( / /

newsletter Number Fifteen August 1982 ISSN 0161-1704

Thanks to all who aontributed to this issue of the Newsletter. The Newsletter is an oaaasional publiaation of the MUsia OCLC Users Group. Editor: Sue Stanau~ Musia Library~ Indiana University~ Bloomington~ IN 47405. Communiaations aonaerning the aontents of the Newsletter should be addressed to the editor. Correspondenae on subsaription or member­ship should be forwarded to Joseph W. Saott~ Treasurer~ Musia Library~ U-l2~ University of Conneatiaut~ Storrs, CT 06268. Subsaription is by membership (dues: $3.00 for individual members, $5.00 for institutional members; baak numbers are available for $l.50 per aopy)

* * * * * * * * FROM THE CHAIR

In my last communication I mentioned that the OCLC Users Council had invited the chairpersons of the six special interest users groups (Audio-visual, health science, law, maps, music and schools) to attend it's May 24-25 meeting in Dublin. It was my pleasure to represent the concerns of music OCLC users at that meeting and I was grate­ful for the opportunity to be in touch with our other special interest peers.

Not surprisingly, we all share certain organizational concerns as well as similar OCLC problems. A-V, law and maps are all "on-line" users groups that serve the interests of RLIN and WLN users as well as OCLC members. Law is the only one of the six groups that is officially allied with a professional organization; health science and maps have both held recent meetings at OCLC's new headquarters building in Dublin. Everyone seems to have had trouble with prompt loading of tapes--there was a general tendency to lobby OCLC for better scheduling of tape loading activity. (It seems to me that we are well advised to keep an eye on these developments in light of the forth­coming implementation of the MARC Music format at LC) Many of the groups are await-

ing the implementation of ENHANCE as expec­tantly as MOUG.

The Users Council meeting was fascinat­ing in its own right. The "legislative" structure of the Council was frequently emphasized to the special groups. MOUG would do well to be certain that music prob­lems are reported to OCLC via our networks as well as through MOUG, since almost all of the representative advisory bodies are made up of persons appointed or elected by the networks. All in all the "mutual aware­ness" goal of the Users Council's interaction with the Users Groups was well met. I'd like to take this opportunity to thank the Council publicly for its invitation to what was a most beneficial meeting.

Turning now to current activity, I'd like to draw attention to a project of the NELINET Music Users Group to update to AACR2 form all the uniform titles for individual Vivaldi instrumental works in the OLUC. This project is currently in the planning stages and the Group hopes to implement it later this year. Interested people can learn more by contacting Philip Youngholm (Greer Music Library, Connecticut College, New London CT 06320) Coordinator, NELINET Music Users Group. Elsewhere in this issue is the latest annual cumulation of OCLC record numbers for

2

analyzed sound recordings from the OMRAC libraries. Our thanks to Rick Jones for the fine work of this group. Also notable is the treasurer's membership report showing personal membership at an all time high!

Finally, work continues on the program for our next annual meeting in Philadelphia. Persons with ideas for the program, as well as those willing to help out, can contact Tim Robson, Continuing Education Coordinator.

--Richard Smiraglia

FINANCIAL REPORT

lst Quarter 1982

Balance end of 1981:

Income lst quarter: Meeting (1982) Memberships Back issues Interest

Total income:

2820.00 1064.00

0.00 29.74

Expenditures lst quarter: General 274.72 Newsletter 241.46 Meeting (1982) 2027.45

Total expenditures:

Balance end of lst quarter:

2nd Quarter 1982

Balance end of lst quarter:

Income 2nd quarter: Meeting (1982) Memberships Back issues

Total income:

Expenditures 2nd General Newsletter Meeting

30.00 517.00

0.00

quarter: 148.32 335.31

0.00 Total expenditures:

Balance end of 2nd quarter:

1255.93

3913.74

2543.63

2626.04

2626.04

547.00

483.63

2689.41

MEMBERSHIP AS OF AUGUST 1982 Personal 201 Institutional 217

TOTAL 418

--Joseph W. Scott Treasurer

MOUG EXECUTIVE BOARD: 1982-1984

CHAIRPERSON Richard P. Smiraglia Music Cataloguing Section University of Illinois at Urbana-Champaign 2136 Music Building 1114 West Nevada Urbana, IL 61801

VICE-CHAIRPERSON/CHAIR-ELECT Joan Swanekamp Co-Head, Technical Processing Sibley Music Library The Eastman School of Music University of Rochester Rochester, NY 14604

SECRETARY/NEWSLETTER EDITOR Sue Ellen Stancu Sound Recordings Cataloger Music Library Indiana University Bloomington, IN 47405

TREASURER Joseph W. Scott Assistant Music Librarian Music Library, U-12 University of Connecticut Storrs, CT 06268

CONTINUING EDUCATION COORDINATOR Timothy P. Robson Music Librarian Kulas Music Library Haydn Hall Case Western Reserve University Cleveland, OH 44106

3

CHOICE OF MAIN AND ADDED ENTRIES

Many music publications are issued as collections. Access to the works in these publications is possible by making name-title analytical added entries. These added entries are particularly valuable for sound recordings, as LC is no longer making "with" notes.

The rules for making added entries and choosing a main entry are in chapter 21 of AACR 2. Those relating to collections in general are 21.7B-21.7C and collections that are sound recordings are 21.23B-21.23D. The Library of Congress has issued a series of rule interpretations of these rules in MCB 12:7, 2-3 (CSB 13, 20-22), MCB 12:10, 2 and MCB 13:1, 6-7. (MCB refers to Music Cataloging Bulletin followed by volume: issue, page number. CSB refers to Cataloging Service Bulletin followed by issue number, page number)

1. Scores

No more than 3 name-title analytical added entries are permitted for scores.

If all the works are by l composer:

For l-2 works: Enter under composer-uniform title for the first work. (25.7) Make an added entry for the second work.

Joplin, Scott, 1868-1917. [Sun flower slow drag] Sun flower slow drag ; Maple leaf

rag I by Scott Joplin. Added entries: Joplin ... Maple leaf rag.

For 3 works: Enter under composer-uniform title appropriate to the

whole item. Do not make composer-title added entries.

Franck, Cesar, 1822-1890. [Organ music. Selections] Piece heroique ; Priere Pastorale I

Cesar Franck. Added entries: none.

For 4 or more works: Enter under composer-collective title appropriate to the

whole item. Make added entries according to Music Cataloging Decision

25.35-25.36 in MCB 13:1, 6-7, which allows for it to be divided into no more than 2 groups.

Scriabin, Aleksandr Nikolayevich, 1872-1915. [Piano music. Selections] The complete preludes and etudes :

for piano solo I A. Scriabin. Added entries: Scriabin Preludes, piano.

Scriabin ... ~tudes, piano.

4

Chopi~, Fr~d~ric, 1810-1849. [Piano music. Selections] Forty piano compositions I F.

Chopin. Added ent~ies: none.

If there are 2 or more composers:

For 2-3 works: Enter under collective title. (21.7B) Make added entries for each work.

Songs and rhythms for children. Contents: Bananas in pyjamas I C. Carey -­

The Congo jive I P. Paviour -- An Elizabethan songbag I L. Raebeck. Added entries: Carey ... Bananas in pyjamas.

Paviour Congo JlVe. Raebeck ... Elizabethan songbag.

If there is not a collective title, enter under composer-uniform title for the first work. (21.7C)

Make added entries for the second and third works.

Rorem, Ned, 1923-CThe silver swan] The silver swan I by Ned Rorem.

An old song deranged I by Charles Ives. Added entries: Ives ... Old song deranged.

For 4 or more works that a r e entered under more than 3 different headings (RI 21.7B-21.7C):

Enter under collective title. If there is not a collective title, enter under

composer-uniform title for the first work. Do not make composer-title added entries.

The Joy of ragtime of classic piano by Denes Agay.

Added entry: Agay.

: a graded collection rags I selected and edited

(No contributors named in chief source)

For excerpts from a single work, see 3. below.

2. Sound recordings

As many as 25 name-tit l e analytical added entries are permitted for sound recording collections. The provisions outlined below do not apply to recordings of pop, folk, ethnic, jazz, or multipart items that are not yet complete.

If all the works are by l composer:

For l-2 works: Enter under composer-uniform title for the first work. (25.7) Make an added entry for the second work.

Crumb, George. [Ancient voices of children] Ancient voices of children ; Black angels

[sound recording] I by George Crumb. Added entries: Crumb ... Black angels.

5

For 3-5 works: Enter under composer-collective uniform title appropriate

to the whole item. (RI 25.35-25.36) Make added entries for each work.

Buxtehude, Dietrich, 1637-1707. [Cantatas. Selections] Four solo cantatas [sound recording] I

D. Buxtehude. Contents: Mein Herz ist bereit --

0 Gottes Stadt -- Herr, ich lasse dich nicht -- Ich suchte des Nachts. Added entries: Buxtehude Mein Herz ist bereit.

Buxtehude 0 Gottes Stadt.

For 6 or more works:

Buxtehude Buxtehude

Herr, ich lasse dich nicht. Ich suchte des Nachts.

Enter under composer-collective uniform title ~ppropriate to the whole item.

Make added entries according to Music Cataloging Decision 25.35-25.36 in MCB 13:1, 6-7, which allows for it to be divided into no more than 5 groups or individual works.

Chopin, Frederic, 1810-1849. [Piano music. Selections] ttudes and waltzes [sound recording] I

F. Chopin. Added entries: Chopin

Chopin

If there are 2 or more composers:

~tudes, piano. Waltzes, piano.

If there are 1-3 principal performers: Enter under principal performer if RI 21.23C-D in MCB 12:1,

1-3 (CSB 13, 22-24) applies.

Walters, Jess, 1908-Jess Walters sings classic

folk songs [sound recording]

If there are 4 or more principal performers: Enter under collective title.

If there is not a principal performer: Enter under collective title.

If there is not a collective title: Enter under heading appropriate for the first work.

Make composer-title added entries for each work. Treat each work as though it is the only work of the composer in the collection. For excerpts from a single work, see 3. below.

6

3. Excerpts from 1 work in collections containing works by 2 or more composers (RI 21.7B-C)

This provision can be applied to scores if it does not result in more than 3 added entries, or it can be applied to sound recordings if it does not result in more than 25 added entries.

Collections entered under collective title:

For 1-2 excerpts: Make an added entry for each excerpt.

For 2 or more excerpts numbered consecutively: Make 1 added entry using the consecutive numbers.

Brahms, Johannes, 1833-1897. Ungarische Tanze. Nr. 5-6

For 3 or more unnumbered or nonconsecutively numbered excerpts: Make 1 added entry for the work followed by "Selections."

Puccini, Giacomo, 1858-1924. ~Madama Butterfly. Selections

Collections without a collective title:

For 1 excerpt: Enter the collection under the excerpt or make an added

entry under it, as appropriate.

For 2 or more excerpts numbered consecutively: Enter the collection under the excerpts or make an added

entry for them, as appropriate, by using the consecutive numbers. See example above.

For 2 unnumbered or nonconsecutively numbered excerpts: Enter the collection under the first excerpt and make

an added entry for the other excerpt, or make an. added entry for each excerpt, as appropriate.

For 3 or more unnumbered or nonconsecutively numbered excerpts: Enter the collection under the work f'ollowed by "Selections"

or make an added entry under it, as appropriate. See example above.

4. Librettos and song texts

Librettos and song texts are entered under the composer and an added entry is made for the librettist. (RI 21.28A)

Britten, Benjamin, 1913-1976. [Burning fiery furnace. Libretto] The burning fiery furnace : second parable

for church performance / by Benjamin Britten ; libretto by William Plomer. Added entry: Plomer, William, 1903-1973.

7

If however, a libretto or song text is published without reference to its musical setting , enter it under the heading for the author .

5. Added entries for performers

Make added entries for all performers named on a sound recording following RI 21 . 29D in MCB 12:11, 2- 3 (CSB 13 , 25- 26)

6. Order of added entries

Give added entries in the following order: (RI 21 .19 in MCB 12:7, 3 )

1 . Personal name alone 2. Personal name followed by title 3 . Corporate name alone 4. Corporate name followed by title 5. Uniform titles (refers to works entered under title) 6. Titles traced as Title- period 7. Titles traced as Title-colon, followed by a title 8. Series

OMRAC REPORT: Part I

--Judy Weidow Music Cataloger University of Texas

at Austin

The following list of 303 sound record­ings and 21 scores, each of which has been fully analyzed, represents the work accom­plished during 1981 by the OCLC Musical Recordings Analytics Consortium (OMRAC) Sound recordings are arranged alphabetically by manufacturer ' s label and scores are ar­ranged by composer or collective title.

Participants in OMRAC include music librarians and catalogers at the following institutions: University of Wisconsin­Milwaukee , Oberlin College Conservatory of Music , University of North Carolina at Charlotte , University of Washington, University of Illinois at Urbana- Champaign , Indiana University, University of Wisconsin­Madison , and Sibley Library, Eastman School of Music. For information concerning this list contact: Richard E . Jones, Coordinator, OMRAC, UWM Library, P . O. Box 604 , Milwaukee WI 53201. (Note : For the OMRAC report of items analyzed during 1980 see MOUG News­letter no . 12)

8

Abber LPM 753.

Ac:larnce !'GR1 FG~

Brittn& Church -ic. (78-760598) 4241455

Contrabau by Bertru '1\aretzlq. (R65-36~) 4059990 Solo Clarinet by Phillip Rehfeldt (R65-3641) 5853.50

Allegro 1549 ,149 ALG ~42

Racbaaninoff, piaDo A panorau of Aaerican orcheatral. IIUIIiC Chopin recital

Allesro Claaaica AL 32 Baxteht4e: Four cantatas

AUegro Royale 1.577 Mikloa Schwalb, pianist

Angel 35065 Val ter Ginekin« playa Debu .. y 35488 Sou•enira ( R59-1853) 35498 Dwt8Chaeieter Band of Austria (R66-304) 35628 Spanish piano IN.8ic 35938 Can'o• de eapafta COLH 116 Opera ariu (61-259) S 35971 The fabulous Victoria de loe Angeles S 36713 The irrnerant inspiration of Erik Satie

(75-751?02) Baroque-sacred and profane A celebration for harp Mirella Fr•i (77-750557)

7681460 7589?02 7758962

4021207

7?61883

3728299 6550050 4054710 6044436 3477318 4094491 5996518

,509683 2996583 7633449 6119759

S369()4 s 37334 s 374!t6 s 37546 s Yl738 SQ Yl229 sz 37590

Victoria de loa Angel .. in concert Couperin: Pieces tiD concert Bach ariu The Spanieh alba

(79-750349)5753858 7367266 3551086 7010131

Arch Recorda -- SEE 1750 Arch

Archi• Production 2533 054

2533 325 2533 448 ARC 3038 ARC 3061

Argo ZRG 662 ZRG 5440

Audio Treasury ABC/A'l'S 20004

Avant AV 1008

Bach Guild BG 570-71

Birenreiter/Mueicpbon BM 30 SL 1909

Barclay 69.435

BASF KBF 21491

Bell Laboratories BTL 7901

Brewater BR 1203 BR 1204

Kaabaut:Meeee de Notre O..e ' Balladen, Rondeaux, Virelai

Couperin: Pieces de cla•ecin Bach: Trioaonaten Purcell: 5 secular songs (R57-42) Mozart: 12 songs and 2 coaic enaeeblee

(R57-2!t6)

0 eacrua con•i•iua Britten: Ceremony of carole ••• (73-761757)

Be•erly Sill• ainge Wolfgang Aaadeua Mozart--

418o563 424??17 790197~ 4877306

3989521

3243185 4251486

Richard Strauss 29503~

The perilous night

Homage to Henry Purcell

Franzaeiache Blockflottenaonaten

Brel: Cea ~n• la

Peter Andere, tenor

Early hi-fi

The American .saxophone (79-75268o) Music for tenor saxophone (72-752681)

7017254

7537395

5584899

6728911

4256573 5111369

9

Calliope CAL 1850 Gounod: Melodiea 71.50189

Caabrid«e CBS 2?15 On tbe road to Mandalay ' other !aYorite Aaerican concert eonge !rc. 1900-1950 (72-750'716) l'+l+J+56

CBS Maatervorka M36?05 Mllrray Perahia pla1• Bartok 7818821

CBS Recorda L2X 35198 Dancer'• choice 5985349 P 10 15380 Liaten. Side 1 79~3301

Liaten. Side 2 7941672 Liaten. Side 3 7~9612 Liaten. Side 4 1949659 Liaten. Side 5 79~141 Liaten. Side 6 7952831 Liate. Side 7-8 795'+646 Liaten. Side 9-10 7955318 Listen. Side 11 7958271 Liiten. Side 12 7958304 Liaten. Side 13-14 7958358 Liaten. Side 15-16 7958508 Listen. Side 17-18 7960865 Listen. Side 19 7959674 Liaten. Side 20 796081~

Cbandoa ABR 1002 Straus•: Muaic !or a,.phonic braaa • • • 7888o85 ABR 1018 Rubbra: S78Pbon1 no. 5 • • • 788o3'79

Claaaica Record Library SQM Bo-5731 The Cbaaber Muaic Societ1 o! Lincoln Center

Cl\111 99 CL 99-34 Marcel Joaret, buao

Coluabia D3M 32321 Six London ~honiea (73-7.50381) M 31124 StraYiDalq conducta StraYin~ (70-750757) M.2X 795 The jo1 of auaic 1«1 30087 The Lotte t.l1a al baa ML 57o6 O.erturea E 6567 Debuu1 for piaao (R6~-1019) MS 6971 Waper abovpiecea (67-26~) MS 6993 More greateat hiat (67-2939) MS 7212-14 -- SEE M2X 795 MS 1211 Muaic of WilliM Billinp (R68-3~, SL 201 BHtboYen:So-.taa for 'cello ' piano

Coarpoaera Recordinp ClU SD 288

Connoi•.ar Societ1 CSQ 2058-59 CSQ 2065 CSQ 2066 CSQ-''70

Coronet 1713 U~JI( 3186

Cr .. t MEM ~81

New auaic for piano

Gr• t bi ta 1CN played vhen Jpa vere 1oug Gr•t hita 10\1 played vh• 10U vere 1oung, Gred bits 1t:IG played vhen 1011 vere roung, Wanda Villcc.Uaaka

Conteapo~ flute aoloa 1\lba .oloa

MDC iD MLPS

6?02393

7508035

4699013 3021723 3219759 3531021 30'75857 3105605 784<>914 7689078

3113311 ~12134'+

1o62099

~165~51 3 4308389 .. 4308365

~,.7913

438491~ 41398o2

m1211

Da Camera SM 92'706 Decca SXL 6738

Dept. of the Ara'1 FPV 75952

D .. to DC 7102.03

Deutsche Gra.aophiD 2530229 2530 504 2530 634 2530 921 2530 9'19

10

J. ,s. Bacia und seine Schuler

The art of Bau Hotter, •. 2

A patriotic salute to Yorktown

~aic by Black co.poaera

Lieder nach Texten •on ••• Goethe CanciODea eapa!olaa ·(75-761735) lilla-Lobos: Kla•iel"'IUaik Aaerican choral IIUaic of the 20th century Handel: Arien (79-760502) Gi tarr..aaik

7515120

7399992

7798477

2755034

2315216 3298043 3370566 508'+835 5166794 71034!t6 2531 113

256, 287-89 2721 (179 SLPM 138 897 SLPM138934 SLPM 139 031 SLPM 139 107 SLPM 139 197

-- SEE 2721 079

Discopaedia MB 1005 MB 1007 MB 1008 MB 1016

Donemua CV 7093

cv 8oo2

Schubert: Symphonien Mahler: KiDdertotenlieder ••• (:&64-2760) Beetho•n: Bagatellen Opern-Interaeszi (:&68-804) Schubert& Vierhin4ige na•iei"'IIWWik Beethoven: Lieder (R64-734)

Maud Povell. Vol. 1 Toeehe Seidel. Vol. 1 Ef~ Zt.balist. Vol. 1 Ruggiero Ricci. Vol. 1

Anthologr of Dutch electronic luaic. Vol. 2, 1966-1971

Netherlanda Saxophone Quartet

2869893 3332625 5419796 3944949 4586287 28'+9553

7586482 7001622 7002164 6467286

Dorado -- SEE UCLA Latin American Center

EMI 1C o6 3 30939

1C 056 45616 CSD 3783 HQS 1261

Erato STU 71266 STU 71279

Everest SDBR 3173 SDBR 3195 SDBR }Z61

SDBR 3287

Folkways FTS 31021 RBF 30

Gaaparo GS 202 GS 206

Genesis GS 1004

Golden Crest CR 4o?1 RE 704 RE 70Yl

Canciones 1 danzae: Lieder und Tinze der Cenantes-Zeit

Pfitzner: Geaange Five part-songs from the Green anthology Schubert: Lieder

6609662 6976160 5462992 7496254

The nouveau elavecin Danaea & chansons di XVIe siecle

Great -sters of the Italian baroque The virtuoeo guitar Bach: 'lbe genius of Andrea Segoyia

Spanish guitar recital

Doe Watson fui~

7487859 7408798

(R68-973)2959939 3244o87 3?35795

AND 73354o 711278o

AND 5394332

Syncopated i11pressions of Bil~ Map~l 7382599 76o1699

250tb ca..•oration of Marin Marais Auatria court auaic, 16&:>-178o

Vigne,tes of old a&uia ( 73-751924)

Igor Kipnis, harpsichord Gene Reynolds, trumpet Paul Brodie, aaxopbone; • • • <7S:.7630~)

6351~5 686oo65

3470876

4765612 3278381+ 2648990

11

Baraonia Mundi BM 958 Muaique a laucour de Dresden BM 1oo4 Bandel: Vocal muic HM 1026 Fischer: Le pa.rDaUe auaical BM 1032-33 Un concert apirituel

Heritage Militar,r Muaic Foundation BMF 1002 Civil Var llilitary band INaic BMF 1003 Muaic for the President HMF 1005 Rally 'round the nag HMF 1006 Cheer, ~·, cheer

Bia Master's Voice OALP 7534 OELP 7673

Gr•t tenore of the ceotuey Operatic ariu

Historic Recordings Enterprises BRE 24 3-2 Gala opening of La Scala

Hoe PDM 406 PDM 411 PIJ( 500

Beri tage of the urch. Vol. 29 Heritage of the march. Vol. 31 Heritage of the march. Vol. 30

Japan Federation of Co11poeere R 620020 Japan••• co.poaera P 620021 Japanese ca.poaera

The roaantic Yioltn (72-750243)

364oo76 5~7V 7377671 7097262

7129577 5983582 5983591 712941?

799288o ?893569

6442918

4<>31697 4850928 6159602

7695419 768488o

5035341 Klavier KS 504

London CS 6~ French oYerturee 73940?2 cs 63lt6-6o cs 6418 OS 25232-33 OS 26153 OS 26207 OS 26391 OS 26618 SPC 21149

S'l'S 15241

LouiSYille Orchestra LS 772

Lyrichord LLST ?1 ~

Mirror Muaic 00005

MPS 88-011-12

Murr~ BUl S4194

Mozart: Coaplete vind waic 2191183 Pas de deux 6248o92 The art of the prima donna (73-762152) ?668?39 J••• King in operetta and song (?4-?63898) 3571746 Ten famous tenore, ten famous ariu(72-?65018)6186999 PaYarotti iD concert 3268457 Arie antiche 6698673 Bernard Hel'llann conducts gr•t Britiah f'la

a corea The orgu at Ch•ter Cathedral

Erb: Spatial fanfares, etc.

20th centur7 Frenck orsan auaic (76-761525)

Liebe und Minne

Reiche: '--tennaik fur Bluer

The autera of the guitar. •tord 1 The aaatera of the pitar. Record 2 TJ(e -·t•re of the suitar. Record 3 'l'be aaatera of the guitar. Record 4A The aaatera of the pitar. Record 4B The Matera of the pitar. Record 5 The ... tera of the pi tar. Record 6A The .. atera of the guitar. Record 6B The ... tera of the guitar. Record 1

3316?59 37lt6172

?510616

31378?6

?848262

7072568

7510858 ?510994 7511o81 ?511196 ?511379 7511451 7511995 ?511652 7511779

12

Musical Heritage Society MRS 8?0S Music of lo~e and friendship (R68-3145) MRS 1139 Salon .usic (72-752100) MILS 1~ I~es: Vocal aul'c (74-752695) MilS 1491 Chria..._. in St. Peter'• Church, lluburg

MRS 151? MRS 1653-54 MRS 16?5 MRS 1?25 )liS 1?30 MHS 1854 MHS 188? MRS 4<>92 MRS 4126 MRS 4132 MRS 4226 MRS 4265 MRS 4318 MBS 4320 Ilia 4339 MBa 8~293

(72- 750793) Beetho~en: Orsan auaic (72-751042) Israeli coapoeera Music for flute ud harp (73-750649) Edo nqello, bau (73-750893) An Alicia de Laroccha recital (73-750896) Flute encore• (74-750053) The art of the buaoon (72-?503it<>) Bull: EDgliah ~irginalt.ta ?9-?50689) Pektas recital (79-750814) Geeualdo: Sabbata NDcto (79-?50842) Schutz: Mehrchorige gei**liche Konzerte Muaic for double bue C&>-?50429) Mozart: Vocal du•**• trios, etc. (Bo-?50686) Finzi s Choral aueic ( &>-?50689) Mu•ic for nute and piano (Bo-?50?93) V eracini: Nine aonatae for ~iolin and

baeeo continuo (8~?50590) MRS 824311 Oistrakh, ~irtuoeo ~iolinist Hk>-?.5068o)

Mueicaphon SEE Birenreiter/Mu•icaphon

New World Recorda NVR 214 NVR 255 NVII ,:>5 NVR 310-11

Nonesuch H ?1096 H ?11o6 H ?1121 H ?1133

H?HJ7 B ?1246 K 71318 H 71320 H 71328 H 71344 B 713?4 BC ?30~1 HE ?3001

Odyuey Y 31?36

y 31?3? y 326?5

Partch: The roee (?8-?50530) Make a joyful noise ( 78-?50521) WUliaa Parker (Bo-750073) Griff•: Collected piano work• (81-?50210)

Haydn: S~phonies no. 39, 3 & ?3 (866-28?) Haydn: Syaphonies no. 54, 34 & ?5 (866-473) Haydn: s,.phoni•• no. 13, 64 & 2:7 (R66-1o65) Stra~ineky: Lee nocee and other vorka ·

(R66-1589) Bach: Lute auaic (R66-2039) Xenakis: Electro-acoustic music (?6-?63546) Haydn: Piano sonatu (?5-?50?60) Schubert: Songs ( 75-750862) Haydn: Piano auaic. Vol. 2 (76-?50536) Haydn: Piano INsic. Vol. 3 (?5-?50536) Antheas ad songs of praise (?9-?50555) Six Pari• .,.phonies (R6?-83) Bach: Complete concerti for harpeichord

Salfttor~~c~e, bauo buffo of the centur.r (?2-150593)

Dorot)lt Kirsten ( 73-?50952) Ljuba Weliteeh (?30750?81)

!J143000 3146338 3139844

3302661 3050056 3'+04119 552??83 6}4(Ym 3351331 2:720050 2?14815 ?51~30 ?434293 ?339108 ?524869 ?2641f1 ?4?10'74 ?69'7043 ??00858

190617? ?3?0517

4555?18 4541473 6631308 7?20863

4455390 598?682 3553504

530796 6124939 3133621 2852?26 . 3338544 3131164 3621258 ?601653 3508945 683?566

5379123 5346?83 2980'719

Oiseau-Lyre DSLO 504 DSLO 535 DSLO 54? DSLO 566 DSLO .569

Orion ORS 77268

Parnaaee

13

Purcell: Theatre .. eic. Vol. 1 (?6-??6351) Beetho*en: Sonp Cariuilli: lisht cantatas Byrd: May Ladye NeTelle booke Holborne: Dance•

Mozart: Fifteen eongs ( 77-750072)

62 528 (62 529-530)UnTerse .. ene Sti•en: die sroaaen Tenore

Peters International PLE 132

PhUipa 8o2 817 LY 6500 oo6 6500 623 6747 003 9500 098

Pop Hi te P 13893

Tudor anthft8

Schubert: Fantaaie ••• Elly Aaelio« singe Mozart Handel: Laerezia c etc.l (74-762547) Chopin: Complete works for piano & orchestra Frederica Ton Stade eonga Mozart-Roeeini ·

opera arias

Ear tiendiDg

Pro Arte 2PAL-2004 Mozart: Co11plete flute concertos

Radio Canada International Atc.p. Cler.ont Pepin A/J.c.p. Jean Papineau-Couture A/M.S. R. Hurray Schaker RCI 298-301 Music of today RCI 4o6 Fantini: Six eonatu RCI 464 Bruce Mather/Pierre LePage c13386-91J Serge Garant

RCA Cuden CAL 518 Italian classical arias (71-765~0)

RCA Red Seal,l ARL1-1491 ARL1-3777 LCC .5000 LRL1-5131 LSC 3233(e) vcs ?061

RCA Victor F 20 L 6920 LBC 1o66 LC 2560 LDS 2560 liM 1a269 LH 1335 lJ4 2372

lJ4 2628 LH 2712

LSC3259

LSC 7042 VSC 7068

Dowland: :Wte IIUsic (77-76o178) French flute concertos Rachmaninoff'• sreateet bite (72-752054) The •agic flute of Juee Galway (78-761513) Heifi tz encores Opera gala ( 74-750788)

Critic'• choice Chopin: Nocturne no. 19 ••• The golden age of lute IIUaic (R61-2120) The golden age of lute IIW!Iic (R61-1261) BjarliDg in opera (R59-317) Finl.andia (R58-1542) 50 years of great operatic eingaiD:

tenore ( B6o-20 1) Great loTe dueet Scmga by Schubert, ScbuJDaDD, Brahu, Strauaa

candJ Jla7dD (B64-397) Franz Lielt'e greatest hits of the 1850'•

(77-752957) Nev music !or piano (B66-1Z77) Fiedler's !aTorite marches (?6-751650)

33719.58 513812? 7,S9834 7614209 6641461

~581659

6871607

2978783 41281Y. 3249?99 3436430

3366201

3783263

7?06250

7659962 2632662 7700733 6051339 7142596 7?06474 7659962

3536662

3030908 7523131 4~2 433498o 7116230 40941+69

56678o 3092536 46?0639 4395099 4525142 4303828

5951692 7984031

3646o92

2943389 6190364 2957191

RCA Victrola KR 11014 nc 1430

VIC 1458

VIC 1492 VIC 1507

VICS1621

Reflection RR 0103

Seraphim 60120 60168

60182 60206 60219 s 60087 s 60323 s 60334 SIB 6083

Serenua S.R.S 12W7

1750 .Arch 1776

14

Juui Bjorlin« in open Caruso: t..ortal perforuncea, 1904-1906.

(72-750269) A nev ~und fro. the Japanese Bach scene

(79-750493) o raTiahing delight (78?75111to) Rosa Pouelle u Horaa and other r-aua

heroines SchUJDil!Ul: fanfares & fantasy pieces

(79-7521?5)

Stephen Preston collection

The art of Joseph Schmidt (7?-?62856) The art of Juaai Bjoerling"

(?6-?64535) The art of Fritz Kreisler (RS5-436) Gr•t tenore of the century The art of Juaai Bjoerling, ilbum 2 A aoat unuaual song recital (?7-760433) 0 aiatreea aine (?9-762249) Mozart: Ionge (8o-?61019) Janet Baker sings Schubert

'lbe IIUaic of George Walker

Purcell: Songs and ground a

7984o82

4648983

64lt969~ -4o64231

6477521

6202902

?488904

486.3965

41o6548 6404619 lf186093 4165659 -9<)4613

5981174 7143687 3152491

Sine qua non KS 5001 Music of tbe aedinal era

4086710

7317266

5512181

Smithsonian Institution N 004 DuPhly: Music for harpsichord 4106'+17

4837364 5301964

N 005 Orcheatrion R 017 The auaic of 'Victor Herbert

Spectrum SR 134 TaJNl: ElectrQ/acouatic 784o182

7382554

5010823

Sunbeam SB 1'+1

Supraphon 1 13 1323

Telefunken 6.42126

6.42230 6.'+2335 6.'+J3$8 '+.'+2425 AW 6.1+2350 SAWT 9618

Titanic Ti 51-52

Toshiba TA 7~}-44

Turnabout TV 34058S 'l'VS 34654-,5

BeDJ11 Good.llan's boys vith Jia and Glenn

Concerto groaao per aette Yoci

Chansons der Troubadours: Lieder und Spieta..t~ au d• 12. Jahrhunderta 70?6?33 .

Ludwig Streicher epielt Botteaini 7?00792 Italieniache Blockflotenauaik 6299908 StraTinak;y: KlaYierverke 7614209 Originalinatruaente: Pianoforte 58859'77 Lieder'"'-SoqiPIMelodiea 5966504 Handel: Co newt i 3589966

Haydn: Keyboard sonatas

East11an Wind Ena•ble in Japan

Muaio of the early Renaissance Wagner: Piano auaic

6988567

?700890

. ·!583355 4~314

15

UCLA Latin Aaericu Center (El Dorado) S-1 A feeti?al of early Latin Aaerican .uaic

(?5-6~1)

United States A1'111 -- SEE Dept. of the Arfl1

United State• Air Force USAF 1200?8 United Statea Air Force Strolling Strin«a

United Statea Marine Corps MJBRB 3002 United Stat .. Marine Bud on tour

Unique Opera UORC 103 Roaeini tenon

Uni?ersit1 of California at Los Abgelee -- SEE UCLA

Uni?ersit1 of Illinois 91 Univenit1 of Illinois SJMphonic Band II

Univerait1 of South Carolina AS 100 Ha7dn b7 Dudley

Universit1 of Wisconsin-Milwaukee

Urania US 51~

Vanguard VCS 1oo45 YBS 489-90 VRS ?9237 VSD 71257, ?1V3-74

VSD 79429

Vox QSVBX 5144 SVBX 5123-24 SVBX 5148 VBX 425-427

World Recorda WCR 1 19.56-59

World Record Club 3145

Benson Locaia, Countertenor

An evening at Tovn Hall with Mildred Dilling ud her harp

Baroque Chriatmae mueic (72-760464) Sibeliua: Tone po•• (R57-4<>4) The art of the cantor

Vivalid: Il cimento dell'armoniea The gr•t American piano bench

Saint-Siena: Sy.phoniea & tone po•• Prokofin: All the work• for orch•tra Prokofin: All the concerti (78-76o399) Bartok: ComPlete piano music (861-2411)

s. c. Eckhardt-Gramate performing her own works. Vol. 1

s. c. Eckbardt-Gramate perforaing her own vorke. Vol. 2

s. c. Eckhardt-Gru~~~ate performing her ovn vorke. Vol. 3

s. c. Eckharc:lt-Gr811Ute perforaing her ovn vorka. Vol. 4

Operatic recital

616o811

?58o851

7950?68

7211453

7987934

8o84948

3154.360 3229965 3550928

?436958 6538182

4526635 3895877 4455361 3281014

8ooo446

Booo650

8oo1309

8oo1464

16

- SCORIS -

Albua ot tranacriptiona tor the 1ater.ed1ate Tiol1Diat.--Brodt

Bizet: 20 aelodiea.--Kal8ua

Bizet: 20 ulodiee.-..BelwiD MUle

Brabae: Selected piano co.poaitioaa.--Ditaoa (11-1098)

Debuu;r: Doase chaDte.--Durand

Debua;r: Frihe Liecler.--Petera {78-?70?43)

I>Torh: Sixteen eonp.--ICalau

Earl;r Georgie eoaga. --Stpaer & Bdll

Erst• Streichquartettepiel.--Schott {Bo-772131)

Fraack: Selected piuo coapoeitiona.--DoTer (?5-2?6?2)

Italianieche Ariea ud Lieder.--Baua

Kip1ia: A tint harpsichord book.--Oxford (?0-2853:52)

Mozart: Soaaten fiir Kla•tier und Violiae.--HeDle (M5?-4?9)

Lea plus beaux &ire de 1 'opera traa,iaia rteorl.-Cheeter

Lea plu beaux airs de l'opera fran~• reoprUOJ•-Cbeeter

Schubert: Schubert.-Oxford (?~208578)

Schutz: Drei kleine geietliche KoDzerte.--Petere

21 Italian eonga and ariaa of the 1?th & 18th centuries ••• aedliu. higb Toice.--Kal.ua

21 Italiam songs and ariaa of tbe ",l?th ud 18th ceaturiea ••• for aediu. low Yoice.--Belwin Mills

?84o920

3308250

7663051

1lto1652

5378317

33?1?83

3381932

5766065

75193't4

2399?61

418o538

339209

1386?:52

?Blto91?

??675?9

1242094

3428250

6453236

7658851

OMRAC REPORT : Part II

The MARBI Committee has given their approval recently to a genuine analytic entry format and procedure which will be consistent with AACR2 and with MARC. OCLC has announced that they will implement this procedure as soon as possible . Although we have not seen all of the specifics yet, this would seem to be an important step forward, inasmuch as it provides the ability to catalog a recording track by track, side by side, or (in the case of collections) disc by disc, and the means for linking these entries .

In the past, various members of OMRAC have been using an "improvised" analytic procedure (with the knowledge and assent of OCLC) which we believe you should know about and understand. This "improvised" procedure was employed only when the addition of full and complete composer-title analytic added entries to a normal bibliographic record would cause that record to exceed the permit­ted character-limit. In such cases, we chose to break the collection into parts -- either complete discs, sides of discs, or even parts of sides of discs -- which had some degree of cohesive unity, and make separate records in the data base for each of these. If, for instance, the separate discs or sides of discs had individual titles or contained works by a single composer or performer , they would have been entered under an appro­priate heading and linked by a "pseudo­series" or an improvised "IN" note. If no such distinguishing features were available, we added appropriate phrases such as "Record 1, 11 "Side 3," etc., to the collection title. It should be noted that we added these "improvised" analytic records to the data base ev.en if it already contained a single bibliographic record for the collection as a whole. Also, it must be pointed out that these records are indicated as "m" (mono­graphic records) in "Bib lvl." A few examples may suffice to explain in more detail: 1.) The Telefunken collection "Fruhe Musik" (Telefunken 6.35067) A bibliographic record was already in the data base (no. 2727205) but would not accept the long list of analytic added entries needed for complete analysis. Each side had one or more collective titles, so four new bibliographic records were created, linked by a spurious "IN" note and an extra title entry for "Friihe Musik." SEE: no. 6512265 "Friihe Musik in England ... " (side 1); no. 6512287 "Friihe deutsche Musik ... " (side 2); no.

6512319 "Musik des Trecento ... "(side 3); no. 6512351 "Pariser Theaterlieder des 15. Jahrhunderts ... " (side 4).

2.) "Masters of the Guitar," a seven disc set released by Murray Hill (S 4194) Again, a master record was already available in the data base but would not allow the addition of complete analytics. Four of the discs (1, 3, 5, & 7) were unified by performer; one disc by composer (2), and the remaining two discs had a single performer to each side (4 & 6). Accordingly, nine new bibliographic records were created, each using the title "Masters of the guitar" with an appropriate phrase in the 245 field, as follows: no. 7510858: entry under Williams , John (Record 1); no. 7510994: entry under Bach, J . S. (Record 2) ; no. 7511081: entry under Plata, Manitas de (Record 3); no. 75lli96: entry under Diaz, Alirio (Record 4A); no. 7511379: entry under Yepes, Narciso (Record 4B); no. 7511451: entry under Montoya, Carlos (Record 5); no. 7511595: entry under Tarraga, Renata (Record 6A); no. 7511652: entry under Sabicas (Record 6B) ; no. 7511779: entry under Almeida, Laurindo (Record 7)

3 . ) The recordings which accompany the book Listen by Joseph Kerman (CBS Special Products P 10 15380) This 10 disc set had no titles for each disc or side and no connecting composer or performer . The decision was made to enter each side separately, although later it was found that in five cases there was ~ufficient space to allow several sides to be entered together. The entry for each is: Listen. Side ( n), ·and the list of entries is as follows: Side 1: no. 7943301; Side 2: no. 7941672; Side 3: no. 7949612, Side 4: no. 7949659; Side 5 : no. 795414lj Side 6: no. 7952831; Side 7-8: no. 7954646; Side 9-10: no. 7955318; Side 11: no. 7958271; Side 12: no. 7958304; Side 13-14: no. 7958358; Side 15-16: no. 7958508; Side 17-18: no. 7960865; Side 19: no. 7959674; Side 20: no. 7960814.

We hope that you will understand the nature of' these entries and others like them if and when you encounter them in searching; if you have any questions, feel free to forward them to us via Richard E. Jones, Coordinator, OMRAC, UWM Library, P .O. Box 604, Milwaukee WI 53201.

18

OW: REI'IQ)PECI'IVE INPUT (Uplate: 'l2U. No. 12)

I'O~t LC Input Meaber Cataloged LC Cataloged Total• Percent (I of Recorda) Meaber Input Meaber Input II of Recorda)

II of Recorda) II of Recorda)

Prel968 1968- Pre19U 1961- Prel961 1961- Pre1961 1968- Pre1968

IIOOU 171,3:U 1,348,511 1,560,558 1,950,613 1,371,398 376,699 3,103,279 3,675,830 45.78

Serial a -- --- --- --- --- --- -- - --Sound 1 3 28,235 93,288 16,572 18,861 44,808 112,152 21.55 Jtecordinga AV Media 3,407 50,867 15,586 eo, 476 10,590 11,671 29,583 143,014 17.14

ec:orea 31 162 66,914 38,912 19,216 15,661 "· 161 54,735 61.15

Mepe 13,340 56,304 8,264 14,883 1,320 107 22,924 71,294 24.33

Menu•cripta 0 0 12,600 13,918 205 294 12,805 14,2U 47.40

!OrALS 188,102 1,455,854 1,692,157 2,192,090 1, 419,301 423,293 3,299,560 4,071,237 44.77

2 con .. r•ative1r defined a• prel961 publication date. Aa ol UIZ April :II ClltalotiiiSI ~ Stathtlca.

OIOC STATISTICS BY E'Oifo1AT - As of 820717 (Update: TAL No. 14)

Type of Material

Books Serials Audiovisual Maps Manuscripts Sound Recordings Scores

Number of Records

7,266,852 539,337 196,197 101,017

31,067 215,207 170,595

8,520,272

I.C PRE-AACR2 OOP'l/AICR2 :mrur

Percentage of Total

85.29 6.33 2.30 1.19

.36 2.53 2.00

100.00

~tion of Items Cataloged

113,115,173 3,656,777

458,305 128,840

33,790 1,197,540

978,285 119,568,710

1968-

54.22

---71.45

U.86

38.85

75.67

52.60

55.23

Q. If I.C pre-AACR2 C0f1:1 is subni.tted for an item for which a member library has input cataloging done according to AACR2 rules, will OCIC oarpletely change the member-input record to match the pre-MCR2 cataloging?

A. No, the Bibliographic Maintenance Section will use the instructions in section 4.3 of Bibliographic Input St.aOOards (p. Intro:l2) for this situation. Access points arXi subject headings will be verified, I.C card numbers and call numbers will be added to the record, "M:ld rec:" will be ooded 'm' arXi 040 #d's will contain both the inputting library and OCU: as nbdifying institutions. 'lbe descriptive cataloging prepared by the inputting library will oot be changed unless corrections need to be made.

'1be instructions in Bibliograph.ic Input StaOOards section 4.3 are based on instructions given in the Appeooix to the various National Ievel Bibliographic Record documents for ~ranscribir¥!1 I.C COf1:/.

--The information on this page is reprinted from OCLC's publication "The Advance Line" No. 16, 1982 June 7 and No. 18, 1982 August 13

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