MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

10
MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk

Transcript of MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

Page 1: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

MYSTICISM IN YIDDISH

CULTUREHasidim, Kabbalists, and The Dybbuk

Page 2: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

HASIDIC BELIEFS AND WAY OF LIVING

Study of the “inner,” mystic aspects of the Torah rather than scholarly interpretation.

Follow a dynastic rabbi who holds a “court.”

Intense interest for the supernatural (spirits, dybbuks*, demons).

Fervent worship. Religious ecstasy as the highest form of prayer.

Music and dancing as a form of expressing devotion.

Page 3: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

*Dybbuk

Restless soul;

Often, the soul of a sinner;

Wanders among people;

Can enter and possess any living thing, from a human being to a plant;

Should be exorcised.

Page 4: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

Misnagdim Literally, “the opponents” (named

so by the hasidim).

An intellectual branch of Judaism concentrating on scholarly interpretation of the holy writ and logical reasoning.

Led by the Vilna Gaon (Rabbi Eliyahu of Vilna) in the 18th cent. Authority in both religious and secular knowledge; wrote corrective notes on innumerable Judaic ancient texts, as well as books on mathematics and grammar.

Promoted formalization of Jewish education (later called “Yeshiva movement”).

Page 5: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

I.L.Perets (1852-1915)

Transcended differences between Misnagdim and Hasidim.

Had respect for both.

Integrated folklore in his writings.

Wrote rationally about spirituality and romantically about reality.

Page 6: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

MYSTICISM IN PERETS’S “HASIDIC” STORIES

What do we learn about Hassidic spirituality and mysticism from “The Kabbalists”?

How are differences between the two branches of Judaism presented in “Teachings of the Hasidim”?

What aspects of Hasidic culture are evoked in “The Rebbe’s Pipe” and in “Teachings of the Hasidim”?

Page 7: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

MYSTICISM IN PERETS’S “HASIDIC” STORIES

How do rationalism and mysticism interplay in “If Not Higher”?

What differences are discussed in “Between Two Mountains,” and to what effect?

Page 8: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

DerDibuk(1937)

Directed by MichałWaszyński.

Starring: LiliLiliana and Leon Liebgold.

Based on a 1914 play by Solomon An-sky.

Relies on Hasidic folklore and mysticism.

Filmed on location in Poland.

Authentic choreography.

Influenced by Expressionism.

Page 9: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

THE COURT OF RABBI OF MIROPOLE IN DERDIBUK

Page 10: MYSTICISM IN YIDDISH CULTURE Hasidim, Kabbalists, and The Dybbuk.

Der Dibuk

Misusing the Kabbalah

Mysticism: the Messenger

Grotesque stressing non-realism

Symbolism

Music as the means of spiritual communication

Cinematic techniques: montage and chiaroscuro (play on contrasts between light and dark for dramatic effects).