Neo-Futurism.doc

8/14/2019 Neo-Futurism.doc

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Fact Sheet:

December 2, 1988 Show started at Oberlin College-Turned on by Italian uturist- Short !lays, "ani#estos, $istory

%t Oberlin College, &reg had an e'ening o# (er#orming Italian #uturist (lays)* years later &reg %llen went to the +ugene Oeil center ational Theater

Institute, but #ailed, and came bac. he couldnt write the &reat %merican !lay/

Instead he mo'ed bac. to Chicago and wrote * short (lays on 1 sheet o# (a(er e'eryday/

Started with a staged reading o# these short (lays that he wrote, and called it

T/"/0/"/T//&//

Too. #rom the Italian uturist- !lays, Structure, re'ity

"ied with his own aesthetic- 3*4 (lays in 54 min6

7hy no characters

-To be yoursel# on stage in #ront o# an interacti'e audience-o se(aration between stage and audience

-+m(hasie the communication between the audience and the (er#ormer

-%n irre(roducible e'ent

-%##ordable, Intimate, Immediate-Intellectual (arty e'ery night

:I# you can get meaning across in a (oem or a 2 minute song, why not a (lay);

- &reg %llen, 244a'"@&an! o3 #! &a! mo+!& #a* a )o% no$* ' 0oo+3o" 4"!a'n0 a&& "!,o"+*o3 o@!"a'on* #!'0#* an+ @!!+. T#!"! a"! a 0oo+ man),om@!'o". Po!* @a'n!"* ,%&@o"* m%','an* a",#'!,

1ST JURY MEMBER= I @"o@o! a @o!. 9! m% "!$a"+ #! a%+a,'o% 3"!! "a+'n0o3 #!! #%man !a0&! 0'6'n0 #!m #! m!an "!a&&) o "!a&&) 3&) $'# @"o@!"$'n0.T#! $o"+ >a%'&a> 'n Ia&'an ,an a&o m!an >0!n'%.>

2ND MEMBER= I @"o@o!* 'n!a+* a @a'n!". Ima0'n! #! "!a%"! o3 @&a',+)nam'm #a #!! +!6'& #o%&+ no$ #o$ o +',o6!" %@ #!"! $'# @a&!!


7/15

7RD MEMBER= No* no* I @"o@o! a ,%&@o". T#'n $#a mo+!&'n0 o3 @a,! 4)@'"a&* $#a 4"'+0! 4!$!!n @&a', !!"'o" 'n3'n') an+ 'n!"'o" ,o%&+ 4!,"!a!+ 4) a M',#!&an0!&o o3 #! amo@#!"!

;TH MEMBER= I %00!* 'n!a+* a m%','an. En#a"mon', ,an on&) 4! 3%&&),on%!"!+ * m!!" 3"om #! 0"o%n+.


8/15

UMBERTO BOCCIONI

T#! Bo+) T#a A,!n+ I& Co"@o ,#! Sa&!

An ordinary room on the second floor of o forge apartment building. At the boc$,o forge open window.

SECOND/LOOR TENANT (#! ' ''n0 'n on a"m,#a'" n!a" #! $'n+o$* mo'n0.H! @"'n0 %@ %++!n&) $#!n an !&on0a!+ 4o+) @o! "a@'+&) 'n 3"on o3 #!$'n+o$ 0o'n0 %@$a"+ 3"om 4!&o$. S#o%'n0* #! &!an o% #! $'n+o$ an+ &oo%@. M!an$#'&!* #! #!a" #' +oo"4!&& "'n0. H! "%n o o@!n '.-= O# Go+ H!&&oR%n Ha6! )o% !!n ' A 4o+) "o! 3"om #! "!! . . .

THIRD/LOOR TENANT (!n!"'n0 4"!a#&!&)-= Yo% a$ ' oo A 'n+ o3 0"a),&o%+ @a!+* 0"a'n0 m) $'n+o$ . . . I &'6! on #! #'"+ 3&oo".

/IRST/LOOR TENANT (a""'6'n0- = I #a6! 0on! ,"a)* o" #! %@!"na%"a& '@"!!n . . . Som!#'n0 @a!+ 'n 3"on o3 m) $'n+o$ on #! 3'" 3&oo" . . . a o&'+*

#a'") 4o+) #a "o! +''&) . . .

/OURTH/LOOR TENANT (!n!"'n0 !""'3'!+ an+ ,&'n0'n0 o #! 3%"n'%"!-= M! oo*I a$ ' a&o B% ' !!m!+ o m! &'! a o3 4o+)* &'! &'%'+ . . .

/IRST/LOOR TENANT= B% no I $a &on0 an+ #a'")

THIRD/LOOR TENANT= No No No I a%"! )o%. . . . I $a !6an!,!n &'! a 0a. . .

SECOND/LOOR TENANT= T#! ,on,'!"0! $o%&+ #a6! !!n '. . ,a&& #'m.

THE OTHERS ('n ,#o"%-= Y! Y! L! ,a&& #'m Con,'!"0! . Con,'!"0! . . .

(THE CONCIERGE !n!".-

ALL THE TENANTS ($'# 0"!a ,on3%'on-= Ha6! )o% !!n ' Ha6! )o% !!n '9#a "o! 3"om #! "!!

THE CONCIERGE (,a&m* $'# a m'&! o3 ,om@a'on-= Ca&m )o%"!&6! Ca&m)o%"!&6! I no#'n0 !"ao"+'na") I ' #! )o%n0 $oman on #! 3'3# 3&oo"$#o !6!") +a) %, %@ #!" &o6!" $'# #!" 0&an,! . . . o3 ,o%"!* #! +o!n 0o %@#! a'"* #a +'") @'0 I ma'na'n #! #ono" o3 #! 4%'&+'n0

CURTAIN

UMBERTO BOCCIONI

G!n'% an+ C%&%"! G!n'o ! Co&%"a

In #! ,!n!" a ,o&) +"!'n0 a4&! $'# a m'""o" 'n 3"on o3 $#',# a 6!") !&!0an9OMAN* a&"!a+) +"!!+ o &!a6! 3'n'#! @%'n0 on "o%0!. A #! "'0# a


9/15

CRITIC* an am4'0%o% 4!'n0 n!'#!" +'") no" ,&!an n!'#!" o&+ no" )o%n0 n!%"a&' ''n0 a a a4&! o6!"4%"+!n!+ $'# 4oo an+ @a@!" on $#',# #'n! a &a"0!@a@!" n'3! n!'#!" mo+!"n no" an'%!. H! %"n #' #o%&+!" o #! +"!'n0a4&!. A &!3 #! ARTIST* an !&!0an )o%# !a",#! 'n a &a"0! 3'&! ''n0 on #',,%#'on on #! 3&oo".

THE ARTIST (&!a6'n0 #! 3'&! an+ $'# #' #!a+ 4!$!!n #' #an+-= I !""'4&!(Pa%!.- I m% 0! o% o3 #!"! To 4! "!n!$!+ (H! 0! %@ !a"'n0 #! a4"a,+!'0n 3"om #! 3'&! $'# ,on6%&'6! #an+.- L'4!"a'on T#!! !m@) 3o"m*$o"n o%. E6!")#'n0 ' 3"a0m!na")* $!a O# A" . . . $#o* $#o $'&& #!&@ m!(H! &oo a"o%n+: ,on'n%! o !a" %@ #! +!'0n $'# o""o$3%& an+ ,on6%&'6!mo'on.-

(THE 9OMAN ' 6!") n!a" #'m 4% +o!n #!a" #'m. T#! CRITIC 4!,om!anno)!+ 4% no 6!") an+ 0o'n0 n!a" #!" a! a 4oo $'# a )!&&o$ 5a,!.-

THE CRITIC (#a&3a'n0 #! 9OMAN* an+ #a&3a&'n0 o #'m!&3-= B% $#a #!ma!" $'# #a ,&o$n #a #! a, an+ #o% #a $a)

THE 9OMAN ($'#o% &oo'n0-= O# $!&&* #! ' an a"' . . . #! $an o "!n!$#'m!&3* an+ #! #an a ,!n

THE CRITIC (4!$'&+!"!+-= S"an0! An a"' Im@o'4&! /o" $!n) )!a" I #a6!@"o3o%n+&) %+'!+ #' ma"6!&o% @#!nom!non* 4% I ,an "!,o0n'! '.(O46'o%&) $'# a",#!o&o0',a& ,%"'o').- T#a on! ' ,"a) O" a @"o!!" H!$an o ,#an0! B% ,"!a'on ' a !"!n! #'n0. A $o" o3 a" ' +on! na%"a&&)* 'n'&!n,!* an+ 'n "!,o&&!,'on* &'! a n'0#'n0a&! 'n0 . . . S@'"'* 'n #! !n! #aH!0!& m!an @'"' . . .

THE 9OMAN ('n"'0%!+-= An+ '3 )o% no$ #o$ ' ' +on!* $#) +on )o% !&& #'m

Poo" #'n0 H! ' +'"!!+ . . .

THE CRITIC ("%'n0-= /o" ,!n%"'!* #! ,"'', #a o&+ #! a"' #o$ o ma! a$o" o3 a".... S'n,! !#', an+ a!#!', a"! 3%n,'on o3 #! @'"' . . .

THE 9OMAN= B% )o%* )o%6! n!6!" ma+! an)

THE CRITIC (non@&%!+-= M! . . . No m!

THE 9OMAN (&a%0#'n0 $'# ma&',!-= 9!&&* #!n* )o% no$ #o$ o +o '* 4% )o%+on +o '. Yo% a"! n!%"a&. Ho$ 4o"'n0 )o% m% 4! 'n 4!+ (S#! ,on'n%!@%'n0 on #!" "o%0!.-

THE ARTIST (a&$a) $a&'n0 4a, an+ 3o"# o""o$3%&&) $"'n0'n0 #' #an+-=G&o") A# G&o") (T'0#!n'n0 #' 3'.- I am "on0 I am )o%n0 I ,an 3a,!an)#'n0 O# D'6'n! !&!,"', &'0# . . . %n . . . To !&!,"'3) #! ,"o$+ . . . B%"n#!m Dom'na! #!m

THE 9OMAN (&oo'n0 a #'m $'# )m@a#) an+ ,om@%&'on-= Poo" #'n0 9'#o%an) mon!) . . .


10/15

THE ARTIST ("%,-= A# I am $o%n+!+ I ,an "!' an) &on0!" (To$a"+ #!9OMAN* $#o +o!n #!a" #'m.- O# A $oman (To$a"+ #! CRITIC* $#o #aa&"!a+) a!n an+ "!%"n!+ a 0oo+ man) 4oo an+ $#o &!a3 #"o%0# #!m an+,% #!m.- Yo% Yo%* '"* $#o a"! a man* &'!n . . . H!&@ m!

THE CRITIC= Ca&m +o$n . . . &! "!a&'! #! +'33!"!n,!. I am no a man* I am a

,"'',. I am a man o3 ,%&%"!. T#! a"' ' a man* a &a6!* a 4a4)* #!"!3o"!* #!ma! m'a!. I +on !! m)!&3 a 4!'n0 &'! #'m. In #'m na%"! ' ,#ao. T#!,"'', an+ #'o") a"! 4!$!!n na%"! an+ #! a"'. H'o") ' #'o")* 'n o#!"$o"+ %45!,'6! 3a,* #a ' o a) 3a,* 'n o#!" $o"+ #'o"). An)$a) ' ' '!&3o45!,'6!.

(A #!! $o"+ #! ARTIST* $#o #a &'!n!+ 'n a %@o" 3a&& on #! ,%#'on a'3 "%, 4) &'0#n'n0. T#! CRITIC* %na$a"! o3 #' %"n an+ 0o! &o$&) o #!a4&! o ,on%& #' 4oo.-

THE 9OMAN (0!'n0 %@ +%m43o%n+!+-= M) Go+ T#a @oo" )o%# ' +)'n0 (S#!n!!& 'n 3"on o3 #! ARTIST an+ ,a"!! #'m 'n+&).-

THE ARTIST ("!6'6'n0-= O# S'0no"a T#an )o% O# Lo6! . . . ma)4! &o6! . . .(R!6'6! mo"! an+ mo"!.- Ho$ 4!a%'3%& )o% a"! L'!n . . . L'!n o m! . . . I3)o% no$ $#a a !""'4&! #'n0 #! "%00&! ' $'#o% &o6! I $an o &o6!*%n+!"an+

THE 9OMAN (@%&&'n0 a$a) 3"om #'m-= M) 3"'!n+* I %n+!"an+ )o% . . . 4% no$ I#a6!n 'm!. I m% 0o o% . . . I am !@!,!+ 4) m) 3"'!n+. I ' +an0!"o%.... H!' a man ... #a ' o a)* #! #a a !,%"! @o''on . . .

THE CRITIC (6!") !m4a""a!+-= 9#a 0o'n0 on I +on %n+!"an+an)#'n0 . . .

THE 9OMAN ('""'a!+-= S#% %@* '+'o Yo% +on %n+!"an+ an)#'n0.... Com!H!&@ m! o &'3 #'m 9! m% ,% #' no #a ' ,#o'n0 #' #"oa

THE CRITIC (6!") !m4a""a!+-= J% a m'n%! . . .

(H! ,a"!3%&&) &a) +o$n #! 4oo an+ @% #! o#!" a'+! on #! ,#a'".- H!0!& .. . Kan . . . Ha"mann . . . S@'noa.

THE 9OMAN (0o! n!a" #! )o%#* ,")'n0 '""'a4&)-= R%n . . . ,om! #!"!* #!&@ m!o %n3a!n '.

THE CRITIC (non@&%!+-= 9#a a", )o% a)'n0

THE 9OMAN= Com! o6!" #!"! A"! )o% a3"a'+ H%"") . . . 4a, #!"! #!"! ' ana"' $#o ' +)'n0 4!,a%! o3 an '+!a&.

THE CRITIC (,om'n0 ,&o!" $'# !"!m! @"%+!n,!-= B% on! n!6!" no$ An'm@%&! . . . a @a'on . . . $'#o% ,on"o& . . . $'#o% ,%&%"! . . . 'n #o"* I @"!3!"#'m +!a+. T#! a"' m% 4! . . . (H! %m4&!* an+ 3a&& ,&%m'&) on #! ARTIST*a44'n0 #' n!, $'# #! @a@!" n'3!.-


11/15

THE 9OMAN (,"!am'n0 an+ 0!'n0 %@-= I+'o Aa'n Yo% #a6! '&&!+ #'m.Yo% a"! "!+ $'# 4&oo+

THE CRITIC (0!'n0 %@* '&& mo"! ,&%m'&)= I* S'0no"a Ho$ I +on%n+!"an+.... R!+ R!+ Yo%" ' a ,a! o3 ,o&o" 4&'n+n!.

THE 9OMAN= Eno%0# Eno%0# (R!%"n o #!" +"!'n0 a4&!.- I ' &a!. I m%0o (L!a6'n0.- Poo" )o%# H! $a +'33!"!n an+ &'a4&! (E'.-

THE CRITIC= I ,an 3'n+ m) 4!a"'n0 (Loo a!n'6!&) an+ &on0 a #! +!a+ARTIST.- O# m) Go+ H! ' +!a+ (Go'n0 o6!" o &oo a #'m.- T#! a"' ' "!a&&)+!a+ A# . . . #! ' 4"!a#'n0. I $'&& ma! a mono0"a@#. (H! 0o! &o$&) o #'a4&!. /"om a ,a!* #! a! a 4!a"+ a m!!" &on0 an+ a@@&'! ' o #' ,#'n. H!@% on #' 0&a!* a! @a@!" an+ @!n,'&* #!n &oo amon0 #' 4oo $'#o%3'n+'n0 an)#'n0. H! ' '""'a!+ 3o" #! 3'" 'm! an+ @o%n+ #' 3'* #o%'n0.-A!#!', A!#!', 9#!"! ' A!#!', (/'n+'n0 '* #! @a'ona!&) #o&+ a&a"0! 6o&%m! o #' ,#!.- A# H!"! ' ' (S'@@'n0* #! 0o! o ,"o%,# &'! a"a6!n n!a" #! +!a+ ARTIST. H! &oo a #! 4o+)* an+ $"'!* a&'n0 'n a &o%+

6o',!.- To$a"+ 11


12/15

LADY (no','n0 #! ,%"a'n-= An+ 4!#'n+ #a ,%"a'n . . . #! o'&!

POET= /%"n'%"!.

LADY ($'# %"@"'!* '"on',a&&)-= Yo% #a6! 3%"n'%"!

POET= Pa"a&&!&!@'@!+. (H! @%&& #! ,%"a'n 4a,: a "a'0#* "'0'+* %@"'0# 4'!" ,an4! !!n. H! o@!n #! ,o6!" 4) #! #'n0! &'! a +oo" o3 a ,&o!. In'+! on! !!a #a* ,oa* an+ a @a'" o3 @an #an0'n0 %@* an+ a @a'" o3 #o! a #! 4oom.- A&on0 a I a) on m) 3!!* ' a&o a) on ' 3!!. 9#!n I &!!@* I %! on&) #!4oom= ' o3* a )o% ,an !!. (Po'n o #! ma"!.-

LADY= Yo% a"! "'0#. I ' a 6!") 4'a""! #'n0 . . . an+ #' ma"!

POET= D!&','o%&) o3.

LADY= 9oo& Mo

POET= Ha'". 9oman #a'". T#! #a'" o3 a&& m) $om!n.

LADY= Yo% +on a) Yo% @&%,!+ #!m $!&&* )o%" &'&! #!n

POET ($'# %++!n a"+o"* #%0 #! LADY a"o%n+ #!" $a'-= I #a6! 4!!n $a''n03o" #! +a) o @&%, an !a0&!. T#! $o"+ >a%'&a> 'n Ia&'an ,on a&o m!an >0!n'%.>

LADY ('n an 'm@!"'a& mann!"-= So@ #!"!. I am #! on! $#o $'&& @&%, )o% (Go!o ,&o! #! +oo".- No$* )o% m% +o !6!")#'n0 #a I $an (L!a+ #'m n!a" #!%@"'0# 4'!"* 3"om $#',# #! a! #! #a* ,oa* @an* an+ #o!-

POET= Comman+

LADY (a '3 !!",''n0 a #)@no', @o$!" o6!" #! man-= Ca"") '

(H! @&a,! #! 4'!" #o"'ona&&) on #! 3&oo".-

POET= An+ #!n

LADY= An+ #!n* #%. (S#! ma! #'m @% #! ma"! 'n #! 4'!".-

POET= An+ #!n

LADY= An+ #!n* I AM DEATH. So &! #!a" no mo"! Yo% m% 0! 'n #!"!.

POET ($'# a &a 0&'mm!" o3 #o@!-= 9'# )o%

LADY= Yo% $'&& !!

(T#! man 0! 'n #! 4'!" an+ 3a&& a '3 "%,. T#! $oman ,&o! #! &'+* %"n#! !)* an+ @% ' 'n #!" @o,!* &!a6'n0 '&!n&).-


13/15

/RANCESCO CANGIULLO

T#! La+)K'&&!" an+ #! /o%" S!aon && Donna'%o&o ! &! ; Sa0'on'

SYNTHESIS O/ T9ENTY YEARS O/ LOVE

(I am o"") 4% I a4o&%!&) ,anno 0'6! #! nam! o3 #! ,#a"a,!"an+ ' 'a&o n!,!a") o 3o"4'+ #! a,o"mana0!" o 0'6! #!m.-

N!%"a& a0!'+! an+ 4a, !n"an,!#"!! !,on+ a3!" #! ,%"a'n "'! aSCHOOLGIRL 'n %n'3o"m !n!" 3"om #! &!3* "!a+'n0 a ma&& 4oo* Mon# o3 Ma")A m'a& an+ a@@o'nm!n 4oo. 9'# #!" !)! on #! 4oo* #! ,om! &o$&)3o"$a"+ o #! a0! a@"on. A a,"!+ @',%"! 3a&& 3"om #! @a0!. 9'# 0"!a'm@&',') #! @', ' %@ an+ @&a,! ' 4a, 4!$!!n #! @a0!. S#! 4!0'n o"!a+ a0a'n* "!ma'n 'n 3"on o3 #! 3oo&'0# %n'& #! !n+.

A3!" !n !,on+* a BATHER !n!" 3"om #! "!a". O3 ,o%"! #! ' 'n a$'mm'n0 %': 4&%! "%n* a'&o" 4&o%!. 9!a"'n0 a &'3! 5a,!* #! BATHER

$'m %n'& #! !n+ a&$a) 'n a ,'",%m,"'4!+ @a,! "!!"6!+ 3o" #!" on #!a0!.

A3!" !n !,on+ a 9IDO9 a&o !n!" 3"om #! 4a,* 4"'n0'n0 'n a om43%"n'#!+ $'# a $"!a# an+ &'0#!+ ,#%",# ,an+&!. A""an0'n0 ' $'# #! 4a,a&mo 'n #! "'0# ,o"n!"* #! n!!& an+ 4o$ #!" #!a+ an+ "!ma'n mo'on&!&'! om!on! $#o ' 4!'n0 @#oo0"a@#!+ a &!n0# 3"om 4!#'n+.

A3!" !n !,on+* a BRIDE !n!" 3"om #! "'0#* $'# #!" 3a,! #'++!n 'n a 4!na"m. S#! ' +"!!+ 'n $#'! a'n* $'# a &on0 6!'&* an+ a 0a"&an+ o3 o"an0!3&o$!" a"o%n+ #!" #!a+. T'm'+&) #! ,om! 3o"$a"+ o #! a@"on an+ "!ma'n#!"! %n'& #! !n+.

A3!" $!n) !,on+* a 6!") ,#', LADYKILLER 4%" 'n 3"om #! 4a, $'# 0"!a!a!* mo'n0 a ,'0a"!!. N'm4&) an+ 6!") !&3,on3'+!nI) #! #"o$ #'m!&3 on#! !+0! o3 #! a0! a@"on* @"!a+ #' a"m o% $'# 0"!a o@!nn! o #!a%+'!n,!* !n,a! #' #!a+ 'n #' %@@!" a"m (#! a,o" $'&& "!m!m4!" R!naoS'mon' a #! 3o%"# ,%"a'n ,a&&- an+* $'# a +'@&oma', m'&!* #! 3'! #! $#o&!a%+'!n,! $'# a $!!@'n0 an+ @"!,'! 0&an,!#!n a)=

Vo'&a

an+ a0'&!&) +"a$ 4a, !&!,"',a&&) on #' o!.

CUR

TAIN

/RANCESCO CANGIULLO


14/15

T#! Pa%n,# o3 #! Va! La Pan,'a +!& Vao

THEATRICAL SYNTHESIS

A, I

T#! &a4o"ao") o3 a ,'!n'. In #! m'++&!* a ,&%!"!+ a4&! on $#',# a 0&a6a! ' !!n. S!a!+ a #! a4&!* #! SCIENTIST* $'# #! !)! o3 an '+'o*m%mm'3'!+* &oo #"o%0# #! @a%n,# o3 #! 6a!. Immo4'&') o3 #!%""o%n+'n0. A3!" #"!! m'n%!

CURTAIN

A, 2

R!@!a A, 1 '+!n',a&&).

A, 7

L'! #! 3'" an+ !,on+ a,* !,!@ #o= a m'n%! a3!" #! ,%"a'n "'!* I,om! o% . . . $'# a ,%+0!&* I @&' #! #!a+ o3 #! SCIENTIST $#o* 6!") ,o&+&)*$'#o% &o'n0 #' ,om@o%"!* #' !)! '&& a"'n0 a #! @a%n,# o3 #! 0&a6a!* a) o m!=

SCIENTIST= 9o%&+ )o% @&!a! &!a6! m! )o%" 6'''n0 ,a"+ . . .

(I #"o$ ' on #! a4&!* &'0# a ,'0a"!!* an+ !'.- (A m'n%! &a!"* $'#o%#%"")'n0* #! SCIENTIST "'n0 a 4!&&.-

(TYPIST a@@!a".-

SCIENTIST (a&$a) 'n!n-= S!$ %@ m) #!a+ an+ $"a@ ' %@ $!&& . .

(TYPIST a! #! ma!"'a&* +''n3!, #!m* !$* $"a@ #' 4'0 #!a+ %n'& #!,o6!" #' !)!.-

SCIENTIST (#an mo6!+-= S' +o$n* $"'!.

(TYPIST ''n0 a #! )@!$"'!".-

SCIENTIST (&oo a 4! #! ,an a #! 6'''n0 ,a"+: #!n a)* %"n'n0 o #!

0&a 6a!-= S'0no" /"an,!,o Can0'%&&o* @a"a0"a@#* S'"'0nano +'"',* ,omma*Na@&!* Ia&)* 'n @a"!n#!'. D!a" S'"* ,omma* an+ @a"a0"a@#* Ia&'an* ,omma*!@!,'a&&) N!a@o&'an* ,omma* a"! a&$a) 6!") 0!n!"o%* @!"'o+. T#!"!3o"!*,omma* I $'&& 4! !!"na&&) 0"a!3%& 3o" #'* ,omma* +!a" '"* ,omma* #a )o%@&' m) #!a+ "a#!" #an #! 0&a 6a!* @!"'o+ an+ @a"a0"a@#. 9'# "!0a"+*,omma* )o%" . . .

(TYPIST a! #! &!!" o 4! '0n!+.-


15/15

(SCIENTIST &oo a ' $'# $#a a"! &!3 o3 #' !)! an+ '0n.-

(TYPIST &!a6! $'# #! &!!".-

3SCI+TIST turns, amaed and blind toward his glass 'ase/6

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