New Aquisitions Orietal Mss.

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RECENT ACQUISITIONS A HEBREW MANUSCRIPT  OF  CLAVICULA SALOMONIS PART  II Claudia Rohrbacher-Sticker NOWADAYS  it is  almost a truism  to  say that there are more and deeper marks of mutual influences between many Christian and Jewish religious traditions  o f  the medieval and early modern period than have long been acknowledged. This  i s  especially true where magic  i s  involved,  a  branch  o f  knowledge whose adherents seemingly tended  t o  be les s concerned than others about questions  o f  religious propriety,  a n d  who often displayed a marked interest  in  foreign beliefs  a n d  practices. And  yet it is  surprising  to  encounter the manifold traces  o f  inter-religious  a n d  cross-cultural contacts  and to  find even specifically Christian formulae and practices  in a  Hebrew manuscript which represents an important string  o f  Jewish magical traditions. Or. MS. 14759,  a  manuscript  o f  5 folios which was acquired by the Hebrew Section of the British Library in 1993, proved to be a continuation of Or. MS. 6360,  a  manuscript of 15 foUos.^ Written  b y  the same hand,  in  Sephardic rabbinic and square script, and in  a l l  probability dating back  to the  seventeenth  o r  eighteenth century,^  the two manuscripts  add up to a  complete copy  o Sefer Mafteah  Shelomoh  ( The Book  of  the K e y  o f  Solomon ).^ This Hebrew handbook  o f  magic,  a  vademecum  of astral magic and necromancy,  is  part  o f a  very complex flow  o f  traditions which goes back  f o r  many centuries. Since the Middle Ages, numerous Latin, Italian, French, German and English versions have appeared of  a  book entitled  lavicula  Salomonis lavis  Salomonis and the like,^  of  which quite  a  few purport  to be  translations from the Hebrew.  To  be sure, the claim that  a  text  o f  this sort  h a d  been translated from  a  Hebrew original  is not  very conclusive  i n  itself Christian interest  in the  Kabbalah  and above  all in its  magical aspects having greatly increased since the fifteenth and sixteenth centuries,^ such a claim of Jewish provenance more often than not simply served the purpose of establishing the antiquity  an d  authoritative character  o f  certain traditions  o r  practices. Indeed, while there  ar e  indications that  an old  Hebrew version  o f  this book  did  exist,^  it  has never emerged. For hundreds of years such a Hebrew version  o f  lavicula Salomonis  had been referred to only  in  the most unreliable terms, and  at  the end of the nineteenth century was n fact believed  to  have been lost long ago.^  It  came  as a  sensation, therefore, when Hermann Gollancz found  a  Hebrew manuscript entitled  Sefer [Mafteah] Shelomoh  i n  the library of his father, Samuel  H.  Gollancz,  at the  beginning  o f  the twentieth century. Gollancz  8

description

Hebrew magic manuscript

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RECENT ACQUISITIONS

A H EBR EW M A N U S C R I P T OF CLAVICULA SALOMONIS,

PART II

Claudia Rohrbacher-Sticker

N O W A D A Y S it is almost a truism tosay tha t there are more and deeper marks of mu

influences between many Christian and Jewish religious traditions of the medieval

early modern period than have long been acknowledged. This is especially true w

magic is involved, a branch of knowledge whose adherents seemingly tended to be

concerned than others about questions of religious propriety, and who often displa marked interest in foreign beliefs and practices. And yet it is surprising to enco

the manifold traces of inter-religious and cross-cultural contacts and to find

specifically Christian formulae and practices in a Hebrew manuscript which repres

an important string of Jewish magical traditions.

Or. MS. 14759, a manuscript of 53 folios which was acquired by the Hebrew Sec

of the British Lib rary in 1993, proved to be a continuation of Or. M S. 6360, a manus

of 15 foUos.^ Written by the same hand, in Sephardic 'rabbinic' and square script,

in all probability dating back to the seventeenth or eighteenth century,^ the

manuscripts add up to a complete copyoi

Sefer MafteahShelomoh

('The Book oKey of Solomon').^ This Hebrew handbook of magic, a vademecum of astral magi

necromancy, is part of a very complex flow of traditions which goes back for m

centu ries. Since the M iddle A ges, num erous L atin, Italian, French , German and Eng

versions have appeared of a book entitled Clavicula Salomonis, Clavis Salomonis,

like,^ of which quite a few purport to be translations from the Hebrew. Tobe sure

claim that a text of this sort had been translated from a Hebrew original is not

conclusive in itself Christian interest in the Kabbalah and, above all, in its ma

aspec ts having g reatly increased since the fifteenth and sixteenth centuries,^ such a c

of Jewish provenance more often than not simply served the purpose of establishing

antiquity and authoritative character of certain traditions or practices. Indeed, wthere are indications that an old Hebrew version of this book did exist,^ it has n

emerged.

For hu nd red s of years such a He brew version of Clavicula Salomonis had been re

to only in the most unreliable terms, and at the end of the n ineteenth century was in

believed to have been lost long ago.^ It came as a sensation, therefore, when Herm

Gollancz found a Hebrew manuscript entitled Sefer [Mafteah] Shelomoh in the lib

of his father, Samuel H. Gollancz, at the beginning of the twentieth century. Goll

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ght ou t a facsimile ed ition,^ Besides the manuscript edited by Gollancz, there is a

While he did not claim to have discovered the 'original text' of the Clavicula

traditions,^^ and although he was aware of the numerous 'foreign' elements

Jewishness'.^^ According to Gershom Scholem, however, Mafteah Shelomoh is a

utual permeation. ' * In the case of one of the lesser traditions contained in the book,the incantation of King Baraqan,^^ Scholem was able to prove its Arabic origin. ^ T he

frequency of Christian, Latin, and Italian elements led him to the assumption that the

text discovered by Gollancz was a late Jewish adaptation of a 'Latin (or rather Italian)Clavicula text of the renaissance period'.^^ This view, which has been shared by otherscholars,^^ is supported by an examination of Or. MS. 14759.

It was probably the scribe himself who translated this text into Hebrew. However,

any foreign-language words and even entire passages are not translated but justransliterated into Hebrew characters. It was essential to retain the magical potency of

oreign-language names and incantation formulae, and therefore a translation of suchames and formulae was not desirable. Or. MS. 14759 contains a considerable number

f Greek and Latin elements of this sort.^® In the long and complex flow of magicalraditions, some of these names and formulae may even have been conveyed through

S. 14759. There are at least two examples in this Hebrew manuscript for the re-

More frequently, foreign-language words are retained to preserve their specific

wa s', and he omits a whole paragraph because he 'did not un derstand the language'.^^

Apart from many names and words of Christian origin, Or. MS. 14759 contains

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^ ' J- t*

Fig. I. Illustration accompanying magical prescriptions for love, from Part II of the Heb

Clavicula Salomonis, c. 1700. O r. M S . 14759, f- 37 ^

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2. Title-page ofSefer ha-Levanah [*The Book of the Moon ' ] , Part I of the Hebrew Clavicula

1700. Or. M S. 6360

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numerous recipes which explicitly refer to Christian rituals and symbols. The cross

depicted time and again in this Hebrew manuscript, which even advises the magi

utilization of a sanctified cross put in holy water.^^

The rich pictorial illustrations in Or. MS. 14759 ^^e of special interest. As in Or. M

6360, they w ere obviously executed by the scribe him self Besides several diagrams, so

remarkably naturalistic drawings (e.g. fig. i) serve to illustrate magical prescriptio

(segulot). One picture shows the escape of prisoners in a ship which is carried throthe air by demons, the escapees wearing oriental garb. In Or. MS. 6360, a drawing

the title-page shows Solomon himself, dressed like a European gentleman of the Baro

(fig. 2). Again, Mafteah Shelomoh proves to be at the crossroads of cultures and religi

A P P E N D I X

A selective list of Greek, Latin, Italian., and Arab ic

words and passages in Or. MS. 14759

Most of the words listed below appear only once in the manuscript, but some, like ^^ipt^

Cpen tac le'), 13i:;Xt:3D ('pe nta go n'), and iniKtTpt:? ('hex ago n'), are more frequent. Howe

a full list of all references seemed dispensable. The asterisk indicates that a Hebrew transla

or an explanatory note is added to the relevant word or passage in the manuscript.

Greek

(f 8b) = xctpa/cTTjV Csign, le tt er' )

(f. 12b) = oACTcovo/xo? ('of eight nam es')

:ND (f 20b) = Karriyopos ( 'prosecutor ')

'^i'T'p ( f 31a, in a magic circle) = KvpiaKos ( ' the Lord's ; Sunday') ^ ^V D (f. 34b, in a magic circle) = 7TapdK\'r)Tos ('consoler' [Holy Spiritf

(f 34b , in a mag ic circle) = aA^a [Kai] w ('Alpha and Omega' [Christ(f. 34b, in a magic circle) = rerpaypdfxfiarov ('tetragram' [the meff

name of God])

pin (f 35b, in a drawing) = viptoros ( 'Almighty')

(f 36a, in a mag ic circle) = ay to? ('h ol y' )

n n r V tn n V'i2> to 'VpxQ (f. 38a) = _ a«:eAAa=* Cpick')

(f 38b) = wv ]VbV ( 'Supreme Being')(f 38b) = ovoia ( 'being; substance; essence')

(f. 38b) = TTavroKpdrajp ( 'Almighty')

(f 38b) = oojTrjp EfipLavovrfX ('saviour Emmanuel' [Christ])

(f. 38b) = TTpo-ndrajp ( 'ancestor')

r iXnCIK (f . 41b) = o Beos S.yios ( ' the Holy God')

(f 42a) = a derivation from Ip^rjd and similar names which figure promin

in the Papyri Graecae Magicae

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( f . 4 7 a ) = TTa p a K a Xeo j ('I i m p l o r e ' )

p ? 1 t? Xl K n O N t : '1 N n t : i N U?1N**:N (f. 47a-b ) = a( ' t he Ho ly God, immor ta l , s t r ong ' )

V'12> l O r ^ n D N (f. 5a) = at ram entum * ( 'b lack dye , ink ' ) : (f. 6b)= tert ia . . . nona . . . vesper ( ' thir d [hour ] , none s, vesp er s ' )

b b (f. 7a) = p em aculum * ( ' p e m ac l e ' )nt2?n ]''QD xintr n» bo b':^y ^bvl'''^nl^^p (f. 7b) =

quadri[g]esi[m ]ali* ( 'p e rtain ing to the [Chri stian] season of fasting')

^ (f. 7b) = m irabi l ia ( 'm iracl e s ' )

^3DrD ( f 9b ) = pim pine l la* ( 'saxifrage ' )

D t r > i V m m n t D (f. io a) = tur ib ulum * ( ' incense b ur ne r ' )

( f iob ) = foeniculum ( ' f enne l ' )

( f . iob) = verbena ( 'ho ly he rbs ; ve rbena ' )(f . iob) = valer iana ( 'valer ian')

( f i ob ) = m entha ( 'm in t ' )

O ( f iob ) = [or iganum ] m ajorana ( 'm ar jo ram ' )

( f . iob) ; N m 7 « t 2 ? (f. 35b) = salvia ('sage')

( f iob ) = hysop pus ( 'hyssop ' )

( f iob ) = basi l icum ( ' b as i l ' )

V b (f. na) = stilus* Cstyle ')

(f l i b ) = salve salvator ( 'hail savi o ur' [Christ])

<D13ND V':2> N2n:21^ ( f 19b) = lucerna* ( ' t o rch ; l ante r n ' )DK t r . . . p DK *lN (f. 20b) = Arepo , Sato r ( e l em ents o f the ps eudo -Latin pe rm uta ti on

formula: Sator Arepo Tenet Opera Rotas)

(f. 24a) = dicitur (' it is said')

(f 25a); mn'^ti''^ ( f 25b) = zep hyrus ( 'west w ind')

(f 25a); t T K m n ( f 27b) = bo reas ( 'no r th wind ' )

(f 25b) = subsolanus ( ' east w ind')

(f 25b) = afr icus ( ' south-we st w ind')

(f 25b) = auster ( ' south-e ast wi nd')

D1DX "ID DK' ti piX ( f 33b) = veni te veni te om ni l e gio ni . . . Astaro t . . . ( ' com e, com e,

all legions . . . Astaroth . . . ' )

This passage is doubt less ly 'Lat in ' in i ts ent i rety. The same is t rue for the fol lowing

passage , wi th the remarkable except ion of a 'Greek ' inse r t ion:

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(f. 35b) = gr ati as ... in omnibus ... in vijjtoTos semper.. . ( 'tha... in al l. .. in the Almighty ... always .. . ' )

(f. 34a) - Oceanus furians ('furious O ceanus')(f. 36a, in a magic circle) = agnus ('lamb', in all probability 'agnus Dei' [Chris

DKnp3i3 DN \ DKIT O' DNSV T ^ X D itj- mo i p n r x

\ (f. 36a, in a magic circle) = .. .e t num quam surgas nisi ad infinitu m

permutat io . . . (*...and you shall never rise but to eternity ... permutation... ')

^ ' n ; D (f. 36b) = mustela* ( 'weasel ', but explained to mean 'ba t ')

(f. 37b, in a drawing) = Amor

(f. 37b, in a drawing) = Venus^7^^7 (f. 37b, in a drawing) = Luciferb r K IN nm^?: V'2> XIXSIXV (f. 41b) = lampada* ('torch')

. 44b) = rex ('king')

(f. 45a, in a magic circle) = Oriens(f. 45b) = Cupido

t:? (f. 46b) = sulfur ('sulphur')m m n t i ? ! '11D?:DmQ (f. 50a) = formator sponsor venator ('sh ape r, don

investigator')

Italian

S (f. 8b) = dn ab ro * ('red mercury sulphide')

(f. 9b) = avorio* ('ivory')

D ^D x i n lO'^b'-isiiD) iD'^V^'iismD (f. 9b) = forceii('little fork')

(f. 9b) = cartella ('sheet')

(f. loa) = lanterna ('lantern')

(f. iia) = cotone ('cotton')

(f. 16b) = cristallo ('crystal')

p (f. 19a) = exorcismo ('exorcism')

(f. 20a) = pentagono ('pentagon')

(f. 20a) = sessagono ('hexagon'):2"lN72 (f. 24a) - marzo* ('M arc h')

QVO') V^nt (f. 24a) = giugno* ('June')

V nO "'D ''tr (f. 24a) = settembre* ('Se pte m ber ')

(f. 24a) = dicembre ('December')

p n TS7Vm m V n : i nrD V'HS) n o o n (f. 26a) = rostri* Cbeaks, mouths'addition to the Hebrew paraphrase ['big m ou ths '], a synonym 'in the foreign tong

likewise Italian, is given as well: 1p''3 becco)

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(f. 26a) = spino (*brier')

tr N (f. 26a) = sandalo (* sandalwood')

(f. 26a) = mastice ('mastic')ni;t2?n> ^I^t '^ (f. 27a) = 'O piedi ('[nine] feet')

(f. 27a) = palmo ('palm of the hand', given as a synonym of fliT ['span'])

/^ m n )

(f. 32b) = manico ('sleeve', given as a synonym of •]S?inT ^^2/)

(f. ^2b) = talpa ('mole')n y 7'S> ' 22''7tr? (f. 33b) = salice* ('willow', but the Arabic 'synonym' means

'palm-tree')

(f 34a) = spuma ('foam'; here: 'albumen')

i f y f ?3> W^ti'''^ (f. 34a) = cipresso* ('cypress')

^pm^ *'VD> xV^^nnt: (f 36a) = triveiia* cdriir)(f 36a) = tasso ('badger')

V's> ^py)p (f. 37a) = conca* ('dish')

(f. 37a) = Napoli ('Naples')

] (f. 37a) = virgiiio cvirgir)(f. 39a) = nigromantico ('necromantic')

(f. 39b) = periodo ('interval')b p (f. 41b) = creta* ('clay', but explained to mean 'natron')(f 45a) - incenso ('incense')(f. 47a) = scatola ('small box')

S (f 48a) = febbraio ('February')(f 48a) = maggio ('May')

(f 48a) = agusto ('August')

(f. 48a) = ottobre ('October')

(f. 48b) = anulare ('ring-finger')V X (f. 48b) = upupa* ('hoopoe')

(f 49a) = verde ('green')(f. 49a) = azzurro ('blue')

(f. 49a) = viole[tto] ('violet')^ (f. 49b) = specolo* ('mirror')

Arabic

(f 8b) = zinjafr ('red mercury sulphide', given as a synonym of the Itahan word

'cinabro')

V (f. 13a); ]Nmp5VK (f. i8a) = al-Quran ('the Koran')

(f. 18a) = Muhammad

2 (f. 18a) = Maimun al-mudhhab ('the gilded 'Maimun' [a demon])

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J (f. 33b) - nakhl ('palm-tree', erroneously given as a synonym of the Italian w'salice')

(f 48b) = hudhud ('hoopoe', given as a synonym of the Italian word 'upu

1 For a short description of Or. MS. 6360, see G.

Margoliouth, Catalogue of the Hebrew and

Samaritan Manuscripts in the British Museum^

part iii (London, 1915; reprinted 1965), pp.

102-4, 1*0- 794-

2 Ibid . Gre enu p, who edited part of Or. M S. 6360,

beheved it to date from the sixteenth century;

see A. W. Gr eenu p, Sefer ha-Levanah: The

Book of the Moon (London, 1912), p. i .

3 A preliminary report on Or. M S . 14759 was

published by the present writer in 'Mafteah

Shelomoh: A New Acquisition of the BritishL ib r a r y ' , Jewish Studies Quarterly, i (1993/4) ,

pp. 263-70. I would like to express my thanks to

Brad Sabin Hill, Oriental and India Office

Collections, who first recognized the connection

of Or. MS. 14759 with Or. MS. 6360, and who

brought the new manuscript to my attention.

4 See the title list of Latin, German and French

versions in H. Gollancz (ed.), Mafteah

Shelomoh: Clavicula Salomonis (Frankfurt ,

London, 1903), pp. 12-13. The texts in Romance

languages which are in the British Library have

already been edited and translated into Englishin S. L. M. Mathers (ed.). The Key of Solomon

the King: Clavicula Salomonis (London, 1889).

See also M. Steinschneider, Die hebrdischen

Ubersetzungen des Mittelalters und die Juden als

Dolmetscher (Berlin, 1893), p. 938.

5 See G. Scholem, 'Die Stellung der Kabbala in

der europaischen Geistesgeschichte' , Wissen-

schaftskolleg Berlin, Jahrbuch ig8i f ig82 (1983),

pp . 281-9, reprinted in his Judaica, vol. iv

(Frank furt, 1984), pp . 7-1 8.

6 See C. Rohrbacher-Sticker , p . 265.

7 See Mathers, op. cit. , p. v.

8 Gollancz, op. cit.

9 H. Gollancz (ed.), Sepher Maphteah Shel

Book of the Key of Solomon (London, Ox

1914).

10 See L. Fuks and R. Fuks-Mansfeld, Hebre

Judaic Manuscripts in Amsterdam Public C

tions (Leiden, 1973), vol. i, no. 242, pp. 1111 Ibid . , p . I II .

12 See Gollancz, Mafteah Shelomoh (1903), p

and the erroneous assertion by Fuks and F

Mansfeld, op. cit., p. 112.13 See Gollancz, Mafteah Shelomoh (1903), p

14 G. Scholem, 'Some Sources of Jewish-A

Demonology ' , Journal of Jewish Studies

(1965), pp. 1-13, here p. 6; cf. idem, Mada'

Yahadut (Jerusalem, 1926), vol. i, p. 116.

15 See Gollancz, Sepher Maphteah Shelomo (1

ff. 24a-25b. Cf. also Sholem 's edition of the

Journal ofJewish Studies, xvi (1965), pp. 1

16 Ibid., p. 6.

17 Ibid.

18 Cf. e.g. L. R Schiffman and M . D . Sw

Hebrew and Aramaic Incantation Texts fromCairo Genizah (Sheffield, 1992), p. 20.

19 In one case (f. 17b), one is advised to ut

certain formula in Arabic as well. However

Arabic version is not given.

20 Cf. the nam e 'Sa ba ot h' (f. 40a) and the nam

the demons Sanvi and Sansanvi (f. 46b).

21 Ff. 36a, 39b, and more often.

22 'Garment of your arm, i.e. manico ('sleeve

32b.

23 F. 37a.

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