Nari gandhi ideas and projects unconventional thinking
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"...the reality of architecture is not contained in the roof and walls, but in the space within. It is the space that is."
- Nari Gandhi
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Nari Gandhi (1934-1993) was an Indian architect known
for his highly innovative works in organic architecture.
Nariman (Nari) Dossabhai Gandhi was born in 1934 in
Surat to a Zoroastrian Parsi family from Bombay.
Nari completed his schooling at St. Xavier's High School,
Mumbai, and studied architecture at Sir J. J. College of
Architecture, Mumbai for five years in early 1950s.
He travelled to USA to apprentice with Frank Lloyd Wright
at the Taliesin and spent five years there.
After Wright's death in 1959, Nari left Taliesin and studied
pottery at the Kent State University for two years.
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While working in India, Nari continued to work on
Wright's ideology of organic architecture and further
developed his own unique style with a subtle influence
of local climate and culture.
He ceaselessly continued to work on Wright's idea of
'flowing space'.
Nari worked without an office and rarely made any
drawings for any of his projects.
Nari spent a lot of time on his sites and worked closely
with the craftsmen and often participated in the
construction process himself.
Also known as ‘Howard Roark of India’.
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Using a wooden stick as his pencil, he sketched on
the ground to explain his plan.
If he wasn’t happy with a construction, he would
immediately tear it down !
His works display a distinctive organic character.
They appear to have evolved as a response to the
context, remaining strongly rooted to the site and
being very well connected to the surroundings.
Nari's works display highly skilled craftsmanship and
structural ingenuity.
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Each building designed by Nari is as an
example of unconventional thinking in
architecture.
He created built spaces that remained
forever connected to their un-built
surroundings allowing sunlight and wind to
interact with the inside and animate the
space with time.
Each house is a series of dialogs between
the built and the unbuilt.
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He has stacked earthen pots to construct arches out
of them and built stairs out of brick arches.
Throughout his works you see extraordinary use of
stone, brick, wood, glass and leather.
Nari rejected conventional ideas and paradigms and
introduced his own through his work.
Through his work, he started 'rethinking' about
standardised practices and set up his own.
When you visit any one of his houses, you will
notice an evident 're-thinking' of the arrangement of
various functions within the house.
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Construction
Extensive use of :
Brick Arches
Buttresses
Stone Masonry
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VARIOUS PROJECTS
Dawood Shoes Office – Mumbai
Gobhai Mountain Lodge -
Lonavala
Jain Bungalow – Lonavala
Korlai Bungalow – Korlai
Madh Island House – Madh Island
Moondust Residence –Madh
Island
Revdanda House – Revdanda
Tungarli Bungalow - Lonavala
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Gobhai Mountain Lodge, Lonavala
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Dawood Shoes Office, Mumbai
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Exterior detail of the roof overhang, supported by trusses.
The overhang has rectangular openings and is sheathed in terracotta
tiles
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Exterior view taken from the
second storey, looking to
the garden and the beach
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Exterior detail of a roof projection supported by wooden struts
and clad along the edge with flat terracotta tiles
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Roof detail showing chipped stonework at the base of the lower
roof and protruding struts to support the deep overhang
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Exterior detail of terracotta-
clad roof corner with
rectangular openings in the
roof
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View of the garden
looking to the beach
from beneath deep roof
overhangs
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Interior view of the entrance door
with infill of chipped glass, thin
wooden rails, tiles and precious
stones
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Detail of a staircase on an arch.
Located in the living room, the stair leads to the bedrooms on the
upper floor
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Interior detail of stair
treads resting on a stone
arch; there are no hand
rails on either side
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Interior view of the intersecting stone arches made from a
variety of chipped stones, large boulders, and terracotta pots
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View of the dining area with a mural wall at left.
Beyond the glazed slanted wall is the beach
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Detail of the mural wall: geometric patterns in mud brick
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Detail of the mural wall: a variety of shapes in relief create a
pattern
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Interior view with mural wall
ahead and glazed kitchen
wall at right
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Interior view looking at a stone wall made in situ using
stone chips, large dressed stones, and boulders
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Interior view: leather-upholstered seat cushions, a
stone wall, and a mirror reflecting the wall
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Interior detail of the living space just below the roof:
a bench is placed where the roof meets the wall
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Exterior detail of the terracotta-tiled roof overhang supported by numerous
struts
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Interior detail within the roof, showing the junction of the struts, rafters, beams,
and the glazed slanting wall on the lower storey
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Interior view looking upward at
wooden beams and roof above
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View of the main living areas set behind the double-arched opening
made from exposed brick
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Exterior view of a house adjoining the Revdanda house, where
a double-arched exposed brick façade has been added !
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semi-circular arched verandah
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projecting beds on the mezzanine level
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main living areas set behind the double-arched brick wall
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seating area
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view from the mezzanine level looking at an arch supporting the roof
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Interior view looking at the living area with a small staircase
leading to the mezzanine
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Exterior view of the house taken from the landscape in the
backyard
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courtyard from the entrance verandah
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checkered brick-paved pathway leading to an adjoining structure
that the architect built for himself
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Detail of the concentric landscaping done using
inverted terracotta pots in a concrete bed
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Detail of the inverted terracotta pots beside an old iron
gate
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Detail of the moss-covered water channel used for
irrigation
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Exterior view of sea-facing elevation of bungalow; the barrel-vaulted bedrooms
are visible in center and at right. Under the main roof of the bungalow is the
arched pavilion
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Exterior view of bungalow taken from the wall of the compound (the sea is located at right). The vault of one bedroom is visible at center right. Steps lead up from the garden to the main living area
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Exterior view taken from the rear garden (the sea is located at left). One bedroom is visible at lower left; at center is the main arched pavilion with its sloping roof
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Exterior detail view of the sea-facing elevation of the arched
pavilion.
Below the ridge line of the roof is a balcony leading to the interior
loft.
The pavilion itself is supported by an arcade on the lower level;
openings in the walls are filled with colored glass
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side view of pavilion,
showing the corbelled
buttresses abutting the
arcade. Arcade handrail is
detailed to echo the
buttresses.
Stairwell at the far corner.
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view of the arcade of the pavilion, viewed from within the pavilion.
The stairwell opening, under a projecting roof, is visible at left
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view of the living space of the arched pavilion, defined between the two
arches.
A staircase (at left) leads to the overhead viewing room/loft
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view from within the pavilion, looking at the roof with its steel rafters
supporting the wooden layer of the Mangalore-tiled roof
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view of the pavilion looking at the circular dining area, showing the chairs
with different leg heights designed for the split-level floor
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view of upper level of pavilion, facing the overhead viewing room.
Balconies in the viewing room face the beach and the backyard
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view of the ground floor of pavilion, facing the backyard.
At left is built-in seating area complete with integrated handrail
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View of a bedroom (below, at right) from the stairwell of the arched
pavilion
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View from within the arcade, at
ground level.
The volume of a vaulted
bedroom intersects with the
volume of the kitchen and the
landscaping platforms of the
garden
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Exterior view of the Madh Island house within the landscape
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night view of the Madh Island house, showing 2 of the 3 lit barrel vaults and
terrace canopy against the silhouette of a triangular gate
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view from the triangular gate looking at the vaulted entryway
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Detail view of the stone paving at entryway made with
smooth stones from the nearby beach
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Exterior view from the rear-end garden of the house,
overlooking a non-structural stone buttress with large pots and
foliage
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Interior night view of entrance from the gateway to the main vaulted living space
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Exterior vew taken from the rear-end garden of the house
showing the non-structural stone arch and main vaulted living
space
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Exterior evening view taken from the rear-end garden overlooking the non-
structural stone arch and main vaulted living space
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Exterior view from the rear-end garden looking towards the stone-clad main
barrel vaulted living space
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Interior view of the stone-clad barrel vaulted living space with the swing
suspended from a punctured opening in the vault
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Night view of the barrel vaulted living space with the furniture designed by the architect
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Night view of the barrel vaulted living space with custom
furniture and strips of light within the floor
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swing suspended from a wooden brace in the elliptical opening
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elliptical opening in the barrel vault from above; interior floor visible through opening
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Front view of the barrel
vault with stonework that
integrates large boulders
and plants
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Detail view of the chipped stonework and larger stones, cladding the vault
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Detail view of interior wall
surface, showing chipped
stonework with clay faces
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Interior view from the dining vaulted space overlooking triangular gates
with encroaching boulders in foreground and vegetation beyond
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Interior view from the dining vaulted space looking inwards at
the stone table and the glass chipped bathroom at left
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Interior view of a mother-of-pearl awning covering a massive stone
facing a stone platform opposite the bathroom
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Interior view of the bathroom and kitchen platform taken from the
dining barrel-vaulted space
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Interior detail view of the bathroom, showing flat chips of glass - similar
to the stonework outside - and circular mosaic tiles with intermediary
stone arches
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Interior view looking outwards at the wooden triangular gates
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Exterior detail of the wooden gates and smooth stone pavings at the entrance
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sentry statue guarding the
vaulted main spaces in the
background and the terraced
garden above
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view of the terraced garden above the barrel-vaulted spaces
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Exterior view of the terraced garden at night.
The mother-of-pearl canopy sits on the crown of the vault
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Exterior view of the terraced
garden showing the chipped
stone pathway, flowerbeds,
and the large mother-of-
pearl canopy
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the vaulted mother-of-pearl canopy
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View from under the mother-of-pearl canopy
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Interior of the mother-of-pearl canopy, looking at the lush garden in the
background
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Detail of the mother-of-pearl canopy adjoining the foliage and chipped
stonework
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Detail view of the mother-of-pearl pieces, which are tied together using thin ropes
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Interior view looking upwards at the arrangement of broken amber-colored
bottles forming a skylight ring with chipped stonework in the foreground
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Detail view of a concave-in-centre circular paver block made from
chipped stones that are cast on a bed of plain cement concrete (p.c.c.)
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Detail of view of a convex-in-centre circular paver block made from
chipped stones that are cast on a bed of plain cement concrete (p.c.c.)
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General view of the Jain bungalow, looking at the sloping roofs set in
the undulating terrain
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Exterior view of the garage showing the play of mangalore-tiled sloping
roofs, supported by steel members on the ground
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Exterior view from the gate
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Exterior view looking upwards at the entrance facing balcony
and mangalore-tiled roof
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view of the steel truss-supported roof that follows
the terraced landscaping on site
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skylit opening in the roof overhang
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Exterior view of the house taken from the lowest end of the slope.
The external wall is made of hand-dressed stone arranged in random rubble
masonry
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Interior view of the bedroom wall showing the exposed truss overhead and
elongated polygonal openings set in dressed stone masonry
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play of light against a rough stone wall
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Interior view looking at the staircase, which is set behind a stone buttress with
horizontal bands of polished stone and wood
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Interior view looking towards the card room with a hemispherical grilled
opening
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Interior view looking outwards through an elliptical window
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Interior view looking at a variety of openings set in stone masonry
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Detail view of chipped stonework used for cladding wall surfaces
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Interior view looking at the flight of
stairs leading to the main living
spaces of the house
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Detail view of the staircase
with the curvilinear forms of
openings, pots, and arches
around it
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Detail view of the skylit court and its chipped stonework, with built-in planter beds
surrounded by circular openings and a blue glass-chipped hemisphere
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circular colored glass infills in a bathroom
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n a r i g a n d h i
. . . the different mind !
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