Myths of Cantabria

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Mythology in Ancient Cantabria Comenius Project : Between Religions and Ethics: a common ground This paper is based upon some presentation made by two students of 4ºC under History and Cultures of Religions in the Santa Clara High School . Santander City – Cantabria SPAIN 2010 November Rocío Rodríguez made a general introduction to the meaning of Myths in different cultures. She tried to find if there are inside Myths a key to religions or not nd if so,how they interconnect Claudia Benito made the schematic relations and connections between myths, legends, religious beliefs and we tried to make some comparative regarding other similar myths, such as we can find in Scandinavian mythologies, and Ancient Greek or Roman Myths between others It seems that the native Cantabrian mythology connected, from the beginning and with the passing of the years, with Celtic and becoming partly related with legends and traditions from the rest of the Cantabrian Mountains.

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this paper made by students gives us the exposition of some basic references about myths in Ancient Cantabria in Spain

Transcript of Myths of Cantabria

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Mythology in Ancient Cantabria

Comenius Project : Between Religions and Ethics: a common ground

This paper is based upon some presentation made by two students of 4ºC under History and Cultures of Religions in the Santa Clara High School . Santander City – Cantabria SPAIN 2010 NovemberRocío Rodríguez made a general introduction to the meaning of Myths in different cultures. She tried to find if there are inside Myths a key to religions or not nd if so,how they interconnectClaudia Benito made the schematic relations and connections between myths, legends, religious beliefs and we tried to make some comparative regarding other similar myths, such as we can find in Scandinavian mythologies, and Ancient Greek or Roman Myths between others

It seems that the native Cantabrian mythology connected, from the beginning and with the passing of the years, with Celtic and becoming partly related with legends and traditions from the rest of the Cantabrian Mountains.

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In most cases its deeper meaning, passed from parents to children through oral tradition, has been diluted, either because this meaning has been lost or because the classic writers didn't gather all the popular wealth and mentality of the time, paying attention only to cults and divinities that were similar to theirs. On the other hand, the Romanization and later incursion of Christianism transformed the sense and representation of these pagan rites, reaching in many cases religious syncretism.

The fire cult has always been present in mythology Even so, Cantabrian people still conserve more apologues and legends with a great ritual or behavioral component than significant tales

DivinitiesAmong the remains of myths that still persist as substrate in the Cantabrian tradition is the cult to great protective divinities, like the adoration to the Sun, as is evident in Cantabrian Steles, and in relation to the cult of the fire Also, the Cantabrians worshiped a supreme divinity-father which in Roman time was associated with Jupiter and the cult to the Sun, and later with the Christian God

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Cantabrian stele of Barros

Combined with the marked warlike disposition of the Cantabrians, appears a god of war, subsequently identified as the Roman Mars, to whom they offered sacrifices of male goats, horses, or large numbers of prisoners, as Strabo, Horace and Silius Italicus point outThese hecatombs were accompanied by the drinking of the still warm blood of the horses, as Horace mentions in regard to the concanos, and it will be, then, a true communion.et laetum equino sanguine Concanum—Horace. Carm. III 4. v29-36For the ancient Cantabrians these practices had a mystic origin thanks to the belief that these animals were sacred.In this sense, we can read the Spanish philosopher´s Gustavo Bueno book The Divine Animal, where a theory of religions proposes that we can find three stages in the streams of religions: the fisrt one should consider animals as the center of all religious activities: these animals are numen, such as we could see when watching the Paleolitic caves such as Altamira: those animals should be the first stage of religions “gods”: they are besides humans and they are not only able to kill them but also to become the human groups food allowing first humans to survive

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Zurita Stela , Piélagos, Cantabria.

This big stela wich represents a horseman rider by his mount, and with the company of a child or maybe a page. Seeminlgy he wear a canid masque, supposedly a wolf

At his feet a fallen warrior is eatened up by a vulture

Apud Lorrio, A(1997):Los Celtíberos. Extra Complutuum 7. Ediciones de la Universidad Complutense, Madrid.

Some link this ritual very closely with the variant of the Celtic solar god Mars and that these animals they represented his reincarnation.The Human sacrifices among the northern peoples are also mentioned by Saint Martin of Braga and they will have the same value of redemption and prediction that for the rest of the Celts of Gaul, where they were very frequent. Then Strabo will tell that those who examined the prisoners' viscus, covering them with thin tunics, cut the right hand and consecrated it to the gods. The way to predict the future depended on the fall of the victim

Together with this war deity, appear the germinator mother-goddesses related to the Moon, remaining almost until the present time, when they have a clear influence in rural environments, evident in the phases of sowing and gathering of the crops.In the same way, the cult to a god of the sea was assimilated in Roman times through Neptune (a statuette of this deity, but with features of the original Cantabrian divinity, was found in Castro Urdiales)

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The ancient Cantabrians believed in the immortality of the spirit. Thus they demonstrated in their funeral rites where cremation predominated, with the exception of those who died in combat, who had to rest in the battlefield until vultures opened their entrails to take their soul to Heaven and reunite in glory with their ancestors. This practice is testified in the engravings of the Cantabrian Stele of Zurita.

Sacrifice played a major role in the complex Cantabrian society in both its aspects: as a means to fulfill the divine will as well as the prevalence of abnegation to collectivity against the individual. Then, in a warring society, as the Cantabrian, immolation was not considered as primitive or barbarian but the strong determination required from the person to commit sacrifice gave it a great importance. That was the case of the devotio, a singular and extreme sacrifice practices by the Cantabrians in which the warring communities joined their destiny to that of their leader. The german historian Schulten told about how Cantabrians did not ever loose their freedom against romans, and they preferred to die than becoming slaves

Telluric and arboreal mythology

We can make a comparison between Cantabria and Scandinavian lands, because we have high mountains and a high rocked coast line and many rivers and valleys where many different tribes practiced huntiong of wild bears and by the Sea fishing was so ancient activity as the paleolitic periods as shown by excavations. That could explain the reason why we have many similarities to the Norweigain and Swedish Myths in telluric and wild life inhabitants in those deep woodsTorre Bermeja (2.400 m) and Peña Santa (Sacred Mount) (2.596 m),in Picos de Europa.At the same time, a terrenal mythology of adoration to Gaia, the Mother Earth, exists through the divinization of animals, trees, mountains and waters like elementary spirits. Beliefs, on the other hand, common to all the people who received celtic influences.

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Places like Pico Dobra, in the valley of Besaya ( by Besaya River), have given evidence of their sacred condition since pre-Roman times through the altar dedicated to the Cantabrian God Erudinus, dated on the year 399, which demonstrates that these rites extended beyond the instauration of Christianity in the Roman Empire as official religion. In the same way toponyms like Peña Sagra ("Sacred Mount"), Peña Santa ("Saint Mount"), Mozagro(Montem sacrum = Sacred Mount) or Montehano (montem fanum = Mount of the Sanctuary) indicate that they have been considered sacred places from the most remote antiquity.

Also divinized were the rivers and water bodies. At the Mount Cildá appeared an area dedicated to the mother goddess Mater Deva, known though the Celtic world and personified in the Deva river. At Otañes it was found a patera dedicated to the nymph of a fountain with medicinal properties Pliny the Elder mentions the existence in Cantabria of one of the intermittent fountains - the Fuentes Tamáricas - adored by the Cantabrians and that had a prophetic value and that corresponded to the current Velilla del Río Carrión.Suetonius, in a story about the life of Galba, points uut as a symbol of good devination having found, during his stay at Cantabria, 12 axes in a lake. There were, without any doubt ex-votos left there following their tradition (which is also found in other European peoples), which suggests a cult to the lakesThe offerings to the waters of stips, or bronze coins of low value, as well as other pieces of higher value, as denari, aurei and solidi, its manifested in the presence of some of those pieces at La Hermida, Peña Cutral, Alceda and at the Híjar river.

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Yew berries. This mythical tree may be the most representative of Cantabria and has often been planted with remarkable buildings.There is a little village named as this sacred tree of Cantabria. It is El Tejo (the yew berry), near of Comillas village and the Oyambre beach and La Rabia estuary

At the same time, the forest were also divinized, a cult with clear Celtic influences through an arboreal mythology. Some species of trees were specially respected; the yew and the oak. The former is the most emblematic and symbolic species of Cantabria and it was venerated by Cantabrians in antiquity, being part of some of their rituals. We know by the accounts of Silius, Florus, Pliny and Isidore of Seville, that Cantabrians committed suicide with poison they got from the leaves of this tree, but they preferred death rather than slavery.It's usual to find them at the town squares, at cemeteries, churches, chapels, palaces and big houses because of being considered a witness tree, which has allowed them to perpetuate that halo of mystery and sanctity that surrounds everything related with this species. Oak trees were for some of our recently died grandfathers a symbol of protection as much in life as in the ethernity of life of human souls, so many little cemeteries had a big oak at the main entrance surroundingsThe oak is the Celtic tree by excellence maybe because it is the most sacred species for the druids, from which they recollected the muérdago. It is a species that carries lots of folkloristic, symbolic and magic meanings in Cantabria, it was frequent to use it as "Maypole", the pole that presides the festivities in some towns, around which the people dance to celebrate the rebirth of the vegetal life. The Oak symbolized the union between the sky and the earth, image that gave them the position as axis of the world. They tend to attract lightnings, so it played a preponderant role in the ceremonies to attract the rain and the fire in all Europe.

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Oaks, beeches, holly oaks and yews were used as a place of tribal meetings for many generations where religious and secular laws were taught. Until recent times it was usual to celebrate open meetings under centennial trees (the meetings of Trasmiera got together at Hoz de Anero, Ribamontán al Monte, under a great holly oak that still stands).In some villages after Christian development, an ancient ritual related to the beech grove was celebrated under the name of La Virgen del Hayedo, and people get desguised as of trees, animals, phantoms...

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Here are some images of villages in Cantabria containing animals or trees inside, as much as the symbol of the sun

Significative dates

As in other peoples, in Cantabria there were dates that have been appropriated since antiquity for rituals and legends, days that are charged with dark or ancient meanings. For this reason during the summer solstice, the "night is magic". Tradition says, in all different variants, that the Caballucos del Diablo (Damselflies, literally "Devil's little horses") and the witches loose their powers after dusk and the curanderos gain control over them; plants as the four-leaf clover, the fruit of the elder berry, the leaves of the willow, the common jupiter or the tree heath among others cure and bring happiness if they are collected at dawn. Around Christmas (winter solstice) there were ritual ceremonies, remains of ancient cults to the tree, the fire and the water. Around those dates the sources of the rivers and the balconies were dressed with flowers and people danced and jumped over the fire. These ceremonies are connected to some kind of commonal annual dinner named magosta, which still is celebrated in Cantabria : La Magosta, in a big fire people jumpoing through fire and singing like in any other cultures ritual dinners, everybody eats chestnuts taken from the many chetsnuts groves around Cantabrian fields and monutains

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Also important were specific moments of the day, mostly the twilight. Ancient Cantabrians talked about the "Sun of the Dead", referring to the last part of the day when the Sun was still visible and that they believed was sent by the dead. They believed that it marqued the moment in which the dead came back to life and several author have related it with the solar cult

Mythological creatures

Cantabrian people have not only telluric and natural divinities, but also fabulous beings with different aspects that people feared or adored and have legends and histories on their own. There are many of them in Cantabrian mythology, yet the most important are:

The Ojáncanu. The sorrow of Cantabria, this creature embodies the evil among the Cantabrians and represents the cruelty and the brutality. This giant cyclops is the Cantabrian version of the Greek Polyphemus that appears in other Indoeuropean mythologies

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The Ojáncana or Juáncana. Wife of the former, is even more ruthless as children are counted among her victims.

The Anjana. Is the antithesis of the Ojáncano and the Ojáncana. Good and generous fairy, she protects honest people, the lovers and those who get lost in the woods or roads.

The Esteru. This is a Christmas character, he is a lumberjack that lives alone in the forest and makes toys to give them away in Christmas throughout Cantabria.

The goblins. This is a large group of little mythological creatures, most of them mischievous. There are two groups among them:a) the domestic goblins, those who live in or around houses as Trasgu and Trastolillo b) and the forest goblins, as Trenti and Tentirujo.

There are other fabulous beings that populate the mythological pantheon of Cantabria, as the Ventolín

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the Caballucos del Diablo

the Nuberu the Musgosu the Culebre

the Ramidreju

Or beautiful legends such as that of the Sirenuca ("Little Mermaid"), a beautiful but disobedient and spoiled lady with a fancy for climbing the

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most dangerous cliffs of Castro Urdiales to sing with the waves and was, therefore, transformed into an ephydriad.

Or that of the Fish-man, a man from Liérganes who loved to swim and that got lost at the Miera river, being finally found at the Bay of Cádiz, transformed into a strange aquatic being

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Cantabrian mythology nowadays

Foggy forest of oaks in Cantabria. In the lushness of these forests Cantabrian mythology locates to spirits and mythologycal beings, trying to give answers to the fear of the unknown..

All these beings and legends prove the mystical mentality of a time, that was required in order to satisfy the Cantabrians needs to express their fears and to be able to enter into the hard and sometimes hostile and dangerous surrounding environment.Even today there are Cantabrians that worship the Anjanas, not being replaced by saints or virgins, as they still consider that some gifts are granted by these good fairies of the mountains, and even today the Ojáncano is used to scare the children when they are mischievous. But this world of meanings and values has become diluted little by little with the advance of the modernity and time, giving place to new urban legends and forgetting the old deities.It is until now that Cantabrian mythology has attracted the interest of scholars, specially after the publishing of the recompilation made by the writer Manuel Llano Merino (1898–1938) throughout his work, enriched with oral tradition, and several other writers like Adriano García-Lomas.

References

1. Julio Caro Baroja suggests the possibility of the existence of an equestrian deity among Hispanian Celts similar to that of the otherEuropean Celts

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2. At Numantia ( Actually Soria ), these representations of the horse-god are decorated with solar signs.It is interesting to remember that Miguel de Cervantes Saavedra(1547-1616), author of the famous book Don Quijote de la Mancha wrote a dramatic tragedy theater piece under the name The destruction of Numancia and here we can find many references to the ancient belivings of peoples in pre Roman times, and their moral and religious values

3. A. Schulten. Los cántabros y astures y su guerra con Roma. Madrid. 1943 4. The leaves of the yews and its seed, present in its red berries, contain a very toxic

alkaloid, the taxine, that provokes hypotension and cardiac arrests if consumed.5. It's worth to mention the presence of millenary yews as the one that exists next to

the pre-Roman church of Saint Mary of Lebeña and under which the town councils took place. This tree, present in the Inventory of Singular Trees of Cantabria, has been severely damaged by a recent gale.

6. Beings similar to the Ojáncanu or the Ojáncana are found in other pantheons such as the Extremenian mithology (the Jáncanu or Pelujáncanu and the Jáncanas, where is also evident the similar denominations in Asturias or the Basque mithology (Tartalo or Torto, among others.)

BIBLIOGRAPHYMitos y Leyendas de Cantabria. Santander 2001. Llano Merino, M.. Ed. Librería Estvdio. ISBN 84-95742-01-2Los Cántabros. Santander 1983. González Echegaray, J.. Ed. Librería Estvdio. ISBN 84-87934-23-4Gran Enciclopedia de Cantabria. Santander 1985 (8 tomos) y 2002 (tomos IX, X y XI). Various. Editorial Cantabria S.A.ISBN 84-86420-00-8Mitología y Supersticiones de Cantabria. Santander 1993. Adriano García-Lomas. Ed. Librería Estvdio. ISBN 84-87934-87-0