lizzie osborne

portfolio

ma production design

projects:

1.3.5.7.9.11.13.15.17.19.21.23.25.

2.4.6.8.

10.12.14.16.18.20.22.24.

Graphic desiGn: patternityGraphic desiGn: data patternsGraphic desiGn: shreddieshanGar seven for John lewiswarehouse window displaypersonal: little red ridinG hoodJessie & James photoshootnotonthehiGhstreet.comrice krispies 2meninGitis campaiGnfeature film: ‘adieu marx’short film: ‘boo!’personal sketches

Graphic desiGn: cafe havenGraphic desiGn: penGuin book coverspersonal: paper proJectskaren millen window displayanimation: panadol identsaGe uk campaiGnrice krispies 1tesco commercialshort film: ‘the trap’ambrosia commercialshort film: ‘pavement psycholoGist’short film: ‘the cavern’

patternityGraphic desiGn: print & editorial

‘Patternity’ was a concept created in order to explore the idea of data patterns. A company that explores how data can be used to reflect things about the individual as well as the environment around us.The poster and the ‘Spring/Summer’ Patternity Look Book was created as a graphic prototype. Patterns and images featured are of my own creation.

1

café havenGraphic desiGn: loGo & brandinG

Commissioned to rebrand a café’s logo & branding. I wanted to base my designs around the company’s small budget and green ethos. The stamps are a more economical (& ecological) way of continuously branding their products. And the ‘handmade’ element nicely reflects the independent feel the café has.

2

data patternsGraphic desiGn: print & concepts

These were patterns I created out of collected data over time, like the colour of food consumed within a week. As well as creating personalised patterns for individuals based on age, number of languages spoken, average distance they cover in a day etc. Creating completely unique patterns and shapes with the same colour palettes.I then used these to create prototype products for individuals & homes.

3

penGuin book coversprint, photoGraphy & desiGn

A collectors set of 4 covers for the Alice in Wonderland Puffin covers. The original concept, design, layout & photography was all done by me.I wanted to use the original illustrations in a celebration of the story coming back to life (quite literally, from the pages).

4

shreddies knittinG nanasGraphic desiGn & set dressinG

Graphic design, featured artwork & set dressing for Shreddies campaign. Directed by Pete Salmi.

5

personal workillustration, concepts & photoGraphy

Personal experiments with illustration & photography.6

John lewis set desiGnstylinG & set desiGn for John lewis

Working as a stylist for John Lewis homeware photoshoots via production company Hangar Seven. Shot in studios.

7

karen millen installationconcepts & construction

Commissioned to design and construct a very open ended (that soon turned into a very specific) brief for the Karen Millen flagship store on Regent St. There were eight handmade paper birds in total. Each bird had roughly 1000 feathers and each feather was individually scored by hand. A labour of love!

8

warehouse installationart direction & construction

Commissioned to design and construct a ‘Geometric, Graphic window installation’ for the Warehouse flagship store on Oxford St. The display was made up of lots of individual hand cut paper shapes, and designed to reflect light and cast shadows for dramatic impact.

9

panadol idents for keith lemonart direction & model makinG

Idents for Panadol and the bizarre world of Keith Lemon for his Saturday night show ‘Lemonaid’. Based in a hyper-real lemony world, brought to life through the art of set design, puppetry & stop motion animation. All sets and characters hand made.

10

little red ridinG hoodpersonal work: art direction & props

Self initiated project based on little red riding hood. Prop sourcing & making for handmade and painted set.

11

aGe uk campaiGnprop makinG & art direction

Karmarama’s Age UK campaign. The knitting concept was to represent a past time for the older generation. All knitting (letters & props) made by hand.

12

Jessie & Jamesprop makinG & set desiGn

Props and set decoration for childrenswear company Jessie and James’ Spring/summer collection.

13

rice krispies commercialart department assistant

Buying and Set dressing for Rice Krispies commercial. Working under Judy Farr (The King’s Speech, My Week With Marilyn, Downton Abbey).

14

notonthehiGhstreet.comart department assistant

Buying and Set dressing for Father’s Day commercial for ‘NotOnTheHighStreet.com’. Working under Judy Farr (The King’s Speech, My Week With Marilyn, Downton Abbey).

15

tesco commercialart department assistant

Buying and Set dressing for Mother’s Day commercial for Tesco. Working under Judy Farr (The King’s Speech, My Week With Marilyn, Downton Abbey).

16

rice krispies commercialart department assistant

Buying and Set dressing for Rice Krispies commercial. Working under Judy Farr (The King’s Speech, My Week With Marilyn, Downton Abbey).

17

short film: ‘the trap’production desiGner

Production design, props and set decoration for short film ‘The Trap’. Shot on location in East London. Written & directed by Christopher Granier-Deferre (Hyde Park on Hudson).Film currently in grading. Production stills yet to be released.

18

‘keep watchinG’ campaiGnart direction & set desiGn

Art Direction & Set Decoration for the meningitis ‘Keep Watching’ campaign. Aired nationwide in cinemas.Directed by Andrew Steggall.

19

ambrosia commercialGraphic desiGn & set decoration

Working under art director Ben Smith (An Education, Made in Dagenham). Responsible for featured graphic artwork and set dressing on location.

20

feature film: ‘adieu marx’production desiGner

Production design, graphic design, props and set decoration for short film ‘Adieu Marx’. Shot on location in East London. Directed by Charis Orchard.

21

concept sketches for ‘commune’ interiors

sky one short: ‘pavement psycholoGist’art department assistant

Working under production designer Nick Palmer, I was set dressing and prop hand for this production by Sprout Pictures. Directed by Idris Elba.

22

sky one short: ‘boo!’art department assistant

Working under production designer Nick Palmer, I created sets and graphic art for the Christmas productions by Little Crackers for Sky 1. All sets were made from scratch. Includ-ing complete installation and build of 1970’s house interior, and movie theatre (based on the photographs of the original - see pictured).

23

sky one short: ‘the cavern’ Graphic artwork & set dressinG

Working under production designer Nick Palmer, I created sets and graphic art for the Christmas productions by Little Crackers for Sky 1.All sets were made from scratch. Including complete installation and build of 1960’s house interior, post offi ce and underground club ‘the cavern’ (based on the photographs of the original - see pictured).

24

personal sketches personal observational sketches

A collection of pencil & ink drawings drawn from observation.

25

lizzie osborne

portfolio

ma production design