New American Music titles from Cambridge University Press!
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New American Music titles from Cambridge University Press! Prices subject to change. Electronic Music N ICK C OLLINS , MARGARET S CHEDEL and S COTT WILSON Cambridge Introductions to Music $80.00: HB: 978-1-107-01093-2: 237 pp. $27.99: PB: 978-1-107-64817-3 Twelve-Tone Music in America J OSEPH N. S TRAUS Music in the Twentieth Century $31.99: PB: 978-1-107-63731-3: 326 pp. Jazz Icons Heroes, Myths and the Jazz Tradition T ONY WHYTON $27.99: PB: 978-1-107-61082-8: 227 pp. A History of Singing J OHN P OTTER and N EIL S ORRELL $34.99: PB: 978-1-107-63009-3: 360 pp. Elliott Carter Studies Edited by MARGUERITE B OLAND and J OHN L INK Cambridge Composer Studies $103.00: HB: 978-0-521-11362-5: 364 pp. Music and Ethical Responsibility J EFF R. WARREN $99.00: HB: 978-1-107-04394-7: 245 pp. Music and Protest in 1968 Edited by B EATE K UTSCHKE and B ARLEY N ORTON Music Since 1900 $99.00: HB: 978-1-107-00732-1: 340 pp. Music, Sound and Space Transformations of Public and Private Experience Edited by G EORGINA B ORN $99.00: HB: 978-0-521-76424-7: 376 pp. Representation in Western Music Edited by J OSHUA S. WALDEN $99.00: HB: 978-1-107-02157-0: 329 pp. The Accessibility of Music Participation, Reception, and Contact J OCHEN E ISENTRAUT $99.00: HB: 978-1-107-02483-0: 336 pp. The Cambridge Companion to the Symphony Edited by J ULIAN H ORTON Cambridge Companions to Music $90.00: HB: 978-0-521-88498-3: 470 pp. $29.99: PB: 978-0-521-71195-1 The Cambridge Guide to Orchestration E RTUGRUL S EVSAY $150.00: HB: 978-1-107-02516-5: 675 pp. The Cambridge History of Eighteenth-Century Music Edited by S IMON P. K EEFE $50.00: PB: 978-1-107-64397-0: 816 pp. The Cambridge History of Nineteenth-Century Music Edited by J IM S AMSON $50.00: PB: 978-1-107-67994-8: 788 pp. The Cambridge History of Twentieth-Century Music Edited by NICHOLAS C OOK and A NTHONY P OPLE $50.00: PB: 978-1-107-63199-1: 836 pp. The Cambridge History of Music www.cambridge.org @CambUP_Music https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1752196313000564 Downloaded from https://www.cambridge.org/core. IP address: 65.21.228.167, on 03 Nov 2021 at 04:20:45, subject to the Cambridge Core terms of use, available at
Transcript of New American Music titles from Cambridge University Press!
New American Music titles from Cambridge University Press!
Prices subject to change.
Electronic Music
NI C K CO L L I N S, MA RG A R E T SC H E D E L and SC O T T WI L S O N
Cambridge Introductions to Music
$80.00: HB: 978-1-107-01093-2: 237 pp.
$27.99: PB: 978-1-107-64817-3
Twelve-Tone Music in America
JO S E P H N. ST R AU S
Music in the Twentieth Century
$31.99: PB: 978-1-107-63731-3: 326 pp.
Jazz Icons Heroes, Myths and the Jazz Tradition
TO N Y WH Y T O N
$27.99: PB: 978-1-107-61082-8: 227 pp.
A History of Singing
JO H N PO T T E R and NE I L SO R R E L L
$34.99: PB: 978-1-107-63009-3: 360 pp.
Elliott Carter Studies
Edited by MA RG U E R I T E BO L A N D and JO H N LI N K
Cambridge Composer Studies
$103.00: HB: 978-0-521-11362-5: 364 pp.
Music and Ethical Responsibility
JE F F R. WA R R E N
$99.00: HB: 978-1-107-04394-7: 245 pp.
Music and Protest in 1968
Edited by BE AT E KU T S C H K E and BA R L E Y NO RT O N
Music Since 1900
$99.00: HB: 978-1-107-00732-1: 340 pp.
Music, Sound and Space Transformations of Public and Private Experience
Edited by GE O RG I NA BO R N
$99.00: HB: 978-0-521-76424-7: 376 pp.
Representation in Western Music
Edited by JO S H UA S. WA L D E N
$99.00: HB: 978-1-107-02157-0: 329 pp.
The Accessibility of Music Participation, Reception, and Contact
JO C H E N EI S E N T R AU T
$99.00: HB: 978-1-107-02483-0: 336 pp.
The Cambridge Companion to the Symphony
Edited by JU L I A N HO RT O N
Cambridge Companions to Music
$90.00: HB: 978-0-521-88498-3: 470 pp.
$29.99: PB: 978-0-521-71195-1
The Cambridge Guide to Orchestration
ERT UG RU L SE V S AY
$150.00: HB: 978-1-107-02516-5: 675 pp.
The Cambridge History of Eighteenth-Century Music
Edited by S I M O N P. KE E F E
$50.00: PB: 978-1-107-64397-0: 816 pp.
The Cambridge History of Nineteenth-Century Music
Edited by J I M SA M S O N
$50.00: PB: 978-1-107-67994-8: 788 pp.
The Cambridge History of Twentieth-Century Music
Edited by NI C H O L A S CO O K and AN T H O N Y PO P L E
$50.00: PB: 978-1-107-63199-1: 836 pp.
The Cambridge History of Music
www.cambridge.org@CambUP_Music
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For free online content visit:http://journals.cambridge.org/bme
Now indexed in the Thomson Reuters Arts & Humanities Citation Index and the Social Science Citation Index, BJME aims to provide stimulating and readable accounts of current international research in music education, together with a section containing extended and useful book reviews. It strives to strengthen connections between research and practice, so enhancing professional development within the field of music education. The range of subjects covers classroom music teaching, individual instrumental and vocal teaching, music in higher education, comparative music education, teacher education, and music in the community. BJME is fully refereed and contributors include researchers and practitioners from schools, colleges and universities worldwide.
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British Journal of Music Educationis available online at: http://journals.cambridge.org/bme
British Journal of Music Education
EditorsRegina Murphy, Dublin City University, Ireland
Martin Fautley, Birmingham City University, UK
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Journal of the Society for American Music
Instructions for Contributors
Article submissions should be sent to:
Prof. Mark KatzEditor, Journal of the Society for American MusicUniversity of North Carolina at Chapel Hill
e-mail: [email protected]
Authors should submit materials electronically to the e-mail address above. Thefollowing documents should be sent: cover letter; abstract of no more than 200words; article text in MS Word with list of references (.doc); musical examples(.pdf or .jpg); and figures (.jpg). Electronic images should be sent as separate low-resolution jpegs rather than being embedded in the text; ideally each image shouldbe less than 1MB in size. (If the article is accepted, high resolution tiff or eps imageswill be required.) Only the cover letter should include the author’s name, mailingaddress, telephone number, and e-mail address. The submission itself should beanonymous throughout the text and notes. Articles should range from 5,000 to10,000 words (excluding notes). Longer articles will be considered but may beedited for length.
Journal of the Society for American Music employs humanities style for citations,following The Chicago Manual of Style, 16th edition. Use footnotes for explanatorymaterial that need not appear in the main body of the article. At the end of thearticle, provide a list of references cited. All musical examples, figures, tables, andappendices should be numbered and contain captions, and the text should indicateapproximate placement by the use of a callout, e.g., <FIG. 1 ABOUT HERE>.Callouts should be placed on a new line after the paragraph in which the figure orexample is mentioned. A separate list of captions should be included. Contributorsare responsible for obtaining permission to reproduce any material for which theydo not hold copyright and for ensuring that the appropriate acknowledgments areincluded in their typescript. The cost of permissions and reproducing color illus-trations will be the responsibility of the author. Upon acceptance of a submission,authors will be asked to assign copyright to the Society for American Music. JSAMdoes not review articles that are being considered for publication in another journal.
For additional information on preparing submissions, please visit<www.journals.cambridge.org/sam> or <www.american-music.org> to downloada current PDF copy of the complete Instructions for Contributors.
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Continued from back cover
Larry Stempel, Showtime: A History of the Broadway Musical Theater Paul Laird 103
Barry Mazor, Meeting Jimmie Rodgers: How America’s Original Roots Music Hero Changed the Pop Sounds of a Century; Jocelyn R. Neal, The Songs of Jimmie Rodgers: A Legacy in Country Music
Kevin E. Mooney 107
Keith Negus, Bob Dylan; The Cambridge Companion to Bob Dylan, ed. Kevin J. H. Dettmar
Matthew Thomas 112
Recordings
George Perle, String Quartets 2, 5, & 8, and Molto Adagio Dave Headlam 117
Gaudete Brass, Chicago MovesKevin Sanders 118
Multimedia
Million Song Dataset Christopher Doll 121
Journal of the Society for American Music
Journal of the Society for American Music (JSAM) is an international, peer-reviewed journal that explores all aspects of American music and music in the Americas. JSAM is dedicated to supporting scholarship that transcends disciplinary boundaries, cutting across historical musicology, music theory, ethnomusicology, cultural theory, and American studies. JSAM encourages international dialogue across disciplines. The journal features articles, reviews of books, recordings, and multimedia items, and explorations of special topics.
SubscriptionsJournal of the Society for American Music (ISSN 1752-1963) is published four times a year, in February, May, August, and November by Cambridge University Press, 32 Avenue of the Americas, New York, NY 10013, USA, for the Society for American Music.
The subscription price of volume 8 (2014), including delivery by air where appropriate (but excluding VAT), is $240 (£130) for institutions print and online; $219 (£119) for institutions online only. Single issues cost $66 (£35.75). Japanese prices for institutions, including ASP delivery, are available from Kinokuniya Company Ltd., P.O. Box 55, Chitose, Tokyo 156, Japan. Orders, which must be accompanied by payment, may be sent to a bookseller or subscription agent or direct to the publisher: Cambridge University Press, Journals Fulfillment Department, 100 Brook Hill Drive, West Nyack, New York 10994-2133, USA; or Cambridge University Press, The Edinburgh Building, Shaftesbury Road, Cambridge CB2 8RU, England. Alternatively, you can place an order online at <journals.cambridge.org/sam>.
Individuals wishing to subscribe to the journal should consider joining the Society for American Music. Individuals receive the journal as part of their membership. Other benefits include a copy of the Bulletin, and the annotated Membership Directory. Annual membership rates are $75 (US) for individual members, $30 for spouses/partners, $35 for students, and $50 for retired individuals. If you reside outside the US, please add $10 additional for postage. All payments must be in US funds, drawn on a US bank or by credit card (Visa or Mastercard only). Please direct all membership payments, inquiries, changes of address, and correspondence to the Society for American Music, Stephen Foster Memorial, University of Pittsburgh, Pittsburgh, PA 15260, USA. Telephone (412) 624-3031, fax (412) 624-7447, e-mail [email protected], website <www.american-music.org>.
For single issues, please contact [email protected].
AdvertisingFor information on display ad sizes, rates, and deadlines for copy, please visit the journal homepage at <journals.cambridge.org/sam> or contact [email protected]. Information can also be found at <www. american-music.org>.
Internet accessJournal of the Society for American Music is included in the Cambridge Journals Online service, which can be accessed at <journals.cambridge.org>. For information on other Cambridge titles, visit <www.cambridge.org>.
ISSN: 1752-1963EISSN: 1752-1971
© The Society for American Music 2014. All rights reserved. No part of this publication may be reproduced, in any form or by any means, electronic, photocopying, or otherwise, without permission in writing from Cambridge University Press. Policies, request forms, and contacts are available at: http://www.cambridge.org/rights/permissions/permission.htm
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Front cover illustration: Rhyme book, lyrics to “Newport New As.” Collection of Anthony Kwame Harrison. Photograph by Anthony Kwame Harrison.
17521963_8-1.indd 217521963_8-1.indd 2 2/6/14 6:08 PM2/6/14 6:08 PM
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JOURNAL OF THESOCIETY FOR AMERICAN MUSIC
TA B L E O F C O N T E N T S
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CONTR IBUTORS
ART ICLES
1 “What Happens in the Cabin . . .”: An Arts-Based Autoethnography of Underground Hip
Hop Song Making
Anthony Kwame Harrison
28 Paul’s Boutique and Fear of a Black Planet: Digital Sampling and Musical
Style in Hip-Hop
Amanda Sewell
49 The Dixie Chicks’ “Lubbock or Leave It”: Negotiating Identity and Place
in Country Song
Jada Watson
76 Articulating and Contesting Cultural Hierarchies: Guatemalan, Mexican, and Native
American Music at the Panama-Pacifi c International Exposition (1915)
Amanda Cannata
REV IEWS
BOOKS
101 Virgil Thomson and Gertrude Stein, Four Saints in Three Acts, ed. H. Wiley Hitchcock
and Charles Fussell
Steve Swayne
Continued on inside back cover
Cambridge Journals OnlineFor further information about this journal please go to the journal web site at
http://journals.cambridge.org/sam
JOURNAL OF THESOCIETY FORAMERICANMUSICVOLUME 8 • NUMBER 1 • FEBRUARY 2014
17521963_8-1.indd 117521963_8-1.indd 1 2/6/14 6:08 PM2/6/14 6:08 PM
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