antoniosalazarantunes@gmail.com

My name is António Salazar Antunes, I’m 27 and currently finishing my Master Degree in Graphic Design, through Instituto Politécnico de Castelo Branco at Escola Superior de Artes Aplicadas. The following Portfolio is the result of my work as a communication designer, both in school and outside of it. Apart from that I’ve also developed some work in the fields of 3d, Illustration and Audio-visual, all of them I believe can make a significant contribute to my experience as a professional designer.

António SalazarResume

ME

Hard Worker

Simple

Sense of humor

Responsible

Imaginative

Ponctual

Art World

SportsAttributes

English

Portuguese

Languages

Spanish

French

Graphic Design

Corporate Identity Layout Means of Production

Flyers

Billboards

Leaflets

Image Editing

Video Editing Digital Illustration

3D Motion Graphics

MultimediaSoftwareIllustratorPhotoshop

In Design

PrémiereAfter Effects

3DS Max

Gradiva

concept specsThis project’s aim was to concieve a whole new graphic mark for Gradiva Bookstore. This company is known for promoting books somehow connected to science or investigation. Thus, I came up with a logo based on atoms, which generate images connected with the different subjects: politics, mathematics, fiction, philosophy and investigation.

Area: scientific bookstoreDuration: 2/3 monthsYear: 2010 Type: Baskerville Old Face, Gil Sans MTColors: C:0 M:0 Y:0 K:30, C:31 M:100 Y:100 K:45Software: Adobe Illustrator

Tristania

concept specsArea: Music BandDuration: 1 monthYear: 2011 Type: SansationColors: C:0 M:0 Y:0 K:100Software: Adobe Illustrator

This is a logo I’ve designed for one of my favourite bands, as a personal initiative.Black and white to reinforce the feeling of sadness and heavy atmosphere. T and A blending to express identity

Convergências

concept specs specs IIType of Project: School ProjectArea: Scientific Magazine (layout)Duration: 4 monthsYear: 2011 Software: In Design, Adobe Illustrator

Type: Minerva Modern Colors- Cover: 4 colors- Middle: 2 (C:0, M:0, Y:0, K:100 and C:0, M:100, Y:0, K:0)Paper: Couché Mate- Format: A4- Grammage: 120 gr (middle), 250 gr (cover)

During our first year of Master’s Degree, we were asked to concieve a layout for the school’s scientific magazine. This was my proposal, which was based on the concepts of simplicity and coherence, considering how professional a scientific magazine should look like.

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Design GráficoDiseñar:es transformar las cosas en signos

Eduardo Herrera FernandézEspanha//Bilbau

Leire Fernández IñurriteguiEspanha//Bilbau

El diseño de un signo tipo-icono-gráfico de Identidad Visual Corpo-rativa —IVC— supone el proceso de clarificar los objetivos comuni-cativos y de organizar el conteni-do en función de dichos objetivos. La disciplina del diseño gráfico es responsable, en este contexto, de construir un imaginario referencial que permita la identificación de la Corporación. Es, asimismo, un instrumento comunicador, gene-rador de identidad y configurador del panorama gráfico de nuestro entorno visual, en el que su funci-ón principal es la comunicación —poner en común— por medio de la combinación de textos verbales y textos visuales. En este panorama gráfico, la necesidad estratégica de diferenciación y competencia de nuestra sociedad industrial recur-re a los signos tipo-icono-gráficos de Identidad Visual Corporativa —logotipos, imagotipos, etc.— como mediadores de un discurso que intenta comunicar los valores propios de la Corporación: valores sociales, valores asociativos, valo-res de identidad, valores de dife-renciación, etc. Dado que estos signos, por su inmediatez, son el

lenguaje que protagoniza de for-ma indiscutible gran parte de las actuales relaciones económicas, culturales, políticas, de ocio, etc., el diseño gráfico ha adquirido tal relevancia que parece obligado realizar una reflexión constante sobre su adaptación a las inespe-radas exigencias y derivas sociales.

A través del proyecto de inves-tigación titulado El diseño gráfico como forma de lenguaje: el “por qué” de los signos de Identidad Visual Corporativa en relación al “para qué” [1/UPV 00158.320-H-15884/2004] realizado en la Facultad de Bellas Artes de la Universidad del País Vasco – Eu-skal Herriko Unibertsitatea, se ha abordado un estudio sobre los aspectos que construyen y vehi-culan el significado a través de los signos de IVC. En este proyecto se parte del principio genérico de que toda realidad aprehendida sensorialmente —sobre todo la percibida por los ojos— necesita ser comprendida; se trata de una necesidad vital, pues lo que no se entiende no es significativo, no re-presenta nada para el ser humano

Artigo

3

Indice

Artigos

3 - «Citor» - Novas ideias e conceitos para tecno-imaginário da cibercultura - Hugo Martins Gonçalves Ferrão

6 - In the Mirror of Others - Karl Schawelka

9 - Os abobadamentos pétreos na arquitectura tardo-medie-val do Ciclo Bracarense - a influência do Norte de Espanha (Burgos). - Ricardo Jorge Nunes da Silva

12 - O processo de criação como evocação de memórias - Mónica Romãozinho

16 - Raízes Portuguesas no Design Têxtil/Moda - Ana Margari-da Fernandes

19 - Sistemas Sinaléticos - João Vasco Matos Neves

21 - Música entre 0 e 1 - Carlos Guedes

24 - Um olhar crítico sobre algumas edições modernas de música polifónica portuguesa dos séculos XVI e XVII - José Filomeno Martins Raimundo

27 - A Música de Tradição Oral de Castelo Novo - Miguel Nuno Marques Carvalhinho

30 - Software RISCO - José Miguel Gago da Silva

33 - Encuesta sobre la función social del Diseño, hoy - Joan Costa

36 - Fotografismo, Fotografía y Diseño - Joan Costa

39 - Offenbach em Lisboa no Ano de 1868: A recepção na imprensa lisboeta - José Francisco Pinho

42 - Diseñar es transformar las cosas en signos - Eduardo Her-rera Fernández e Leire Fernández Iñurritegui

45 - O espírito Deutsche Werkbund na Identidade Corporati-va do século XXI - Daniel Raposo

47 - The Program in Electronic Music Composition and Mu-sical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco - Carlos Guedes

50 - O “consumidor” de moda - um estudo de segmentação de mercado - Arminda Maria Finisterra do Paço

55 - Entrevista a Alexandre Wollner

Ficha Técnica

Propriedade

· Escola Superior de Artes Aplicadas do Institu-to Politécnico de Castelo Branco

Director

· José Filomeno Raimundo

Comissão Científica

· Doutor Fernando Moreira da Silva (CIAUD da FA.UTL) · Doutor Eduardo Herrera (FBA.UPV) · Doutor Joan Costa (Costa.Com) · Doutor Karl Schawelka (BUW) · Doutor Raul Cunca (FBAUL/ESART.IPCB) · Doutor Hugo Ferrão (FBAUL) · Doutor José Filomeno Raimundo (ESART.IPCB)

Direcção de Projecto Editorial

· Daniel Raposo

Conselho Editorial

Especialistas doutorados nas diversas áreas de especialidade da revista, que avaliam os artigos de forma anónima.

Revisão

· João Machado

Gestão de conteúdos

· Miguel Ferreira · Tiago Marques · Daniel Raposo

Contactos

convergencias@ipcb.ptTelef. (00351) 272 340 800 Fax. (00351) 272 340 809 Escola Superior de Artes Aplicadas Instituto Politécnico Castelo Branco Quinta da Sr.ª de Mércules 6000-909 Castelo Branco Portugal

Minerva modern boldSize: 14 pointsKerning: opticalColor: C:0, M:0, Y=0, K:100

Minerva modern regularAlignment: leftSize: 12 pointsKerning: opticalColor: C:0, M:0, Y=0, K:100

Minerva modern boldAlignment: leftSize: 12 pointsKerning: opticalColor: C:0, M:0, Y=0, K:100

Minerva modern regularAlignment: leftSize: 6 pointsKerning: opticalColor: C:0, M:0, Y=0, K:100

Minerva modern italicSize: 16 points

Minerva modern boldSize: 80 points

Color: C:0, M:0, Y=0, K:5

Minerva modern italicAlignment: leftSize: 30 points

Spacing: 36Kerning: optical

Color: C:0, M:0, Y=0, K:100

minerva modern boldAlignment: justified

Size: 8 pointsSpacing: 9 points

Color: C:0, M:0, Y=0, K:69

Minerva modern regularAlignment: justified

Spacing: 13,8 pointsSize: 12 points

Kerning: opticalColor: C:0, M:0, Y=0, K:100

specs specs specsTheme: Surrealist exhibitionDuration: 2 daysYear: 2010 Software: Photoshop, Illustrator

Theme: Awareness camapign to promote culture among handicapped peopleDuration: 3 daysYear: 2012 Software: Photoshop, Illustrator

Theme: exhibition about Manuel Cargaleiro, portuguese plastic artistDuration: 2 weeksYear: 2009Software: Illustrator

Posters

concept specsType of Project: Contest Area: Cloth brand t-shirt Duration: 1 weekYear: 2012 Software: Adobe Illustrator

Contest for a kitesurf cloth brand, with the purpose of designing a t-shirt, with the maximum of three colors. With this in mind I looked for inspiration on the actual logo, and came with the ideia of adapting its forms to a mascot.

Kitaddict

concept specsType of Project: Contest Area: Lottery ticketDuration: 2 weeksYear: 2012 Software: Adobe Illustrator

Contest to design a lottery ticket, whose inspiration had to portray somehing related with Portugal. I picked one of our finest writters from the XIX century, Eça de Queirós, and made his portrait using pastel pencils.

Lotaria à portuguesa

specsType of Project: Personal initiativeDuration: 4 daysYear: 2010

specs specsType of Project: Shcool avaliationDuration: 2 hoursYear: 2009Software: 3Ds Max

Type of Project: Personal initiativeDuration: 4 hoursYear: 2009Software: 3Ds Max

3D

specsType of Project: Shcool projectDuration: 2 monthsYear: 2009Software: 3Ds MaxCo authroed with: João Oliveira, Rui Moura e Suse Santos

specs specs specs specsTheme: Trailer for Fight ClubType of Project: Shcool projectDuration: 1 weekYear: 2007Software: Adobe Premiere, After Effects Songs: Where is my mind (Pixies) Main Titles (Fight Club O.S.T)Footage: Fight Club

Theme: Music videoType of Project: Shcool projectDuration: 1 weekYear: 2007Software: Adobe Premiere Songs: Instrumental (Linkin Park)Footage: American History X

Theme: Music videoType of Project: Shcool projectDuration: 1 weekYear: 2007Software: Adobe Premiere Songs: Sleeping Awake (P.O.D)Footage: The Gladiator

Theme: Short Documentary about Onycophagy Type of Project: Shcool projectDuration: 3 monthsYear: 2008Software: Adobe Premiere, After Effects

Videos

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