Musical Numbers (Vocal Book) - Centennial AuditoriumVocal_Book).pdf · 0 - 108 DISNEY'S THE LITTLE...

Musical Numbers (Vocal Book)

ACT ONE

(#1) Overture ........................................................... p. 107

(#2) The World Above ............................................ARIEL .... 108

(#3) Fathoms Below .............PILOT, SAILORS, PRINCE ERIC, GRIMSBY .... 110

(#3A) Oh No, the Concert ................................................... 115

(#4) Daughters of Triton ....................................MERSISTERS .... 116

(#4A) Where's Ariel? ....................................................... 118

(#5) H Only (Triton's Lament) .............................KING TRITON .... 119

(#5A) Ursula's Lair ......................................................... 120

(#6) Daddy's Little Angel ...................URSULA, FLOTSAM, JETSAM .... 121

(#6A) Daddy's Little Playoff ................................................. 127

(#7) Part of Your World ...........................................ARIEL .... 128

(#8) The Storm ............................................... .sAILORS .... 132

(#9) Part of Your World (Reprise) ..................................ARIEL .... 135

(#10) She's in Love ............................MERSISTERS, FLOUNDER .... 137

(#11) Her Voice ...........................................PRINCE ERIC .... 145

(#l1A) After "Her Voice" .................................................... 149

(#12) Under the Sea ....................... .sEBASTIAN, SEA CREATURES .... 150

(#12A) After "Under the Sea" ...............SEBASTIAN, SEA CREATURES .... 160

(#12B) Take Me to Her ...................................................... 164

(#12C) Grotto Destruction ................................................... 164

(#13) If Only (Ariel's Lament) .....................................ARIEL .... 165

(#14) Sweet Child ...................................FLOTSAM, JETSAM .... 166

(#15) Poor Unfortunate Souls ...................................URSULA .... 169

(#15A) Act One Finale ..................................URSULA, ARIEL .... 174

- 104

ACTlWO

(#lSB) Entr'acte ........................................................ '" 176

(#lSq New Legs ........................................................... 176

(#16) Positoovity ..................................... .sCUTILE, GULLS .... 177

(#16A) On the Beach ........................................................ 182

(#16B) Positaggity .....................................SCUTTLE, GULLS .... 183

(#16C) Au Bal de Toilette . .................................................... 184

(#17) Beyond My Wildest Dreams ...............ARIEL, MAIDS, GRIMSBY .... 185

(#17 A) Chez Louis .......................................................... 191

(#18) Les Poissons .........................................CHEF LOUIS .... 192

(#18A) The Banquet Hall .................................................... 196

(#18B) Les Poissons (Reprise) ........................CHEF LOUIS, CHEFS .... 197

(#18q Les Paissons Mayhem ................................................. 200

(#19) One Step Closer .....................................PRINCE ERIC .... 201

(#19A) Good Night ......................................................... 205

(#19B) Back to Ursula's Lair ................................................. 206

(#20) Daddy's Little Angel (Reprise) .........URSULA, FLOTSAM, JETSAM .... 207

(#20A) Before "Kiss the Girl" ................................................ 210

(#21) Kiss the Girl ...............................SEBASTIAN, ANIMALS .... 211

(#21A) After "Kiss the Girl" ................................................. 220

(#22) Grimsby's Advice ..................................................... 220

(#23) If Only (Quartet) ...ARIEL, PRINCE ERIC, SEBASTIAN, KING TRITON .... 221

(#23A) Before liThe Contest" ................................................. 230

(#24) The Contest ................................GRIMSBY, PRINCESSES .... 232

(#25) Ariel Steps Forward ......................................URSULA .... 235

(#26) Poor Unfortunate Souls (Reprise) ..........................URSULA .... 237

(#26A) Ursula's Demise ..................................................... 239

(#26B) Ariel's Transformation ...............................MERSISTERS .... 240

(#27) Finale Ultimo ......KING TRITON, ARIEL, ENSEMBLE, PRINCE ERIC .... 241

(#28) Bows ................................................................ 247

(#29) Exit Music ............................................................ 247

- 105

DISNEY'S THE LITTLE MERMAID - 107

Overture 1 I

TACET

#1- Overture

0

DISNEY'S THE LITTLE MERMAID- 108

Ariel The World Above[Pilot]

[APPLAUSE SEGUE]

With wonder, rubato

4

Steadily, with growing excitement J=76

E~~ 10 II ~

8

"

!ARIELj , 6 7 8 "1 J) f) ,J J~~ r F l I' Ji J J J J I)

This is where I be - long... Be-neath the clear, wide blue here.

10 11 12

9~~ , )1 J J J J Ir J J J I; r 10 I feel com-plete Iy new here, in the world a have!

14 , 15 16 )1- 1'1 n r F In I' ) J J J J

It's like my life was wrong. And some-how, now, at

#2 - The World Above

21 26

27


last I'm in my own skin,

24 25

up here in the world a hove. There's

28 29 30

so much light here, light and space. The

sun's so bright here, up on my__ face. It

rit.

feels so right here, warm as love.

Slower nt.

Life seems to be some - how call - ing to me from this strange new world a

2J=72

bove. PRINCE ERIC: Steady as she goes! Windward,ho!! ARIEL: A ship! I'll

SEGUE AS ONE

#2 - The World Above


tell you a tale of the bot - tom -less blue, an' it's hey to the star - board, Heave ho!_ Brave

ISailors I 6 7

r ; IJ J J j J J IJ. [to 17] 17

Jj J J J 13, ~

E r' I a big-un's a - brew-in' mys - te - ri-ous fath-oms be low. Fath-oms be

',M f# m ~ .. 19 rfo If m ~ 20 >)1f

E r ~ 3 J 21

IJt2i2!} ~ ~

i1 low, __ be - lowl __ From whence way - ward wes - ter - lies blow! __- 'Where

22f ~ J. 0 J J J J 23

IJ J J J J J 24~I . j J P J j II

Tri - ton is king, and his mer - peo - pIe sing in mys - te - ri-ous fath - oms be -

sail - or be - ware, 'cause

3Pilot, Eric, Grimsby, Fathoms Below

Ariel, Sailors

[SEGUE AS ONE]

~ Boisterious Sea Shanty J.=72 Sailors~~ 2 3fllJ. HEr; IJ J J J J J IJ. JJ J J J

26 3 I

[SAFETY] [En] ~J)29f~~ - ~ -

31

Il l II The

#3-Fathoms Below


57 58"fUfi J J J J J J IJ J J J J J IJ j J J' tell - in*, ya, lad, when King Tri - ton is mad how the waves - 'll buck, rock

ISailorslPilot I

5Sf~ J l 60~ Iib

61

r;A1### l J .' I ~ ~ Ir ~ to and fro. Hold on, good luck, as down you go!

Lyrically J= 66 ] IAriel I .--3 -.:..'_----;0:0:=,-..-__

~~~,~!3~~~~~6~3~'~~~~~~M~~~~~,~3~~i~65~~~~~~~

mp Ah ___ Ah ____________Ah____

~ Slower, poco rubato 8~

] Tempo 10

4 4 ~g~

#3 -Fathoms Below


35

salt on your skin and the wind in your hair, and the waves, as they ebb and they flow. We're

@] 42 43

~ 44 ~ ~j J E --fIJ. J I~ J J J J J I~ J J J J J I ~J , ),f~ E ,

sing you a song of the king of the sea an it's hey to the star - board, heave ho! __ The

Isauors I 40

,. I, ~ ~ J)II miles from the shore, and guess what: I don't care! As for me, I'm a-bout to heave hoI PH.OT: Toe the line! I'll

46 47

ru1 - er of all of the 0 ceans is he in mys - te - ri - ous fath - oms be

low.

GRIM: King of the sea? Why, that's nautical nonsense--nothing but a superstition! 49 50 51

I - I - 't The

J king of the

53 54 55

J J J I) J_J Jj IJ J J J J J It o - cean gets an - gry, __ an' when he gets an - gry, be ware! ___ I'm

#3-Fathoms Below

56


57 68

tell - in', ya, lad, when King Tri - ton is mad how the waves - '11 buck, rock

i SailorsIPiIot I

l l ~,) 60 ~ j!

61

-~ J J J I ~ ~ Ir ~ rtTd'-## ~ to and fro. Hold on, good luck, as down you go!

Lyrically J= 66 .---3 ~'~______~_____

.---3 ] IArid I

63 r--- 64 .--3 ----. 65

mp Ah ___ Ah _____________Ah ____

~ Slower, poco rubato

El Tempo 1 4 44g~

#3 -Fathoms Below


181AI Freely 181EI Excitedly J.=96

~~ 4 fll*# 2

81H 811 81J

This is where I be - long! Ev - 'ry - thing seems more reaJ here.

8ll 81M 81N 810

Strange how at home I feel here in the tide's swift flow. ______

810 81R i. 81$ 81T81Pf#~ F F F r p Ir' IJ J J J J) Ir' r" Ir" And when the pull IS strong, I al- most think I hear the sea,

81V S1W SlX SlY 812

and free, call - ing me from ath OffiS__ be

#3-Fathoms Below


Lyrically, with forward motion J= 72 IARIEL

83 .-----3----.

~Ah Ah______________________

i siiilors I~ Tempo 10 ~ 2 3fg II ~B

There'~

~ f~~ J. j 3 E r J " IJ J J J J J 92IJ. JJ J J m J " IJ~ta I

mer-maids out there in the bot-torn-less blue, an' it's hey to the star-board, Heave ho!_ Watch

95 97

J 96 j~94f~ J. j J E r =l IJ J J J J I : : ~ ~~ I~ F~ r out, for 'em, lad, or you'll go to your ru - in, mys - te ri -OilS futh - oms be

roo-r 101-fI . I . low! ______________________________

#3-Fathoms Below

II


AOh No, the Concert

TACET

#3A-Oh No, the Concert


4~Mersisters Daughters ofTriton I

Brightly Baroque J=140 IMersisters [F1-6] j

'~~ i 3 4 ,- 1 fj) I

Ah,

6 7 8 [illSf&" J J J J :J 3 IJ F t j IU U j j II Ij 3 U fj Jll -

we are the daugh - ters of Tri- ton. Great fa - ther who loves us and named us well: A-

jF4jem em 10 em lliJ ~1211 ~I!'f J j ; r fJ IJ J~ J J JI; r~ J J-1 II1J i

qua - ta, An - dri - na, A-ris-ta, A ti - na, A del - la, Al-la - na and Ar- i el.

13

4 16

~" 3 ,- t fj jl

In

J J J J ] 18

IJ F * con - cert we hope to en - light - en the heartS of the mer - folk. with mu - sic's swell. A

#4 - Daughters of Triton


IAndrina [F2] I 22 23 24

Ah ha ha ha ha ha ha ha ha Ah ha ha ha ha ha ha ha ha

. An - dri - na, _______ ------- A

lAtina [F4] I IAdela [F5J I 25 26 27 28

Ah_ ha ha

ris ta, A - ti - na, A - del - la, AI - la na. And

j j j 3 JlJ 30

UJJJJ then there is the young - est, in her mu - si - cal de - but. Our sev-enth lit tle sis - ter, we're pre

, ",33 34~"4" J JJ j J Ii Ii j t j ~ j t j I j t j !4 , f3 I sent-ing her to you, to sing a song Se - bas tian wrote. (Her voice is like a bell!) It's our

SEB:Poco maestoso Not again, child! raIl. rall.

35 37 1':\

SIS - ter, Ar - r - ell Sis - ter Ar r - el!

SEGUE AS ONE

#4 - Daughters of Triton

- 118 - DISNEY'S THE LITTLE MERMAID

4AWhere's Ariel?

TACET

#4A - Where's Ariel?


Triton If Only,.. Triton's Lament

3 , )i IJ J J J J she'd know just what to say. She'd

,. 6 Jl IJ J 3 J J. J~ I firm - Iy and yet gent - Iy help the girl to find her way. She'd know what to for - bid, and

8

7~~~1~ , ) J 9 ! ~ J J J J J IJ J J J J J ~ Ii J J II 11 what we must al - low. She'd have the strength and pa - tience that I lack, some

fit. a tempo 10 11 12

how. Oh, what I would give to have her back right

~ With a military feel J=112

4 18 4- lie I

Vamp-cut suddenly on cue

5 , - ~ SLOW SEGUE

#5-If Only"" Triton's Lament


SAUrsula's Lair

TACET

#5A - Ursula's Lair


Ursula, Daddy's Little AngelFotsam, Jetsam

Easy and steady d=74

-'4~ 2

II

4 II

I Urs! 7 8 9'J lllJ 'Ji 11 JJJ J * IUJ 4S sd dglUJ4S J l When I was a kid, a squinn-y lit-tle squid, I was num-her sev-en born of sev-en lit-de girls,

11 12 13

I10'~ J J J J , IJ J J J J IJ J J J J * In 1 1 J 4 *

sev-en lit de pearls, pret-ty as could he, per-feet-to a T... all ex-eept for me.

Ug-Iy as a slug, bid-e-ous to hug, Dad-dy found me loath-some and dis gust-mg, I could tell.

19 20

18'~ J J J J IJ J J J J I IJ J J J J J J J* They all got a-dored. I just got ig-nored. Plus, to ease his guilt, a mag ie

@J 22 28641 * I 1- J J II

Most of shelL

#6-Daddy's Little Angel

II


~ 30 31 32

I4~J J J J J I~J g , JI~J J J J J. J) Ig ~J J all, Dad - dy loved one sis - ter, so fem - i-nine, so fresh, so fine. I would

34 35 36

334~J J J 11J J IJ J JO I) J J J J-J IJ J J J 1 II watch as he hugged and kissed her, and I hat - ed her guts from the bot-tom of mine!

38 39 40 ~

4) J ) ~ J J IJ J J J J 1 14 31 J J J Ig 1 JJ I Dad-dy's lit tie an - gel! Dad-dy's lit - tie sweet! Such a lit - tie fril - ly femme. She was

42 43 44 ..

rz4'49 J J J

, J) Ii] J J J J IJ iJ #J J J IJ J J J l sea - weed and spice and ev- 'ry-thing ruce and I dreamed and I schemed how to put her on ice!

45i. 46 47 48 49 ~j JJJJ J Ij J jJ J IJJJJ J JU q Jla iJ F

Dad-dy's lit-tIe an-geL. How could I com-pete with a girl so heav-en-sent? Just one spell from the shell, and

51 52 _;IIro4 F J J J J IJ l - I

3 II

back to heav-en she went.

#6 - Daddy's Little Angel


56 57 56

1113 I; J J J Jt IQ 0OW g J J &1 QJ 0 W Next what did I do? Daugh-ter nmn-ber two. Flung her in a whirl-pool where I left her spin-ning 'round.

[to 85] 8560 86

J J J J * IJ J J J J J J JIJ * * fj IIJ J J J * IJ Daugh-ters three and four... washed up on the shore. Sad-Iy, five and six were nev-er found. And it

88 89 90

" .... did - n't make my fa - ther love me... f1ml But it did - n't bring me down, oh no! It was

~

Awww! No, no!

92 93 94

sad, though, when Dad caught that rare and ver - y Ie - thaI flu. IFlot I WIth no IFlot/Jet I

So true! Poor you! Boo hoo!

96 97 98

%~ j J J J j J IJ J * JJ IJ J J J J J Ir ! IJJ

sis -ters in the line a - hove me, I in - her - i-ted the whole damn show! Was it



J 0 l fOil [Ol 100 101 102

fun? Oh, a ton! So much fun, I for-got that my Dad al- so had an ad - di-tion-al tot. Yes, a

105 106

son, still age one, but I fig-ured, so what? 'Til that snot- nosed lit - tle ba - by grew. And IFlotlJet I

He grew.

[to 112]107 ~ 108 109 110

t. '* '* grew. He grew in-to you know who!

~ I I " I I ~ ~

And grew. He grew in - to you - know -*who!

8

12 127

4 7 I- t J II For



129 130 131

now he has a child! rrn:71 And she has him wrapped a-round her flim-sy lit-de fin:

Flot I

Sweet... But rath-er wild.

133 134 135

l~i t IJ J J J J IJ J J J J IJ J J J J~J J J J J

he v..'ill be our in! She'n be what we use! Bait he can't re-fuse! There's no way we'll lose!

1 136

1, t.

137 rUrs I 139

:;J:. ... ... .,

g~m.Dad-dy's lit - de price - less ~ IJet I

.".. . IFlot! .".. . IFlot I \ Dad-dy's lit - de an - gel! Dad-dy's lit - de pet! So

140 141 142 143

Ruin-her, as it were, it 'n rip him a - part! IFlotlJet I '-[F:;;"'lo'"'"'t/C::Jet ""'"

sas - Sf. So smart. The key to his hean. Yes!



[to 156]147145 146

Dad-dy's lit tIe prin - cess! She's the one to get! Oh! Just get

Dad-dy's lit - tIe prin - cess! She's the one to get! Now just take it from a pro!

156 ~ 157 - 158 It .,. ..

Dad-dy's lit tIe an - gel ... Trust me, fel -las, I know! I'l .# ,

Dad-dy's lit tIe an - gel!

159 ~ 160 161-Yes, in - deed - y, I know!

.# ,.

Trust me, fel - las,

Dad - dy's lit - tIe an - gel!

162 163 164 165

know! ____________________________________I

La la la la la la La la la la la La la la la la la la!

[APPLAUSE SEGUE]



Daddy's Little Playoff

TACET

#6A-Daddy's Little Playoff

- - - -


7Ariel Part ofYour World

B c o

I I I

QJ Simply, In 2 d=76

fb 4

6 7

Look at this stuff. Is-nit it neat? Would-nit you think my eol-Iee-clon's eom-plete?

Would-n't you think I'm the girl,_ the girl who has ev - 'ry-thing?

14 15 16"----';---,

"f3 J J J J I] j J J...... J I 13 J J J ) J ) IJ J J J I '-' "---"* Look at this trove, treas-ures un told. How man-y won - ders can one cav-ern hold? 18 J 1jJ"f J j J J J j J j IJ J J n ---J

20,~ - * ,Look-ing a - round here you'd think,_ sure, she's got ev - ry-thing. I've got

#7-Part of Your World

II

-- -


r---3------. .----3------. 22 23 24

.---3-.... .---3----.

21, ~ J J J J t :J91J J J J J J Ij 1 J-~ IJ J IJ' J.~ gadg-ets and giz-mos a - plen-ty. I've got who-zits and what - zits ga - lore. You want

more freely

25~ ~ j 3

I i I 26

8 xX x )J ]J IJl l J* J. thing - a - rna - bobs? I've got twen - ty. But who

in4 molto rit. pOCO accel molto rit. 28 29 30

"~ ,g J ,J. J IE! Jp IIJ J -=* cares? No big deal. I want more.

: Semplice, Quasi tempo, in 2 33 34~ 32 . J ~ ~ J J J J __J J ) I) J j I) J J J J fO I; J fiP ;1.

see,_ in',I wan-na be_ where the peo-ple are. I wan-na -- wan-na see 'em dane

Moving forward 36 37 38

$~, J J J J JPJ J 1 j xI 1 J I ---- J J J Q walk-in' a - round on those ... what-d' - ya call 'em? Oh... feet.

Piumosso 40 41 4239#

~ ~ J J J J J J I) j ) j * Ij )jJ) J )1 I) J. J J

Flip-pin' your fins, you don't get too far._ Legs_ are re-qui-red for jump-in', dane- in'.

#7-Part Of Your World

--


....----3-..

~~. J J 44

11J J tJ J

Stroll-in' a -long down the ...

.----3-.. 48 ~41~ j J J J I~

walk, up where they run,

~3---' 52

51~ , ) r J J I)

free, wish I could be

More passionately ~ .---3--, 56

~. j J W J IJ give if I could live

.-----3----. 60

59~. j J J J IJ pay to spend a day

.---3----, 64.". J 1 J J J IJ 1

45 46

~ 1- J 1gj J 1 ~ what's that word a- gain? Street.

....----3-.. r---3---.49 50

J J J Ir r r j r IF up where they stay all day in the sun...

Moving forward ..--3--, 53 54

J J J I.. j) part of that world.

....----3--. 57 58

1J J J IJ J out - ta these wa - ters?

....---3-.. 61 62

1J J J -&

1warm on the sand?

r--3--, 65 66

J J J J J IF J IJ J

.-----3-..

J J J I Up where they

.---3---.

r j J I Wan-der - in'

r---3--.

j J J II What would I

....--3---.

J J J

What would I

r--3---.

J J J

Bet - cha on

, JJ

land they un - der - stand. Bet they don't rep - ri - mand their daugh - ters. Bright young


----

DISNEY'S THE LITTLE MERMAID - 131 -

Allargando 68 I. r---J----, 69 7067& ~ J\ j. J IJ1 j. J J J I~ I; jF

t) tJ .............. ==-wom-en, sick of swim-min', read - y to stand. And

A tempo (broader) 73 7471~ 72

i~J JJJ~J 11)1 j I) J J 1 J J ; IJ J J J read-y to know what the peo-ple know. Ask 'em my ques - tions and get some an -swers .

, 76 77 78 ...--3-----.

~. I"4 ~ ~ J ~ ~1 ~ Ji I; J..... ~ J 1- ~ IJ ~ J ~ '=---"" 1 J \\'nat's a fue, __ and why does it, what's the word ... burn? __ When's it my

turn? \Vould-n't I love, love to ex - piore that shore up a - bove? _____ Out of the

] Freely 85 .----J ----, 86 87

4~ ~ 1- r J J I~ ,- J ; ~ sea, wish I could be part of that

~ A tempo~in 2 poco fit. poco accel. poco fit.

world. _______________________


8


Sailors The Storm

o J.= 69 Less-than-Boisterous Sea Shanty - 8 llgII

~ ISAILORS I 11 12 13 14,., gJ. IJ. IJ. IgJ. IJ.J. J. J. J.

Heave Ho! Ho! Ho! Heave H-r---Heave Heave o.

IM61Msi 18 Jl

l154_@ J pic- 17I . J j J JF J1 U.-Stow the main - sail!_ Bat - ten the hatch es! __

4

20

@] Breezy, moving along (J = 90)

16,~ II!

tiS-The Storm

II


8

[Thunder & Lightning]

5 72 I II ~

Con forza (J = 81) !THESTORMi [to 93]18

5

J Calmer (J = 124) [to 105A]

@' i 4

105A

6&~

IS-The Storm

III

__________________________ __

__


I Fl,2,4 I

i F3,s,6,71

10'& j ------j' 107 ~~ II ~

~

II' ~M

, == 3 -----we1M~ ~ ~~ ~ r r= =tr: I Ah

Ah________________________________________________

111 ~,__-3---~

II q~ ~ r II ~I>&, I

7

113 "~

11201 POCO maestoso ~ = 86 4

~~

Gentler, pin mosso .,J = 104 81~~j

SEGUE AS ONE " Part Of Your World Rep.

#8 - The Storm


9Ariel Part ofYour WorldfOReprise

[DIRECT SEGUE]

Slowly and expressively", =100 4'i ~ !

Freely

'$ [ARIEL I ~ J J J J n J 6 I; ; ;

7

I) 8

J J J r~ J I; J J J What would I give to live where you are. VVhat would I pay _ to stay here, be - side you.

10 .----3 ----. 11 .---3-----"""1

J J J 11 j I) ; J J 19-= ju J J J I VVhat would I do _ to see you smil-ing at me. _____ Where would we

,.------3"---' ,.--3---- ,.-3---t '""-3---,14 15 16"i ~ J l J J j IJ J J j IF j F IF F J JF F

walk? Where would we run if we could stay all day In the sun, Just you and

---3---, 19 (vox 1st x only) ~ 18 .----3--" 20 ..---3---.n4~ ; F J J I; ; J J ~n '-F F r IT J

me, and I could be part of your world. Ah

#9-Part of Your World (Reprise)


@] Slowly, freely

'W.~f . 15 [to 40)

II

] Poco piu mosso (J = 142)

'f#~ 4 El

II ~1& A tempo (J = 132)

I 3

41~ ~lllz -/ARIELJ

.---3--""" 4S

J J J IJ I don't know when,

.---3----> 49

J J J IJ I don't know how,

50.---3""--'

JJ J J IF but I know some - thing's

.-3----'

J J r start - ing right

'" b 'e~ &

now.

52

j) "---3---.

J a J Watch and you'll

53

I u-see,

54

14-------3

J ala some-day I'll

molto rail. 55i h ~lq 0

be

56

, tJ r part of your

@] Maestoso (J = 120)

II IE -pi Jtc world! ____________

4

SEGUE AS ONE "She's In Love"

#9-Part of Your World (Reprise)

----


10Mersisters, She's In Love Flounder

[DIRECT SEGUE] Vocal '60's girl-group pop beat J=l42

'~ ~ I [ 7 [ 8

1 I [!!]II]

'I Wi) J J j [ffi

J J , WI She's diz - zy and she's dream-y Her

IFl,4,6 Iem 11 12 1O~ I J J J J J 'I J I) J J J J J J ieJJJJJ , J I

head's up in the foam. Her eyes have gone all gleam - y, it's like_ there's no one home. She

14 16 ~13fb 15~ 'I J ~ L t I- tJ J J J J J IJ J J J ) 'I JI-

floats a - way the days, mo pin' on the coast - al shelf_- You

ask her where she's go-in', she gig-gles like a fooL She bare-Iy sticks a toe in, do'WIl at_the tid-a! pool. It's

[QJ 22 .---3---. 23 24 10. ~~~ J J J J J 'I ) IJJ J Jl F F J IJ - 1- Jl cJ1'i

more than just a phase. Face_ it, she's just not her - self. Is she ill?

em [!iD IFl,4,6 I [F2l 25~'N rn Hi; JJ jJ ,iIl"tJJ J J }I J U * ,) uTI

_ Or in-sane? Is it wat-er on the brain? What_ has got her both-ered so?_ It's the bends!

110-She's In Love

--

II

DISNEY'S THB LITTLE MERMAID 138

~~,~ ~ em .. 30 31 32

p r Ji.l r OIJ J J J J ~ IJ ~ J ~ IJ r ~~~

r F It's the flu! Gosh, I wish we had a clue! Oh, wait! Oh, dear! Good grief! It's clear She's In

love! _______

35 36

love ________She's in Pound-ing heart!

39 4010. t.

'1 ~ I'1 )1 J J J J J loP r pI

Ring-ing bellsl_ Look, I think she's e - ven wear-ing brand new shells! She's in

42 43 44

love and it's di - vine! That girl's on sand-bar nine!

love! ________ She's in Glo - ry

46

r l ~ .47 1'1 qj ~ ~jl ~: II~'i FNE tJ to.. be, Lord a bove, Got ta be she's in

#10-She's In Love

41


] Interlude IFlounder I49 51

t !j Ji"'~i * 2 1

love! She

J (Verse 3) 53 54 55

'~31 a J B'jIJ JUJU 'Jilj J U J JJ Jlj)J J acts like she don't see me. She does-n't e-ven speak. She treats me like sa-shi-mi left 0 - ver from last week.You

I Fl,2 . F4,5 !

56 57

mp Shoop, shoop, Shoop, shoop,

IFlounder!

see her late at night, toss in' in her 0 - cean bed._ She's

(Verse 4) (unis.) 6361 62

Shoop, shoop, Shoop, shoop, Shoop, shoop, f She lays_there like a lox!

IV ..

mood-y as a snap-per, ob -liv-i-ous as rocks. You swim right up and tap her, she lays_there like a lox! As

#10-She's In Love


65 66 67

mf.. -111p Shoop, shoop, Shoop, shoop, She has lost her head! ___

sure as dog-fish bite, some_thin's made her lose her head. And she sighs,

(Pre-Chorus) 69 70 71

Ahh - ven has a sort-a glow._______

_ 7372 ~ 74 75

and she swoons, and she's hum-min' lit-tIe tunes ... 'W'hat on earth

IF2,41

.. An-y ham-mer-head can see... That sigh ... That glow ... That swoon ...

I

_could it be? Oh, no! She's in

77 78 79

-She's flipped, it nev-er fails! All hot be - neath her scales!

Flounder

love! ________ love! ________She's in See her hips,

#lO-She's In Love


.~7 ,...... (All)80 ,., 81 82 - 83 -t.J -U I ., I f , J

I

Wei-la, wel-Ia, Well, don't I you won-der who's the luck-y sea-food dish? I

I .--3---, fI J

I ~ How they swish._ She's in

84 85 86

---She's found a deep sea hunk! And now she's as good as sunk!

love! _______ love! _________She's in See her blush,

90

grin. ______See her Got ta be love she's

See her_ Got ta be love ...

J fl 92 93 94

4t

f Herin!

- -' ... .,

Ar - j el and some - one swim-min' In the sea... K - I - S-S - I N G!

#10-She's In Love


cheeks could -

not flush pink

.....---.. er! ____

'1II(p Ooh_____

ro._----------__ -

Woh-==-=====- f She's

It's clear as H - 2 - O! __

Bridge

Build t F2,3,41 t Fl,2,3,61

~ 100 101 102I I

-WI caught, hook, line, and sink - er!_ Crushed out! Switched on! Worked up! Far gone!

IFloundert

Knocked

Ff,2 F4,5tAIl t F3,6103 1'\ 104

It.

Hard hi't. That's it!

n

II!

down! In deep, That's it!

#10-She's In Love


!105! 106 107 108I'l 101 ...

tJ

101

She's in

: Fl,4,6!

love! / Oh! /

/

= Ah! r

She's in

"-=-'

love!

~ .. .. ..-...-""'_....

She's in love!

IFlounder I fl 101 ~

l. SHE'S IN LOVE! She's in love!

110 111 112

.~

She's In love! _________

love! _________She's in Plain to see,

113 I'l 101 114 115 116-Plain to see! No mis-take!

...... Lookat those moon-beams!

No mis take!_ Lookat those moon - beams in her wake.

#10-She's In Love


119 o

of ... _______Ob - vi - ous what they must_ be symp - toms She's in love!

of .... _______Ob - vi - ous what they must_ be symp - toms She's in_ love!

[rJ121 I', 101 I.. I l 122 123

t. I I

She's in love!_\ She's in love! \

\ \

"I 101 I ~ r--I

4!. aDF3 ! She's in... Shoop, shoop, yah - dah - dab, .. ~ ~ .

4!. I in__She's love!_ She's in love!

-r--"1 ~124 101 ~ 126 . . 4!. ,I l........Jyeah!~~/ / Yeah,/

/ /

/

~ .. ~ I / / t.J --She's in love!

+rijfs I', 101 ~ ,.;;-; -.. .-.

... love! _______ yeah!_

#10-She's In Love

II


Eric Her Voice 11

Playfully .=152

'~ ~I, I 4 I

With forcer poco rubato ca. ~=120

\here did she go? \here can she be?

When will she come a- call-ing to me? __ Call-ing to

me ... ________ me ... ________Call ing to

J J J18

J J J J J J J19

"~ J J J J J IJ IJ J 20

Ip Some-where there's a girl who's like the shim-mer of the wind up on the wa - ter. ___

3 J J J J J J22 23'" J IJ J J J J J J 3 I


~, 3 JJ Some-where there's

J a

J

girl

J who's

J 326

IJ like a swell

'Z1

r J J 10 of end -less mu

28

j I 0-SIC. ~, J J Jj

Some-where she IS

J J J 3 sing - ing, and her

30

IJ song

F is

31 -===J F Ie meant for me.

rail. 32

3m j And

r II her

] A tempo

'r"voice, F it's 34

IF sweet

r as

F an

J - gels

35

12 sigh

4J ing.

36 jb J

.!\nd

r her

'" F" voice,

F it's

38

IF wann

r as

F sum

J - mer

39

IE! -= sky.

40

jU J And

r that

41~ r' sound,

~

42

P Ir it haunts

F my

r' dreams,

J and

43

Ir spins

F me

r 'round

If Jj un

I

44~ F til

F it

r seems

J I'm

45

IJ fly

t ing

46 p. J her

47~ .. voice.

48

3

#ll-Her Voice


[VAMP] ., [to 69] f16 m - :9

71 72

J J J J J IJ J J J J J J JIJ

I can sense her laugh-rer in the rip-pIe of the waves a-gainsr the shore - line. __

I can see her smil-ing m the moon-light as it set-ties on the sand. ____

79 80 81

"~~, J J J J J J J J U. P J J 14 J I ---- --e-I can feel her wait - ing just be - yond the pale ho - n zan,

82~ ~ ~ j~ IU J J J J J J J 83 u r J r

sing - ing out a mel - 0 - dy too love Iy to with

malta rall. 85

Ir r r stand. _____________ And her

A tempo-more grandly~ 87 8988 j -=~ ~I'!,~~ ~r r IF r r J I,. r IF r r

voice, It's there as dusk is fall ing And her

#ll-Her Voice


91 92 93

9O@ ~( jL~ r F IF r r J Ie 1 r r voice, it's there as dawn steals by. Pure and

call

95 , 96 I. 97 ,.,~ ,

P IF r J) IF F 7 J) I F F F Jcr- f F bright, it's al - ways near. All day, all night, and still I hear it

rit. e dim. 99 100

jor If F ing_______________ her

Piumosso rit. 102 103

lO~M .. = ?le I 2 II voice. _____

Meno mosso, poco rubato (ca. J =100)11051 106~3~ 107 1oar----3~

@~IV~ - IF r r IT I IF r r r Strange as a dream Real as the sea

rit. 111~3~ _..---3---. ~3~ 110 ~3----.

r r r r r r Ie Ir r r r IF r r r I"'~" If you can hear me now,_ come set me free ... __ Come set me molto raIl.A tempo accel. e cresco

_---.:..1171":'\ 118113 I, ~ e-----e-------0

~ ~ I,~ I: I: r r I - II free! __________________

#ll-Her Voice


After "Her Voice"

TACET

llA

#11A-After "Her Voice"

II


12Sebastian, Under the SeaSea Creatures

Buoyant Calypso Beat j = 98

'f~ 8

10 11 12

The sea - weed is a1 - ways green - er In some - bod - y else -'s lake.

14 15 16"f l U - 0- r Ir r r J II a_)1 J Jl IJ J J 1 You dream a bout go - ing up there, but that is a big mis - take.

18 19 2017

Just look at the world a - round you, right here on the 0 - cean floor.

23 24 25

F J F 1* r r pm pIF F r 11D Such won - der-ful things sur - round you. What more is you look-in' for? Un - der the

27 29

II1* sea, un - der the sea. Dar - lin', it's

#12 - Under the Sea

--


31 32 33l ~ .--... ~~ J~, J ---- I) J In ~D e r F V C r F 1 D V r pI bet - ter down where it's wet-ter, take it from me. Up_ on the

35 36 37 =, e .;;-- S4fJ (J-P J pJr PQF V IF j r F 11 , P U FJ shore they work all day._ Out in the sun they slave a-way. While we de

38 39 40 41

vo-tin' full_ time to float-in' un - der the sea.

!SEB! 45 46 47 (J-P r J 11 L--] I J )1 iJ1PIr r r

Down here all the fish is hap - py as off_ through the waves dey roll.

mp The fish on the land ain't hap - py. They sad_ 'cause they ill the bowl.

F2,3~ , 53 ! 54 ~ 5552~ A- jl Ij j1 '~'-~ 11 &$ a a ~ l~ = -- = IF mJ' But fish_ ill the bowl is luck - y. They ID_ for a wors - er fate. #12 - Under the Sea


57 58 59 60

iF.4"1 1\ ! F2,3 ,......,.-.

I

t. V One day when the boss get hun- gry,

M6l I\~ -

f r Guess who gon' be on the plate.

mf Un - der the

...J...... rr One day when the boss get hun-gry, Uh - oh!

62 63 6461 ~ ...-..

, sea, IFl,2,4 I

F3,5,6,7.

~ -un - der the sea. No - bod-y

the sea. Un - der _ the sea.

- I0.o0.oI 1......1 I Un - der _ - the sea. Un - der _ the sea.

- 6765 ~ 66 \

beat us, fry _ us and eat us in_ fric-as - see.

r

We what the

- "-!Un - der _ the sea. Hooh ___

I~

Un - der _ the sea. Hooh ___

#12 - Under the Sea

http:I0.o0.oI


70 71 7269 tJ

......... r ~

land folks love to cook. __ un der the sea we off_ the hook. We got no

T'

\Voh _________

74 75 76

~ trou-bies, life_ IS the buh-bJes. Un - der the sea.

Huh ____~~_________ Life is the bub - bles un - der the

rrif

lin J~H PrJ r sea!

~

Oh...

Pl ~ Huh ______________ Life is the bub hies un ~ der the seal ----Oh...

78 79 80

r

Un - der the sea. Since life is

.. :>Itfi.'_~cptJ=-t! ~ IF: ~F?~ ~ ' f Un-der_ the sea Un der_ the sea

-ttl, itB j

I~~ ::> Pfi j

'""-" Un - der _ the sea Un der_ the sea

#12 - Under the Sea

I

--


81 'l 82 83 84-we_ got the beat here nat - u - ral - ly. E - ven the

.. Un der the sea!

#I L..-J Un - der the sea!

86 87 8885 'I

r'li - '--' stur - geon an' _ the ray, they get the urge 'n' start to play. We_ got the

fl

~

Hey! We_ got the

- , If - It J - II D D r V I Hey! We_ got the

lightly, growing 89 'I 90 l -. 91 92

r ........., ,; spir-it, you_ got to hear it un der the sea.

mp The newt

'I

U spir-it,

fl

you_

.

got to hear it un - der the sea.

r

~ spir-it, you_ got to hear it un - der the sea.

#12 - Under the Sea


94 95 96

\' _play the flute. The carp_ play the harp. The plaice_play the bass, and they_ sound-in' sharp. The bass

The bass

The plaice_play the bass, and they_ sound-in' sharp. The bass

98 99 100\97i

play t..~e brass. The chub_ play the tub. The fluke is the duke of soul. The ray,

l J J])1 r 1)1 J }I F "1 P Ir U r r Ir' 'I' , U=I1 ~J! .~ play tIle brass. The chub_ play the tub. The fluke is the duke of souL The ray,

play the brass. The chub_ play the tub. The luke is the duke of souL The ray,

_ 104 _ 102101~ 103 -~ r I r I -...J r I r I

he can play. The lings_ on the strings. The trout_rock-in' out. The black - fish, she sings. The smelt

J.. I '" I _

_ he can play. The lings_ on the strings, The trout_rock-in' out. The black - fish, she sings. The smelt

Top split M4,6 ,......, ...., to, to, r---1 " 1\ M3,7 .I ..J--

\ r I r ! r I r I

_ he can play. The lings_ on the strings. The trout_rock-in' out. The black - fish, she sings. The smelt

#12 - Under the Sea


105 1\ , 106 107 .106~ 109 it fi-,"" II

~ _ and the sprat, they know_ where it's at. An' oh, that blow-fish blow! f

fJ i"'i ~ ~ j,j Ii. ""

r

and the sprat, they know_ where it's at. f An' oh, that blow-fish blow!

t. r V I r I I "

1\"" ~ J ~ Ji_h I h I 101 +!"',v ... ~ I V- I I~ t......J V ~

_ and the sprat, they know_ where it's at. fAn' oh, that blow-fish blow!

8

23

[J 1149 1

II ~I.f~\\ 8 4 II ~g

14

#12 - Under the Sea

---

II


!SEBI170 -"_" r--3---.3 1- r F r

f Un - der the

172 173 174 ..

I, , V L r r IF : F3,5,6,7 '

'fi=J""

Un derthe sea.

- II , ~ LJ 'When

r the sar

~ L.....J......,

Un - der_ the sea, ,..,....,-IM4,6,7 i 'Ml2,3,5

~ 10 ' - .

ir-',

L.....I L.....I Un - der_ the sea.

..

- -Un - der _ the sea. Un - der _ the sea.

175 ,.. J.I, ,..--- 176 ----. 177 178

\ r r dine be - gin_ the be - guine, it's mu - sic to me. 'What do they

f'l .. .

( ~ J IJ. l J J Ii J J J J J IJ 1 " '--' ~ , -

3. ~~ ----\hen the_ sar - dine be gin It's mu sic to me!

fl'=1t::~~ J. .... ~ r F IJ. P F F II E):E1 f Ir t ~

\hen the_ sar - dine be gin It's mu - sic to me!

#12 - Under the Sea

-----


179 ~ l.I 180 181 182

\ ! got, a ~

lot_ of sand? We got a hot crus-ta - ce an band. Each lit-tie

~ loI I I

t.

I'l

\

loI

A lot_ of sand!

~ -.... I A lot_ of sand!

V V We got

,..-...

r , I We got

V a

r

a

I

hot

hot

'--I ~ crus-ta - cean

.....

- crus-ta - ce-an

band.

I

band.

183 ~ If ...--. 184 ..- 185 186

r r ~ clam here know how to jam_ here un - der the sea. Each lit - tie

'\ If It

Un - der the sea.f '\ loI " iI

-U_____C1

\ --Un - der the sea.

187 ~ loI ~ 188 189 190

~ r r slug here cut tin' a rug here un der the sea. Each lit - tie

I'l loI ~ ,....., I

- -It Un - der the sea. ~If

Y' ~ ~ Un - der the sea.

#12 - Under the Sea

-- -


i92 193i9i 1\ .If

;' r r ~ snail here know how to wail here. That's why it's hot - ter un der the

fJ ..

tJ ~

Oh Ah mp

fJ .. - ..

~ Oh Ah

194 1\ .. 195 196

's

1\ 101

wa - ter.

_

Ya,_ we In luck here down in the muck here un der the

t. 0> r' ~

.. Un

:>

cler, Un der the

.,

I r's -Un cler, Un der the

197 198 199 200

sea. _______________________________________________________________________

widen vibrato

sea. ________________________________________________________________________

.--------- .-------_._----------~ sea. _________________________________________________________________________

APPLAUSE SEGUE

#12 - Under the Sea

-

-

-- --

-

-


Sebastian, After "Under the Sea" Sea Creatures [APPLAUSE SEGUE]

Tempo di ''Under'' d=100 41 I 101

Un- cler the

IWOMEN] .--3----. l -,

Un- cler the

IMEN] r----3---,

Un - cler the

0 7 _____ L~ -a-.

t. sea! Un - cler the sea! 'When the sar

,u l

t. sea! Un - cler the sea! 'When the sar

,., u -~ sea! Un - cler the sea! 'When the sar

#12A - After ""Under the Sea fI

- - -- -

---

9


10 11 12 ~ .. U I L.,.....oI I I.,....0oI

What do they dine be gin_ the be - guine, it's mu sic to me.

!'\ J.j I

tJ .:line be - gin_ the be - guine, it's music to me. What do they

!'\ j,j

I r I ~ .~line e gm_ the be - guine, ItS mu- - sic to me. What do they

13 t\ .. 14 15 16

tJ I '"'-0001

got, a lot_ of sand? We got a hot crus-ta - ce - an band. Each lit-tIe

1\ j,j I I

tJ r' V' r' I 1.....1 L.,.....oI

got, A lat_ a sand? We got a hot crus-ta ce - an band.

!'\ J.j

I '"'-0001 I I\ - got, a lot_ of sand? We got a hot crus-ta ce - an band.

.- 18 19

"~. J V r r r rIp J v c J r 1 4t I 11ft

C rrI # V 6 ~!am here know how to jam_ here un - cler the sea. Each lit - de ~ J.j

---..4!. Un - der the sea.

1'1 loI ~ iI

____t;;,/

............ u___..~ Un - cler the sea.

#12A -After "Under the Sea"

----


21 f'i j,j 22 23 24

t. r r slug here cut - tin' a rug here un - der the sea. We got a

~ j,j --~ Un - der the sea. mf

"l j,j ~ r--1.

__c;./, .....-.. Un - der the sea.

P27 2825 1\ Iol ~ 26

t. I 1".....00 r hot crus-ta - ce an band here, un der the sea. Each lit - tIe

"l j,j

- -~ 1\

\

j,j

Un

11ItJ1 ~

-

- der

~

the sea.

.....- _t;; Un der the sea.

.....--.. 30 ..-- 31 -. 32 .PP--..J ~ ~ r p Ip J P P r p Ip J PPr p I D r p ~ r pI

I snail here know how to wail here. That's why it's hot-ter un - der the wa-ter. Ya,_ we in

i4~ ii ;;;z--: Ie In 110 l Oh Ah

p :

Oh________________ Ah __________________



luck here dOWll_ in the muck here un der the...

SEB: See child, that's what I'm talking about! Ariel? Hello?



12BTake Me to Her

TACET

Grotto Destruction

TACET

#12B - Take Me to Her / #12C - Grotto Destruction


Ariel If Only,."Ariel's Lament .13

[DIRECT SEGUE]

Sadly, freely [ca. J=104]

{to 13] 13 19\ ~ , 11 6 1~ e~ I * '}i II

If

J 21 22 ( ~~#~ J J J J J. )1 IJ J J J J. ' )1 jJ J J J J ~

J I

on - ly he would look! If on - ly he could see! Could love me as I am in-stead of

24 25

~ ~"~ iD ~ J J ' Jl IJ J J 3 J. J) IJ J J j J. J! I

how he wished I'd be! He does-n't real ly care! He does-n't want to know! I

26 27 28

hate him: Yes, I hate him! God, I hate him so!

rit.

~ft J j J J 3 30 ~ r IIJ J ,ill

Oh, what I would give if on - Iy I could

A tempo j = 64

go: _______

SEGUE AS ONE

#13-1/ Only (Ariel's Lament)


14Flotsam, Sweet ChildJetsam

[DIRECT SEGUE]

Slitheringly slimy 2 (J = 64)

6" ~ ~

I Flotsam I 12 0_"3 . ,.,.I Sweet

IJetsam! 14 15 16

Poor child ... So mis - un - der - stood.

child... So trag - ic Dear

18 19 2017 '" ~

It. "I Sad child ... ... shall we say... No.

"l ~.

~ I

child ... Life's look mg... ...not good.

#14 - Sweet Child


22 24

21'~ j I 23

I ~

#3 J 3 r r IF l L] Who will help her get her man? Sweet

(harmony) fJ?qIfM J J J J J IF - 1r r

\Vho will ease her woes and wor ries? Sweet

25 26 27 28 29 30

----child, per haps the sea witch can. _____ ARIEL: You can't possibly mean---Aunt Ursula? '\. .

--child, per - haps the sea witch can. _____ She knows your 32 33 34

ARIEL: Father says She'll grant your pray'r. ARIEL: Please, I have to go-her magic is evil!

dreams. She'll cast a

36 37 38

A ti ny spell No one - 'j] tell It's your af - fair! Sweet

care! _______charm Vvny the a - larm? No one - 'il Sweet

#14-Sweet Child

- 168 - DISNEY/S THE LITTLE MERMAID

40 41 42

child! Poor child! We'll bring you to her lair right now.

child! Dear child! Sad child! We'll bring you to her lair right now.

45 rit. 43 ,... 01 44

~ ft ! Bet in half a see your prince and you are rec on cUed

'I u .. .. .. t. I

Bet in half a sec your prince and you are ree on ciled

1":"'1 46 ~ 01 48 II ~...

t.

~ 01 II

Sweet

1":"'1 ~

t. Sweet

child! _____

child! _____

#14- Sweet Child

8


Ursula Poor Unfortunate Souls 15

Purely Weillr ca. J=72 4 Ursula

1 -:i I 3 ~ ~Vif (~ 1- Jg II

I ad

]i ?""fJ JB J J JJIJt J J 410:j :j J J J 4JI4*~~ J I

I 5 6 7

mit that in the past I've been a nas-ty They were-n't kid-ding when they called me, well, a witch. ~ut you'll

9 10 pOCO rit. 11

find that now-a-days, I've mend-ed all my ways,re-pent-ed, seen the light and made a switch, true? Yes, And I

12

... ; I . A tempo 13 14 15

~ J Rio :j J JJ J J J14 * * ~J JI

for-tu-nate-Iy know a little mag-ic. It's a tal-ent that I aI-ways have pos-sessed. And here

rall. 16 I , 17 18 19

late-Iy please don't laugh, I use it on be-half of the mis-er-a-bIe, lone-Iy and de-pressed, pa-thet-ic

poor un - for - tu-nate souls, in pain, in need, This one

#15 - Poor Unfortunate Souls

- 17Q - DISNEY'S THE LITTLE MERMAID

26 2724-:1 ~ ~ 25

~ ~\ ~ J J 1J J J J J IJ J J J J J JJU J * J JU * J I

long-ing to be thin-nero That one wants to get the girl. And do I help them? Yes, in-deed. Those

29 30 31

~~ ~I'I.\I. J !1_FJ j IJ. 1;1r r u J J poor un - for - tu nate souls, so sad, so true. They come

3

J J J J niJ J * 11J * ~ ~ II flock-ing to my caul-dron cry-ing "spells, Ur-su-Ia, please!" And I help them, yes, I do. Now it's

36 . Slower, poco rubato 37

==Jy~1 I 38i p I, ~l J 1 1 JJ Ii j J J J J J J 'J JJIJ J J J J J J J I

hap-pened once or twice, some-one could-n't pay the price, and I'm a-fraid I had to rake 'em 'cross the

40 41

fE , t:\t="~M' J. r t( J J J J !n IIWE Ir r eLf Id

coals. Yes, I've had the odd com - plaint. But on the whole I've been a saint, to those

~ A tempo 44 501:\6~"'$" J qJ1_H J 11

poor un-for tu-nate souls.

#15-Poor Unfortunate Souls

III


Creepy Waltz in 3 ~=11O

~ Lyrically 8 , ~i'ihl'

You'll have your

~ POCO piu mosso 89 90 91

~ ~I\\" r ~ 'i D LJ Ir 'p Ir r IU< 1 II ~ looks. Your pret - ty face. And don't un - der - es - ti - mate the pow-er... of



94 95

bod - y Ian - guage! The men up there don't like a lot of blab-her. They

96 97

think a girl who gos-sips is a bore. ~es, on land it's much pre-ferred for la-dies not to say a word. And af-ter

102 103lO'~ I ,.,

J J Jan JJIJ J J J IJOOJ J J J J IJJ. I , J I all, dear, what is i-dIe prat-tIe for? Come on! They're not all that im-pressed with con-ver sa-tion. True

gen tIe - men a - void it when they can. dote and swoon and fawn on a

rall. 108 109

107~ M , J J IIJ J J J 4 J) IJ J J J J J J J IJ J la - dy who's with drawn. It's she who holds her tongue who gets her man. Come on, you

11101 A tempo 111 112 .----3----. 113, ,~~ J J7LFJ J IJ IJU F F IJ J J I

poor un - for tu-nate soul! Go a - head! Make your choice. I'm a



115 116 117

"@~ i; J J J J J J 0 IJ J J J J J IJ J J J IJ 1 rtil ver -y bus - y worn-an and I have-n't got all day. It won't cost much, just your voice. You

119 120 121" ~ J !1__fJ J IJ. r IJ r IJ J 0 I poor un - for tu nate soul. It's sad but true. If you

123 124"'i I IJ J J JJ J J J J J J 0 J J 01; 1 1 J J J J 0 I a~want to cross a bridge, my sweet, you've got to pay the toll. Take a gulp and take a breath and go

'1 126 127rail.~ J tilJ J J J J 0 I; 1 J J J J J 0 13 JJ J t:"I I #J

head and sign the scroll. Flot-sam, Jet sam, now I've got her, boys, the boss is on a roll. You

A tempo 129 J"'i i J

* J

* I r F

poor un for tu nate

molto rit.

soul. ___________________________

SEGUE AS ONE



Ursula, Ariel Act One Finale I I

15A'I

Very slowly, rubato (ca. J= 84) 4 5 -I II

J =96 poco rit. 8 9 IUrsula I26~r I II - 1

Be

~ Forcefully, poco rubato (ca. J=60)! ~ ...---3---, ..--3--. 11 ..--3---. .---3---. 12 13 !JllJ 'g g g J J J I; ; ; J J J lo---=__Jj

iu - ga, Se - vru - ga, come winds of the Cas - pi - an Sea. _____ Lar

Now sing! Sing your

-ynx - es. gla - cy - dis, ad max iar - yn - gi - tis, ia vo - ce to me! __ voice over to me!

#15A-Act One Finale

- -


Moderato., =116 ~ Ariel] .---3~ ..--3-.. ...--3---....---3~ 320"-- -.. 21 ~19~

~~~ IJJ J J IJ J F F It1 J J lEW IJ W F F ~

Ah ___ Ah ___ Ah _____ Ah___

accel. pOCO a poco @] URS: Sing and keep singing!

24.---- 3---. .--3----. 25.--3-.. ' ~ ~J~~ 23~ ------- ---- 2641f gJ F~F r IFF r r IJ F F F F F IF Fr IT IF L r

Ah __ Ah __ Ah ____ Ah __ Ah __

~ Forceful and fast ~ = 168

I .~ j~, 12 II

J Poco meno mosso ~ =126 9&~\ I . II ~

J Maestoso J =114 4 52 53 ~j I I II

END ACT ONE

#15A -Act One Finale


iSBEntr'acte

TACET

New Legs i1scl

TACET

#15B-Entr'acte / #15e-New Legs


16Scuttle, PositoovityGulls

Easy Swing 2 d=90

10 11 12

look ar me... Ya see this face? In tenns of beau-ty, I'm a bas-ket case. And

14 1613& ~ j 15

) "i'J J J Ip r ijp--r u IF r f' 9p Ip J J Jl I ~ as for style, and sav-oir faire, Well, I guess there ain't a whole lot there. Yet, al

17 18 19 20

though, per - haps, it makes no sense, I strut my stuff with lotS a con - fi - dence. 'Cause

22 23 242~ ~) J J'. l "1 Jl I} :J Jl l , } IJ J }1 J Jl I' JljJi J r though I Jack an aw-ful lot, there IS one thing I've got... I got pOS - too

26 27 28

-I' } J F r mlt] r It VI - ty: I got pos i-roo vi - ty! It gives me the

#16 - Positoovity

i


2~ ~ 30 ~ ~ I. 31 32

"i/ J fjJ J m14 A JV I) J jJ J 2ijJ 1#2 J JJ i J j zam and the row and the yod-da-Iod-da-Iod-dle. That's why I walk 'With a wig-gle in my wad-dle! 'Cause

37

t J I~r F r Del once you've heard that word,_ there ain't noth-in' you can't do._ So let that pos - i-too

[to 79] ~ 3X GULLS8280fllol .. B\

See, with the

(Scuttle)"l j,f I"-oo!

: ,I I r\

Vl - ty work for you! See, WIth the

84 85 86

hip an' the hap, an' the ha-ha - hoo, you can flip an-y flap till your 'Wish comes true. The

I. -- -1 I.J J J [J I J) J ) J JI~ f] J j1 I J1 lEW ' Ji I an' the bap, an' the ha-ba - boo, you can flip an-y flap till your wish comes true. The

89 9087 fl loI 88 I .---3--.

" I

tip

fl loI.

- I is to tap -in-to I some-thing that .----3---.

you -.......! be lieve,_

~

.. .. tip is to tap in-to some-thing that you he - lieve._ 'Cause with the"

#16 - Positoovity

DISNEY'S THE LfTTLE MERMAID 179

93 94I ------'

Aah ziz - zer - zee_

r--

~ 7jg and the zug an't the zjz - zer - zee,_ there ain't noth in you can't be! Ya

96 97 98

- 1 r r ##r Ir l!tl(jf~tJ T'ff You sim - ply can't think nag a - tive! sec, it's rcal-l), your pre-rag a tive. You sim - ply can't think noO' a - rive!

'"

(Scuttle)99 100 101 102

--....~ Then the;;r,,' S you? just sit tin there, smack down flat up on your cler - ri - ere._ If

that's the way vou well, you might as welJ be shrub-ber - y So

11071 108 109 110 ---..

j~. F V Ir j r 1 , ) IF r r r F f ID IF V r J I stand ritThr and dust your ~eat,b up. and walk real tall up - on your own two feet, And

#16 - Positoovity

111


112 113

sure, you'll trip and make mis - takes, but you've got what it takes!

GULLS11141 (as ARIEL teeters) 115 I 116

117

e - JI- 1fh Whoa! Whoa!

11601[to 160]4 12II

11721 11851

f rn

9 4 8II

11931 [Gum IGulls 213lLl 201 If

\ And

1\ 1.1

~ And

12081 1Goin' Home! I 209 211

210 I'J If III III .-. .-1':} .-.. III .~

I I..--' r I r I r I\ now you know that word,_ there ain't noth-in' you_ can't do!_

1l /o! I-r r rr I I ~ now you know that word,_ there ain't noth~in' you_ can't do!_ So go

#16 - Positoovity

DISNEY'S THE LITTLE MERM.4ID - 181

215213 214

Awk! ____________________ __ very lightly, building

get some pos - i-Ii ci - ty ... You can bet on pas - i - tri ci - ty. And just

217 218 219

Awk Awk Awk Awk Awk Awk Awk

Jet that pos - i - trin i - ty ... No, positroonity---poositonomy? Is it... posit--

Guill Gulls 2/3

220 1'1 J.j (All 3) ,.....-, 221 I'"""-0oI I 222 22~.

Awk ff Pos - i - toov i - ty! f Pas - 1 - tive Iy I

00 - work for...

I What is it?! Pas - 1

12241 Pill mosso

tive Iy work for...

7 II

... you!

7 - II ...you!

ISLOW SEGUEI

#16 - Positoovity


On the Beach

TACET

#16A - On the Beach

---

II

DISNEY'S THE LITTLE MERMAID 183

16BScuttle, PositaggityGulls

[DIRECT SEGUE]

Tempo di "Positoovity" (J = 90)

8'~

Once you know that there ain't noth-in' you_ can't do,_ and

14 15 16

F "4 J J J #- J IJ ~J 1 - 1- J J that's how pos - i too vi - ty... works for

you!

Pocomeno Sths

[Fade on scene J

#16B - Positaggity


Au Bal de Toilette

TACET

#16C -Au Bal de Toilette


Ariel, Beyond My Wildest Dreams Il~Grimsby, Maids

[DIRECT SEGUE]

With excitement J=68 31 ARIEL I

'~ ~ 2 JIf Oh! _____ Just

'~ ,J ~ I , ) 5 ,J J J J J 6 IJ F look! It's like I'm in a sto - ry - book.

Oh!~_____ It's bliss! I

F 10 119~ , J J J ] J J , r 1 , IJ IF :J III dreamed that it would be, some what, but not like

@] More settled ...b124

,~ IJ 13 3

this~

17 18 1916, b F

= JWJ J J J I' IJ J J W J I;iii u

Look o - ver there ... Oh, my God! How ver y odd! And what might

#17 - Beyond My Wildest Dreams


21 22 23

2Ot~ J J I; IJ J J JJ '1 J J J they be? Some - thing splen - did, may be. Look 0- ver here!

25 26 27

2i~ , ; J IJ J J J 3 IJ ,J ;J= Could you bust? Is - n't it just be dal.l. ling, dal. ing,

29 30 31

", j J J J J IJ J IJ J IJ J J J ut ter - ly a - mal. ing! Gal. ing 'round, it's like to

33 34 35 36 37 ,lb r 1r J I) H ) J IbJ. &Jl I) hi J IJ V II di'e. Just see - ing it feels so good, I'd scream, if I on-Iy could! I'd

~ 39 40 41 42 43tb , }Ir" ~ Ir V IE E t F IJI J IF' J1 Ir"

hoped and wished, and want-ed so to be here. Wished, and prayed, and

44 45 46 47

t~ J ] J J IJ IF' J\ ,F' J;

planned it to a T. Prayed, and wow! Just

49 50 51

E F IJ J IJ ] Q J IJ 3 J J48" E E

look, it's real - Iy me here! Walk - ing a - round, strange as it seems,

#17-Beyond My Wildest Dreams


53 54 55 35~~ J J J J J If J U II some - where be -yond my wild - est dreams!

] r---1l!:J 60 ~ 59 61

I~ J 3 J J I' :J J J IJ ] J } ;}1 I) J Look at her there, look - ing 'round! Won't make a sound, Just keeps on

,----., r----1

63~ 64 :~"4 i J IJ J J I) IJ ] J JJ J J gawk - illg. Weird how she's not talk ing! Look at her stare ...

'F1l @] 6968L-J66, ~ , F J J IJ J Q J J IJ IJ j J Luck y miss! Cho - sen like this To stay for din ner

IGRIMSBylrF6lL..-J 71 72 73

I;~~ J J J J IJ J ,J J ,J J J J \\'hat does he see in her? Hush now, girls; she's Slm - ply

"'"117] iFI/3[L~..!rz..: 76 77 i F2/6! , J).. "f't i r Ir 11 J j 1 J I~J ;Jl

shy. Hmph. Just pic - ture the ta - ble chat! One

~RIEL,79 80 16 96 ~ 1 iij 1

, P IIW1 JiJ J IJ

sid - ed, if e - ven that! I'd


____ _


98 , ~ 99 100J ,~ F' P IF P IE IE t r J hoped and wished, and won - dered what I'd do here.

102 103 104

10~ ~ ,F' J') IF' Jl IJ 3 J J IJ. Wished and prayed, and pic - tured what I'd see.

106 107 106 ,'i ~ F' J) IF J1 IJ JIE E E r Prayed, and wow! My pray'rs are com - ing true here.

110 111 112

'l~ J 3J J IJ J J J IJ J J J J Ie J Look at it all, Look how it gleams! Love - Iy be-yond my wild est

114 115 2 'IIJ.-

[Ariel] 118 119 120, } , )~~ F 1* IJ 1* * Look.. it's him! So

dreams.


II

11171

----


123 124122JJ J J I IJ jU "iJ F == hand - some and re fined and slim.

Sweet ... _______ cere ... _______Sll1 Mag

poco rit. 131 132

J 130~1~" J J a I J IJ F IF II ~##.r ni - fi - cent from head to toe And oh... I'd

Meno MOSSO 134 136 137 138

hoped and wished my life would feel en chant

J 3 J IJ

140 141 142 143

14~##I ); )i IJ Ir' Ir' J J J IWE jiB Wished and prayed the fates would hear my plea.

molto Tit. 145 147

r' IF 146J

IJ J1444 j ~# )1 , ) I J J j II

Prayed, and wow, my pray'rs are more than grant - ed!


_____________________ _


1148 1 accel e cresco pOCO a poco 149 150 151

,AfYt~ J] J IJ J ] J IJ J ] J ~ IF J Look at it ail, hall after hall, per - feet as you eould please here!

153 154 155

'''~ ~ ~BJ J J 5 J IJ J 5 j IJ J 5 3 J IF J Mar - vels ga-Iore, and, e - ven more, gee, did I men - tion he's here?

A tempo 157 158 159 160

"6~~riJ J 5 J IJ n J IJ J 5J ~ '4 -=- jJ And if, who knows, all of it goes past e-venthese ex - tremes ...

162 163 164 165

16~j##1 J J 5 J IJ J 5 1 U J 5 3 ] Ir IF Just look at me and you will see some-one be-yond her wild est

non accel. 167 169

~--lK7 IF 3fr J II

SLOW SEGUE Chez Louis

dreams!

#17-Beyond My Wildest Dreams


Chez Louis

TACET

#17A - Chez Louis


18Louis Les Poissons

[DIRECT SEGUE]

Valse Parisienne (J.= 60)

1:'\[Louis hums ad lib} 81:'\7 f--I:'\ J1* ~J II

Les pois

0 A tempo 10 J 11 J 12 J

f~ J J J I J J I J J I J J sons, Les pois - sons, How I love les pois - sons. Love to

15 16

"f r * 14 J

# J I J J IJ , , I, J J chop and to serve lit - tIe fish. First I

18 19 20"f~ r J J Ir J J Ir J J Ir J r cut off their heads, then I pull out the bones. Ah mais

22 23 24

~f~ r F F IF J .J IJ 1 J J oui, I

29


30 32

cleav - er I hack them in two. I pull

33 34 35 36

out what's In side and I serve it up fried. God, I

38 39 40

~f# J ~ IF r F IF" I: r II ~F * love lit - tIe fish - es, don't you? Here's

@] POCO piu mosso (ca. d.= 70) 42 43 44

f~ F r r I~F r F IF r 1* I F some - thing for tempt - ing the pal - ate, pre

46 47 48

~f~ F F F II'C F F If il F F pared In the clas - sic tech - nique. First you

SOJ 51 J"f~ F J J I J J I F 52

I: F F pound the fish flat with a mal - let. Then you

54 58 56$f t; F F F I~f f f IF F F IF r r slash through the skin, give the bel ly a slice. Then you

18 -Les Poissons

57


t:". rit. ~rall. 58 59 SOt:". t:'\

Zut alors! rub I have missed one! Shh ... some salt in ... 'cause that makes it taste nice.

dolce

] Lightly, slowly at first (ca. J.= 60) 63 64 65

Sa - cre bleu, what is this? How on earth could I miss such a

68 69 70

~fd@ J J J J J IJ. J Jr I 1* sweet lit - de suc - cu - lent crab? Quel dom

72 73 74

mage, what a loss. You be - long the sauce, with some

poco accel. 76 n 7815f-@ r=-f r Ir J .J IJ 1 J J

flour, __ I think, just a dab. Then I'll

Grand Valse ca. J.: 72 80 J 81 J79f~ J J W I J I J W

82

IJ J JW stuff you with bread. It won't hurt... you'll be dead! And you'll

84 85 as

"f~ r r r Ir r r Ir' I- F r

sure Iy be luck - y you are! 'Cause it's

18 - Les Poissons


gon - na

Crash

cop - per

$f 96 97 98 ft J J F IfJ lfS Tp , ,J J 100, mon pois son! Au re

voir! ____________________________________

105- 106

IAPPLAUSE SEGUE

18 - Les Poissons


The Banquet Hall 18A

TACET

1I8A - The Banquet Hall


Louis, Les Poissons - RepriseChefs

[DIRECT SEGUE] ILouis I 0 Grand recitative, in 1

II


Energetic 2-beat 0= 156) M6,7(Loui!;) M3,4

] Ml,2,5 24 _

,'E:fMF Us_______

pois

(M3,4,6,7(Louis)

Ml,2,5)

27 28 29

~fN IT r f Ie f f If f r IF r r sons! Us pois - sons! Ooh Ia la! Here they are! Say bon

f iM61

31I#f>Of M IT f f F I~:!~~ F F* jour to our friends from the seal Fish fil

1M3; IMl: IM41 I Louis I 35 36 37

r F IF F IF F IF FMf r r F F let! Fish pa - tel Fish flam - b'fe. Fish tar - tare! It's a

:Msi39 40 41

~~M r F F IF F fir Ie , F r fish... - how - you say? - jam - bo - reel Cur - ried

IM21 :M31 IM6 1 I Louis I43 44 45"fN r r r Ir r F IF r F IF r F bass! Kip - pered smelt! Fish - ka - bobs! Tu - na melt! If it's

#18B - Les Poissons (Reprise)


48 49 47 L46f~ r r r I r r In

gilled, it's been grilled to a "t"!

IBass Chefs [M3,5,61 51 52 53.of- J J J IJ J J IJ J J IJ

Fish light - ly toast ed, and roast ed, and steamed!

Tenor Chefs [Ml,4,21]

55 56 5754f- r F r Ie r F IF F F IF

Tossed in the blend er and ten der ly creamed!

M6,7(Louis)

M3,4

rail. (sung or ~Ml,2,5 3 spoken ad lib UlS .60 61 t:\

~fM f , ..I~r T #1 I~, I~ ~ ~ I' J Dish at - ter dish like you'd wish to have dreamed! And

Grand recitative (d::: 120)~

63 64 65

-now for the grand fi - na - Ie, La pi - ece de re - sis - tance_ A

67 68 6966fMjJJ J J IJ J J J Ir EJ r Ir'r r del-i - ca - cy, by gol - Iy, you won't find in the res - tau - rants! A

rof ..----3---. 11 12 rail. __3~ 13 /I 1:"1 r r r r r Ir r 0" I@r r r r r I@r 0 l tid - bit to tease your taste buds with that cer - tain je ne sais quoi Voi-Ia!

I DIRECT SEGUE

#18B - Les Poissons (Reprise)

II


Les Poissons Mayhem 18C

TACET

1I8C-Les Poissons Mayhem


19Eric One Step Closer

Steady 4 (J=106)

2 Easy intro (ca. J=90)

4'4 MI

I Eric I

s=!-',MJ J J J J J J did J J J J 9 I 10 1- I !j r~ I Danc-ing is a lan-guage that is felt in-stead of heard. You can

uJ J J J J J J J 12 13 l 14 '" !jIF lJ J Ip J J)J Jle

whis-per, sing, or shout with-out so much as a word. Try it, go on, like so;

2 '; j J J J J J J J'jJJJ J j Just let your e - mo - tions tell your bod - y what to do.

20 - !j -'0 21 J J J J J J J J 22"4- I- I rl If J

See how much a sin - gle ges - ture can re - veal! And

25 26

'j j J J J r" lU J F r Ir

ev' - ry lit - de step, ev' - ry sin - gle step is one step clos - er__ to say - ing what you

#19- One Step Closer


POCO piu mosso (ca, J=110)~ 27~1

28

I - II ~~ j J j J r-a J JEll feel. Once the rou sic hits you in - hi

31 32

3O~~ J J j LI Ir F ( J IF ( oJ " rJ F

r' r f E2J bi - tions fall a - way. And you find that you're ex - press - ing things your voice dare - n't say.

34

bJ"1 Don't be a-fraid. Let go! Soon as you sur-ren-der what's in - side will sweep on through as the

38 39 40

374~ r F r f r j r f Ir Ir t t r F' pIr 'r t t f r bound-a - ries be-tween us dis - ap - pear! And ev'-ry lit - de step, ev- 'ry sin-gle step is

42 43 44

"~~ J r r r It" }l E E F r 10 Ir t , P I one step clos - er to taIk-ing loud and clear. A

46 47 48

45'~ r P r F F j IF F--r PIj F F F r F F F IJ. , )1 dance is like a con-ver - sa - tion_ ex-cept you nev - er need to make a sound. And

#19 - One Step Closer


50 51 52494~b J ~ J 1'1 )j ~ F r J Ir l Ir l S IdE once you've be-gun, You speak as one, Give and take, Back and forth, Round and

Poco piu mosso (ca. J= 116) 54

534~b e It" II ~ round ... _____________

~ Poco piu mosso

7 8II pl. III

~ Waltz, in 1 (J= 60)

4~1 20 lit

] Tempo 1

-4~1 91

1A

] With great passion (ca. J=110) -:J. I 93 ...--. 94 ! pI F ~ r r r r IFF r ~ IE E E F r r r F

95

IJ. dance is like a con-ver - sa - tion_ ex-cept your lips don't ev - er need to part. And

#19-0ne Step Closer


97 98 99

1 I964~ J .n J I' ~ J9 r EJ Ir U Ir w9 once you've be-gun, you speak as one. Cheek to cheek:, toe to toe, heart to

Tit. 1102 1 Slower, poco rubato (ca. J= 70)

100'W"~ 101

- 11-# J J ] J Jlr ] ] J heart. Danc - ing is a Ian - guage that is

104 105

@ j""4 #J J J J J. n IE t E r E t E r Ir felt in - stead of heard. But it says much more than Ian - guage ev - er could. And

poco accel. I. 108 109

J) IJ j F fer' ev - 'ry Iit - tIe step, ev' - ry sin - gle step is one step clos - er... __

Slowly, poco rubato Tit. ,1104. 1 111 112 113j j# J F F I" IJ F r 11 ) II1 E r r r

one step clos - er ... __ one step clos - er... __ to be-ing un-der

poco rit. 115 116 117 118

1, - - II stood. _____

APPLAUSE SEGUE

#19-0ne Step Closer

- -

DISNEY'S THE LITTLE MERMAID - 205 -

Ariers Voice GoodNight [APPLAUSE SEGUE)

Gently (ca. J = 94)

ARIEL'S VOICE (pre-recorded) 3 .---3-..... .--3-----. 41i ~3---' 2 ~3--. ~ ...-3---.

@t ~ F F r IF F r r I F r r F r IF F r r Ah_____ Ah___pAh___ Ah.___

o 3 9 2 11

II I I

14 15 162 r."\ r."\12~ I - I - I - 11## I

@] Very gentle rubato, in 1 164~~ I

] Warmer and a bit slower 8, 2 II ~~ I

SEGUEASONl

#19A- Good Night


Back to Ursula's Lair 19B

TACET

19B-Back to Ursula's Lair


Ursula, Daddy's Little Angel~Reprise 20Flotsam, Jetsam

CUE [URSULA]: Teenage hormones! Freely, colla voce

0[U!8Uii] 3

Seems the lit - tIe tart is off to quite a start ...

"J J J J qJ J J J 5

IJ J 4 J ~4 Just one night, and prin - cey - poo is wal - low - ing in bliss!

7

Think what they will do by sun - set num - ber two ...

IFlotsam & Jetsam I

What?

9

Id - - ots! go up and block that kiss! In the

Yes, Your Wretch - ed - ness.

#20-Daddy's Little Angel (Reprise)


[!J AtempoJ=74 11 12 13

I~d J j J J I~J CJ J J I~J J J J J J IiJ. mean while, her poor proud pap- py ... Bet he's won-d'ring where his ba - by's been.

IFLOTI

Wor-ried

[to 26] 14 ~ 15 16 17

not

... .q

hap - py. .:;j: -,; Soon he'll

... ... * * guess, then oh, yes! loI~

... ... All the

-

.., .... fun-'ll be

......

gin!

I sick... So up-set... Ah! All the fun-'ll be - gin!\ f

26 27 28 29

f

to ... ..

Dad-dy and his an gel!

'I

... ..

How they're gon - na hurt

.". .". ."..". f':)

:;j: .., .. .. once my plan is in full

~ .".

flow...

b?~

.. Once that

I I I Dad-dy and his an - gel! How they're gon - na hurt once my plan is in full flow... _

#20 - Daddy's Little Angel (Reprise)


30 Il _31 32 -e...... I ... .. .. ..... ., I

kiss goes a -miss then the girl wi! be mine! Once she's had then her dad will be caught on my line! Then a

I ~ Oh! ___I_____ Ah! __________________________

34 IUrsula I ,.. 35 ~ J ] .; I J ~; J d II~J F

spell from the shell and up to heav - en they'll

J=J 36 !'\ 37 38 ISsa 'Oes tn a ug er[dO I "t la itt :1 39

tJ ~ -.g~ -& -&- ------- ---go! Il ~ r-- Ii ~ !: ~ I f!: l>:I: C -I . ~

.. - -~ La 1a 1a la la! La 1a 1a 1a 1a! La 1a 1a 1a la!! _____ SEGUE AS ONE

#20- Daddy's Little Angel (Reprise)


Before ''Kiss the Girl"

TACET

#20A - Before UKiss the Girl"

---


Sebastian, Scuttle, Kiss the Girl Animals

21

Romantic Calypso .J= 126 62 3 4

(with mouth pursed as lIto whistle) Oh___________

(like violins) Ee___________________ ------8 _ 109 _

There you see_ her_ Sit - ring there a - cross the way__

1I'I(p ;.* * * ~.**Sha 1a 1a Sha 1a la

She don't got a lot

13 14

a - bout her And you

A - bout her

A bout her

#21- Kiss the Girl

DISNEY'S THE LITTLE MERMAID- 212 ------_ .... -_...__...._--_.._---------------------------

15 ~

~

I'l

tJ

~

~

don't know

Don't know

I

why,_

--why._

- 16 but you're dy ing to

.. .. .. Dy-ing to

try, _

--try..

you wan na

17

I

Kiss

I

Kiss

Kiss

Ie 18

the girl

-the girl__ I

the girl ___

@] ~ 20_ 21 - 22 ~ do __Yes, you want_ her_ Look at her, you know you

fl = = =

tJ 4 __ -tit "? .. .. .. .. .. - .... Yes, want_ h~_ Look at her, you know you do. __ - ,........ ,.-,fl ....-! = ~ --Yes, you want_ her_ Look at her, you know you do. __

23 ~ 24 25,...... I 26

I --J" r I r\ Pos-si - ble she want you too There is one way: to ask her It don't ~

e.

~

.."

00

J

..

------I ~

.. Kiss

.. :I the girl

I ..r~ 00 Kiss the girl

#21- Kiss the Girl

--- -- -

--


_ 28 29 3027 l~ r I r I r I ~ SED: Sing with me no'take a word Not a sin - gle word Go on and kiss the girl

~ I ~ I

'-"

~

Oh a sin - gle Kissing sounds

~ - --= Ya-yas "Do it, mon!"

\ ..... r I r I etc. Oh Not gle word

~

.

'I

~

....... .......

::::: :::; :::; ~:j ~ .. ~

-6' --" Not word ~

a Sin

32 33 ....-... 34~

r I\ Sha - la la la la la My oh my_ Look like the boy too shy, Ain't gon-na kiss the girlIF2,61Fl,7

I I ~ I.- . ... . . t.J fI r I fI ya ya_ ya ya ya_ ya ya ya_ ya ya ya_ ya

IF4'SIF3 1'"'""1 r""""l I"""I""T'"

t. etc.Hoo hoo hoo

IM6,71M3,4 Mm rna-rna Mm rna rna Mm rna rna Mm rna rna etc._1'"""'1 I 1'"'""1 I ~ - -

I I ILJI\ U U r r LJ [Jr [JfU U w-w-Wo w-w-Wo - w - w- WOI~ WO w-w-Wo

M5 I...... accented

:::; "Ii "Ii "Ii ..........7'1 '* '* '* _____-9~ ~ ~\ ~ .. ..~ Hoo ho hoo Hoo ho hoo Hoo ho hoo Hoo ho hoo_

#21-Kiss the Girl

-- 39


35 ,., 36 -- 37 38 - - -\ Sha la la la la la Ain't that sad? Ain't it a shame? Too bad, he gon-na miss the girl

,., - I I - . . .. @. V r I r ya ya_ ya ya ya_ ya ya ya_ ya ya

fJ ~

@. ............... 1\ - - I ~ I ~ ri ri Wo w - wZ wwo

\ UI UI Ui -U r U r [J r L..J~ [71 ~ Mnma mana

~

\ ::;:.. ::;:.. .-..

::;:.. ::;: ~ "" "" ",,_-d .. ....____-9 =.. .-.. = = =.... ~ Hooho hoo Hoo ho hoo Hoo ho hoo Hoo ho h'O'O"

] IFl,2,4 ,I

hoo __ hoo hoo hoo

~

@.

,., lower oct. ifpossible

~ -fI1(p

P.P" .... .. ..

~ =.. Hoo hoo

41 42 43F3,5,6,7

Kiss the girl Kiss her!

. i :t! ----

. -~. i --&

#2l-Kiss the Girl

______________________ __

- -


474544 ~ -, ERIC: Alexandra? Annabelle? Beatrice? Ar - i - el. Her name is Ar - i el. fl

.........

'- :;J. ~ .... .... ~ ~-~ You wan - na kiss the girl_

fl

hoo hoo hoo hoo

I

I~ ::; : 1.: -& -&:j ~ - -hoo 49 5048 ~

t. * *: *-* * :j:Kiss * the girl, kiss_ the girl! 1'\

, 4" i 1.: 15 -& -&-hoo hoo hoo

Now's your mo - ment, Float-in' in a blue la - goon_ ~ 1 I J

53 54 55

"-, t.J

fl

M3,6,7 M4,2 Ml,5 ,.......,

V~ ,......, -

-&

ya

,--,

. I ya ya

\ "-'.6- ..~ . . .. .. ..

Now's your mo men!:, Float - in' in a blue la - goon_

#21- Kiss the Girl


56 ,......, r-- 57 58 -, 59 , .. r I 7 r Boy you bet - ter do it soon! No rime will be bet tab. She don't

'I IALLWOMEN:

.. ya Ya ya ya ya ya

~ r r-1 ~ I ~ ~ \ I ... " -- V - - ,.

do it soon! No rime will be bet - tah. She don't

60 61 62 63-, - r I I -say a word, and she won't_ say a word un - til ya kiss the girl 11

to -& -& '* '* 4-- -ya Kiss the girl! l(Random lagoon I ~ .-. .-. party noises) : , I - If I I I r' I say a word, and she won't_ say a word un til ya kiss the girl

#21-Kiss the Girl

- --

----


64 65 66 67

\ - - r Sha la la la la la Don't be scared You got the mood pre - pared Go on and kiss the girl ~Fl,7

I I ~ - -. : . .. . .

to fI r I fI ya ya- ya ya ya_ ya ya ya- ya ya ya_ ya

[ F4f 5[F3

laid-back and scoopy KOrrah:yah, people! ,..-,-., ,..-,

,-.. -t. "-" --- - .. .. .g.

'11ff Sha la_ la la la Sha la_ la la la Sha la_ la la la kiss the girl

, ......... --- .---J J :::::= r., "" -\

'-' '-" ~ I'11ff -Sha la_ la la la Sha la_ la la la Sha la_ la la la kiss the girl ~ IScuttle ~

\ Wo,

68 II 69 70 71

~ - -Sha la la la la la Don't stop now Don't try to hide it how you want to kiss the girl fl I I I I -- I- . .. .. .

t. fI r I r ya ya_ ya ya ya_ ya ya ya- ya ya

~ i"i ~--. ,-..

t. .......... - --Sha la_ la la la Sha la_ la la la Sha la_ la la la kiss the girl 1'1 .....-. - -,.... ~

'-' "-" W I I I I I Ij I- -Sha la_ la la la Sha la_ la la la Sha la_ la la la kiss the girl "I

t> wo!

#21- Kiss the Girl


73 ---. 74 ..-... 75'I

- r I ~ Sha la la la la la Float a - long and ii-sten to the song The song say kiss the girl! f ~ -. - , . . ~ II!. f

~

ya ya_

iI ......

ya I I

ya ya- ya ya ya- The song say

,....., r--1:fl-kiss the girl!

.. '-'" Sha la_ la la la

""-' --Sha la_ la la la Sha la_ The song say kiss the girl!

~

\

.........,

........

fS~la_ la la Ia

- t_.t~> ~ -~ s;-if_Sha la_ la la la The song say kiss

r

the girl!

~ IScuttle! loud and obn9xious ..--..

. . softly

I I\ Wah, wah, wah, wah wah Wo,

76 1\ 77 - 78 -1\ I.

tJ f

........... .. ... -- I ~~~ , -Ya ya_ ya Yah, yah, yah yah -~ ---' --'-1\ r-i r---'1-,........

.. '--' -Sha la_ la la la Sha la __ la la la Sha la 1\ ...-.. -....-

-, L.....J .......... l....J Sha la_ la la !a Sha !a_ la la la Sha la

~ -. \ wo! Yah, yah, yah yah

r -~ Sha la la la la la Mu - sic play_ Do what the mu-sic say You got to

#21- Kiss the Girl


(Seb ad Ubs here to end) ,.., 80 81 52-

r "'--'" ~ kiss the girl You've got to kiss the girl You've got to

i Fl,2,4 ~ F3,5,6,7

.. .. 4 ., -:jj:--.g kiss the girl kiss the girl

!'j ~ t-,

I I ~ kiss the girl kiss the grrl

83 !'j 84 85 86 " . .". , I r

kiss the girl You've got to kiss the girl Oh! Go on and

J , -I jj

r kiss the girl kiss !e girl Go on_ and

, -,:.---,:.1'\ .. 12- ....

rI ~ kiss ~e girl kiss the girl t:f Go on_ and

87 fl 88 :!f 89t

\

/'} ... kiss - the girl! ----- -- -

t

~

, I

kiss

kiss

Je ... r

the

girl.

~ -girl.

~

-.

~

#21- Kiss the Girl


After ''Kiss the Girl" 21A

TACET

Grimsby's Advice

TACET

#2IA -After "Kiss the Girl ll / #22 - Grimsby's Advice

22


Ariel. Eric. If Only ~ Quartet

Sebastian. Triton

[DIRECT SEGUE]

Gently, poco rubato (ca. J =80)

'~"tt '1_ 1 IArlel~

, J) IJ J J J J. If on - ly you could know the

4~MJ J J 3 J Ij Jl iJ J J 3 r J J J J 6JI J ~ J J , )

things I long to say. If on - ly I could tell you what I wish I could con - vey. It's

"4\ J J J J J. 8

Jl IJ J J J J. 9

It IJ Jg J J ~ ~ JII in my ev 'ry glance. My heart's an 0- pen book. You'd see it all at once if on -ly

poco accel. poco rit. POCO pin mosso (J = ca. 96)

,~

11 12

J , )lji j J J J , )1IIJ ~ IJ. you would If on - ly you could glimpse theloo~=====-=_

15 J J 16 J J ~,.~ .b&~~ J J J3 , J1 IJ J J J j j I J J. J)J feel-ing that I feel. If on - ly you would no - tice what I'm dy-ing to re-veal, The

18 19J j 3 J. ;jl 1J j g J ~. f, IJ J J J J ~ ~ JII dreams I can't de - clare, the needs I can't de - ny. You'd un - der-stand them all if on -Iy

#23 - If Only -- Quartet


Moving forward (J = ca. 110) poco rit.poco rit. 21 22

~~~ J 0~f)~ I J II Ij r p-you would try. All my A tempo

24 26

"4~ r r ti1 Ir J n 25I ~ J F J Ii J C- D I se - crets, you would learn them. All my long - ings, you'd re - mrn them. Then the

rit.

~ &hz!&

26 j EJ 29I J J"4 F r [J Ir J

si - lence would he bro ken. Not a word would need be

accel. 31

,.~~~ -----------j ken. _______ spo

Piu mosso, flowing (J =ca. 128) [@ IEric I

33=

f~hA 0 Lr Q I~ tJ FJ FJ 34

IJ What is it a - bout her that's so won - der - flly, lin - pos - si - bly fa - mil

36 37

L~~loM . I-f1 tJ ti fl I-I3 Lf F J f9 Why do I feel diz - zy in a way I've on - Iy felt but once be

39

01

fore? _______________

. ?lar. __

#23 - If Only - Quartet

II

DISNEY'S THE LITTLE MERMAID - 223 .---- .-_..__..._--_.... _---------------------

41 42

40~ ~bIJ~~ ;~ r j ~ IJ r ~ J I:; jtJ .mg., __How come when she looks at me, it seems like time stops mov

jEl r El 45

IJ r J r"~~~ ...., a tJ J AI - most like the way it did that day up - on the

rall. 47 IAriel I 46 'I I

~

If

~ I -, I shore? But that

~ More broadly (J = ca. 100) 50~ I 49 I I I ~1

~ I

. .~ . on-Iy it were true, if on-Iy for a while ... If on-Iy you would no-tice how I ache be-hind my smile. I

I I voice! ______ Ah, that voice! _________ W"here's that

52 ~ I 53 54 55

. .. ..~. .~ ~ guess you nev-er wilL I guess it does-n't show. But if I nev-er find a way to tell you

voice? ________


II


A tempo pOCO nt.

t Ariel! 57 5856f~ ~ - 59 ~ lin. ~ IcC JIJ l IS J J 3 J it J J I~ r

so ... Oh, what I would give if on - Iy you could

~ A tempo (J = ca. 94)i 3 ~ ~tj)~~ 61I0

know.

Meno mosso, poco rubato (J =ca. 84) ~ ISeb i65 66 67

i - 1- , j1llr J IJ J J J , )) If~ C t F r' J* If on -Iy I knew how, I'd make rum see the light. If

colla voce 69J68f~ r I ~ i J W , )1

70

IJ " J J J l } It C t r E c ~ on - Iy it were up to me, this all would turn out right. And if I on - Iy could, I'll

72 73

7~ ~I,& , }1 I] ~] J J J r J J ] J J II W J II~ tell you what I'd do ... I'd simp - Iy wave me claw and make your dreams come

75 76 77

~D&7~ I e I- t , )1] J J J ~ J J 3 IF r II true And would-n't that sur - prise you if you on - Iy

#23-1f Only - Quartet

-- -


~ Piu MOSSO (~ = ca. 124) 8179 80

knew.

How could I have pushed her to the point of hav-ing no one left to rom to? ___

raIl. 83 84 85

Ah, that

What if I have lost her and it's all my fault she's gone! ______ If

~ Appassionato (~ = ca. 112) 87 8 89'l JoI .

-,t.

- -~-

If on -ly there were time, I know we'd kiss at last. __ IEric I

~ ~ . , I voice! Where's that voice? That

ISebl'\ ~ ~ ,

If on -Iy I could help, ITriton I

1'\ ~

\ ,on - Iy I d have known! If

#23 -If Only - Quartet

-----

-----

DISNEytS THE LITTLE MERMAID- 226

91 9290 j,j L I I

t. e'-' But time keeps rac-ing for-ward, and our-

'I If

~ voice!

.----3----, ,..--3--'~ J.I

, Just one mor.e day for that kiss to come.

'I ~ I I I l

, ,I could turn back tune, I d change my ways!

94 95 9693 ~ ~

. ..t.J mo-ment's aI-most passed. has ----- It to hap-pen now!

fl ~

I~ ,---3---".---3--,

~ J.I I

. \

~

I

r d give my life up to-

'I 101

.. . .. .. .. ..\ , ,III try to un-der-stand ... ___ I 1 keep my tern - per

#23.:...11 Only ~ Quartet


97 ,.. J.I 98 99

f. ..".' There's

,.. J.I . ~ How I wish that girl could have been

,.. J.I

I ~ make it hap - pen. __

,.. J.I

. ., ., .,\

t:;I..". ..". low. I should have start - ed lIst - 'rung to you long a

100 ~ loI 101 102 103

t.

~ J.I

., ..". on - Iy

.,

one more

., day un - til

.

..". r;J

I have

-to

-go! -

~

,.., J.I

this one! I If on - ly.

~

fl J.I

Oh!

- -\ go. _______________


_ 228 - DISNEY'S THE LITTLE MERMAID

Slower (J = ca. 86) poco rit. 107105 , 106104 fI JoI L

tJ .. .. Oh, what I would give if on - Iy you could

10

\

, n10 I I\ Oh, what I would give if on - Iy you could

,~ JoI

.. .. ..?i\ Oh, what I would gIve If on - Iy you could

poco rail. A tempo (J =ca. 112) 108 ~. ;t 109 110 111 112

C!J know.

IL.. ..-3---. ,.---3----., ....---3----. ..---3--.

\ I I I I I I I

And at the ball, what will oc-cur? May-be I'll find that voice ... _ But I'll lose

~ .. -- ----...... ---- ----. --- ~-& -& -& , know.

~ JoI

, kno~______________________________________________________

#23-11 Only"'"' Quartet

-----------


nt.A tempo 114 115 116 117 t:'\ 118113 ~

III r If on - Iy.

"l ~ t:'\

\ her.

j,f I t:'\

c;;________uo_ r .--'"\ If on - Iy.

~ loI t:'\

, ~ -& ly. ___If on -

APPLAUSE SEGUE

#23 - If Only ~ Quartet


Before "The Contest"

TACET

#23A- Before UThe Contest"


Grimsby, The Contest Princesses

[DIRECT SEGUE]

With grandeur and pomp J=128 o IGRlMSBY I [may be partUtlly or entirely spoken] 4

'~ I IIJ 3 J f _

J 3

I; r ; ,J fJ r Wei - come, dear friends, to our contest. The first that our king - dom has

6 7 8 ~5~J F ; , )j IJ J.. ~ J i1 I; 1 J ; J J IJ ~ ~ J J 3 I

ev - er seen. We gath - er to-day for a vo - cal dis-play, so our prince may at last choose a

]

- 6II~ III queen...

~ Bright 2-beat J= 150

t; 4

I}!] (Each contestant is meant to sing annoyingly or overwhelmingly loud or offpitch, etc.)20tH 21 1 22) d ~ l J J J LfJ Iiii ~ J J

23

Ir Lis - ten to me,_ Don't I sound rich? __

25 J 26 J"t~tJ J ] I J J I J J J 27

1'r Loud, am I not? Plus I've got per - feet pitch._

#24-The Contest

- -


J J J 29

IJ J J Jzj) , )i I~:41# j 319 F Would - n't you think_ I'm the girl,_ the girl who has

33 34

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