Σχολικό ημερολόγιο ντετέκτιβ Κλουζ · Παγκόσμια ημέρα για την ψυχική υγεία 8 Παρασκευή Δευτέρα Τρίτη
nature, the ‘‘it’’ content · ημερολόγιο DDW2014 SER-RE(S)MODERN CHRISOPIGI...
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UNIVERSITY OF THESSALY / POLYTECHNIC SCHOOL / DEPARTMENT OF ARCHITECTURE journal ημερολόγιο DDW2014 SER-RE(S)MODERN CHRISOPIGI MOUNTAIN CAMP enter 12 As we stand by the empty stream we can hear the sound of the birds and imagine of a design includ- ing their seasonal acvity in the overall identy of the valley. As we strolling into the valley the wind become stronger and we are imaging of a design giving the opportunity to hear the variaons of sounds produced by the trees and the bushes. As we stand by the old Ooman monument we are imaging of a design that can eliminate all sounds and leave every visitor standing within the sound of History. Silence. As we detect the valley’s space and the in between variaons of the soil, its close geo-morphological identy and the micro-environmental peculiaries, the clusters of rocks, the deposits of the last flood, the flowers and the grass covering the steep river banks, the variaons of sun light beams penetrat - ing the leafage and producing small and bigger bright traces we are imagine of a design that will not provoke this tranquility. Allowing us to create an archive of details, the vast catalogue of nature standing by and surrounding this small city. Com- 5 prehending this vast and growing collecon of numer- ous details emerging and idenfying the deep cor- relaon between the viewer and visitor and the soſt and mild demonstraons of nature we are thinking of standing back, not engage ourselves into the method- ology and discipline of adding new forms, correcons and expansions, transforming the natural to cultural. A set of old benches can be repaired and put to their last posion. A fallen tree trunk can be transformed to a sing place. The visitors may bring with them a chair and a table and take them back late nigh. A small electrical bus can carry people leaving some distance away. The public lighng network can be repaired and sustain overnight residency into the valley. Cars can be parked …somewhere else. We can also ask for the withdrawal of all the ‘’monuments’’ of heavy and hos- le civilizaon, the coffee shops and restaurants, the kiosks and the cannas, the ‘’sound of music’’. Nature have to upload its valuable properes into a tranquil and mild field of human dialogues and light stepping, water sound and twing birds, the swish of the trees and the blow of the cool wind. nature, the ‘‘it’’ content
Transcript of nature, the ‘‘it’’ content · ημερολόγιο DDW2014 SER-RE(S)MODERN CHRISOPIGI...
UNIVERSITY OF THESSALY / POLYTECHNIC SCHOOL / DEPARTMENT OF ARCHITECTURE
journalημερολόγιο
DDW2014 SER-RE(S)MODERN CHRISOPIGI MOUNTAIN CAMPenter 12
As we stand by the empty stream we can hear the sound of the birds and imagine of a design includ-ing their seasonal activity in the overall identity of the valley. As we strolling into the valley the wind become stronger and we are imaging of a design giving the opportunity to hear the variations of sounds produced by the trees and the bushes. As we stand by the old Ottoman monument we are imaging of a design that can eliminate all sounds and leave every visitor standing within the sound of History. Silence. As we detect the valley’s space and the in between variations of the soil, its close geo-morphological identity and the micro-environmental peculiarities, the clusters of rocks, the deposits of the last flood, the flowers and the grass covering the steep river banks, the variations of sun light beams penetrat-ing the leafage and producing small and bigger bright traces we are imagine of a design that will not provoke this tranquility. Allowing us to create an archive of details, the vast catalogue of nature standing by and surrounding this small city. Com-
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prehending this vast and growing collection of numer-ous details emerging and identifying the deep cor-relation between the viewer and visitor and the soft and mild demonstrations of nature we are thinking of standing back, not engage ourselves into the method-ology and discipline of adding new forms, corrections and expansions, transforming the natural to cultural.A set of old benches can be repaired and put to their last position. A fallen tree trunk can be transformed to a sitting place. The visitors may bring with them a chair and a table and take them back late nigh. A small electrical bus can carry people leaving some distance away. The public lighting network can be repaired and sustain overnight residency into the valley. Cars can be parked …somewhere else. We can also ask for the withdrawal of all the ‘’monuments’’ of heavy and hos-tile civilization, the coffee shops and restaurants, the kiosks and the cantinas, the ‘’sound of music’’. Nature have to upload its valuable properties into a tranquil and mild field of human dialogues and light stepping, water sound and twitting birds, the swish of the trees and the blow of the cool wind.
nature, the ‘‘it’’ content
