p a i n t i n g s w e r e n o t t h e n w i d e l y k n o w n i n t h e S o u t h I s l a n d ; b u t t h e e x h i b i t i o n w a s d e f i n i t e l y a s u c c e s s as m e a s u r e d b y t h e r e a c t i o n s o f t h e c r i t i c s a n d t h e c o l l e c t i n g p u b l i c .
T h i s e x h i b i t i o n , w h i c h w i l l b e h e l d in t h e d o w n s t a i r s g a l l e r y , w i l l a g a i n c o n s i s t m a i n l y o f " p r i s o n - s c a p e s " st i l l l i f es in o i l s s e t a g a i n s t u n c o m p r o m i s i n g p r i s o n i n t e r i o r s . T o t h o s e w h o o b j e c t t h a t s ix m o n t h s a f t e r h i s r e l e a s e h e s h o u l d b e p a i n t i n g p l e a s a n t e r s c e n e s h e t r i e s t o e x p l a i n t h a t n o t o n l y d o e s a p a i n t e r h a v e a b a c k l o g o f p a i n t i n g s ( th i s e x h i b i t i o n r e p r e s e n t s t h e last y e a r ' s o u t p u t ) h e h a s a b a c k l o g o f v i s u a l i m p r e s s i o n s w h i c h m u s t m a t u r e in h i s s u b c o n s c i o u s b e f o r e t h e y c a n b e p a i n t e d . T o t h i s h e a d d s t h a t t h e r e a r e a f e w c o m m e n t s o n p r i s o n l i f e w h i c h h e h a s w i s h e d t o m a k e f o r s o m e t i m e , b u t w h i c h h e f e l t it u n w i s e t o c o m m i t t o p a i n t u n t i l h e w a s s a f e l y r e l e a s e d .
R o n J o r g e n s e n h a s h a d p r e v i o u s o n e - m a n s h o w s a t M o l l e r ' s G a l l e r y , A u c k l a n d ; t h e C S A . G a l l e r y , C h r i s t c h u r c h , a n d is r e p r e s e n t e d in c o l l e c t o r s w i t h i n N .Z . a n d o v e r s e a s .
PHIL IP W O O L L A S T O N
TOWN AND COUNTRY ART CLUB
T h e T o w n a n d C o u n t r y A r t C l u b w i l l h o l d i ts T h i r t e e n t h A n n u a l E x h i b i t i o n i n t h e C S A f r o m A u g u s t 8 t o A u g u s t 13 . T h e g u e s t a r t i s t w i l l b e A u s t e n D e a n s .
T h i s c l u b w a s o r i g i n a t e d b y t h e l a te F r a n k G r o s s , w h o t a u g h t ar t o v e r a l a r g e p a r t o f C a n t e r b u r y . H e c o n c e i v e d t h e i d e a o f f o r m i n g a c l u b s o t h a t h i s m a n y p u p i l s c o u l d m e e t o n a c o m m o n g r o u n d a n d g a i n h e l p a n d e n c o u r a g e m e n t f r o m e a c h o t h e r . T h e m a i n o b j e c t s o f t h e c l u b a r e t h e r e f o r e t o a r r a n g e p a i n t i n g d a y s , t u i t i o n a n d e x h i b i t i o n s a t r e g u l a r i n t e r v a l s e a c h g r o u p h o l d s a p a i n t i n g d a y a n d a c t s as h o s t in i ts o w n d i s t r i c t .
A t p r e s e n t c o u n t r y g r o u p s a r e w o r k i n g in A s h b u r t o n , E l l e s m e r e , C u l v e r d e n , C h e v i o t , G o v e r n o r ' s B a y a n d R a n g i o r a . C i t y G r o u p s i n c l u d e t h e H a r d o f H e a r i n g , H u n t s b u r y P o r t r a i t , S u m n e r , T h u r s d a y , W E . A . a n d w e e k - e n d .
T h e o f f i c i a l o p e n i n g w i l l b e h e l d o n t h e e v e n i n g o f A u g u s t 7, a n d t h e E x h i b i t i o n w i l l b e o p e n t o t h e p u b l i c f r o m A u g u s t 8.
LYNN ZYLSTRA -PAINTING AUGUST 21 - SEPT. 6
D I P L O M A F I N E A R T S C A N T E R B U R Y . S a y s ; " I p a i n t f i g u r e s b a s e d o n i d e a s s e e n , i m a g i n e d
o r r e a l i s e d f r o m l i fe d r a w i n g s . M y w o r k d e p e n d s f o r e m o s t l y o n c o m p o s i t i o n , e . g . t h e a n g l e o f a b e n t a r m , t h e l i n e w h i c h d e s c r i b e s it, t h e s p a c e w h i c h e n c o m p a s s e s it a n d t h e s h a p e o f t h e r e s u l t i n g c o n t a i n e d s p a c e . "
RED RUGS OF CENTRAL ASIA 8PM TUESDAY 5th AUGUST
M r A l a n E l l i o t t w i l l g i v e a t a l k o n t h e o r i g i n s o f t h e T u r c o m a n s a n d t h e i r w e a v i n g a n d a n e x a m i n a t i o n o f t h e d i f f e r e n c e f r o m t h e w e l l - k n o w n p e r s i a n r u g s ; s o m e t h i n g o n t h e T a r i m B a s i n a n d r u g s o f Eas t T u r k e s t a n ( n o w t h e S i n K i a n g p r o v i n c e o f C h i n a ) ; t h e i n t e r e s t i n g d e v e l o p m e n t o f t h e p u r e l y T u r c o m a n r u g s o f A f g h a n i s t a n ( m a i n l y S a l o n & E r s a r i ) . M r E l l i o t t w i l l h a v e w i t h h i m s o m e o f h i s o w n r u g s .
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FOUR FILM EVENINGS DESMOND HELMORE PAINTING AUGUST 27 - SEPT. 16 PHILIPPA HUTCHISON PAINTING AUGUST9 - 26
The CSA and W E . A. have pooled their resources to show four screenings in colour of the B B C . civilisation series. The first of these. The Great Thaw was held 25th June. The second."
THE HERO AS ARTIST" Sir Kenneth Clark's personal interpretation of
Renaissance art centred on Papal Rome in the early sixteenth century and filmed in the gardens and courtyard of the Vatican, the Sistine Chapel and the rooms decorated for the Pope by Raphael. Selected works of Michelangelo, Raphael and Leonardo da Vinci are shown.
"They add something new to the European spirit something that neither antiquity nor the great civilizations of India and China had ever dreamed of." Clark. Will be held on 23rd July 8pm, the third.
"THE LIGHT OF EXPERIENCE" Seventeenth century art and thought. "In the seventeenth century light passed through a
crucial stage, the invention of the lens was giving it a new range and power and yet the scientific approach to experience ends in poetry and I suppose that this is due to an almost mystical rapture in the perception of light." Clark. Will be held August 27th 8pm, and the fourth.
SKIN OF OUR TEETH" The ideas and values which for Sir Kenneth Clark give
meaning to the term Western Civilisation. He examines the Dark Ages, the six centuries following the collapse of the Roman Empire. Travelling from Byzantine Ravenna to the Celtic Hebrides, from the Norway of the Vikings to Charlemagne's Chapel at Aachen, the extraordinary story of how European thought, and art, were saved by "the skin of our teeth". Will be held September 24th 8pm. The commentary is by Kenneth Clark.
PETER BRUCE PAINTING AUGUST 20 - SEPT. 3
Born 1953. Says: "In retrospect my last exhibition was a definition
of values and limits. In this, my second exhibition, I am working with these values and within these limits.
Everybody is invited to the opening on Tuesday 19th August at 7.30pm.
Born Takapau. Canterbury University School of Art D.F.A.Hons. One-man shows Napier, Palmerston North, 1964,
1965. Three-man show London, 1968. Benson and Hedges Exhibition, 1972. Work in public and private collections N.Z.: Private
collections England and Gemany. Says: "Aware that Western civilisation over the last
two thousand years has been terrorised by Euclid and all the pseudo-problematical dichotomies that follow him e.g. man versus nature, abstract versus concrete etc., I have attempted to get to the bottom of this by taking the objective cubist line and extending beyond it into fantasy, a less rigid way of looking at things. This latter direction is preferable to the manual circus act of expressionism, and in this respect I have recently become interested in the work of Max Ernst and the post-futurist work of Carra. This may show in the paintings, in which I mainly use the Sumner and Coromandel areas as jumping off points, or it may not.
Born Christchurch. Diploma Fine Arts, Canterbury University. Group shows and one man shows in N.Z. and
overseas. Says: "Direction started in Sea Edge painting, Artists
Garden Exhibition 1974. Rather than being an illustration of the Maori Creation Myth, the paintings use myth as a starting point in an exploration of the interaction of all the elemental forces, earth, air, fire and particularly water an interaction existing in the continuous processes of growth and change we still observe today."
d o n Peeb les neil d a w s o n
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Drovers (Murch ison , 1974) by Phi l ip Temple .
opening csa gallery tuesaay evening fifteen July eight p.m.
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B o r n 1 9 4 9 A k a r o a 16 o n e - m a n e x h i b i t i o n s s i n c e 1 9 6 9 in A u c k l a n d ,
W e l l i n g t o n , C h r i s t c h u r c h , A k a r o a a n d D u n e d i n . W o r k s in m a n y p u b l i c c o l l e c t i o n s . S a y s : " B e f o r e , I t h o u g h t ar t w a s a p e r s o n a l , i n d i v i d u a l
s t a t e m e n t . N o w I f e e l a r t s h o u l d h a v e a p o l i t i c a l o r m o r a l b a s e e . g . a r t s h o u l d n ' t b e f o r t h e p l e a s u r e o f t h e m o n e y e d b o u r g e o i s . It s h o u l d n ' t b e j u s t a n o t h e r a f f i r m a t i o n o f m a t e r i a l i s t i c W e s t e r n s o c i e t y . P a i n t i n g has b e c o m e a p r e c i o u s s t a t u s s y m b o l e v e n w h e n i ts c o n t e n t is a c c u s i n g t h a t s o c i e t y .
N o w t h a t I 'm w o r k i n g o u t s i d e t h e r e s t r i c t i o n s o f t h e c a n v a s p l a n e I f e e l t h e r e is m o r e i m m e d i a c y , m o r e c h a n c e t o s h a p e p e o p l e s l i ves . C o n f r o n t t h e v i e w e r w i t h m a t e r i a l s , e x p e r i e n c e h e / s h e is n o t u s e d t o , e x p e r i e n c e d h e / s h e d o e s n ' t w a n t .
M o s t p a i n t i n g g i v e s p l e a s u r e , s e c u r i t y . It a p p e a l s t o o u r s e n t i m e n t a l b a c k s l a p p i n g c o m f o r t a n d a p a t h y .
I 've a l w a y s b e l i e v e d t h a t a r t s h o u l d b e c r u e l t o t h e m i n d . A r t s h o u l d r e f l e c t r e a l i t y b u t l i k e a lo t o f o t h e r i n s t i t u t i o n s in t h i s c o u n t r y is o u t o f t o u c h w i t h r e a l i t y .
R e a d i n g m o s t s t a t e m e n t s b y N .Z . a r t i s t s a n d l o o k i n g at t h e i r w o r k , o n e is s t r u c k t h a t t h e m a j o r i t y r e f l e c t p e o p l e l i v i n g in l i t t l e i s o l a t e d w o r l d s t h a t h a v e n o t h i n g t o d o w i t h w h a t ' s h a p p e n i n g in t h e w o r l d e i t h e r a r t i s t i c a l l y o r p o l i t i c a l l y .
POTTERY NOTES T h e e x h i b i t i o n o f N .Z . p o t s w h i c h r e c e n t l y t o u r e d
K o r e a a n d C h i n a w i l l s h o r t l y b e o n d i s p l a y in C h r i s t c h u r c h in t h e M c D o u g a l l G a l l e r y , as y e t w e d o n ' t k n o w w h e n , b u t w i l l a d v e r t i s e a c c o r d i n g l y . T h e C a n t e r b u r y P o t t e r s C o m m i t t e e is t r y i n g t o a r r a n g e f o r o n e o f t h e s e p o t t e r s t o c o m e a n d t a l k t o u s a b o u t t h i s t r i p a n d s h o w s l i d e s , a g a i n , a s y e t , w e h a v e n o f u r t h e r a r r a n g e m e n t s .
R e x V a l e n t i n e is o r g a n i s i n g a n e x h i b i t i o n o f e a r l y C h i n e s e , J a p a n e s e , K o r e a n a n d S o u t h - E a s t A s i a n p o t s t o b e h e l d in t h e M c D o u g a l l G a l l e r y in J u l y . H e has , b y a l u c k y c h a n c e , c o m e a c r o s s s o m e e a r l y A n n a m e s e , S w a s s k h a l o k a n d M i n g S w a t o w p o t s o f w h i c h a c o l l e c t i o n is in t h e p r o c e s s o f b e i n g p u r c h a s e d f o r t h e
M c D o u g a l l A r t G a l l e r y . T h e s e w i l l b e a w o n d e r f u l f o u n d a t i o n f o r t h i s e x h i b i t i o n , a n d C h r i s t c h u r c h m u s t c o n s i d e r i t se l f v e r y l u c k y t o h a v e a c o l l e c t i o n s u c h as t h i s in i ts v e r y m i d s t .
T h e C a n t e r b u r y p o t t e r s a r e d e l i g h t e d t o h a v e D o r i s D u t c h c o m i n g t o C h r i s t c h u r c h in A u g u s t as g u e s t e x h i b i t o r a n d s e l e c t o r at t h e i r e x h i b i t i o n . S h e w i l l a l s o h o l d a w e e k e n d p o t t e r y s c h o o l w h i c h is g u a r a n t e e d t o b e f u l l y a t t e n d e d b y C a n t e r b u r y ' s e n t h u s i a s t i c p o t t e r s . W e a r e l o o k i n g f o r w a r d t o m e e t i n g D o r i s a n d s e e i n g h e r p o t s a g a i n , as it s e e m s a b o u t t w o y e a r s s i n c e s h e e x h i b i t e d i n S e v e r a l A r t s .
P l e a s e a l l p o t t e r s , k e e p y o u r g o o d p o t s a n d h e l p m a k e a s u c c e s s o f Y o u r e x h i b i t i o n . N o t e t h e i n v i t a t i o n a n d d a t e in t h i s n e w s l e t t e r a n d t u r n u p f o r a S p a r k l i n g O p e n i n g ' .
D E N I S E W E L S F O R D
M e m b e r s o f t h e C S A a r e i n v i t e d t o t h e o p e n i n g o f t h e C a n t e r b u r y P o t t e r ' s E x h i b i t i o n . T h e C a n t e r b u r y p o t t e r s w h o w e l c o m e D o r i s D u t c h f r o m A u c k l a n d , a s g u e s t e x h i b i t o r a n d s e l e c t o r f o r t h i s y e a r , w i l l h a v e a ' S p a r k l i n g O p e n i n g ' , c h a m p a g n e a n d s a v o u r i e s o n S u n d a y 3 r d A u g u s t a t 1 1 a m . A d m i s s i o n $1 .00
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A FORTNIGHT IN FINLAND B y t h r e e o ' c l o c k in t h e a f t e r n o o n it w a s p i t c h d a r k , a n d
f o r a C h r i s t c h u r c h h o u s e w i f e f l y i n g i n t o H e l s i n k i f r o m L e n i n g r a d in f a l l i n g s n o w it w a s a l m o s t u n r e a l . K n o w i n g h o w c o l d it is in C h r i s t c h u r c h in w i n t e r I d e c i d e d , as H e l s i n k i w a s s o c l o s e t o S i b e r i a , I m u s t d r e s s a p p r o p r i a t e l y . S o b e f o r e l e a v i n g t h e T o l s t o y - l i k e H o t e l in L e n i n g r a d I d o n n e d m y h u s b a n d s s o c k s , m y g r a n d m o t h e r ' s l o n g w o o l l e n p a n t s a n d h e r 1 9 1 4 e r m i n e f u r c o a t w h i c h r e a c h e d m y a n k l e s a n d m a d e s p l i t t i n g a n d c o m p l a i n i n g n o i s e s w h e n I m o v e d . I f e l t s e c u r e in t h e k n o w l e d g e t h a t I w o u l d n o t f r e e z e I n e e d n o t h a v e w o r r i e d . I w a s b o i l i n g b y t h e t i m e I r e a c h e d m y b r o t h e r s f la t d u e t o t h e e x c i t e m e n t o f a r r i v i n g a n d t h e c e n t r a l h e a t i n g w h i c h w a s c o n s t a n t l y s o m e w h e r e b e t w e e n 190.240
M y b r o t h e r a n d h i s w i f e sa i d t h e y u s u a l l y d i s p e n s e d w i t h c l o t h e s w h e n w a l k i n g a r o u n d t h e i r a p p a r t m e n t . T h e h e a t i n g c o m e s t o a l l b u i l d i n g s j u s t l i k e w a t e r a n d e l e c t r i c i t y c a m e t o N e w Z e a l a n d h o u s e s . T h e h e a t is a b y - p r o d u c t f r o m t h e g e n e r a t i o n o f e l e c t r i c i t y .
M y b r o t h e r , A n g u s , w a s w o r k i n g f o r f u r n i t u r e a n d i n t e r i o r d e s i g n e r s , a n d as w e w a l k e d t h r o u g h t h e d a r k s n o w - c o v e r e d s t r e e t s w e p e e r e d i n t o t h e F i n n s ' t i n y f l a t s a n d A n g u s p o i n t e d o u t t h e i r l o v e o f c h a n d e l i e r s a n d b r o c a d e .
I h a d i m a g i n e d e v e r y t h i n g l i k e a g l o s s y m a g a z i n e a p p a r e n t l y m o s t o f F i n l a n d ' s m o d e r n d e s i g n is e x p o r t e d .
S i n c e t h e w a r t h e y h a v e m o u n t e d a b r i l l i a n t a d v e r t i s i n g c a m p a i g n t o se l l F i n n i s h d e s i g n . B e c a u s e t h e i r g o o d s p r o v e d t o b e n e w a n d o r i g i n a l t h e y b e c a m e t h e m a i n s o u r c e o f w e a l t h f o r a b a s i c a l l y t i m b e r a n d a g r i c u l t u r a l c o u n t r y . S o n o w F i n n i s h h o u s e w i v e s p u s h i n g p r a m s c a n g a z e at s h o p w i n d o w s f i l l e d w i t h P e r s i a n c a r p e t s a n d r o c c o c o - g i l t .
T o c o u n t e r a c t t h i s w h e n l o o k i n g at a p a r t m e n t b l o c k s o n e s a w b e a u t i f u l M a r i m e k k o f a b r i c b l i n d s p u l l e d d o w n o v e r w i n d o w s . T w e l v e y e a r s a g o h e r d e s i g n s w e r e v e r y t i n y n o w t h e y a r e h u g e s i m p l e f l o w e r s o f t e n a w h i t e b a c k g r o u n d . T h e s e d e s i g n s s e e m e d a l i t t l e o u t o f p r o p o r t i o n a n d b e t t e r s u i t e d t o h o t e l s a n d t o w n ha l l s .
M y b r o t h e r s w i f e w a s a k i n d e r g a r t e n t e a c h e r a n d p o i n t e d o u t t h e c l o t h i n g t h a t t h e c h i l d r e n w e a r . T h e y p l a y o u t s i d e a l l d a y in m i n u s z e r o t e m p e r a t u r e s . T h e y a l l a p p e a r e d t o h a v e a s m a l l s h o v e l a n d p l a s t i c s l e d g e , a n d I w o u l d h a v e l o v e d t o c r a w l r o u n d s o m e o f t h e i r s n o w w a r r e n s . S e n s i b l y , t h e i r o u t e r l a y e r is a p a i r o f b r i g h t o v e r a l l s , t h e n q u i l t e d p a r k a s . T h e b e s t l a y e r w a s t h e i r i n d o o r c l o t h e s w h i c h w e r e b e a u t i f u l l y d e s i g n e d in c u t v e l i n e o r s t r e t c h t o w e l l i n g j u m p s u i t s in l o l l y p o p s t r i p e s a n d c o l o u r s .
W i n t e r in H e l s i n k i is b l a c k a n d w h i t e . N o p l a n t s g i v e t h e s c e n e r y t h e t w e e d y c o l o u r s w e a r e u s e d t o . E v e r y t h i n g is s e e n a g a i n s t g r e y . b l a c k a n d w h i t e . S o it is n o t s u r p r i s i n g s o m e o f t h e i r l a tes t d e s i g n s w e r e l i k e g r e a s y b l a c k c r a y o n , o r p r i n t e r ' s i n k o r h e a v y p a p e r .
W e v i s i t e d a w e a v e r . S h e l i v e d in a b e a u t i f u l o l d w o o d e n h o u s e w i t h p o l i s h e d w o o d e n f l o o r s a n d h e r
w o r k r o o m w a s in h e r b a s e m e n t . H e r e s h e d e s i g n e d f a b r i c s al l s t r i p s o r c h e c k s in c r i s p c o m b i n a t i o n s o f c o l o u r . S h e a l s o w o v e b l a n k e t s w h i c h s o l d b e s t in A u s t r a l i a ; t h e w o o l f i r s t c o m i n g f r o m t h a t fa r o f f l a n d . I w o n d e r e d if N .Z . c o u l d a l s o e x p a n d its m a r k e t s , as s h e sa i d f e w c o u n t r i e s m a k e g o o d s t r i p p e d o r c h e c k e d b l a n k e t s . S h e h a d t h r e e g r e a t l o o m s o n w h i c h h e r R y a r u g s w e r e w o v e n . T h e r e w e r e s o m e i n t h e t y p i c a l a b s t r a c t c o l o u r s w h i c h e v o k e m e m o r i e s o f t h e i n t e n s e a u t u m n c o l o u r s , t h e m i d n i g h t s u n s e e n t h r o u g h t w i g s , o r o f l i c h e n s o n t h e r o u n d e d r o c k s . I l i k e d b e s t h e r b l a c k a n d w h i t e r u g s . S h e s e e m e d t o h a v e c a p t u r e d t h e s i l v e r b i r c h t r e e s in t h e s n o w , g r o w i n g e v e r y w h e r e s o f t e n i n g t h e b u i l d i n g s w i t h l a c y v e i l s .
O n e c l e a r a f t e r n o o n w e w e n t w a l k i n g o n t h e f r o z e n B a l t i c . L o o k i n g b a c k t o w a r d s t h e l a n d I c o u l d s e e a h u g e s c u l p t u r e v e r y s i m p l e in f o r m w h i c h w a s a w a t e r t o w e r . I w a s t o l d a l l t h e c i t y w a t e r t a n k s a r e p l e a s i n g t o l o o k at. I w i s h e d t h e t a n k s o n C a s h m e r e t h a t I t r y n o t t o n o t i c e h a d t h e s a m e e l e g a n c e .
It is r a r e i n F i n l a n d t o f i n d a p o t t e r w o r k i n g o n h i s o w n . N e a r l y al l t h e p r o f e s s i o n a l s a r e e m p l o y e d b y A r a b i a . T h e W i n q u i s t s w h o h a v e w o r k e d f o r t h i s f i r m f o r a b o u t 12 y e a r s d e s i g n i n g c h i n a a n d t a b l e w a r e , h a d d e s i g n e d a b o u t o n e - t h i r d o f t h e w a r e o n d i s p l a y . T h i s c o u p l e w e r e l e a v i n g t o s e t u p p o t t e r y w o r k s h o p s in S o u t h e r n L a p l a n d as t h e y fe l t t h e y c o u l d h e l p c r e a t e b e t t e r w o r k f o r t h e L a p p s s o t h e y d o n t h a v e t o m a k e j u n k y s o u v e n i r s .
A t A r a b i a t h e r e a r e a l s o s t u d i o s f o r c r e a t i v e c e r a m i c a r t i s ts a n d p o t t e r s . T o m e , t e c h n i c a l l y , t h e y d i d n o t s e e m
Guenter Taemmler
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2 0 6 P A P A N U I R O A D , C H R I S T C H U R C H
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Burberrys O F L O N D O N
The coat with the International Look
S u p e r b l y m a d e u n d e r L icense In N.Z. b y S k e l l e r u p ^ESsr
P.O. B o x 6 6 9 T E L E P H O N E 5 0 - 7 3 5
Uvicke Jones Optometrists 5 1 C A T H E D R A L S Q U A R E
( C O R N E R C H A N C E R Y L A N E ) C H R I S T C H U R C H
H O R I C. C O L L E T T J O H N H. V E A L E F.S.M.C. F .B .O .A . (Hons . ) B.SC. D I P . O P T .
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t o b e as c o n c e r n e d a b o u t s e n s i b l e t h i n g s as t h e N .Z . p o t t e r . T h e y e n j o y e d d e c o r a t i o n e v e n if it w a s n ' t a l w a y s p r a c t i c a l . I s a w h u g e p l a t t e r s w i t h b a n d s o f l i t t l e h o l e s m a k i n g s p o t t e d c i r c l e s . T h e r e w e r e p i n c h e d t h i n g s t h a t t o o k t h e i r i n s p i r a t i o n f r o m d r i e d g r a s s , w a l l p a n e l s a n d t i l es , s o m e h i g h l y s o p h i s t i c a t e d , u s i n g v e r y s u b t l e g l azes , o t h e r s , w h i m s i c a l c l a y r o l l e d p a s t r y t h i n , t h e n d e c o r a t e d w i t h n i g h t s c a p e s . T h e s e w e r e r a t h e r w a r p e d a n d w e r e s t r u n g t o g e t h e r a n d h u n g l i k e l o n g w a n d e r i n g p i c t u r e s .
E v e r y o n e k n o w s a b o u t t h e b e a u t i f u l e n a m e l f u r n i t u r e a n d g l ass t h a t t h i s c o u n t r y m a k e s s o w e l l . It w a s s a i d t h a t o f t e n t h e F i n n s d r e a m u p t h e o r i g i n a l d e s i g n s f o r a g r e a t n u m b e r o f t h e a r t i c l e s t h a t c a m e f r o m S c a n d i n a v i a , b u t t h a t t h e s e i d e a s a r e s o m e t i m e s s t o l e n b y t h e w e a l t h i e r n e i g h b o u r i n g c o u n t r i e s a n d p r o d u c e d as t h e i r s . A s a N e w Z e a l a n d e r I c a n h a r d l y c r i t i s i z e t h i s p r a c t i c e as I k n o w w e h a v e a v e r y b a d r e p u t a t i o n f o r r u n n i n g s l i d e r u l e s o v e r g l o s s y m a g a z i n e s .
T h e g lass t h a t is b e i n g c r e a t e d in F i n l a n d at t h e m o m e n t w a s t h e m o s t i n s p i r e d w o r k I s a w . I l o v e d t h e c o l o u r e d h a n d - b l o w n p i e c e s , t h e y w e r e m u r k y a n d y e t a l i v e , t h e f o r m s h a v e g r e a t s o f t n e s s a n d r e l a t e w e l l t o
t h e c o l o u r s w h i c h s o m e t i m e s l o o k e d l i ke s l i m y p o n d s , o n e c o l o u r f l o a t i n g o n a n o t h e r w i t h a m y s t e r i o u s t r a n s l u c e n c y . O t h e r s w e r e l i ke s e a f o a m o r b e a d e d c h i f f o n . T h e r e w e r e g o b l e t s u s i n g m e t a l l i c e f f e c t s w i t h p u r e o p a q u e c o l o u r , w i t h n o h i n t o f s l i c k n e s s .
I d i d n o t f i n d F i n n i s h c h a i r s s u i t a b l e f o r t h e a v e r a g e s i z e d N .Z . s i t t i n g r o o m w h i c h n o r m a l l y has a f i r e p l a c e t h e y w e r e t o o c o z y a n d h e a v i l y p a d d e d o r t o o s c u l p t u r e d . F i n n i s h a p a r t m e n t s a r e v e r y s m a l l t h e l i v i n g r o o m , u s u a l l y d o u b l e s as t h e b e d r o o m f o r t h e p a r e n t s . G e n e r a l l y o n t w o o f t h e l i v i n g r o o m w a l l s t h e r e a r e d i v a n b e d s w i t h a l o w c o f f e e t a b l e n e a r t h i s as a f o c a l p o i n t p l u s a c o u p l e o f b e a u t i f u l c h a i r s . T h e d i v a n s a r e n o t r e c o g n i s a b l e as b e d s in t h e d a y t i m e . D o u b l e b e d s a r e a l m o s t u n h e a r d o f . T h e F i n n s t o l d A n g u s t h e y h a v e n o b e d c u l t u r e !
M o s t f a m i l i e s h a v e o n e c h i l d . A r t i T a s k i n e n t h e f u r n i t u r e d e s i g n e r A n g u s w o r k e d f o r h a d d e s i g n e d a m o s t i n g e n i u s s l e e p i n g p l a c e f o r h is 1 3 - y e a r - o l d s o n . T h e r o o m h a d a h i g h s t u d s o a u n i t c o n t a i n i n g w a r d r o b e , d r a w s , c u p b o a r d s e t c w a s m a d e w i t h a s t e e p y e l l o w s t a i r c a s e g o i n g u p i n s i d e t o t h e r o o f o f t h e u n i t w h e r e t h e r e w a s a s e c r e t s l e e p i n g p l a c e . H e r e t h e m a t t r e s s
h a d a f i l l e d s h e e t a n d t h e c h i l d s l e p t u n d e r a d r a w e r . O f c o u r s e t h e r e w a s a r e a s o n a b l e r i m s o p e o p l e d i d n ' t r o l l o f f . A r t i h a d a l s o d e s i g n e d a c l e v e r so f t c h a i r w h i c h f o l d e d o u t i n t o a s p a r e b e d .
W h i l e in H e l s i n k i I s a w s o m e S w e d i s h c e r a m i c s w h i c h w e r e lo ts o f f u n . I e n j o y e d a p o t s h a p e d l i ke a b a r r e l w i t h a m o s t a m u s i n g l i d , o n t o p o f w h i c h sa t a b l o u s y w o m a n w h o a p p e a r e d t o b e h a v i n g a b a t h in t h e b a r r e l . A n o t h e r j a r w a s s h a p e d l i k e a f l o w e r p o t a n d t h i s o n e ' s l id h a d a l a r g e f l o w e r f o r t h e k n o b .
S o I r e t u r n e d t o N e w Z e a l a n d s t i m u l a t e d a n d w i t h m o r e c o n f i d e n c e , b u t u n c e r t a i n as t o w h e t h e r s q u e e k s o f e n t h u s i a s i m f r o m a s m a l l h o u s e w i f e c o u l d s t i m u l a t e a g r e a t e r i n t e r e s t in d e s i g n in t h i s c o u n t r y . I a m c o n v i n c e d t h a t w e h a v e t h e p o t e n t i a l g o o d c a b i n e t m a k e r s , p o t t e r s , w e a v e r s , g l a s s w o r k e r s , c a r p e t a n d b l a n k e t f a c t o r i e s , a n d y e t N e w Z e a l a n d m a n u f a c t u r e r s s e e m t o l ack i m a g i n a t i o n . T h e y c o n t i n u e t o p r o d u c e s a f e , o f t e n u g l y , t i n s e l y o r f a k e c o l o n i a l d i s g u i s e w h i c h c a n h a v e l i t t l e a f f e c t t o o t h e r c o u n t r i e s . F i n l a n d has s h o w n h o w a s m a l l n a t i o n w i t h l i m i t e d r e s o u r c e s b u t w i t h a f l a i r f o r d e s i g n c a n m a r k e t i ts p r o d u c t s t h r o u g h o u t t h e w o r l d .
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Pots by Michae l Trumic . The big o n e on the left at the back has been bough t by the McDouga l l Ar t Gal lery. Kei th N ico lson took the pho tograph .