No - meibikai.org · NO.16 NO.577 in the 20th Cenrury ISatsuJ Smithsonian Institution Chris “The...

4
N o.201 2014 La v ie transitoire des formes - U nDatrim oine fLe cflsel M ard a g a culturel r tat d 'eidos flottant" 'A V i e w of Art History" fR e v Josai Univ e rsity V ol . X XVL a n d Soc;etyl 1

Transcript of No - meibikai.org · NO.16 NO.577 in the 20th Cenrury ISatsuJ Smithsonian Institution Chris “The...

Page 1: No - meibikai.org · NO.16 NO.577 in the 20th Cenrury ISatsuJ Smithsonian Institution Chris “The hanga Nakajima of renewal -modern Uhlenbeck orints. 1960j Hotei Publ ishing

N o.201 2014

“La vie transitoire des formes - U nDatrim oine fLe cflsel M ard a g a culturel r tat d'eidos flottant"

'A V i e w of Art History" fRev Josai University V ol. X XV L and Soc;etyl

11

Page 2: No - meibikai.org · NO.16 NO.577 in the 20th Cenrury ISatsuJ Smithsonian Institution Chris “The hanga Nakajima of renewal -modern Uhlenbeck orints. 1960j Hotei Publ ishing

( 1 )

rP lease

No. 17 f

170.17 1

N O.132

|

2

Page 3: No - meibikai.org · NO.16 NO.577 in the 20th Cenrury ISatsuJ Smithsonian Institution Chris “The hanga Nakajima of renewal -modern Uhlenbeck orints. 1960j Hotei Publ ishing

Chris abstract In the art 01 o( renewal: modern U hlenbeck Onchi 1920s to the 1940s" Hotei Publ ishing

)!-

fL O T u sl ‘ Prints 1970s Photographic fPhotograohic Images and T he Im a g es and Matter Matterl Foundation

rFuii Xerox Pr;nt Collect;onJ

N o.16

N o.45

fG NESISI

"Too Far East is West: The Visionary fEast Asian Architectura I Seoul: E A A C A rchitecture Exhibition as a B ackground to History 2015 2015 Organizing Metabol;sm" PrOCeedings! C o m mittee

1 4 M

(190S) 3 0 M

fS A K A T A}

h‘

528. 530. 532‘ 534

.

VOI.10

Vol.10

4 3

Page 4: No - meibikai.org · NO.16 NO.577 in the 20th Cenrury ISatsuJ Smithsonian Institution Chris “The hanga Nakajima of renewal -modern Uhlenbeck orints. 1960j Hotei Publ ishing

N O.16

NO.577

in the 20th Cenrury IS atsuJ Smithsonian Institution

Chris “The hanga Nakajima of renewal - modern Uhlenbeck orints. 1960j Hotei Publ ishin g

"L a construction de I IPerSf)ectiveJ Perspective. IN H A Japon les 馗h a n g e s

(Kuns• und

- J “ Jaoan a n d the Impressionists. T he Col lections s Love for French Painting a n d the Interrelation Fro m to der B undesrep u b I ik

between French a n d Japanese Renoir, E xh. C a tJ D e utschland. Bonn) • München,

Prestel

(1910) Art University of Graduate Student"s Historical Periodisation of 2011-2015 Selected T suk u b a

19 4 0

9 2 - 10 3 1 0 2 9 -

T he Modern H istory of R e a lism in M o d e r n J a p a n e s e Sculprure

H e n r y M o o r e the Artists in the Exhibition: Histories IESSA Y ON S C U L P T U R E J Institute and Biographies

6 7