Music Video Storyboard
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Transcript of Music Video Storyboard
Storyboard Template
Name: Ashleigh Norris-Seal and Beam Phromsorn
Shot no.
Time
Sketch/Image Vision
• Type of shot, camera angles, framing, movement,
• Lighting, colour • Subject, action • Captions • Editing
Sound Diegetic Dialogue Sound/music from story Non-diegetic Narration/commentary Sound effects/Mood music
Close up of empty pill
bottle, fallen on the white
sheet. The pill bottle will
be white and red
Hand held shot to the
right of the frame. High
key lighting, relating to a
hospital atmosphere
suggesting illness and
mental instability.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Extreme close up of white
lace. Hand held shot,
footage filling whole
frame. High key bright
lighting. This will relate to
innocence and purity. The
shot links to the wedding
theme, which will be
evoked throughout the
video.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Empty wine bottle, fallen
over. Hand held shot and
prop to the to the right of
the frame. Low-key
lighting will be used here,
to suggest a darker side to
the video, and how purity
and innocence may have
been lost. This shot helps
link the others together,
as they all convey
different connotations.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Birds-eye view shot of
artist’s body. A medium
close up. A tracking shot
will be used here ,
following the artists body
from feet to head. High
key lighting will be used
here, making the artist
softly glow. When editing,
we want to use a soft
focus, to make the
footage more gentle and
calm.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Close up on face. The
camera will still be in a
birds-eye view position
and the artist will be lying
down. High key lighting
will be used to create a
glowing and hazy effect.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
Close up of hands, from a
birds eye view angle. In
this, it is supposed to look
the the pill bottle had
rolled out of her hands,
which links back to a
previous shot. The lighting
will remain in high key
making the hands glow
gently.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
A birds eye view,
medium shot will be
used and the artist will
be lying in a foetal
position. Once again a
high key, white light
will be used to
emphasise to contrast
between the white
sheet and the black
slip.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
A close up of hands,
ripping white material.
The audience can
interpret this in what the
artist is ripping up,
however it will look like
the white lace, shown in a
previous shot. High key
white, lighting will be
used, to emphasise the
destruction or purity and
innocence.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
A birds-eye view,
medium close up shot
will be used. Here the
artist will wrap her left
hand abound her right
wrist, and remove it to
reveal and ‘infinity’
symbol. High key
lighting will be used.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
A low level, medium close
up shot will be used. low
key, dim lighting will be
used to show the darker
side of the video. In this
shot you will see clenched
fists which will open to
reveal broken glass and
bloody hands.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Another birds eye view
shot will be used, with
a medium close up. The
artist will use direct
address and reach
towards the camera as
if she is trying to grab
something. High key
lighting will be used.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
An extreme close up of
the artist eye. In this
shot a tear will roll
down her face. The eye
will be to the left of
the frame and on the
right of the frame, you
will see the wedding
veil.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
A close up of the artist
is used, to the left of
the frame. this shot will
layer found footage of a
wolf, howling. The
artists head movements
will be synchronised to
the wolfs movement.
High key lighting will be
used to compliment the
snowy background and
the white/grey wolf.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
Found footage from
Adele’s ‘Rolling in the
Deep’ video. In this
footage, there is model
buildings and sparks
flying off. The sparks in
this could represent the
artists explosive
emotions displayed
within the video. The
white model and black
background, fits with
the video’s consistent
house style.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Medium shot, in a
centre/right frame of
artist sitting down and
singing. The
background will be
black and white and the
artist will be wearing a
black maxi dress. High
key, white lighting will
be used to keep the
colours neutral.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
A close up of the artist
will be used, layering
the medium shot of her
sitting down. This
footage will look as if
she is walking down the
aisle, from the point of
view people sitting in
the audience of the
church.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Close up of artists hand
moving up her arm. The
hand will move from
the right of frame to
the left.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Continuing from
previous shot, the arm
continues moving up
the arm and across her
chest. Medium/close up
shot from a low angle.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
Hand held shot of
artist, shot from the
point of view from an
‘ex lover’. A medium
long shot is used.
Natural lighting.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Continuing from
previous shot.
Hand held shot of
artist, shot from the
point of view from an
‘ex lover’. A medium
long shot is used.
Natural lighting. Here
you can see another
characters hand, and it
is clear that they are
‘holding the camera’.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
A medium shot is used
of the artist adjusting
her slip. Here we are
looking to use a cross
dissolve effect. High
key lighting will be
used to create a
glowing effect on the
artists skin.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Close up of hand
moving slowly up her
leg, whilst in a sitting
position. High key
lighting will be used to
create a soft glow on
the skin.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Shot continuing from
previous, moving from leg
onto chest. Medium close
up shot is used, from a
low angle. Low key
lighting will be used,
gradually after the high
key lighting to show that,
as she hold her heart it is
full of sorrow. This will be
represented by the low
key lighting.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
A close up of the artist
is used, to the left of
the frame. this shot will
layer found footage of a
wolf, howling. The
artists head movements
will be synchronised to
the wolfs movement.
High key lighting will be
used to compliment the
snowy background and
the white/grey wolf.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
Found footage of a dust
explosion, from Ariana
Grande’s music video,
‘Love me Harder’.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Found footage of rippling
water, from Ariana
Grande’s music video,
‘Love me Harder’.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Medium/long shot of
artist sitting in shower.
High key lighting to
emphasise the contrast
between the black slip
and white tiles. Artist is
crying, and her hands
move from her legs up
onto her chest.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
Close up of artist sitting
in shower, previous
shot continues and
artist moves hands up
chest and on head. High
key lighting to
emphasise the contrast
between the black slip
and white tiles. Artist is
crying.
Diegetic – the artist will be
singing along to the lyrics
of the song so the singing
will be in first person.
Therefore, she is able to
hear the music and sing,
relating to the lyrics with
her actions. This gives the
audience a chance to
watch the artist’s feelings
and expression.
Continuing from
previous shot, of close
up of artist. Water is
slowly lifting off her.
Artist is slightly blurred
by water.
High key lighting to
emphasise the contrast
between the black slip
and white tiles.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Continuing from
previous shot, of close
up of artist. Water falls
back on her at normal
speed. High key lighting
to emphasise the
contrast between the
black slip and white
tiles.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Medium/close up and a
hand held shot of
artist, as if being
filmed in a ‘home
video’ style by ‘ex
lover’. Here she is
laughing and showing
off her ‘engagement
ring’. High key lighting
will be used to
represent it being
morning and a happy
moment.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Medium/close up and a
hand held shot of
artist, as if being
filmed in a ‘home
video’ style by ‘ex
lover’. High key lighting
will be used to
represent it being
morning and a happy
moment. Here she will
be laughing and hiding
behind a pillow.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Close up of her crying
in the shower again.
Low key lighting to
emphasise the darkness
and sadness which is
taking over her life. She
is hysterically crying.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.
Medium/close up of her
crying in the shower
again. Low key lighting to
emphasise the darkness
and sadness which is
taking over her life. Here
she is reminiscing and
trying to compose herself.
Non-diegetic: the artist
will not be able to hear
the music at this point
since there is no singing
involved. This leaves time
for the audience to
interpret the music
themselves. There will be
no narration or sound
effects used as the
footage emulates the
mood and themes
conveyed within the
music.