Popu lar Ballads, Songs and Hymns (With W ords)II ..... " " ' T o m or row G,,,.,,. Gell .vi.. . " Pilot.llInt .. M""" ' rY . . • • • Ho nd o....» Robert Armbr ... \erSll" ,,~ NIlr ht. 110'." :Sh,ht • (; n,oer • Uenr i B.rKman

And re ll eno isl

l'ud Colher

Coeo r" ,,<1 V . HI»

Rul>c Blo om

:,>I<", ;nl( &. l ',,!IockF r~<1 Rich

..>, Inn :'01"'""Fred Rieb

A IRll

<.ra in ger & L,.,ol,old(;ra;n!!"e. & Le opo ldG ra in!!"er & Leopold

J>/ay..J by{; " iolnar :" o" a <.

1l,, ~ m.1r ~o r<l'lromI'uu lin e A 'per,

. l'"ul;n ~ Al~,,'iCon,;une~ :'o!erillgC<.mstall ee Mer ing

Frank M ilne. h e,l Hieh

1'au!in. Al po rt

0""1,, G..hr ilowitocb

. • :'>hurice lacque,. . . Ha lph .copol<l

l' o:l y & Wa lt"r lhmro ..:hIgnace J. P "d orew.ki

Dc. id e, V..c.,,;IIm 'i Ber RmanPhill ip Go rdon

R""d .n,b"")1Boh'" .H'MlenF' i", 1

Compo",,'Godard

Piled,,;W"iJ" n

Ddiu~l)eli,,~

Deli us

Be~li~ ./{enderJonP.oju

Od ob

and Song Hit"A ger . , , . . ,Klag u, Grccn & Ho id!/e"derjvn . . .S ilt·"". & /' i" kl",,,.dNap« & P OIiMk ,(;.,'U • . .Tobias & T udf ,H~yajt &- Uo_fl_

Orchestral M usicJ/ O)'d"

Special D uo-A rt Record-RollCoiba

V iolin Accompaniment\'"I ~.. I II ,\ lIlnJo ... o p , :m . ' , ' Hrohms.1/och sle ill\ ' "1. ,, i n (/ lIl " Jol", Oi " 70. Xo, CllOpi"SPalcli" y

(' Jlb)

Cktssical dnd Salon Pieces

S pecial O rchestral Serie.1

Ope ratic M usic

Ti tl.ll"ll ~l d,'~ 1·'1l)1II.. ,,~. 0 1'. ,10 .~r" ,' It' r ,' I ' H~- " () l otl... ,. (j"..~.. ) ""i""

~ ,, ~_ ~ nll <l;l .&t,t1.. h d ..n ~ 1'1':,. "lipin "i"" S .. " .... OJ ' , 30 1~T ", ldy I_r'~ " 1,-" 1,,,""1M,, l ,lI,·m..

" I ... 1J<>1""n .." 1>.-l""t1o"". A ct Il . •"Luhenllr..I "," t; ~""r"u Ac t I (I'urt 2)

" M lIltMry " !lymphony- ;\ l l n u,·t •

No rt h Co unt ry Sk""'h,,,,_1. Au tum n : Til .. W ln ,1 Soo ll:"1•• In Ih" T,...·.2. Wln t<'1" I ,"nd~,,,,, p" l ;i. Il .. ,,~ e

4, T h" 1\1....<·h .., Mp " lf' ll"

Song A ccompanimentlil y lIlolI"' " Ill<b )1" 111" ,1 ) [y U ti lI" . Hay dn

N ew Music for the Duo-ArtReproducing Piano

December 1927

Popular DanceA r r y"" H"[I I>l' ~ - 1" .,;\ T r o tIll " .. Ill1 L l·-.I " () ~ Trot .Ur ok,·"h""..t " , I--l·'()x T rot .Il" wllin 'l"_ l"" x 'l' r otm..IIo-W n l l z . . • . . , . . . . .n"III" 'J'<'U " (I " s tr""H'll t " l j - Pox T r"t ., I u ~t ..\ " o lh,'" lI " y W.... t ..d ,\ w a y_I_'" x 'I'r" tR I"" a " ,\ 1>l a k .. l ' I. - l·'o x T r " t. . , . . , ..U.. .. I".lta" 1>1 .... y - Fox Tr"t (I"''' ''' " ) !nllllllt -

tan :\I n r r " ) • . . . . . • . . .;\I .. ~I .'al (:omc ,ly :\t"dl"y (l " "tru " ",,,t'll)

FQx'1'rtl t • • . . , . •. , .·r .."NI"..., W " Two- P"x Trot . . . , . ., ·" ..~lty Ilr ,u ..-Fox Trot (I,'ru ln " (J ,,,,,] :"",,"""'1"'10 "'...• 1M .'I1,v ) I"y.".- · F o" 'J' r"l~[..y " " I Will - I"" " T r ot (From " y, .~. y',,~:

Yv,>!t" " 1

•

NUMBER 3

MUSIC

)

Published /ry THE AEOLIAN COMPANYAEOLIAN HALL • NEW YORK

DECEMBER. 1927

DUO·ART

VOLUME 14

Celebrate Christmas with Music

LSO

2.00

2.00

2.25

I.SO

1.50

1.50

1.25LSD2.252.001.252.00

2.SO

1.25

Priu

$1.25

R oll So .

57120

101876

102765

101378

103176

100478

100856

101059

101925

10086510318670829

8 ·31538103565101363

101796

A rmb rust er

Miln e & Erh-buch

Gartlan

flc rg"man ,

Kennedy .

Ra pec ,

K enn ed y

Armbruster

Pol son . .Ar rnbr ust e rReiscnbc r l£Steele .Hergman .Kennedy .

Bcrsrman

Anon

....doms

Willi.<Gounod .'Tehai~ot:shGardintl"Gruber

MUSIC is the dominant essential of the world-wide celebration of the most universal ofholidays-Christmas Day. It always has been, and always \\-,111 be. If there be an)' one

season when music is absolutely indispensable, because most beautifully fitting and supremelyappropriate. it is the Christmas Season. Any public observance of Christmas without music is,of course, unthinkable. T he home celebration of Christmas also should have its special Christ­mas M usic- not alone on Christmas Day itself, but the whole Christmas Season of many daysem be and should be thus enriched and made the happiest and best of all the year-by cele­brat ing it with music in the home.

The Duo-Art Piano makes possible, as it never was made possible before. a wealth ofC hristmas M usic. in the home; for its reperto ry of recorded interp retations includes the bestChristmas Carols, Christmas Hymns, Christmas music of all kinds: Here is a list that shouldaid you in your Christmas preparations:

T ill,Adeste Eideles (0 . Come. AU Ye F aith-

ful) {Song-Ro lf) ... . , 'Ade ste F ioeles . . , . 1H~rm~O~. '!'~ ~ra.is e, T,hY (Song- Roll)

Around th e Christmas T ree \Sollj;\"-Ro ll )(1) li r nUl II m" " Il 1 WnM 1l'-lIt ; ( ~ ) o ». Come.r.rute Chi ldren; (3) Oh, hi thful Pmer' ( ~) H oly:'\ight; ( 5) Coone H ither. Ve F,\ith(u ; (6) To ·IlluTtOw Will li e Chri lunu; (7) San<l1 ••iona;(II ) The SI. iKb Rid e,

Chris tmas Car ols (So ng -Ro ll) . . . .!..1) Harkl Ihe H era)d A nlr<l. SinK' ( 2) T he)ojr"1 )\"owell/' (3) (;od Re. t Yo". ~{ . rr y Ge n­ll" ", en , (~) ) LI ttl e 'fo wn of lI"t hle hem .

Christmas Fantaaie (SonR-Ro ll) . . .

\0 Iinllie lIella '! <21 flo ly Nilh,: (3) H ar k,

t le ' n . rald An \:e a SI nK; (~ ) A u'. F,dele. ,Christ Child Legend . O p. 54, No. s

(So nR-Ro ll) . . . . . . T<- h o ;~onh

Fantasy on Christmas Hymns (5011 1<: ­Roll ) . . . . . . . . . . . . .(I ) 0 Como, 0 Co rne, ~:,nm.nllel; ( 2) Wh il.~h'lJhu<1. "- ate h..t Their F I"" ks by N"i"hl; (3 1h Came l:n n Ihe ~l idn iKhl CI.n: (41 Shou,Ib e (; 1. <1 T "l inlr l ; (5) 101 to tb. W or1<\.

H oly City, The (Sonj;\"-Roll ) . .It Came U pon th e Midnight Clear

(Sonll"-Roll} . • .Nazareth (SonJt"-:.RolI)Noel . Op . 37a. No. IiNoel . . . .. ... . •. ..Silent Night. H oly Nic ht {Song-Rolf)SOnlt1 of Chri stmastide (Son~-Rol1) . .

(I) An lfell Fr om Ih e Rea lm of (, Ior t:; ~ 2l I t('...m~ L'p<>n th. Mido ilrht Clnr ; 1'1ClI" ", ntI-<n .lI. ; ( 4) O . Co... . . A ll Ye Fa i' h " ; (5 ) H ol1~i ~hl.

Sussex Mummers ' Chris tmas Carol . . Grainger"Twas the Nia:ht Before Chri stmas

(So ng- Roll) . • . . . . . . . . S"' ;lh

Duo-Art Pianos in RepresentativeAmerican Homes

The photograph repro­duced at the right ehcwe theDuo-Art Pian o in the homeof Rufus C. Dawes, brotherof Vice-President Charles G.Dawes whose musical procliv­ities and abilities are wellknown . T hat a member ofchis musical faDl11y, who Ii;hilmd f Preside nt of th eBoard of Educat ion of Eval1f"too, Ill., should chOCK theDuo-An Piano is ugni6cantof the inlluena': this remark·able inst ru ment exerts in cir­cla of culture and refinement' I" . "rA comprehensive collection ofD uo-Art mus i<:: rolls makes"lways available in "th is house­hold the inspirat ion of beau­tiful music.

In the picture at the leftth e D uo-A n Piano has furiu settinl( a beautiful roomin the home of Charles Rich.man. President of the Rich­mao Brothers Clothing Com­

I pany, of Clev elan d. Mr., Richman is onc of Cleveland'sI best Imown phlhnth rop;,;tsI an d a patr on of the arts. H isI interest in music has led him,to build up a Duo-Art li­: brary which i~ represent ative

of the arece and varied mu­" sical literature available to

IlUUSie lovers through th,s In­

strument, for ,t contains prac­tically all kinds of mm ,c, In'

te rp reted by the fore mo..tp ta msts of the world.

N OTE : T he D uo-An 1epm 01'y includes music of all ~inds. f 01' alltastes, f 01' all purposes and all occasions, f01' grown-ups and f 01' chil­dTen. Indu d. so IaTg~ is rhe scope and va ri ety of the mtlSic that isavailable in D uo-An R ec01'M that somrti mes a D uo-Art Piana ownCTis bewild eTed OV~T the choice of music. T he Duo-An R ecording De­partment, Aeolian Hall, N:~w Y orJt. is always glad to answCT ques­tions or proffer suggestioTlS and infoTmation that may help )'OU in the

selection of recorded music fOT )'OUT inst:rum ~n t.

Paderewski Evokes Magical Beauty

"" ALTER DAMROSC H AND

7186-6 $3.50Reflet s da ns I'Eau (Images

;X, ). 1} . . . . . .'.(R eflect ions in the Water)

Composed by C/<l.l.lde AchaJe Deb ..~)'

Played by Ignace} . P"daew~kiINthe wonderf ul performance here flaw-lessly reproduced, Mr. Paderewski again

reveals that piano wizardry which long ago es­tablished his supreme maste rship and evokes allthe magical beauty and enchantment of one ofthe most wonderful of modern piano pieces.

Debussy delighted in conjuring up ton al V I '

sions "the beauty ofwhich seems to havebeen miraculously re­covered from the gold­en ages of the world."This piece, with itsoriginal an d highly in­dividualist ic m el ()d j cline, its novel harmonicprogressions, its shift ­ing rhythm and thevividness of its sugges­tion (despite an initia limp ression of vacuc­ness of tonality) , this isone of the piano piecesmost thoroughly rep re­acncarive of his stylean d method. For it wascharac te ristic of t hisarch - magician amongFrench composers, thisvisionary and mystic,that he should t rans,mu te into a subtle ira­age of ton e such a familiar phase of the pic'turcsquc <IS reflections ill still water stirred anonby a passing puff of wind, and make it the firstin a set of piano pieces called "Pic tu res." Noone but Debussy could han .' conceived and ,K 'complished this particular kind of ton al magic.

Ma Mere I'Dye ( Mo ther Goose ) 7189-4 $3.00No.4. Bea uty and the BeastNo, 3, L a ideronnette, E mpres s of the

StatuettesComposed by Maurice Rat"d

Played by Polly es... Wa lter Vam rosch

RAV EL·S "Mother Goose" Suite of " Five, Children's Pieces" was originally com­posed as a piano duct . Then it was adap ted tothc stage as a ballet which enjoyed an imme­diate and noteworthy Par isian success. By afurther adaptation into an orch estral version

the work has won world-wide favor. It is amasterpiece of impression istic music, filled withtender, clairvoyant ima~iIlJ.tion, half ironic andhalf naive humor, and distingu ished finesse inworkmans hip.

M r. Damrosch and his dau ghter ha ve col­laborated in recording a beautiful and deligh t­ful performance of two of the pi eces in th isremarkable Suite.

"The Colloquy of Beauty and the Beast,"No. 4 in the Suite, hut here played first. is per­

haps th e most poeticalof all these plCces.Beauty is of course alovely Princess, and th eB e a s t (ahhouch shedocs not know it ) is inreality it h a n d s o m eyoung Prince whom anevil enchantment hasturned into <I n uglymonster. T he music tellsthe old story of how heasks her to marry himand she refuses: hilt onlearning that otherwisehe must die she pitying­ly relents and gives herpromise ; whereu pon heis released from his he,witc luncnt.

"Laideronnette , Em­press of thc Statuet tes"(No. :;) is morc strik­

HIS DAt:G HTER POLL Y i n~ly novel and ?ri:.;inal.. It ts prefaced WIth these

words from one of Mme. d'Aulnoy's fairyta les: "The Chinese Empress throws off hergreat robes of state' an d steps into her marb lebath . Instantly t he lit tle starw-ncs ("Pag'1lIe5ct Pag()J ine~ . · rhat i~ tn S;I}'. Chinese figuresthat nod their heads] hcdn to ",ing and play oninstruments. Some have 1 1J t (' ~ made of walnutsheik Othl'r~ have vrols mad ... o f the shells o falmonds: (or it was neccssarv tk l t their in- cru­ments should r.c su ited to th eir sicc.' For thi squain t conc eption Ravel has found the in­cvitable musical cc uivalcnt - a dipping andhot-hing md odv t hat h ,,~ t hc mccban ica l rc­kntks~ncss and iniHjlnan rigiJity of suc h fig'urcs' movement. He cmplovs a Chinese sca leand subtly imita tes rernt-le .c::on '.!~: an d t hemus ic culminates in a. Jdi,:1ou"'. tin kling bu rly­burly, depict ing thc absurd inh uman company.

Pa~e Fi,·,

Gabrilowitsch R ecords a Haydn Minuet

OSSI P GA BRILOWITSCH

" Military" Symph ony- T hirdMoveme nt : Minuet . 538-4 $3.00

Cotllpo~...d by Fran:. J" , e[ Hayd..AlT. '3 PlAyed by QUip GabrilowiuchTHEG-Major (""Military'") Symphony was

composed in ebe course of Haydn's secondvisit to England. in 1794, and had its first per­formance in london on M ay 2 of that year.It IS the last of the twelve symphonies writtenfor Johann Peter Salomon who had induced

Haydn to go to England, and it became pop u­larly known as the " Military" Sym phony be­cause of the use: of the bass d rum . cymbals andtri angle in its second and fourth movements.

T he M inuet is one of the most capeivatinglybeauti ful that Haydn ever wrote. It has beenwell said that Haydn showed Mozart how tel

do thi ngs, and in ret urn Mozart showed Haydnhow to do them better. Mozart's influence,which so softened the lines and heightened thecolor of Haydn's later works, is strongly feltin many places in the Salomon symphonies,and there is more than a trace of that influ­ence in this Minuet. Yet it is thoro ughly typi­cal of Haydn's own robustness and vigorousgrace and wholesome breeziness of style. Irsform is quite simply that of the dance minuetin graceful groups of violin ligures, and it isfi lled with the ideal Minuet feeling, " the dear,old-fa shioned stateliness and formality, thcprett y. prim quaintness: ' Its T rio. whichcomes as a delightful little interlude and re­spite from the restraint of the rigid dance, isworked up in a more distinct character thanusual. and with its dotted rhythm yet remainsnearer the origi nal dance than the legato tr-iosof Haydn's earlier symphonies. After it, theformalities and attitudes of the Minuet arcresumed.

Of this altogether charming Minuet M r.Gabnlowitseh has made a masterly piano ar­rangement for four hands. and baa played itsplendidly. This is a Duo-Art Record thatcannot fail to delight every hearer.

Musical Knowledge T est, No. 5Give yourself a rating on this M usical ~uestiom1a.ire .

T he'n duc~ up with the answers on Page' Ninetun.

1. \Vho composed "The Harmonious Bb.eksmith ?"_ .__._.._ . ._. _

2. What is (a ) an Aub4dc ? --;;;;;:;;;;;~==================( b) its evening counterpart?

3. W ho composed the "Ercica" S)'mPhO~Y~'~================4. Who compceed the "Eroica" Sonata?f . Wh o cc mpceed the "Heroic" Polonaise?

6. Wha t does Sche~ meaD?~~~~~~~§§~~~~~~~~~~~~~~7. Who invented the Iymphonic Scheno78. What was the Schena's forerunner in the &ymphoD)'?9 . W ho composed the "Surprise" Symphony?

to. Wha t is a BaTc" ro lle ~ . . .. _

A Modern Master -W ork Superbly PlayedNorth Country Sketches-

1. Aut umn-s-The W ind Soui"hain the T ree, . . . . . . 71900 $2.50

Z. Winter Landscape ; and3. D an ce 71910 2.50

4. The March of Spring-e­Woodlands . Mea do ws andSilent Moo rs . . . . . . 91920 2.50~tIIp llud by frcdcric~ Ddiw

PJ.,.ycd by Prrcy G ,....ing n ~ & Iph Leopold

TH IS set of three superfine Duo-Art Rec­ord -Rolls embodies a superb performance

on two pianos by Percy Grainger and RalphLeopold of an excellent two-piano version of amodern orchestral masterpiece by one of theforemost of living Brit ish composcrs-c-the com.plete Symphonic Su ite of fou r " No rt h Coun­try Sketches" by Frederick Deliue, whosemusic is scarcely know n at all in America.Concerning' the "North Country Sketches"Mr. Grainger has wri tten :

"The first two movements, though notfrankly descriptive, are yet certain ly more'impressionistic' than Delius's music generallyis, In 'A utumn' seethin g, moaning chord pas­sages faith fu lly suggest 'the wind sough ing inthe trees ; while there is a curiously brittlechill about the violin harmonics and the harpand wood -wind arabesques that accompany thepathetic melodies and VIbrating chords of thehorns, lower strings and lower reeds in 'W in­ter Landscape.'

" In some respects the th ird movement(Dance) is the most remarkable of the four ;remarkable in that it instances the keenest edgeof the composer's stupendous fonnal and har ­monic inventiveness. and perha ps stil l moreremarkable in that it compasses the successfulport rayal of highly typica l Northern Englishtra its and emotions through what at first sightseems so very un -North-Englieh a medium asa 'mazurka tempo.' It is only one of manyproofs that Dehus's whole creative force is al­ways tu rned inward-to the roots of things­rath er than to their out ward appearances andsurface characterist ics. T hat combination ofcosy and winsome simplicity wit h a certa in drygaunt ness, that is so thoroughly Northum­br ian, is here tellingly mirro red in strains that(in thei r ingratiating lilt. t hough not in thei rharmonic and melodic content) somewhat re­call those graceful half-Minuet-like intermezzomovements in the Brahms symphonies, In par­ticular the melting cadences of the coda are amood of such appealing format grace.

"Tbe 'Much of Spring' shaY.'s how muchinherent suggestion can lie stored up in musicof a non-descriptive nature. Though there is

FREDERICk DEUIJS

not hing imitative here (no bird-calls, no shep­herd pipings, and so on) yet, as we listen tothe unfolding of this final movemen t, we seemto be in the midst of spring-bern teeming newlife. in an air melodious with bird-songs andfragrant ",..ith freeh flowers-all of it t rans­Lated and inte rpreted by a poet 's wistful andcompassionate heart. In the heroic march sec­tion tha t is the climax of this movement andof the whole suite the aforementioned typicallyNort humbrian note is again struck, T here is arestrained and tragic grimness about the gloryand passion of th is outburst that is as far re­moved from the more vigorous optimism ofScotch enthusiasm as it is from the gentl er ge­niality of Southern English high spirits. T hemarch, dying gradua lly down. fades into atypica l Delius coda. dreamy and lonesome asa Yorkshire moor,"

FREDERICK DELIUSFrederick Delius was hom in Bradford ,

England. on January 29. 1863. Parental op­position prevented his devoting himself whollyto music in his youth. but in 1883 he per­suaded his father to buy an orange-grove inFlorida. where he lived for three r ears andtaught himself the rudiments of composition.Thereafter he spent two rears at the Leipzig:Conservatory. but learned a great deal morefrom Grieg who was then Iivin~ in Leipzig.Since 1890 Delius has lived in France.

" LO H EN GR IN," A~, I . S~"ne 1,0," 'he Ii,,, prod,,~,jon, ., Weimar in 1850

"Lohengrin"-Excerp ts fro mAct i (Part 2) . . . . . . 71940 $2.50

Elsa's Promise to L ohengrin ; T he King'sP rayer ; Qu inte tt e ; F inale.

Composcd by Richard W agnerPlaycd by Ralph Lcopold

I N the first act of "Lohengrin" Elsa of Bra­bant is charged by Cou nt Frederick of

T elramund , at the instigation of his wife, Or­t rud, with the murder of her young brother,Godfrey, who has disappeared. King Henrythe Fowler (King of Germany from A.D. 918to 936), who is sitt ing in judgment, is im­pressed by Elsa's apparent innocence and al­lows her a champion. After a second summonsby the heralds, there appears in a distant bendof the river Schcldt a boat drawn by a swanin which stands a knight clad in silver armor.Amid the greatest excitement the knight gradu­ally approaches, and finally disembarks beneaththe shadow of the king's oak. He is acceptedby Elsa as her champion and lover, on thecondition that she shall never ask his name orrace. If she should violate that condit ion,Lohengrin-for this is Lohengrin, the son ofParsifal-must return at once to his father'skingdom. In the ensuing combat Lohengrinovercomes Frederick and makes him admit hisperjury, but spares his life. The act ends withpuhlic rejoicing over the approaching marriageof Lohengrin and Elsa.

Ralph Leopold has arranged and recordedin masterly fashion a great group of the out ­standing musical beauties of this fi rst act-

Elsa's Promise to Lohengrin, King Henry'sPrayer , the Q uintette, and the stirring finalchorus.

"La Boh eme "-Excerpt s fromAct II . . . . . .. 71939 $2.25

P relud e, Christmas E ve Celebra t ion ; En­trance of Rodolphe an d Mimi; Musett e'sW al tz Song ; F inale, T orchlight Parade.

Composed by Giacomo PucciniPlayed by Mauri" Jacquct

THE second act of Puccini's beautiful operaof "La Boheme" really develops the char­

acter of the coquettish Musetta , and takesplace in the street before the Cafe Momuswhere Musetta appears escorted by a wealthybanker. She has little difficulty in getting: ridof the hanker, and flying to the arms of M ar­cel, her old lover. T he whole act is a carnivalof gaiety; it is a Chris tmas Eve celebrat ion,and the street is filled with a motley crowd­soldiers, students, servants, working girls, gris­ettes, peddlers, and venders of cakes, candies,fruits and delicacies of all kinds, each havingcharacteristic bits of chorus, and all handledwith consummate skill in concerted effect.

Maurice Jacquet , who has conducted manyperformances of this opera, has made a delight­ful Duo-Art Record-Roll of well chosen ex­cerpts from this second act, including thePrelude, the Entrance of Rodolphe and Mimi,Musetta's lively Waltz-Song which is the mu­sical gem of the gay scene, and the stirr ingT orch-light March with which the act ends.

" U BOHEME", Th . Ope....... Srt_ of Art II

Ballet de s Papillons, O p. MI . , 71870 $2.53(The Hutterfliea' Dance )

CO'll'lposcd by Bm;"'II'Il" Go.urdPl..,y~d by G14ioltl.4r NOllacs

THAT tonal poetry of imaginat ive pictur­esqueness, that Ga llic spirit of ardor and

liveliness and vim, that elegant finish and dis­tinction of style which characterize the workof the distinguished French composer, Ben­jamin-Louis-Paul God ard - Parisian of theParisians - are delightfu lly exemplified in thisexquisitely gracefu l " Ballet des Papillons." Itsgay little wisps of melody, its brightly color­ful and sparkling- harmonies, its varyi ng moodsand rhythms, all arc utilized and combinedwith ra re skill and nicely perfected art toevoke for the listener a beaut iful little musicalpict ure of gorgeous butterflies "dancing," darr­ing and flashing in pellucid sunshine.

Gu iomar Novacs has recorded an exquisitelygraceful and wholly charming interpretation ofthis gem of salon music, imparting: all of thepoetic feeling with which its composer im­bued it.

Sp innin g Song, Op. 302, No. 1 . 71968 $2.00Compoud by Karl BohmPl"y~d by Dcsid~r Vuui

BELO NGI NG to the type of piano pieces, ' to which Mendelssohn gave the generaltitle of "Songs Without W ords," this "Spin­ning Song" yet has a distinctive quality of itsown in its beauti ful, singing melody and itsrapid, whirring accompaniment cleverly simu-

laring the hum of a spinning-wheel. It is thefirst piece in the grou p of "Six Marceaux forPiano" makin g up the 302nd published workof the proJific German composer of salon mu­sic, Karl Bohm, who was born in Berlin in1844 and died in 1920, and its melody is oneof the prettiest he ever achieved. A hit of mu­sic of sure popular appeal. and Desidcr V ccscihas played it artist ically and delightfully.

Valse Lucille, Op. 85, No . 1 _ . 71958 $2.00CO'll'lpo$~d by R udolf FrimlPlayed b)' Phillip G ord ol1

BEFOR E becoming one of the most success­ful of contempo rary writers of musical

comedy, Rudolf Friml had vvon an en.... inblcplace among salon composers with his lightpiano pieces in which he disclosed a pleasingoriginality in distincti ve melodiousness, a cer ­tain romanti c touch of universal human appeal,and a noteworthy skilfulness of construction.H is facile melodic freshness, resourcefulnessand skill in harmonic tr eatment , and happinessin rhythmic expression are to be found at theirbest in this very graceful and deservedly popu­lar "Valse Lucille," one of the finest of hisseveral pieces in th is genre. Its main melody isat once appealingly interesting as well as dis­t inctively beautiful, and the finished art withwhich it is presented in a sequence of nicelyvaried new forms produces a total effect ofglowing charm and exhilaration , all of whichis skilfully conveyed in the nne perfo rmancehere recorded by Phillip Gordon.

T eddy Bear's Picnic . 71987 $1.75Composed by John \V . Br"~l ,, n

P layed by H ~nri Bergman

Di [ FIN ED by its composer as a "Character­, " Istic Two-Step," this clever and prett ylittle piece has the energet ic snap and go of theRapid W altz rhythm. It has also popularlyappealing original melody skilfully set forthagainst a background of bright harmonies andtellingly ornamented with an occasional deco­rative flourish in clever pianistic effects. Airo­~cthcr a quite irresistib le and un forgctablelitt le musical frolic. Undoubtedly this T eddyBear had a good time at his Picnic- and sowill everybody have who hears Henri Berg·man 's recorded perfo rmance of this piece.Dawn of T o mo r row {Song Roll,

With W ord s ) . 103585 $1.25Com:r" $~d by Jo e Gum

Playe by Genev'evt Pit(;(

TH IS is a very pretty new ballad, of theI ever-popu lar "soulful" type, wistfully me­

lodious, and gracefully wr itten in waltzrhythm. Genevieve Piror has made an excel­lent Duo -Art Song RoIl of it, playing it withdue regard for the demands of singers andintcrluding with hits of beautifu l and appro­priate arabesqucnc. T he lyric is by JeanneGravelle.

~un scl and .h~d ows " ,e fa lling,IhyHght fad.. aw"~· .

Lovebird.• thcir male' ' oft ly ca l l i n~,~l "rlil(ht to . how thm t he w"y.

0"1 of th~ <Iu. k cOmes a m emory,T rue love o~,, 't d" w,lh l ho ,la y . So, _

Chon..Daw" of tomorro w, t" ke eve ry , orr uw,

Brin!t back Ih e "un sh ine , I 1<>1\ 1( to .....So . ti red <> f waiti ,,!:", lone l)' witho ut yo u ;

Dawn <> f 10 mOTrOW, br mg "yo,," back 10 me.

Just a Memory (Song Roll,W it h W ords) 103576 $1,50

C om p o.l ed hy Ra.y He>l d en o>lPlayed by Robn r A rmbrm u r

H.ERE is Ray Henderson's newest popularballad, inimitably recorded by Robert

Armbruster for singing. T his song is one ofthe l-est that even Ray Henderson has everwritten. It has unusual and captiv ating mel­our , novel and quite hypnotizing rhythm,

pretty modulations of key, and universal ap­peal of senti ment in a clever total effect ofsteadily ascending emotion. The words, ofcourse, are by Mr. Henderson's inseparablecollaborato rs, B. G. DcSylva and Lew Brown,You ~re gone a>ld ~ Il i . l:One, ~>ld l b rou~h ."ch "'~" "~

,j" y,Onl y tc ude r me"'o ries r emain.

:l.l emor ie. are , un heam" Ihrou gh A oky of c1o\\uy l:r~ y ;

1I e m<>r ie. are rOS.s in the r" in.Netrain

P:ry. I kne w wilh yoU, ~r e ju . ( a me"'o ry,j u,H a memory, lhat i. a ll tha t' . I"fl 10 " , ,,.

Happi,, "ss. I ~ "">S, i ' ju <! a memory ,1.""t a memory of lov. th" t u<e<1 to be.

\I ,n wc .hote the n ight. t ~e moon. l~e "'a.. abo v~ a~[3in,

W ill I liv. to bope, to s inK, 10 . mile , to Ia ,,~ h ~K" i " ,love ai:a ;n ?

In my dr .am., it .ecm, . you r b e< i. ne ar 10 "" ,And it's de3r to me, lho u.<:h it '. j ,,"t a memo r)".

Silent Night. Holy Night (SongRoll, With \'lords) 103565 $l.2 5

Comp o$~d by F ra>lz Grob~r

Pla. yed by Hem-i Berg"'''->l

I TS simplicity , tende r beauty, and deep Sill'I ccnty have made this Christmas hymn auniversal favorite. It has a curious and in­teresting" history , Its authorship was long lostsight of, and it was published in many edi­tions as an old Ge rman folk-song. It somehowcame to be attributed to Michael Haydn(Franz Josef's younger brother ) , who was aprolific composer of church music, But theresearches of Professor Ludwig Erk have es­tablished the fact that it was composed byFranz G ruber , an Aust rian schoolmaster , whowas born in 1797 and died in 186 3. T he wordswere wr itten by Joseph Mohr, an assistantpriest in the parish church of Obemdorf , nearSalzburg . It was firer sung in tha t church in1818, when Mohr sang the tenor part, Gruberthe bass, and the choir was made up of young­women ; while the accompaniment was playedon a guitar . Several years later a company ofT yrolean singers placed the song in their rep­ertory and thus launched it toward world-widepopularity. Henri Bergman has made a finesong roll of this lovely Ch ristmas hymn, play­ing it in simple, straight forward style, withoutany embellishment whatever.

Song AccompanimentCo,,'tou y Roll No.

A New D uo-Art'1ilk

M y Mother Bids Me Bind M y Hair(in A M aj o r ) , .

l'layed b~' CO('ll raa ' ! \' . FlosFra.lt~ Jo.'([ H a)'d >l 13198-5 $2.00

Violin Accompaniment(a ) Vals e in A Maj o r, O p, 39

(Tl"a ns c r ih<:- d I,,' David H o cb s .tci n I(lJ ) Valse in G Major, Or. 70, :"0. 1 .

FTr-a u scribcd by A lber t Spa ld :n." IPlayed hy Andre Be nuist

JOll a >l >l~S Bra.hms

.Fnd~ ri( Fra."fIco:s C!lpti"fl $2.25

Novelette .l'hycd

Special D uo-Art Record-Roll. , • , Fred Colber

by t he Cc" 1l1"' ~ CI'

Page 'Ten

71708 $2,00

CLEO MAYFIELD AND CLI FF O' RO URK E SI NG ING " ALL MY LIFE,"I'" II ;, Soto, H ;l itI " A ll.. Dop"

Best of the Newest Popular Dance MusicWITHthis month's unsu rpassed list of the

best of Broadway's latest popular danceand song successes, soenethmg of a departurehas been made in the recording of dancemusic. T he Duo-A rt's experts whose play­ing is reproduced in these wonde rfu l danceand song rolls have made their arrangementssomewhat simpler than heretofore-a bit lesselaborate and oma te--by eliminating a few ofthe embellishments, or pianistic " t ricks; ' whichhave tended, perhaps, towards overloadingtheir performances. T hese sterling artists havenow concent rated more on rhy thm , without inthe least overlooking the due import ance ofmelodic line and harmonic effects, and theresult is tha t these new rolls are hath moreadap table for singing and br ighter and betterthan ever for dancing.Are You Happy?- Fox Tro t . 713443 $1.25

Compoud by Milton AgerA11', ~ Played by Dagma. N ordstrom

Dan cers everywhere are answering yes tothis t itular question, for Milton Ager's newestpopula r success is a most happily melodiousFox T rot, as well as a rhythmically snappyone. Here it is beaut ifully arranged and playedby clever young Dagmar Nordst rom, who hasachieved some particularly fine harmoniceffects.

Blue Baby- Fox TrOl . . . . 713440 $1.25Compo&ed by Klage&. G.een e Haid

Arr. e- Played by Pa" line Alpert" Blue Baby-Why A re You Blue?" is a

str iking new Fox T rot of the variety known tothe experts as " hot"- a very snappy dance

number with a decidedly catchy melody. Paul ­ine Alpert has recorded it in tine style.Brokenhe ar ted-a-Fox T rot . 713444 $1.25

Co,"poud by Ra, Hen de' lo"AfT. e- Pla)'«:! by Pau.line A lpert

\Vith the collaboration of his congenial part­ners B. G . De'Sylva and Lew Brown, who pm­vided the words, Ray Henderson has againproduced in "Here Am I Brokenhearted" apart icularly line and appealingly tuneful Sing­ing Fox T rot that immediately scored atremendous popular hit . Miss Alpert's per 'formance of it is a dandy.Dawning - Fox T rot. ., . 713445 $1.25

Compoud by Silver C9' Pin~ha.d

An. e- Played by Cl.>nJtance MeTingA very prett y, melodious new Fox T rot that

is a delight to dance to and that is also prov­ing equally attractive as a song. It 's in thebig hit class, and Constance Mering has ar ­ranged and played 'it with all of her customaryzest and sparkle. •Diane- W altz . .. . . 113441 $1.25

Compcud by Po l1a c~ b R.lpeeAn. ~ Played by CO'l.ll<ll1ce Meril1g

Another stunning ncw dance roll by MissMcring, who is without a superior in the play­ing of modern waltzes for dancing. "I'm inHeaven W hcn I see You Smile, Diane," latestproduct of the collaboration of the composersof "Charmaine," was tin t heard at Roxy'sTheatre, New York, and has speedily becomea favorite everywhere. This fine new W altzpromises to be as great a popular hit as thatearlier walt z success of Pollack and Rapee's.

-

FRHD RICH

Flapperett e (Lnst rumc nta ll -e-Fox T rot 713446-D $I.25

C omposed by Jesse GreerA rr. & Played by Fran~ Milne

This is a delight fully tuneful , novel, inter­esting and att ractive piano piece as well as asnappy dance number - light , bright , andcaptivat ing, with some novel harmonic effectswhich Frank M ilne has made the most of inhis splend idly recorded performance.

J ust Another Da y W asted AwayW ait ing for You- Fox Trot 713447 $I.25

Composed by 'Tobias e- 'T ur~Arr e- Played by Fred Rich

A new popular song that everybody is sing­ing and at the same time a fine, dancy FoxT rot. T his number might he described as"cute, catchy , and capering. " Fred R ich hasrecorded a great per formance of it - a per ­formance that will recall to radio fans thebroadcast playing of his excellent dance or­chestra.

Kiss and Make Up- Fox T ro t . 713448 $1.25Comp oud by 1loga!e &' H oefle

A rr. 0" Play ed by Pauhn( Al pert

Another new and popular Fox T rot, "Kissand Make Up" is a first class dance number ,here presented in a wonderfully fine perform­ance by Pauline Alpert .

Manha ttan Mary- Fox Trot( Fro m "M anhat tan Mary") 713449 $1.25

Compoled by R(1)' H endersonA rr . 6' Pkryed by Rubt Bloom

A n excellent dance num ber and a cleverand catchy song this, in Ray Hen derson's beststy le. It 's the big hit number fr om one of

Broadway's new big-hit musical shuws-"Man­hatta n Mary." Here expertl y recorded byRube Bloom.Musical Comedy F ox Trot Medley

(I nstrumenta l) 713442-D $2.001. Good Ne ws (F rom "Good N ews")2. All My Li fe (F rom "Allcz-Oop" )3. I' m W onderin ' W ho (From "Burlesq ue")4. D oh, Maybe It 's You (From "Z legfeld F ol­

lies" )::I. Shaking the Blues Aw ay (From "Zicgfcld

Follies" )A n. e- Played by M a ir-g G' PolJoc~

Expert ly ar ranged and marvelously playedby Constance Mcring and M uriel Pollock, thisis just about the greatest Fox T rot Medley ofmusical comedy hits ever brought out , Everyone of these numbers is an outstanding Broad­way success today, and is in constant demandon the dance floor. To possess five of them onon one music roll is-well, whe re is the de­votee of dance music who wouldn't be " justcrazy" to have it?T ogether W e T wo- Fox T rot . 713450 $1.25

Composed by In' ing Bt r!inArr , t3' Pla)'td by Fred Rith

Doubly attractive in tha t it is Irving Berlin'snewest Fox Trot hit-typical of his best insentiment, in melody, in rhythmic snap-s-andthat it is surpassingly well recorded by FredRich.The Vars ity Dra g-s-Fox T rot

( Fro m "Good ~ews" ) . . 713451 $1.25Composed by R ay H(l1dasonArr . ~ Played by A lan Moran

Another treme ndous popular hit from thevery successful musical comedy "Good News,"this is one of the greatest dance numbers ofall-round excellence that has appea red in along time. Perha ps, no other Fox T rot is In

greater demand on the dance floors toda y. Andhow Al an Moran has played it !W here Is My Meyer- Fox T rot

(From "Chauv e-Souris") . 713452 $1.25Comp osed by Anton ProjesArr. & Play td by FHd Ri ch

Fred R ich has made a stun ning record rollof th is really great dance number from thenew "Chauve-Sauris." It created somethin gof a furore in Europe, and it is rapidly wi n­ning equally great popularity in America.Maybe I W ill- Fox T ro t (From

"Yes, Yes, Yvett e") 713453 $1.25Composed by Harold Orlob

Arr. b Played by A lan Mor<1nAgain an outstanding musical comedy suc­

cess-the capital Fox Trot that is the big hitnumber of the delightfu lly melodious and pic­turesque "Yes, Yes, Yvette. " A n attractiveand catchy song as well as a supe rlat ively nnedance numbe r, and Alan Moran has recordedit splendidly.

Duo..Art Music Rollsfor December, 1927

Use this form to order "OUT Mus ic Rolls

Num"",, Titl. Com pOR ' Pi. ,,;sr

7186-6 Reflets dans I'Eau

71810 Ballet des P a pillons, Op. 69

7189-4 Ma Mere L 'Oye. No . 4 and x«. 3

71900 North Cou nt ry Sketches x«. 1

71910 North Country Sketch es Nos. 2 & 3

71920 North Country Sketches ]\0. 4

Ravd

Ddiu~

Ddius

Debus

PadeTews~i

N ovae5Poll:1 0' WalteT

D<l mTOSchGTain KeT f!9'

Leop oldGTainge1'O

Leopo ldG1'<I inge Te­

Leopold

3.50

2.50

3.50

2.50

2.50

2.50

13189 l(b) Valse G Major. Up . 70, x o,(a) Valse A Major, U p. 39 . .

1319&.8 My Mother Bids Me Bind My Hair

Mering fi Polloc~ 1.25Rich 1.25

MOTan 1.25

Rich 1.25

MOTan 1.25

A lpm 1.25A lpm 1.25

Mering 1.25

MeTing 1.25

M,lne 1.25

Bos 2.00

Colb eT 2.00

N OTdstrom $1.25

Rich 1.25Al pert 1.: 5

Bloom 1.25

Benoill 2.25

Gabrilowi15ch 3.00

J<lcqud 2.25

Leop old 2.50

G01'dOtl 2.00

Vuui 2.00

BeTgm<ln 1.75

Bergman 1.25

Annlmurt1' 1.50

Pilot 1.25

GHeT

'Tobias~ 'Tu1'~Bogart 0' H oef le

H ende non

Ager

Kteges. GH en e-H aid

Hendnson

SilveTO' Pin~hard

Rcpee e- Pollac~

Wagne1'

Friml

Bohm

Bnlin

HencleTJOtl

BTaUOtl

G1'U b~

HendeTson

(ftttn

B1'ah..... 1:=hopin

Haydn

ColbeT

Haydn

Puccini

Novelett e

A re You H a ppy j-c-Fo x T rot

Blue Baby- Fox Trot

Bro kenhearted- Fox T rot

Da wn ing - Fmc: Trot

Diane - \ Va,lt z

Minuet ("Milita ry" Symphony)

La Boheme Act II

Lohengrin Act I ( Part 2 )

Valse Lucille

Spinning Song Op . 302 Xc. I

T eddy Bea r 's P icnic

Silent Night, H oly Nig ht

J ust A Memory .

Dawn o f T omorrow

713451

713452

713453

71708

713433

713440

713444

713445

713441

713446· D F lapperett e ( Insr rumenral} Fox Trot

713447 Just Another Day Wasted Away-Fox Trot . . . . . . . .

713+48 Kiss and Make Up-Fox Trot ..

713+49 Manhattan Mary- Fox Trot

713+42-D Musical Comedy F ox Trot Medley(Instr umental) . . . . . .

713450 T oge ther We T wo-Fox T ro t

T he Vars ity Dr all - Fox T rot

Where Is My Meyer ?- Fox Trot

Maybe I W ill- Fox Trot

538-4

71939

71940

7l9~

71068

71987

103565

103516

103585jc,l

,,,

SelectionsCn« ~

I i."

Twenty-five:-'-umb« T itl.

PopularC om po... Pi oni., P. i«

713404 Me and M y Shadow- Fox T ro t .

3.002.50

2.50

2.00

2.00

2.50

2.25

1.75

2.75

2.00

1.75

2.00

1.75

2.50

2.50

1.251.75

1.50

2.002.001.25

1.251.251.25

1.25

JacquetEngman

Lecnone

SanfordReadPo J !<l c~

A!p~rt

La'l1 dowsl(a

Gr<ldovaGa'l1zG'

Hutch' sonR d u nb erg

L,gllls/ta

Arm bTUSUr

Goodman

Powell

Alm bru.u er

Milne

Non'!.'

A rmbru"u r

A t mbt ustn

l.eith b'Add','on

Milne

Mu ingRichD, R o,"

Beethoven

A r' nsb'

MDZ<lrt

Jacquet

Hnbnt

R~ iw;f ~ ; d

Grun fdd

Man~

Axt-Rapa

\Vagnn

Holzmann

:\1oszhow;~i

M~nd ~ :ss o h n

Gm~t

Wiggers

M"cD "wd i

BrownYo umansD, R05eJol.<ol1, R"u bDr)' ~r

L~ cuona

SanfordPrimlRap" ~Poilac~

Andante in F ( Andante Favor i)

Etude in F -Sharp, O p. 36, No. 1J"Magic F lute" O verture

71350

71520536.4

71530

71370

71318

81128

71270

71059713403

7122-3

71428

71557

71338

71417

103365

713389713391

Scherzo Va lse

Songs W ithout Words. Xo s, 44 & 10

BabiUage (B abbling)

Ecstasy

H ungari an. O p. 39, X,), 12 .

" Mlle. Modis te" Se lecti ons

Old I ronsides- Ma rch

Romance. Op. 45, :X".

Serenade Badine

Toddling

Under the Double E agle -c-Mar r- h

T he Whip-~[arch

Love Walt z (From "Th e Lo ve ofSunya" ) . .

103227 Songs of Byg one Days (Ro ll No. 1)

103486 Neche Azul (With W ords )

S-31608 Meditat ion .S -31598 Twilight713395 Cbarmaln e-c-W ulra713376-0 Doll Dance ( Lnst rumenta f]

Fox T ro tH a lleluja h !- Fox TrotL azy W ea ther- F , Fox Tr ot

Ten Duo-Art Rolls that should be in Every Home606486118-06561-56522-46932_4

67347664066914770777

6172-3

T he Swan (Le Cygne)Sche rzo , Op. 31 .Val se Ca pr iceP eer Gynt Suite I , 1 a nd 3Valse in E -flat . .By the W aters of MinnetonkaChanson (Me lodie)T he W hisper ing W indBadinageMurmu ri ng Ze ph yrs

S"int·$aensCh oPinRubim temOrieg-GrainguDuran dLiet,ranceFrim!W olln ,h" uptHerbertJ,,,,,n

Ga11ZHafman"HofmannOr"ingnBaUHLieu- onceA rmbrust aPitotM~ri"g

Ganz

' ,004.503.253.003.00l.7 51.501.751.752.75

Kindly send m e th e Duo -A r t Rolls I have checked

Date .9' __

n th is form»

- II

NAME , _

STREET _

TOWN STATE _

,~ Page Fourtan p__

~ J

Duo-Art Piano Music Issued Since Jan. I, 1927

P';a2.,U8. 002.211­2 . ~.'20211~.,;o

'!.,z.,e.an2.7'2,r,,,e.ex~.n

2.2 ·,2.M8,~"

2. 7.,~.,'"2.2"~."o

:1.0 "

.~ : Jr._1

71Jil(J-47 1UX-l~ 1t; 1 _~

1 1140~ HII-4

: l aOl;' 10')1)

7 IO)O_G, I ,~:m

712~-4

~(l!l!1_ · 1 ~.UO

~ WO-l :U lO: 10 1ll

2 ..' "7 17,,(l '!..'!l~ r tnu ':..'fltrrtu ·!.;,o

7 1Of1-4 :l ,O(l7 110-4 a.nn

tnetu 2. ~,'

~ 1810 2.110~ X7110 e.su~ (m~ " 2.M~ 1030 2 .1107111 0 a.so

,~:mo ~..~",, ;ll-l :1.1'"

,,:1I 0 2 .,;0,;';l" ~O e.nn

;,~ 'I" ~ ..-,o

";~~ Il 2. 110

.\ ;1.',U 2.,, 0

1 1;1111 2 .00,OI!X_3 2.7"

~ I MII 2.00'1411 1 1.7 'XIl 2X 2." 11' I MOl 1.,,01l4.~X V ll'

11729 ~ .2'-.

1661 ' .7"' .~Il<> I.MI12111 2..'0I X ~ ~ t.n1010 2.!Hl"'. 2.no1468 2 .11010,,9 2.n

''''' 'lOb"~ I ~,~n

, IUH-4'12111l111l,91HH7 111 1011M !'~ (lllll ll

7 1 ~ 1l_8

~ I !l20

71 1111'H~59

7 1 8~9

~ l ll ;m

1l 1 3-.~

741119_37 11100' 1189~ 171' "

7 111_ 1

F ri" lIma "

Co r t otCo r to t!'> cll a r r e rI .ps;- in s k llLeopoldI •.,o po h l1.<,o po l,1L" o l'uld

F r i"l1ma "F ri <> <l ma tlUauerBat",rHa u..r

G,-" ,1.lla lll r OS('hI. n1l10ndl." mo ,,,l

l. a mo ",]

Ar m b r u s te rn u u"V" cs" !M"rl nll'Goodm anH"~ r:tm,, nI' !t ot

CIl" l i,, "P it otC ol lJe r1' 0w,' 11Armhr1lstf'rx ovaeeHod gsonMil".,Armbrust,'r

I.",no , ,,l

I." Ill'" ,,1

Pl u}'«' byL a nd ow skaHa\l~r

Il e ls" n be t gAr mhrus t, ' rveceetArm brust"rClle r kan k )'CartotBilner(l rn " o " "aemur useeeAl'lnbru.terAr m b r us t e rII M mannncrmeunllntch"80uJ ''''' jll e tArm brusterL "opol<lc aneG" ,, ~ &:

H nl eh" "o nFrl" d ma nHofm lln n(; r a ln", ,,,,G rni n g( 'r11ft '"''('1ll' r k uE. l,,·Jill"", .J 'ad" r"wsk iHd se"hergP owell

;:cll-rl3Hl.\! <>n d<>lll Bohn\\' a g n.:rWagnerW agnerW ag" "r

B"etho ve n

D vo r a kHa)'dnH"" t h QVenBeet h o ven

B eeth ov en

B.:ethQven

Beethoven

1l....1hoyt' ''H",'lhow ll11" ..t b",.""BM't b o\' e ll

,;ehu hertCll opl nHaell' L lsztHac h -I.isz tC h opi"Ve~di-LlBzt

.\l osz lwWllk lChopin.\! o8z k ow s k iBMthov"n

Gill etGo d a r d1I1lrt lct tIl"rgerWi g g e uKroe g e rTIM"YCil as;us(l r.:g llColherMacD()we l1K"telbe yJ be r tl'k kllert &: Si lld ingI; tlll'elmun lln "rl",r t

POPULAR SALO~ MUSIC

m

This Bulletin, the Classified Catalog "DVO -ART PIANO MUSIC," and the Sup­plementar y Catalog of Popul ar Dance Music together prov ide a COMPLETE LISTOF ALL MUSIC now available for the DUO·ART REPRODUCING PIANO.

CLASSICA L COMPOSITIO NSComposer

BeethovenBeet h ove n'£ch ll.i k Qv sk :r!'c puschSchubert-LintB I1.«t'fchnlk<lvsk :rChopinChopinAren.tyGouuodOou"o<lGou nodSchyttcT chnl k ov sk y~ch ubert

t'uo-IntB~llllll-l,eyb8. cb

WagnerLiszt.\Inzlirt

~[ard ,,, n erol<I" '" O p. 40. No.3 .No <'lur n" In I' Mino r . O p. 5.~, xo. 1Urll""n " a ntasla and F Ull"U" a Mi n or . P llr t 1I) r ",.. " Fan ta.h. and Full: u~. P a r t III· oh",.. l~", Op. 40, X (). 2" 1~ h( old l o" P ...... phr.... .. 'lIoma ne ... 01" 42, So. 1 •S" h ,·r•." . C-Sbarp Mi uor .Sd,,,,,,,,, Val~" , . . .~,, "ata ( Wald~"'ln) . Op. Ij3 •

2nd m ovcmen t; Mo lt" Ad ag i() a~d3td In()vement ; R ondO

>; ollal.. In II MaJor . Op. 28 ("Pastoral" )Firat Movemen t ; All egtOSecond MOVeme n t : A nd a n t e ; T lllrd Mo \",·",.. " t ;

Schurzol"e "rt l> Mov em " n t ; Ro n 'lo

So "at" In 1<: _t1at. O p , ' - All pg r oSo""l" In E _t1at . O p , ' - Lllr !;oS,,,, ,, tn In E _lIac . O p . 7-1l ()1UI()So ""t a h ' E !>IaJor . 0\'. 109 .

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l>J· n:~i',~';,~"~O: 3 ' ( "ErO I~"" ) In E _t1 a t . Op. '5:1.' ~l hMoveme nt

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" l. ol"''' I''r ln, '' E xc<'r p l s f ..oHn Ac t I'I' h .. I . o r ..le y (U I" I ,o t c ll e )" .\I" lI" ic n u t ,," O...,rl u r " .

OR CHESTRAL SERIES

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SONG ACCOMPANIMENTS

A,,, h, r · IJ"'n Q.n.." ,", l ,n Cllr,,1F",,,,r..1 . . . . . . .l·rlm·... .. .... Ab ril \ W lth \\'or ,I,,)N,,, ,Il .. A. 1l1 (With \' o r lls ) . •81 til 8"1,,,r ll•• ('Vltll " 'ords)

AlI..h,jah ( It JK"h Vol<:t'. In F ) . •Til" I"'ndu l.'ro ( Low Yoke. In lI · lIa t ) . .A ' '''oJ" lie n .. , Op. 22. XO. * (Low .. olee. In A)Com.. to t il .. . ·al r ( llll ri to ne ) • • • • •Go .1 T . llcb ...t t b" Re M (Medlnm Volee. E -nat)1I1lI. t&~rano In J:o: MInor) . • • • • .I 1.-.." T .... (lied. Voice. tn F ) . . . . .x ......o I'\p lrlt ll.. l . ( l l't'dlom Voi",, )

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( P rimo ' Pa~t ) :SChubert ,r r led m a u 7 11lj)l, ' .00

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SPECIAL DUO·ART ROLLSA n lol.. I .a u r l", ",...latloo. (In t h f.! St y le ol t he Great

Composers) . . • , . , • .Ca,, ' t You lI""r lIf" Sa ,. 1 L o .." Yo u- Wa l bCa li r i.·.. Ill l' Illq " ", . , .Ch.. r''''t.'rl ~ t leM In l h ,. le- . . . . . . . .

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DANCE AND SONG ROLLS,\ I,, 't 1\1"" ~w"el ?_Fox T rotAI,, ' t 'I'hal " ITra ",! a n ti GI" ..i" " " :t~""li" ll' ':'''F~ :>: Trot,\ 11 ) ry ] .Jf".... F o:>: Trot

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U "II ..h ' J" h l- fo' ox Tro t , • •11..11,, 1 S wa"..." " ..lIo-F ox TrotU e o r T h.. r... 1<'0:': Trot , . . • .111 h · H , .... b ·H ' lIb {7p In the H IlI . - F o x T r otn"m" ...." rd 1I"" "d .....alt .n """I"I" :\Ioon_U'ai t z ,II .. ... I L,,~.. \ '0" ~F(lx Trot , ,If \"ou ' .... In l .ov.. Yo u' ll Waltz-Wa ltzII ,\ 11 n .' p ..,,<l ~ "n Yo n- F ox T rot . , • .]"d 1.0 0'" t " Ca ll Vo u lly Sw.....th......r t--F o x 'ProtId o li z in llC ' - }"OX Trnr . . . . .1 K " nw T h a i Y" u Know - F ..x T rotI I." ,'" III.. 'l"ouU/(h l _ F (I:I Trot ,I 'll ,\I ..... y. 1I~"lemb..r Yo ,,_ 1"(lx TrotI 'm (·n", ln l<. Yl r ll" l n ia - b'o x TrotI '", r..... rnl" .... ~n... - F o x Trot , .I ' m Wo " d e.d n ' Who-F o x T ....t (From " Burks(j ue" )In " I.lt ti.. SI."n l ~1I T own- Wa lt . . .,II 31".1.. Yo " 11"1' [>' W he" \"o u ) [" ,1.. 'I .. Cry]C' . " 1\11111 <> " t Il 0"" Yo u'r" ] n l .o v..-1"o " Tru!.I'"" (JOt S"m..h od ,. Sow- F o x TrM .I" 'e 1.081 ,\11 ) Iy I."" " .t'o r V.. u - \ Va lt z

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Musical News Notes I1I111"11II~"".,1II11,""llm.:m""III~'III~:II"'UliOOlmml!"r:I""I'''"ll1~I!Ii''"''''''~"IIi~:II!III1I:1I1'!

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• •= ~; .f.:i/ll:nUHlliliJ

p E,RCY , GRAI ~G.ER ha6 rece~tly been vi<i~ing

t"c enunc r.e Enl;h ,h CUlllpO>CT rIlEt>tRICK D£1.11:Silt his berne in Grn·sur ·loinl:, Sdr,c'et-~b:ne,

france ; ar.d in a letter to Til t A t OLIAN Go~ i'A N Yhe wri tes ;

..It was wonderful that you were able to haveth e Dc o-Ax r and the rolls &er.t tu D u m,. T helllstrur:llmt sen t ","a' such a perf~c~ly sple ndid oneand Dt. L1t; ~ Wa. en raptured v.~t :: It. He UJd the1;IU>t appreciatlve thi nll:' o f the D uo·ART a~ain andagain, and a;oiJ he w~ wri:in jo/ to X ew York andLon don upre-..i ng hi . ad :lliration. Doubdc:M you....iII ha\'c hurd Ircm hi m. In a few weeks I .hallbe with him again, goi ng th ru with him the D u o­.'".RT DELlt; ~ mils 1 mad e Ia.. t summer. W ith bestth~nb ar.d !=reetinl\s.-Youn cordially,

( Signed) " P ERCY G RA INl;n .' ·..,Ia.f l'it SctUlI./I,Elt, Engh'lh plam. t. lamolU for her

da: :,Iing technical mastery and the chil.rm uf he :delicate, lincly tcmpet ed musicianship, h;u ret urnedfor another concert wur of the Lnited States. Shemade her fint app ea rance of th e otaoon as w10istWlth the Ddroit Sym ph ony O rehe_tn. on October30. and fol lowe d it with ~ recit il.l in ~ew York onS O'·emhott 1. ..,

!<.s .\% !'Jl.l t .I>M .\ S began hi s new American tour IIICali fornia urly in November. On his W;ly bac k[rom ;I prol onged and triumph~l tour in A1l>tral '",~ia he gave two piano recita ls in Honolulu. AnA u.trali;ln new-paper tuld of an old b rmer fromthe Kur u jong who was 50 impr essed by Friedman'sm;ln·e!ous Gnger duterity that he turned to hiswife an d ex~bjmcd ' 'I'd give that cove t op wagee t o

f.ick pea' {or me." Since 1"5t Chri,tm ·hen hetit the U nited State., MR. FlI.lE ll ~I I\ N h appuredin more than 100 recit als in Europe and tt-e Anti·p"des, fift y of them in A u.•t raha and :-":cw Zeal;lnd ...,

FRA~ 1' S . D r.As !!, of Portland, Maine, where heI' Ge ne ral A ltcnt of the M"' 5achll.'ctts AccidentCompany, writes t o in form T hc Aeolian Companythat he ha.' a "Weber G ra nd Squa re Pi ano (fourIe!:, ) , N u. 806 7." which ha. been in his po>,e"ion-iuc c 1872 and in consta nt u. c, and that it is in finccun dition today, T he Wcher always wao, as it is!l O W, uuc <If toe best pi ;lnOl' made,

<+'M~l r. . :-lISA G RII!H, eillhty·tw o-ycar ·old widow of

the (a mo"," :;";orwCRian composer EllVARO G Ft IEG( who died in !90 7). recentl y took par t in a con­cer t in Odo, after a long pe riod of retiremen t . Sheaccompanied 11ME . GR1 ¥. (J -H.\LVOR~E ?oI who .anll" apoop of G riel{' s .onll:s, and the program ended withCso.c's Norwe!:i;ln D;lnce5 {or four hands, playedhy :\h tL G RlI'G a~d f:RtDTJOP BAf~ I'~Il·GROENJ)A II L .

T he audience. which Included the KI~G an d Q t;EENor NORWAY and several musical celebrities. was moster.thu~ja.<tie ~nd ~M! . GRIEG ...·a. recalled ;llI:a inand again. ..,

In or der to enhance the value of the D CO·/I,RTPiAI'O co teiu:hcB of phy. iea l cdu':;ltion, d.tnci nll:,

AGN ES L. MARSH

dram atic art. and pa gea nt ry, the Educancnal Depart­ment of THP. .... ~OLlA I' CoIof PASY haa arranged withMIS5 AI;l'n L. MAR5H. A ,M , to answer qu efti onlpem ining to thc uses of the D UO-ART in t he dayroo:n, practice hour. ;lnd pe rfor mances. T eachersusing the ins trument are invited to write to M ISSMAR5H at any time for .ulI: gation. eboct t he choiceof music for uercise~ , d;ln ctl, festivals. or ot herspecial occasions rclared to th is Geld. MISS MAU llis a member of the fac u!:y of T eachers Colle ge.Columbia Univc-srry, Pr incipal of the Marsh Schoolof Dan ce and Allied Art , D irecto r of the 1bnhDa ncers, and co-autbo r of " T he D ance in Edu ce­uon." Shc h~s "' ide special 'lUdy of the D uo·A RTreFcrto ry, and allalysi. and cl~<"ific~ti(ln o{ this mu­sic may bc Iound in her book "The Duo-Art Gu id efw Ph y' ical Educauon." ("">1 :1 H1 unicat;nl1s should N:add resscd to M ISS M "'RSH . Ed ucational De partment,T HE .....fOl. IA:".· CO.\I PA~Y. 6 !11l Fifth Av en ue. NewYork.

Answersto M "";'-<11 Q.,u.<l ; ">1 >1 ~ ; Tt 0>1 P~ s< e Slle

I. GC<>f ~e Frid ertc Handel.2. ( a ) M orn inJt·music. t he m<Jfning ccun-

terpart of ( b ) a Serenade.l. l udwiJt ,,;In Be..,thoven.4. Edward M acDowell.L Frederic Francois Chopin .6. A joke, or jest ; playful, humurou,.7. Ludwig van Beet hoven.8 . Th e M inuet of Haydr..9 . Fran: j ....tf H aydn.

10. 1\ piece ir. i:nit;ltion of the Ve nd i;lnbcac-sona s

Forthcoming Appearances of Musical Celebritiesi n Saint L ou i. s

During

Claudia M uzioS opra n o

( C hicago O peraC om pany)

I N RECITA L

Friday E veningJa nuary 6th

At th e OD EO NAuspices

Civ ic Music League

Co ncert Direct ionEli labN h Cueny

December and January

C laudia Muzio is one

of those rarely versa­

t il e sin gers w ho can

both flame in ope ra

and charm in concert.

The fonhc oming ap­

pe a rance of C laud ia

M uz io is awa ited with

keen delight hy Saint

L ouis m usic lovers.

SAINT LO UI S SY!VI P H O NY O RCHESTRA

M onthly O rgan R ecital, \Vash ingto ll University Extension Co urse, \Vashington U niver­siry, Sund ay, D ece mb er 18th , 3 p. m. C harles Galloway, organi st. Free to the Public.

Flonzaley String Q uartet, Thursda y E veni ng, D ec ember ls t [at the Sheldon A udito rium]

P au l Kochanski , Violinist , T uesday Evening, December 6th [Th e Odeon]

M inneapolis Symp hony Orchestra, Henry Verb ruggen, Condeaor,Th ursda y Evening, j anuary 26th [T he O dec n]

Bernard ino M olinari, Conductor

j anua rv 6- 7Nicol ai Orloff , Piani.t

January 13-14Ceci lia H ansen, Vir; /in

January 27- 28Vladimi r Horowitz , Pianist

Auspices of Cruic M usic LeagueConcert D lrecricn, Elizabd /l CuellY

IJecemher 9- 10\\ ' il1 iam van H oogstraten, C~1/(luctor

December 10-17Eugene Goossens, Conductor

D ecember 29 -30Ber nardino Molinari, COI/r/ucfer

(No So/aish )

S teinway Hour at Sta tion KM OXE very Saturday Evening at 7 o'clock -of importance to eve ry mu sic studen t

The missio n of this l'uh lkat ion i, 10 acquaint Saint Lou isans with the forthcom ing- appearanc es inour city of the world' , llluskaJ celebrit ies and to d isseminate know ledge of ge lleraJ interest in mus ic

Viclar Record; aftlme Artint at tlu A eoHa" C~mpa"y

T icket O ffi ce for all of t he above M usical E vents atthe A eolian Compan y of M issouri, 1004 O live Stree t

Pn nuc:! in th e U. S, A.