Music for FIRST COMMUNION AND CONFIRMATION A Catechetical ... · A Catechetical Guide for...
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Music for FIRST COMMUNION AND CONFIRMATION A Catechetical Guide for Liturgical Celebrations Roman Catholic Archdiocese of Boston
Transcript of Music for FIRST COMMUNION AND CONFIRMATION A Catechetical ... · A Catechetical Guide for...
Music for FIRST COMMUNION AND CONFIRMATION
A Catechetical Guide for Liturgical Celebrations
Roman Catholic Archdiocese of Boston
"Every form of catechesis would do well to attend to the 'way of beauty.' Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendor and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. …So a formation in the way of beauty ought to be part of our effort to pass on the faith."
--Pope Francis (Evangelii Gaudium, 167)
COVER ART: An anonymous traditional ink drawing, typical of the style found in liturgical and devotional books. The Holy Trinity is enthroned in the center: God the Father in regal attire holds his scepter and globe; the risen and victorious Son is depicted as the Paschal Lamb holding a banner of victory; the Holy Spirit is the dove proceeding from both. The Blessed Virgin Mary, Queen of Heaven, stands at her Son's right, while on his left St. John the Baptist points toward Christ, holding a banner proclaiming, "Behold the Lamb of God." The angels and other saints adore the Lord and join in the unending hymn of praise.
Music for FIRST COMMUNION AND CONFIRMATION
A Catechetical Guide for Liturgical Celebrations
One of the joys experienced by the parish community in the work of evangelization is the handing on of the faith to the next generation. Since this always takes place within a social context, the integration of faith and culture must be considered. Just as each culture is endowed with its own common forms of human expression, so too do Catholics possess a unique cultural heritage through which the faith has been handed down through the ages. A core element of this heritage is the Church’s musical tradition, which Vatican II identifies as “a treasure of inestimable value.” This treasury is preeminent among other art forms because, “as sacred song united to the words, it forms a necessary or integral part of the solemn liturgy.” (Constitution on the Sacred Liturgy, §112) We therefore offer here a small number of essential hymns chosen for their simplicity, suitability for young voices, timeless musical value, and substantial theological content. Mindful of the power of sacred music to raise hearts and minds to a deeper participation in the sacred mysteries, we encourage you to incorporate some of them into your catechetical programs and liturgical celebrations.
* * * All texts and some of the scores are in the public domain. Copyright permissions have been obtained for the use of all other scores. You are free to use and reproduce all included materials as needed or you may use other arrangements already at your parish’s disposal.
Music included in this packet:
Organ accompaniments Guitar chords compatible with organ arrangements Congregational inserts
This document with downloadable scores is available at: www.rjcceciliamusic.com/free-liturgical-works/communion-confirmation-rcab
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ACCOMPANIMENTS AND CONGREGATION INSERTS
EUCHARISTIC HYMNS
Humbly, I Adore Thee, Hidden Deity (ADORO TE DEVOTE)……………………………………….……..……..8 Jesus My Lord My God My All ("Sweet Sacrament") | (JESUS MY LORD)…………………….….….10 Alleluia, Sing to Jesus (HYFRYDOL)……………………………………………………………………………………..…......12 Sing My Tongue the Savior’s Glory (PANGE LINGUA, TANTUM ERGO) Mode III…………........14 Tantum Ergo | Down in Adoration Falling (ST. THOMAS)………………………………….……….………...16 O Salutaris | O Saving Victim (WERNER) …………………………………..………….………………………….….....17 I Received the Living God (LIVING GOD) can be found in the following hymnals:
One in Faith (WLP),Worship IV (GIA), Journeysongs 3rd Edition (OCP), Oramos Cantando (GIA) CONFIRMATION HYMNS
Come Holy Ghost, Creator Blest (LAMBILLOTTE)…………………………………………………..………………..18 Come Down, O Love Divine (DOWN AMPNEY)……………………………………………………………………..….19 Come, Holy Ghost, Our Souls Inspire (VENI CREATOR SPIRITUS) Mode VIII ………….….......20 Veni Creator Spiritus, Mode VIII…………………………………….………………………………………………………….21
GENERAL HYMNS
Holy God We Praise Thy Name (GROSSER GOTT)……………………………………………………....…….…..22 At the Lamb's High Feast (SALZBURG)……………………………………………………………………..……………….24 Praise My Soul the King of Heaven (LAUDA ANIMA)…………………………………………………………......26 Dona Nobis Pacem (TRADITIONAL CANON)…………………………………………….……………………………..…27 Praise to the Lord, the Almighty (LOB DEN HERREN)……………………………………………………..……...28
MARIAN HYMNS
Immaculate Mary (LOURDES HYMN)………………………………………………………………..…………………………30 O Sanctissima | O Most Holy One (O DU FRÖLICHE)………………………………………………..……...…..…31 Hail Holy Queen (SALVE REGINA CAELITUM) ……………………………………………………………..……………32 Regina Caeli (“O Queen, of Heaven, Be Joyful”) Mode VI………………..……………………………..…….34
* * * CONGREGATION INSERTS………………………………………………………………………………………………………………..…...36-54
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THREE CONSIDERATIONS FOR LITURGICAL MUSIC In preparing music for the liturgy, there are three essential qualities of liturgical music to consider: holiness, goodness of form, and universality. (Chirograph of John Paul II on Sacred Music, §4-6)
Holiness: the music should have a clear transcendent dimension, setting in focus the sacred text of the Mass rather than itself. Inspired through prayer, it should lead others to prayer and adoration. While there is much room for variety of melody, harmony, and rhythm, music for the Mass should communicate reverence, and be free of secular associations or other distractions from worship.
Goodness of form: the music needs to be beautiful regardless of its simplicity or
complexity. It is not enough for music to be exciting or entertaining; it must have those elements which raise the heart and mind to God through their clarity, gracefulness, and harmony.
Universality: although the music will reflect the culture in which it exists, it
should nevertheless by its nature be edifying to those from other cultures as well. Liturgical music should communicate the beautiful unity of tradition between the past and present; it should help worshipers to sense and understand their connection to the faithful of all times and places. Furthermore, universality implies that music for the congregation should be singable, fostering exterior participation. Likewise, music sung exclusively by the cantor or choir should prayerfully engage the hearts and minds of the listeners, fostering interior participation.
THE RESPONSORIAL PSALM
“Because [the Responsorial Psalm] is an integral part of the Liturgy of the Word, and is in effect a reading from Scripture, it has great liturgical and pastoral significance.” (Sing to the Lord: Music in Divine Worship, §155) Furthermore, the Book of Psalms was composed as a collection of sung prayers; this ancient musical tradition was immediately assumed into the Christian liturgy. While there is some leeway with the selection of psalms, it is highly recommended that the psalm used be the one assigned in the lectionary, as it relates more closely to the first reading than any other option. Since we are responding in song to the preceding reading, the setting should be conducive to meditation, allowing the Word of God to take root in our hearts through the action of the Holy Spirit. While the use of paraphrased psalms has been common, this practice should be avoided as we are singing the scriptures themselves. Therefore, the text should be taken from the lectionary translation, or from the 2010 Revised Grail Translation, approved for liturgical use by the United States Conference of Catholic Bishops (USCCB).
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WHAT SETTINGS OF THE LECTIONARY OR GRAIL PSALMS ARE AVAILABLE?
A free resource available for download is “The Chabanel Responsorial Psalms.” www.ccwatershed.org/chabanel. This collection contains multiple settings for each Sunday of the Three Year Cycle as well as feast days, funerals, and weddings.
“Lectionary Psalms and Gospel Acclamations” (World Library Publications) http://www.wlp.jspaluch.com/11474.htm
“Lectionary Psalms” by Gelineau/Grail (G.I.A. Publications) https://www.giamusic.com/search_details.cfm?title_id=1544
“Lectionary Psalms” by Michel Guimont (G.I.A. Publications) https://www.giamusic.com/search_details.cfm?title_id=4389
“The Lyric Psalter” by Marty Haugen and Tony Alonso using the 2010 Revised Grail Psalter (G.I.A. Publications) http://www.giamusic.com/search_details.cfm?title_id=20526
“The Michael Joncas Psalter: Volume 1, Common Psalms” (World Library Publications) http://www.wlp.jspaluch.com/10203.htm
“Respond and Acclaim” by Owen Alstott (Oregon Catholic Press) http://www.ocp.org/products/30118873
* * * OFFICIAL MASS SETTING OF THE ARCHDIOCESE OF BOSTON
The chants of the Roman Missal are the official Mass setting for the Archdiocese of Boston. We ask that your parish continue to use these in addition to the settings with which your parish is also familiar. We recommend that you begin with the simplest chants: Lord Have Mercy (Kyrie Eleison), Holy, Holy, Holy (Sanctus), and Lamb of God (Agnus Dei). The following online resources are free:
Scores are available from ICEL at www.icelweb.org/musicfolder/openmusic.php Practice videos are available at www.bostoncatholic.org/newromanmissal.aspx Piano, guitar, and organ accompaniments are available at www.rjcceciliamusic.com/free-
liturgical-works/accompaniments-icel-chants Organ accompaniments by Jeffrey Ostrowski:
http://www.ccwatershed.org/media/pdfs/12/03/07/16-28-07_0.pdf
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“A cry from deep within our being, music is a way for God to lead us to the realm of higher things. As St. Augustine says, ‘Singing is for the one who loves.’ Music is therefore a sign of God’s love for us and of our love for him.”
-- Sing to the Lord: Music in Divine Worship, USCCB (2007) This resource is a collaborative effort between the Episcopal Vicar for the New Evangelization, the Office of Divine Worship, and Catholic musicians from the Archdiocese of Boston.
Most Reverend Arthur L. Kennedy Auxiliary Bishop of Boston
Episcopal Vicar for the New Evangelization
Reverend Jonathan M. Gaspar Director of Divine Worship
Richard J. Clark Deacon Patrick Fiorillo St. Cecilia Parish, Boston; St. Mary’s Chapel, Boston College Consultor
Paul Jernberg Janet Hunt St. Monica and St. Lucy Parishes, Methuen Saint John’s Seminary, Brighton
Patrick Botti Ryan Lynch Our Lady Comforter of the Afflicted Parish, Waltham Saint Raphael Parish, West Medford
Nori Elisabeth Fahrig Michael Olbash Consultor St. Adelaide Parish, Peabody
Julie Fay John Robinson Saint Jerome Parish, Weymouth St. Paul’s Choir School and Parish, Cambridge
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œ œ œ œ œ œ ˙1.2.3.
4.5.
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Em Em/G D
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Humbly I Adore Thee, Hidden Deity
Text: Adoro Te devote, attr. St. Thomas Aquinas, 1225–74; tr. John Mason Neale, 1818–66Tune: Mode V; Processionale, Paris, 1697; Harm. © 2015 Richard J. Clark. Used with Permission.Text and Tune: Public Domain
ADORO TE DEVOTE11 11 11 11
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43
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œ ˙gift,praisethough
have,God,
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Jesus, My Lord, My God, My All
Text: Frederick William Faber, 1814–63Tune: Anonymous; setting: The London Oratory School Service Book and Hymnal, 2004Text and Tune: Public DomainSetting: © The London Oratory School. Used with Permission.
JESUS MY LORD88 88 and refrain
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F
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thetheof
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umph,fulry,
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.˙
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Alleluia! Sing to Jesus!
Text: William C. Dix, 1837–98Tune: Rowland H. Prichard, 1811–87; setting: The English Hymnal, 1906Text and Music: Public Domain
HYFRYDOL87 87 D
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theter
with
˙ œ
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œ œ œ˙ œ
Dm7
˙ œpeacefriendveil
fulofhas
œ œ œ
˙ œ˙ œ
Gm7
œ œ œSisinen
onners,tered,
œ œ œ
œ œ œœ œ œ
C7
˙ œthun
Earth'sRobed
derRein
˙ œ
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˙ œ˙ œ
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.˙flood;me,Priest;
˙ œ
.˙ .˙
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œ œ œJeWhereThou
sustheon
˙ œ
˙ œ˙ œ
F
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ofof
both
˙ œ
˙ œœ œ œ œ
Gm7 C7
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˙ œhathSweepIn
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the
œ œ œb
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F F7
œ œ œdeem'dcrossEu
usthecha
œ œ œ
œ œ œœ œ œ
Bb˙ œbycrysris
histaltic
˙ œ
˙ œ˙ œ
F C7
.˙blood.sea.feast.
.˙
.˙ .˙
F
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œ œ œ œ œ œ œ œ œ ˙1.
6.5.
2.3.4.
Sing,OfOn
WordDown
To
mya
themade
inthe
tongue,purenightflesh,
ad -ev -
theandoftheo -er -
Sav -spot -that
breadra -
last -
ior'slesslastof
tioning
glo -vir -sup -na -fall -Fa -
ry,ginpertureing,ther,
jœ jœ jœ œ œ jœ jœ œ œ œ.œ œ œ œ œ.œ ˙ œ œ.œ ˙ œ œ
Am G/B Dm/A Am œ œ œ œ œ œ œ œ œ ˙OfBornSeat -ByLo!And
hisforedhisthethe
fleshus
withword
sa -Son
theonhisto
credwho
mys -earthcho -
fleshhost
reigns
t'rybe -senheweon
sing:low,band,turns;hail;high,
œ œ jœ jœ jœ jœ jœ œ œ œ.œ ˙ ˙.œ œ œ œ œ.œ œ œ œ œ
Am/C C Em
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œ œ œ œ œ œ œ ˙1.2.3.4.5.6.
OfHe,He,
WineLo!
With
theasthein -
o'erthe
blood,man,pas -toan -Ho -
allwithchalhis
ciently
pricemanvic -
bloodformsGhost
ex -con -timhede -pro -
ceed -vers -eat -
chang -part -ceed -
ing,ing,ing,es:ing,ingjœ jœ jœ jœ jœ jœ jœ œœ œ .œ œ
œ œ .œ œ˙ .œ œ
C/E Am/E Em œ œ œ œ œ œ ˙ ˙ShedStayed,FirstWhatNew -Forth
bytheful -
thougher
from
ourseedsfills
senseritesEach
im -ofthenoofe -
mor -truthlaw's
changegrace
ter -
talto
com-dis -pre -nal -
King,sow;
mand;cerns?vail;
ly,jœ jœ jœ jœ jœ jœ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œ
Dm/F G Am Dm7/FG
Sing, My Tongue, the Savior's Glory
Text: Pange Lingua, Tantum ergo sacramentum, St. Thomas Aquinas, 1225–74; tr. by Eward Caswall, 1814-1878Music: Mode III, Harm. © 2015 Richard J. Clark. Used with Permission.Text and Tune: Public Domain
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œ œ œ œ œ œ œ ˙1.2.3.4.5.6.
Des -ThenThenOn -
FaithBe
tinedheaslyforsal -
forclosedfoodbeallva -
theintothede -
tion,
world'sso -his
heartfectshon -
re -lemn
a -in
sup -or,
demp -or -
pos -ear -ply -
bless -
tion,dertlesnest,ing,ing.
jœ jœ jœ jœ jœ jœ jœ œœ œ .œ œœ œ .œ œ˙ .œ œ
C/E Em C G œ œ œ œ œ œ œ œ ˙FromWon -GivesFaithWhereMight,
adrous -him -hertheand
no -ly
selfles -fee -end -
blehiswithsonbleless
womblifehisquick-sens -maj -
toof
ownlyeses -
spring.woe.hand.learns.
fail.ty.jœ jœ jœ œ œ œ œ jœ œœ .œ œ œ Jœ œ
œ .œ .œ œœ .œ .œ œ
Dm/F Em Dm/F Am
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œ œ œ ˙ ˙6. A - men.
œ œ œ œ œ.œ œ œ.œ œ œ.œ œ œ
Am Dm Am
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1.2.3.
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DownTo
tumni -
inthe
er -to -
a -ev -
gori,
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œ œ œ œœ œ œ œ
D A D
œ œ œ œSa -Ge -
a -last -
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œ œ œ œœ œ œ œ
A D A D
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hail;high,
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Asus4 A D
&
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œ œ œ œEtSa -
Lo!With
an -lus,
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ciently
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œ œ œ œœ œ œ œ
D A D
œ œ œ œdo -vir -
formsGhost
cu -tus
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œ œ œ œ
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G Em7 Asus4 A
&
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##
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œ œ œ œPrae -Pro -
Faith,Be
stetce -
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de -tion,
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œ œ œ œœ œ œ œ
A D
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fectshon -
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tumque
ing,ing.
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œ œ œ œœ œ œ œ
A D Em Bm
œ œ œ œSen -Com -
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su -par
theand
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bleless
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œ œ ˙fe -da -
sens -maj -
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i.o.
fail.ty.
œ œ ˙
œ œ œ ˙œ œ ˙
Asus4 A D
Tantum Ergo | Down in Adoration Falling
Text: Tantum ergo sacramentum, St. Thomas Aquinas, 1225–74; tr. by Eward Caswall, 1814-1878Tune: att. John Francis Wade, 1711–86; setting: Hymnal, Tunes Old and New, New York, 1874Text and Music: Public Domain
ST. THOMAS (Webbe)87 87 87
16
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b
b
43
43
œ œ œ
4.3.2.1. O
ToOU
Savyoursani
inggreat
lutr
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F B b F
˙ œVicnametánó
tim,berisque
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endhóDó
p'ninglessstimi
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.˙widepraise,
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- - -- - - -
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b
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men.
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- -- -
- - - -- - - - -
O Salutaris | O Saving Victim
Text: O salutaris hostia, Thomas Aquinas, 1225-1274, tr. Edward Caswall, 1814–78 Tune: Anthony Werner, fl. 1863Text and Tune: Public Domain
WERNERLM
17
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43
œ œ œ1.2.3.4.
GreatThe
Praise
Come,
be
HoPa
sev'nto
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C
.˙
thee,giftsclete!Ghost,
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F/A B bœ œ œ
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andarewetor
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.˙
Son,Thine,cry:blest!
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stowThou!love!aid,
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b
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14 ˙ œ œ
fromtonguenointhearts
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B b C
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itena
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flow,dow,bove,made,
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itena
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flow.dow.bove.made.
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.˙ .˙
F
- -
- -- -
- - -
Come, Holy Ghost, Creator Blest
Text: Veni creator Spiritus, attr. Rabanus Maurus, c. 780–856;tr. Edward Caswall, 1814–78, sts. 1–2, alt.; tr. Richard Mant, 1776–1848, sts. 3–4, alt.Tune: Louis Lambillotte, 1796–1855; setting: John Robinson, b. 1983, © 2015 St. Paul's Choir School. Used with Permission.Text and Tune: Public Domain
LAMBILLOTTEL M and repeat
18
&
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##
##
˙ œ œ1.2.3. And
OCome down,
letso
Oit
the
˙ œ œ
˙ œ œ˙ œ œ
D A D
˙ ˙Lovefree -yearn -
di -ly
ing
œ œ œ œ
˙ œ œ˙ ˙
Asus A G
wvine,burn,strong,
w
ww
D
˙ œ œSeekTillWith
thouearth -which
thislythe
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Bm A œ œ ˙soulpas -soul
ofsionswill
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œ œ œ œ#œ œ ˙
Bm A E7sus E
&
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˙ ˙mine,turnlong,
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Em D
&
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˙ ˙pear,sight,place
AndAnd
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˙ ˙˙ œ œ
A
œ œ œ œkin -clothein
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it,round,
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thythely
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œ œ œ œœ œ œ œ œ
D G A G
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œ œ œ œœ œ œ œ
D Em7
˙ wstow -lum -dwell -
ing.ing.ing.
œ œ w
.œ jœ w˙ w
Asus A D
Come Down, O Love Divine
Text: Discendi, amor santo, Bianco da Siena, +1434. Trans. R. F. Littledale, +1890Tune: Down Ampney, R. Vaughan Williams, +1958Text and Music: Public Domain
DOWN AMPNEY66 11 66 11
19
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œ œ œ œ œ œ œ œ œ ˙1.2.3.4.
Come,ThyA
Teach
Hoblessnointus
lyedandto
Ghostunc
cheerknow
ourtionourthe
soulsfromsoilFa
inaed
ther,
spire,bovefaceSon,
jœ jœ œ œ jœ œ œ jœ jœ œœ .œ œ œ œœ .œ œ œ œœ .œ œ œ œ
Eb Db/F Ab/CBb7sus4 Eb/G œ œ œ œ œ œ œ œ ˙AndIs
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enfort,
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both,
ceanddanceto
lesfireofbe
tialof
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fire;love;grace;One;jœ jœ jœ jœ œ œ jœ jœ œœ œ œ œ œ
œ œ œ œ œœ œ œ œ œ
F m F m7 Db Bbm7 Eb
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œ œ œ œ œ œ œ œ œ œ œ ˙1.2.3.4.
ThouEn
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ingpergiveges
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peaceall
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art,light
home;long‰ jœ œ œ œ œ œ œ œ œ jœ jœ œŒ œ œ œ œ œ œ
œ œ œ œ œ œ œœ œ œ œ œ œ œ
F m Eb/G Ab F m Ab/C Eb7/Db F m
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œ œ œ œ œ œ œ œ œ œ œ ˙WhoTheWhereThis,
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giftsblind
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imedcanless
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Cm/Eb Bbm/Db Bbm (4- EbBbm73)
œ œ œ ˙ ˙A men.
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Eb/G Bbm Eb
--
--
- -
Come, Holy Ghost, Our Souls InspireVeni Creator Spiritus
Text: Veni Creator Spiritus, attr. Rabanus Maurus, c. 780-856; tr. John Cosin, 1594-1672 Tune: Mode VIII; Harm. © 2015 Richard J. Clark. Used with Permission. Text and Tune: Public Domain
VENI CREATOR SPIRITUSL M
20
&
&?
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œ œ œ œ œ œ œ œ œ ˙1.2.3.
4.5.6.7.
TuQuiVe -
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nidi -se -
cen -stem
teo
Cre -ce -pti -
dere -sci -Pa -
risfor -
lu -pel -a -tri
a -Pa -mis
menlasmussit
tor Spi -ra -mu -
sen -lon -daglo -
ri -cli -ne -
si -gi -Pa-ri -
tus,tus,re,
bus,us,
trem,a,jœ jœ œ œ jœ œ œ jœ jœ œœ .œ œ œ œ
œ .œ œ œ œœ .œ œ œ œ
F Eb/G Bb/DC7sus4 F/A œ œ œ œ œ œ œ œ ˙Men -Al -Digi -
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testis -tus
fun -cem -sca -Fi -
tu -si -pa -
de,a -quemus
li -
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rum
nae
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dex -
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te -
di -ti -li -tu -
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rae,
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i,
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&
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œ œ œ œ œ œ œ œ œ œ œ ˙1.2.3.
4.5.6.7. Sur -
Te -Du -In -
TuFonsIm -
ri - - -
fir - - -cto - -quere - - -
plevi - - -
u -
te
maretri - - -xit,
su - - -vus,
pro -
sicus - - -ac
per -i - - -
no - -
mis -
tequePa - -
nagnis
stri
sum
prae -Spi -ra -
gra -ca -
cor -
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vi -ri -cli -
ti -ri -
po -
tris,
o,tumto,
atas,
ris
‰ jœ œ œ œ œ œ œ œ œ jœ jœ œŒ œ œ œ œ œ œœ œ œ œ œ œ œœ œ œ œ œ œ œ
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4 œ œ œ œ œ œ œ œ œ œ œ ˙Ser -
Vi -Cre -In
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mo -
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tuspi -
tu -
ne
musmuscu -
cre -ri -
te
di -
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tans
mne
rum
stilis
man
mni
gut -
no -tem -sae -
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ra.o.ra.
ti.
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3)
œ œ œ ˙ ˙
A - men.
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F/A Cm F
Veni Creator Spiritus
Text: Veni Creator Spiritus,attr. Rabanus Maurus, c. 780-856 Tune: Mode VIII; Harm. © 2015 Richard J. Clark. Used with Permission.Text and Tune: Public Domain
VENI CREATOR SPIRITUSLM
21
&
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b
b
43
43
˙ œ3.
1.2.
HoHark!Ho
lythely
˙ œ
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ther,
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thytially
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B b6 F/C C
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-- - -
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œ œ œniteheav'nsdor
thywithing
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G m C
---
--
--
--
- -
- -
Holy God, We Praise Thy Name
Text: Te Deum laudamus, c. 4th cent.; German version, Katholisches Gesangbuch, Vienna, 1774; tr. Clarence A. Walworth, 1820–1900Music: Katholisches Gesangbuch, Vienna, 1774, alt.Text and Music: Public Domain
GROSSER GOTT78 78 77
22
&
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b
b
˙ œ œvastsweetbow
doacto
˙ œ
˙ œœ œ œ
F B b/D.˙
main,cord:thee,
.˙
.˙ .˙
C
˙ œEvHo
While
erly,we
˙ œ
˙ œ˙ œ
B bœ œ œ
lastHo
own
ingly,the
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C D m
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thylyter
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y.
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G m C
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F B b/D.˙
main,cord:thee,
.˙
.˙ .˙
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b
b
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While
erlywe
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- - -- - -
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23
&
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##
##
44
44
œ œ œ œ3.2.1. At
WhereEas
thethe
terPas
Lamb's
trichalhigh
umph,
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we
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sing,
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œ œ ˙
œ œ œ ˙œ œ ˙
A sus A D
œ œ œ œDeath'sPraise
Ondark
to
lyanour
thisgelvic
can
œ œ œ œ œ œ
œ œ œ œœ œ œ œ
D Em D/F #
-- -
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--
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##
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œ œ ˙sheathestor
sin dehis
ious
stroy;sword;King,
œ œ ˙
œ œ ˙œ œ ˙
Em7/G A D
œ œ œ œIsHe
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washed
deathtrius
do
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.œ jœ ˙umin
Thouphant
the
setgo
tide
free
œ œ ˙
œ œ œ ˙œ œ ˙
A sus A D
-- - -
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&
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##
##
œ œ œ œThroughFlow
Soulstheing
rewavefrom
born,thathis
O
œ œ œ œ œ œ
œ œ œ œœ œ œ œ
D Em D/F #
œ œ ˙drownsLord
piercthein
edfoe.side;
Thee.
œ œ ˙
œ œ œ ˙œ œ ˙
Em7/G A D
-
- -
At the Lamb’s High Feast We Sing
Text: Ad regias Agni dapes, c. 7th cent.; tr. Robert Campbell, 1814–68Tune: Jakob Hintze, 1622–1702; setting: Johann Sebastian Bach, 1685–1750Text and Music: Public Domain
SALZBURG77 77 D
24
&
?
##
##
œ œ œ œ# œPraisePraise
Hymnswewe
ofChrist,glo
Him,whosewhose
ry
œ œ œ œ
œ œ œ œœ œ œ œ œ
A D F#m
œ œ# ˙bloodlove
andwasdi
ofshed,vine
praise,
œ œ œ ˙
œ œ ˙œ œ ˙
B m7/D E A
-
-
&
?
##
##
.œ jœ œ œPasGives
Fa ther,chalus
vicsa
untim,cred
to
œ œ œ œ œ
.œ jœ œ œœ œ œ œ œ œ
Em B m
œ œ ˙PasBlood
Theechalfor
webread;wine,
raise;
œ œ œ ˙
œ œ# ˙œ œ ˙
F #sus F # B m
œ œ œ œWithGives
Risinhis
sencerBod
Lord,iy
all
œ œ œ œ
œ œ œ œ œœ œ œ œ
D G A
- - - - - -- -
- -
&
?
##
##
œ œ# ˙tyfor
praiseandthe
tolovefeast,
Thee
œ œ ˙
œ œ œ œ ˙œ œ ˙
B m7 E7/B A
œ œ œ œEatChrist
Evwethe
ermanvic
withnatim,
the
œ œ œ œ œ œ
œ œ œ œœ œ œ œ
G D Em D/F #
œ œ ˙fromChrist
Spia
the
ritbove.
be.
Priest.
œ œ ˙
œ œ œ ˙œ œ ˙
Em7/G A D
-- --
-
25
&
?
# #
# #
œ œ œ œ1.2.3.4. An
FaPriasePraise, my
himthergels,
soulforlikehelp
thehisheus
œ œ œ œ
œ œ œ œœ œ œ œ
œ œ ˙ ˙Kinggracetendsto
ofandanda
heavfa
sparesdore
en;vorus;
Him;
œ œ œ œ ˙
œ œ œ œ ˙œ œ ˙ ˙
œ œ œ œToWell
To
Ye beourhisHis
holdfeechilfeet
blehim
drenthy
œ œ œ œ
œ œ œ œœ œ œ œ
œ œ ˙tribin
frameface
ute
to
disHe
bring;tress;
knows;face;
œ œ ˙
œ œ œ œœ œ ˙--
--
--
---
--
&
?
# #
# #
œ œ œ œRanPraiseInSun
hisand
somed,Him
healed,still
handsmoon
rethehe
bow
œ œ œ œ
œ œ œ œœ# œ œ œ
œ œ œ œ#stored,samegentdown
foraslybe
givev
bearsfore
en,er,us,
him,
œ œ œ œ
œ œ œ œœ œ# œ œ#
œ œ œ œEvSlowResDwell
erto
cuesers
morechide,
usall
andfrom
His
in
œ œ œ œ
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œ œ# ˙praisswiftalltime
esto
ourand
sing:bless:foes.
space.
œ œ ˙
œ œ ˙œ œ ˙
- -
-
-
-
--
-
-
- -
-
&
?
# #
# #
œ œ œ œAlAlAlAl
lelelele
lulululu
ia!ia!ia!ia!
.œ Jœ œ œ
.œ jœ œ œ.œJœ œ œ
œ œ œ œAlAlAlAl
lelelele
lulululu
ia!ia!ia!ia!
œ œ œ œ œ
œ œ œ œ œ.œ Jœ œ œ
œ œ œ œPraiseGloWidePraise
therious
lywith
evinyetus
er
the
HisHis
œ œ œ œ
œ œ œ œœ œ œ œ œ
œ œ ˙lastfaithmerGod
ingfulcyof
King.ness.
flows.grace.
œ œ ˙
œ œ œ ˙œ œ ˙
----
----
----
----
----
----
--
- - ---
-
Praise, My Soul, the King of Heaven
Text: Henry F. Lyte, 1793–1847Music: John Goss, 1800–80Text and Tune: Public Domain
LAUDA ANIMA87 87 87
26
& b 44 œ œ ˙Do na
F
Voice 1
ROUND
œ œ ˙no bis
C 7
œ œ œpa cem,
F
œ ˙pa cem,
F C
- - - -
& b œ œ œ œ œdo na
B b .œ Jœ œno bis
F
œ œ œ œpa
A m CF/C
.˙cem.
F
- - -
& b .˙Do
F
Voice 2 .˙na
C 7 œ œ œno bis
F
œ ˙pa cem,
F C
- - -
& b œ ˙do na
B b œ ˙no bis
F œ œ œ œpa
A m F/C C
.˙cem.
F
- - -
& b .Do
F
Voice 3 .na
C 7
.œ jœ œ œno bis
F œ ˙pa cem,
F C
- - -
& b œ ˙do na
B bœ ˙no bis
F
œ œ œ œpa
A m F/C C
.˙cem.
F
- - -
Dona nobis pacemGrant Us Peace
DONA NOBIS PACEMIrregular
Text: TraditionalTune: TraditionalText and Music: Public Domain
27
&
?
b
b
43
43
œ œ œ1.2.3.4.
PriasePraisePraisePraise
totototo
thethethethe
œ œ œ
œ œ œœ œ œ
F D m C/E
.œ jœ œLord,Lord,Lord,Lord,
theWhoWhooh
alo'erdothlet
.œ Jœ œ
.œ jœ œ.œ Jœ œ
F C D m
œ œ œmighallproall
ty,thingssperthat
thesothyis
œ œ œ
œ œ œœ œ œ
A m B b F
œ œ œkingwonworkin
ofdrousandme
crelydea
œ œ œ
œ œ œœ œ œ
B b C 7/G D m
- - -- -
- --
&
?
b
b
.˙a
reignfenddore
œ œ œ
œ ˙œ ˙
B b C
.˙tion!eth,thee,Him!
.˙
.˙ .˙
F
œ œ œ
AllSureShelOh my
tersly
that
soul,theehis
hath
œ œ œ
œ œ œœ œ œ
F D m C/E
.œ jœ œpraiseun
goodlife
Him,dernessand
forHisand
breath,
.œ Jœ œ
.œ jœ œ.œ Jœ œ
F C D m
-- - -
- -
&
?
b
b
œ œ œHe
wings,mercome
cynow
isHe
thyso
herewith
œ œ œ
œ œ œœ œ œ
A m B b F
œ œ œhealthgentdaiprais
andlylyes
salsusatbe
œ œ œ
œ œ œœ œ œ
B b C 7/G D m
.˙va
taintendfore
œ œ œ
œ ˙œ ˙
B b C
.˙tion!eth;thee;Him!
.˙
.˙ .˙
F
- -- - -
- - -- -
Praise to the Lord, the Almighty
Text: Joachim Neander, 1650–80; tr. Catherine Winkworth, 1827–78, alt.Tune: Erneuerten Gesang-Buch, Stralsund, 1665; setting: The Chorale Book of England, 1863Text and Music: Public Domain
LOBE DEN HERREN14 14 4 78
28
&
?
b
b
œ œ œAllHastPonLet
youthouderthe
whonota
"A
œ œ œ
œ œ œœ œ œ
F C/E F .˙hear,seennewmen"
.˙
.˙ .˙
B bœ œ œ
NowHowWhatSound
tothythe
from
hisdeAlHis
œ œ œ
œ œ œœ œ œ
F B b/D C/E
œ œ œtemsiresmighpeo
plealltyple
drawhavecana
œ œ œ œ
œ œ œœ œ œ œ
F G m F
--
- - - -- - -
&
?
b
b
.˙near,
do,gain,
been
.˙
.˙ .˙
C
œ œ œJoinGrant
IfGlad
inged
withly
inin
Hisfor
œ œ œ
œ œ œœ œ œ
F/A B b C 7/G
œ œ œgladwhatloveev
aHeHeer
doorbea
œ œ œ#
œ œ œœ œ œ
D m G m/B b A
.˙ra
dainfrienddore
˙ œ
œ œ œ œ˙ œ
G m/B b C
.˙tion!eth?thee!Him!
.˙
.˙ .˙
F
- - - -- - -
-- - - -
29
&
?
#
#
43
43
œ1.2.3.4.
ImIn
ThyWe
œ
œœ
D
œ œ œmaheanamepray
cuvenisfor
latetheourour
œ œ œ
œ œ œœ œ œ
G B m/D
œ œ œMablesspoMo
ry,ed
wer,ther,
thythythythe
œ œ œ
œ œ œœ œ œ
Em G/B
œ œ œ œpraisglovir
Church
esry
tuesup
weproouron
œ œ œ
œ œ œ œœ œ œ
A m B m/D
˙sing,claim,light,earth,
˙
˙
G
- - - - -- - - -
- -- -
&
?
#
#
œWhoOnThyAnd
œ
œœ
D
œ œ œreignearthlovebless,
estweis
dear
inthyourest
œ œ œ
œ œ œœ œ œ
Em B m/D
œ œ œsplenchilcomLa
dordrenfort,dy,
within
thythe
œ œ œ
œ œ œœ œ œ
C G/B
œ œ œ œJe
vokepleadland
susthyingof
ourfairourour
œ œ œ
œ œ œ œœ œ œ
B m/DA m
.˙King.name.might.birth.
.˙
.˙
.˙
G
- - -- -- -
- -
&
?
#
#
˙ œA ve,
˙ œ˙ œ˙ œ
C/E D 7/F#Refrain ˙ œa ve,
˙ œ
˙ œ˙ œ
G Em
œ œ œa ve Ma
œ œ œœ œ œœ œ œ
A m7/C D ˙ œri a.
˙ œ
˙ œ˙ œ
B m Em
- - - - -
&
?
#
#
˙ œA ve,
˙ œ
˙ œ˙ œ
A m/C D 7 œ œ œa ve, Ma
œ œ œœ œ œœ œ œ
Em G/B
˙ œ œri
˙ œ˙ œ œœ œ œ
B m/DA m
˙a.
˙˙
G
- - - - - -
Text: Jeremiah Cummings, 1814–66Tune: Antiphonale, Grenoble, 1882; setting: Jonathan Wessler, b. 1984Setting: © 2015 St. Paul's Choir School. Used with Permission. Text and Tune: Public Domain
LOURDES HYMN11 11 and refrain
Immaculate Mary
30
&
?
# #
# #
44
44
œ œ .œ œ œ œ1.2.
4.3.
VirO
VirO most
gin
go,sanc
hoevtisre
lyersispi
one,fair,ma,ce,
œ œ .œ œ œ
œ œ .œ œ œ œœ œ .œ œ œ
D G D
œ œ .œ œ œO
MothO
Ma
moster,piter,
lowhear
isa
lyoursispi
one,prayer,
ma,ce,
œ œ .œ œ œ
œ œ .œ œ œœ œ .œ œ œ
D B m A/C# D
œ œ œ œ œLovLookDulAu
ingupcisdi
VironVirnos,
gin,us,go,O
MaMaMaMa
œ œ œ œ œ
œ œ œ# œ œœ œ œ œ œ
D A/C# E A
-
-
--
--
- --
-
-
-
-
-
-
- - - -- - -
- - - - -
&
?
# #
# #
œ œ ˙riririri
a!a!a!a!
.œ Jœ ˙
œ œ# ˙˙ ˙
A/E E7 A
.œ œ œ œ .œ œ œMothBringMaTu
er,to
Maidusterme
ofyour
adi
maci
treafair est love,
sure,ta,
nam
.œ œ œ œ .œ Jœ
œ œ œ œ œœ œ œ œ œ
A A 7/G Em7 D sus/A
.œ œ œ œ .œ œ œLa
GraceIn
Por
dybe
Queenyond
tetas
ofallmedi
allmeasravi
aure;ta,
nam,
bove,
.œ œ œ œ œ œ
œ œ œ œ œœ œ œ œ œ
D A 7/E
---
-
-- -
--
- -- - - - - -
- - - - -
- -
&
?
# #
# #
œ œ œ œ œ œ œ œPray
Ofor
ra,us,
opray for
raus,
pro
.œ Jœ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œ
D Em7 D/F # G Esus Em
œ œ ˙no
Marbis!y!
œ œ ˙
.œ jœ ˙˙ ˙
D/A A D
- - --
O Sanctissima | O Most Holy One
Text: Traditional, Vs 1-2 tr. Charles W. Leland, C.S.B.Music: Sicilian; setting: The Hymnal, 1982Text and Music: Public Domain
SICILIAN MARINERS10 7 10 7
31
&
?
bb
bb
44
44
œ œ
4.3.2.1. Hail,
TurnO
And
œ œ
œœ
B bœ œ œ œho
then,genwhen
lymosttle,
from
Queengralov
death
enciousing,to
œ œ œ œ
œ œ œ œœ œ œ œ
Eb.œ jœ ˙
thronedadholife
avoly
we've
cate,one,
passed,
bove,
.œ Jœ ˙
.œ jœ ˙.œ Jœ ˙
D m/F B b˙ ˙OOOO
MaMaMaMa
˙ ˙
˙ ˙˙ ˙
C m B b
˙ œriririri
a!a!a!a!
œ œ œ
œ œ œ˙ œ
F sus F 7 B b
-
---
---
--
----
----
&
?
bb
bb
œ œHail,TowardsMakeShow
œ œ
œœ
B b
œ œ œ œ
ususus
Queen ofyoureachyour
mereyesdaySon,
cycommoreour
œ œ œ œ
œ œ œ œœ œ œ œ
Eb.œ jœ ˙
andpaslikeLord,
ofsionyour
at
love,ate,Son,last,
.œ Jœ ˙
.œ jœ ˙.œ Jœ ˙
D m/F G m
˙ ˙OOOO
MaMaMaMa
˙ ˙
˙ ˙˙ ˙
C m B b/D
˙ ˙riririri
a!a!
a!a!
œ œ ˙
œ œ ˙œ œ ˙
C m7 F B b
-- - -
----
----
&
?
bb
bb
œ œ œ œ œTri umph all ye
œ œ œ œn
œ œ œ œœ œ œ œ
B bEb C 7Refrain œ œ ˙
Cher u bim,
œ œn ˙œ œ ˙œ œ ˙
F/C C 7 Fm
œ œ œ œ œSing with us ye
œ œ œ œ œœ œ œ œœ œ œ œn
Gm Eb C/E
- - -
Hail, Holy Queen Enthroned Above
Text: Salve Regina Coelitum, anon., Latin, c. 1080; tr. by anon., c. 1884Tune: Melchior Ludwig Herold, 1753–1810Text and Tune: Public Domain
SALVE REGINA COELITUM84 84 with refrain
32
&
?
bb
bb
œ œ ˙Ser a phim,
œ œn ˙
œ œ ˙œ œ ˙
F
œ œ œ œHeav'n and earth re
œ œ œ œ
œ œ œ œœ œ œ œ
B b G m7
œ œ ˙sound the hymn:
œ œ œ ˙œ œ ˙œ œ ˙
B b/F F B b
- - -
&
?
bb
bb
œ œ ˙Sal ve,
˙ ˙˙ ˙˙ ˙
B b Ebœ œ ˙
Sal ve,
˙n ˙˙ ˙˙ ˙
C F
œ œ œ œSal ve, Re
œ œ œ œ
œ œ œ œœ œ œ œ
B b˙ œgi na!
œ œ œ˙ œ˙ œ
F sus F B b
- - - - -
33
&
&
&?
b
b
b
b
Harmony
Melody
œ œ œ œ ˙ œ œ ˙ReO
giQueen
naof
caehea
li,ven,
laebe
tajoy
re,ful,
œ œ œ œ ˙ œ œ ˙ReO
giQueen
naof
caehea
li,ven,
laebe
tajoy
re,ful,
jœ œ œ jœ œ œ œ œ˙ œ œ œjœ œ œ jœ œ œ œ œ˙ œ œ œ
F Bb/F
P F
F
P
P
Tranquil and joyful
P
p
œ œ œ ˙alal
lele
lulu
ia,ia,
œ œ œ ˙alal
lele
lulu
ia,ia,
œ œ œ œ.œ œœ œ œ œ.œ œ
F
F
F
P
P- - -
-- -
---
--
--
- - --
- --
--
--
--
&
&
&?
b
b
b
b
œ œ- œ œ œ œ œ œ œ ˙QuiFor
ahe
quemwhom
meyou
ruhave
ihum
stibly
porborne
tafor
re,us,
œ œ- œ œ œ œ œ œ œ ˙QuiFor
ahe
quemwhom
meyou have
ruhum
i stibly
porborne
tafor
re,us,
jœ œ- œ œ œ œ œ œ œ ˙Jœ œ œ œ œ œ œ œœ jœ ˙ œ œ.œ ˙ œ œ
D-F
F
F
œ œ œ ˙alal
lele
lulu
ia,ia,
œ œ œ ˙alal
lele
lulu
ia,ia,
œ œ œ œ.œ œœ œ œ œ.œ œ
Bb/F F
- - - --
- - --
--
--
- - - --
- - --
--
--
Regina caeli, laetare | O Queen of Heaven, Be Joyful
text: Latin, 12th century, tr. by Winfred Douglas, 1867-1944, alt.music REGINA CAELI, irregular, Mode VI; Arr.: © 2015 Richard J. Clark. Used with Permission.Text and Tune: Public Domain
34
&
&
&?
b
b
b
b
œ œ œ œ- œ œ œ ˙ReHas
sura
reri
xitsen,
sias
cuthe
diprom ised,
xit,
œ œ œ œ- œ œ œ ˙ReHas
sura
reri
xitsen,
sias
cuthe
diprom
xit,ised,
œ œ œ œ- jœ jœ jœ œ˙ Jœ œ .œ˙ .œ œ˙ .œ .œ
D-7F
f
f
P
P
œ œ œ ˙alal le
le lulu
ia,ia,
œ œ œ ˙alal
lele
lulu
ia,ia,
œ œ œ œ.œ œ.œ œ.œ œ
A-
F
F- -
---
- --
--
--
--
- --
--
- --
--
--
--
&
&
&?
b
b
b
b
œ œ œ œ œ œ ˙OOf
rafer
pronow
noour
bisprayer
Deto
um,God,
œ œ œ œ œ œ ˙OOf
rafer
pronow
noour
bisprayer
Deto
um,God,
œ œ œ œ œ œ œ˙ œ œ˙ œ œ˙ œ œ
BbMaj7 F/C D-P
Pœ œ œ Ualal
lele
lulu
ia.ia.
œ œ œ Ualal
lele
lulu
ia.ia.
œ œ œ œœ œ œU
œ œ œœ œ œu
A- G-/Bb F
rit.
rit.
p
p
π
π--
- - --
--
--
--
- - --
--
--
35
& # # œ œ œ œ œ œ ˙1.2.3.
4.5.
HumTasteOn
ThoughO
blyandthe
mostThy
Itouchcross
sweetwounds,
andlay
likeme
a
mor
dorevishid
Thom
Thee,ionden
as,ial
œ œ œ œ ˙hidinbut
Iof
denTheeThy
beHis
Dearede
holddeath
idei
notand
ty,ceived:
ty:
now,woe,
- - - - -- -- - -
-- -
-
& # # œ œ œ œ œ œ ˙WhichButHere
TheeLiv
betheis
mying
neathhearal
LordBread,
theseingso
conwhich
figonhid
fessgiv
uresly
den
ing,est
œ œ œ œ ˙art
mayThy
andlife
conbehu
myto
cealedwellma
God,man
frombeni
Ibe
me:lieved:
ty:
bow:low,
- - -- - -- - - - -
- -- - -
& # # œ œ œ œ œ œ œ ˙Whol
IBut
GiveLet
lybein
memy
inlieveboth
evspi
subwhatbe
errit
misevliev
strongev
sionering
erer
œ œ œ œ ˙TheeGod'sand
faitheat
myowncon
inof
spiSonfess
TheeThee
ritdeing,
aand
hails,clared;Lord,
bove,live,
- - - -- - - -
- - - -
- - -- -
& # # œ œ œ œ œ œ ˙ForNoth
AndGive
ask
iningI
methe
concanwhat
evblest
tembethe
erfru
plattrudy
strongi
ingering
ertion
œ œ œ œ ˙Thee
ofhope
thiefthan
itTruth's
of
andThy
wholve
Thee
strongsweet
lyryim
erness
fails.Word.plored.
love.give!
- - - -- - -
- -
- - -- - -
Humbly I Adore Thee, Hidden Deity
Text: Adoro Te devote, attr. St. Thomas Aquinas, 1225–74; tr. John Mason Neale, 1818–66Tune: ADORO TE DEVOTE, 11 11 11 11; Mode V; Processionale, Paris, 1697Text and Tune: Public Domain
36
& # # 43 œ œ œ4.5.
3.2.1. Je
HadOh,Thy
Sound,
sus,I
see!bo
sound
mybut
withdy,His
œ œ œLord,Main
soul,prais
myry'sa
andes
œ œ œGod,sin
creaGodhigh
myless
ture'shead,
er
œ ˙hearthandall;
still,
all,-- -
- -- -
- -& # # œ œ œHowTo
TheO
And
canlovevastmyscome,
ITheeCreteye
˙ œlovewith,
aryan
Theemytorof
gels,
˙ œas
dear
loveto
deigns
Iesttodi
our
.˙ought?King,be,
vine!aid,
-- -
- - --& # # œ œ œ
AndOh,ReI
'Tis
howwithposcanGod,
rewhatingnot'tis
œ œ œburstsin
comGod,
vere thisof
fantpassthe
œ œ œwonferlike,allve
drousventasI
ry
œ ˙gift,praisethoughhave,God,
- --
- - -- -
-& # # œ œ œSo
ThyOnForWhose
fargood
Joall
pow'r
surness,
seph'sThouboth
˙ œpassJe
arm,hastman
ingsus,or
andand
˙ œhopewouldMaartan
orI
ry'saregels
.˙sing!knee.mine!made.
thought?- -- -
- -
-
& # # œ œ œSweet Sa cra
˙ œment, we
˙ œThee a
.˙dore;- - -& # # œ œ œ
Oh, make us
˙ œlove Thee
œ œ œmore and
œ ˙more;& # # œ œ œ
Oh, make us
˙ œlove Thee
˙ œmore and
.more.
Jesus, My Lord, My God, My All
Text: Frederick William Faber, 1814–63Tune: JESUS MY LORD, 88 88 and refrain; AnonymousText and Tune: Public Domain
37
& b 43 ˙ œ3.2.1. Al
AlAl
lelele
.œ jœ œlululu
ia!ia!ia!
˙ œSingBreadKing
toofe
œ œ œJeAnter
sus!gels,nal,
˙ œThee
HisThou
theonthe
--
--
--
--
- - -- -
& b ˙ œscepearthLord
ter,ourof
œ œ œhisfood,lords
theouron
.˙throne.stay!high;
˙ œAlAlAl
lelele
.œ jœ œlululu
ia!ia!ia,
- --
--
--
- - -
& b ˙ œHishereBorn
thetheof
œ œ œtrisinMa
umph,fulry,
˙ œhisFleeEarth
thetothy
˙ œvic
footThee
tofromstool,
œ œ œrydayheav'n
ato
thy
.˙lone;day;throne.
--
- - -
- -
& b ˙ œHark!InThou
theter
with
œ œ œsongscesin
ofsor,the
˙ œpeacefriendveil
fulof
has
œ œ œSisinen
onners,tered,
˙ œthun
Earth'sRobed
derRein
- - -- -
--
-- -
& b œ œ œlikedeemflesh
aer,our
œ œ œmightpleadgreat
yfor
high
.˙flood;me,Priest;
œ œ œJeWhereThou
sustheon
œ œ œoutsongsearth
ofof
both
œ œ œevallpriest
'rytheand
-- - -
& b œ œ œ œ œnasinvic
tionlesstim
˙ œhathSweepIn
rea
the
œ œ œdeem'dcrossEu
usthecha
˙ œbycrysris
histaltic
.blood.sea.feast.
--
-- -
- - - -
Alleluia! Sing to Jesus!
Text: William C. Dix, 1837–98Tune: HYFRYDOL, 87 87 D; Rowland H. Prichard, 1811–87Text and Music: Public Domain
38
& œ œ œ œ œ œ œ œ œ ˙1.
6.5.
2.3.4.
Sing,OfOn
WordDown
To
mya
themade
inthe
tongue,purenightflesh,
ad -ev -
theandoftheo -er -
Sav -spot -that
breadra -
last -
ior'slesslastof
tioning
glo -vir -sup -na -fall -Fa -
ry,ginpertureing,ther,
œ œ œOfBornSeat -ByLo!And
hisforedhisthethe
& œ œ œ œ œ œ ˙fleshuswithwordsa -Son
theonhisto
credwho
mys -earthcho -
fleshhost
reigns
t'rybe -senheweon
sing:low,band,turns;hail;high,
œ œ œ œOfHe,He,WineLo!With
theasthein -
o'erthe
blood,man,pas -toan -Ho -
allwithchalhis
ciently
& œ œ œ ˙pricemanvic -bloodformsGhost
ex -con -timhede -pro -
ceed -vers -eat -
chang -part -ceed -
ing,ing,ing,es:ing,ing
œ œ œ œ œ œ ˙ ˙ShedStayed,FirstWhatNew -Forth
bytheful -
thougher
from
ourseedsfills
senseritesEach
im -ofthenoofe -
mor -truthlaw's
changegrace
ter -
talto
com-dis -pre -nal -
King,sow;
mand;cerns?vail;
ly,
& œ œ œ œ œ œ œ ˙Des -ThenThenOn -FaithBe
tinedheaslyforsal -
forclosedfoodbeallva -
theintothede -
tion,
world'sso -his
heartfectshon -
re -lemn
a -in
sup -or,
demp -or -
pos -ear -ply -
bless -
tion,dertlesnest,ing,ing.
& œ œ œ œ œ œ œ œ ˙FromWon -GivesFaithWhereMight,
adrous -him -hertheand
no -ly
selfles -fee -end -
blehiswithsonbleless
womblifehisquick -sens -maj -
toof
ownlyeses -
spring.woe.hand.learns.
fail.ty.
œ œ œ ˙ ˙
A - men.
Sing, My Tongue, the Savior's Glory
Text: Pange Lingua, Tantum ergo sacramentum, St. Thomas Aquinas, 1225–74; tr. by Eward Caswall, 1814-1878Music: Mode IIIText and Tune: Public Domain
39
& # # c œ œ œ œ4.3.2.1. Down
To
Ge -Tan - tum
ni -
thein
er -to -
a -ev -
gori,
dor -er -
œ œ œ œSa -Ge -
a -last -
cra-ni -
tioning
men-to -
fall -Fa -
tumque
ing,ther,
œ œ œ œVe -
Laus
Lo!And
ne -et
thethe
re -ju -
sa -Son
murbi -
credwho
& # # œ œ ˙cer -la -
hostreigns
nu -ti -
weon
i:o,
hail;high,
œ œ œ œEtSa -
Lo!With
an -lus,
o'erthe
ti -ho -
an -Ho -
quumnor,
ciently
œ œ œ œdo -vir -
formsGhost
cu -tus
de -pro-
men-quo -
part -ceed -
tumque
ing,ing
& # # œ œ œ œNo -Sit
New -Forth
voet
erfrom
ce -be -
ritesEach
datne -
ofe -
œ œ ˙ri -di -
graceter -
tu -cti -
pre -nal -
i:o:
vail,ly,
œ œ œ œPrae -Pro -
Faith,Be
stetce -
forsal -
fi -den -
allva -
desti
de -tion,
& # # œ œ œ œsup -ab
fectshon -
ple -u -
sup -or,
men -tro -
ply -bless-
tumque
ing,ing.
œ œ œ œSen -Com -
WhereMight,
su -par
theand
umsit
fee -end -
de -lau -
bleless
œ œ ˙fe -da -
sens -maj -
ctu -ti -
eses -
i.o.
fail.ty.
Tantum Ergo | Down in Adoration Falling
Text: Tantum ergo sacramentum, St. Thomas Aquinas, 1225–74; tr. by Eward Caswall, 1814-1878Tune: ST. THOMAS (Webbe) 87 87 87 Satt. John Francis Wade, 1711–86Text and Tune: Public Domain
40
& b 43 œ œ œ4.3.2.1. O
ToOU
Savyoursani
inggreat
lutr
˙ œVicnametánó
tim,berisque
˙ œo
endhóDó
p'ninglessstimi
.˙widepraise,
a,no-
-
- --
-
--
----
--
& b œ œ œTheIm
QuaeSit
gatemorcaesem
oftallipi
˙ œheav'nGodpantér
tohead,disna
œ œ œus
Oneó
gló
beinstiri
.˙low!
Three;um:a,
- --- -
---
--
-
--
& b œ œ œOurOh,BelQui
foesgrant
lavi
pressuspretam
œ œ œonend
muntsi
fromlesshone
˙ œev
lengthstítér
'ryoflimi
.˙side:days
a,no
--
--
--
-
--
--
& b œ œ œYourWhenDaNo
aidourrobis
suptruebur,do
œ œ œply,nafernet
yourtiveauin
˙ œlandxípá
strength bewelitri
.˙um.a.
see.stow.
--
-
-
-- -
-
-
--
& b .A
.men.-
O Salutaris | O Saving Victim
Text: O salutaris hostia, Thomas Aquinas, 1225-1274, tr. Edward Caswall, 1814–78 Tune: WERNER, LM; Anthony Werner, fl. 1863Text and Tune: Public Domain
41
& b 43 œ œ œ1.2.3.4. Praise
Come,
TheGreat
be
HoPa
sev'nto
foldraly
.˙thee,giftsclete!Ghost,
œ œ œFaoftocre
thergraceThee
a
andarewetor
.˙Son,Thine,cry:blest!
-
--
--
- -
& b œ œ œandOO
And
HoFinhigh
in
lygerestour
œ œ œSpiof
giftsouls
rit,theof
take
œ œ œwithHandGodup
themdi
mostthy
.˙one;vine;high!rest;
- -
-- -
& b œ œ œAndTrue
OCome,
maypromfountwith
theiseof
Thy
.˙Sonoflife!grace
œ œ œontheO
and
usFafire
heav'n
betherofly
.˙stowThou!love!aid,
-- -
-
& b œ œ œ
theWhoAndTo
giftsdost
sweetfill
thatthea
the
˙ œ œfromtonguenointhearts
thewithing
which
˙ œSpispeechfromthou
itena
hast
.˙
flow,dow,bove,made,
-
--
- -
& b œ œ œ
theWhoAndTo
giftsdost
sweetfill
thatthea
the
˙ œ œfromtonguenointhearts
thewithing
which
˙ œSpirspeechfromthou
itena
hast
.˙flow.dow.bove.made.
-
--
- -
Come, Holy Ghost, Creator Blest
Text: Veni creator Spiritus, attr. Rabanus Maurus, c. 780–856;tr. Edward Caswall, 1814–78, sts. 1–2, alt.; tr. Richard Mant, 1776–1848, sts. 3–4, alt.Tune: LAMBILLOTTE, LM; with repeat; Louis Lambillotte, 1796–1855Text and Tune: Public Domain
42
& ## ˙ œ œ1.2.3. And
OCome down,
letso
Oit
the
˙ ˙Lovefree -yearn -
di -lying
wvine,burn,strong,
& ##4 ˙ œ œSeekTillWith
thouearth -which
thislythe
œ œ ˙soulpas -soul
ofsionswill
˙ ˙mine,turnlong,
AndTo
Shall
& ##7 œ œ œ œvis -dustfar
itandout -
itash -pass
withesthe
œ œ œ œ œthinein
pow'r
ownitsof
ar -heathu -
dorcon -man
˙ wglow-sum -tell -
ing;ing;ing;& ##10 ˙ œ œ
OAndFor
Com -let
none
fort -thycan
˙ ˙er,glo -guess
drawrious
its
wnear,lightgrace,
& ## ˙n œ œWith -ShineTill
inev -we
myerbe -
˙ ˙heartoncome
ap -mythe
˙ ˙pear,sight,place
AndAnd
Where -
& ## œ œ œ œkin -clothein
dlemethe
it,round,
Ho -
thythely
œ œ œ œ œho -whileSpir -
lymyit
flamepath
makes
be -il -a
˙ wstow -lum -dwell-
ing.ing.ing.
Come Down, O Love Divine
Text: Discendi, amor santo, Bianco da Siena, +1434. Trans. R. F. Littledale, +1890Tune: DOWN AMPNEY, 66 11 66 11; R. Vaughan Williams, +1958Text and Music: Public Domain
43
& bbbb œ œ œ œ œ œ œ œ œ ˙1.2.3.4.
Come,ThyA
Teach
Hoblessnointus
lyedandto
Ghostunc
cheerknow
ourtionourthe
soulsfromsoilFa
inaed
ther,
spire,bovefaceSon,
-- -
--
- --& bbbb œ œ œ œ œ œ œ œ ˙
AndIsWithAnd
lightcomthe
Thee,
enfort,
aof
withlife,bun
both,
ceanddanceto
lesfireofbe
tialof
Thybut
fire;love;grace;One;
--
- -
- -
& bbbb œ œ œ œ œ œ œ œ œ œ œ ˙ThouEnKeepThat
theafar
through
ableourthe
nointwithfoes,a
ingpergiveges
Spipe
peaceall
rittualata
art,light
home;long
- -- -
--
-
- -& bbbb œ œ œ œ œ œ œ œ œ œ œ ˙WhoTheWhereThis,
dostdull
Thouthis
Thynessartmay
sev'nof
guide,be
foldournoour
giftsblind
illend
imedcanless
part.sight.come.sing:
--
--
-& bbbb œ œ œ ˙ ˙A men.-
Come, Holy Ghost, Our Souls Inspire
Text: Veni Creator Spiritus, attr. Rabanus Maurus, c. 780-856; tr. John Cosin, 1594-1672 Tune: VENI CREATOR SPIRITUS, L M; Mode VIIIText and Tune: Public Domain
44
& bb œ œ œ œ œ œ œ œ œ ˙1.2.3.
4.5.6.7.
TuQuiVe -
De -PerHo -Ac -
nidi -se -
cen -stem
teo
Cre -ce -pti -
dere -sci -Pa -
risfor -
lu -pel -a -tri
a -Pa -mis
menlasmussit
tor Spi -ra -mu -
sen -lon -daglo -
ri -cli -ne -
si -gi -Pa -ri -
tus,tus,re,
bus,us,
trem,a,& bb œ œ œ œ œ œ œ œ ˙
1.2.3.
4.5.6.7.
Men -Al -
Digi -
In -
No -Et
Pa -
testis -tus
fun -cem -sca -Fi -
tu -si -pa -
de,a -quemus
li -
o -miter -
mo -do -at -o,
rum
nae
remnesquequi
do -
a
vi -
dex -
cor -pro -Fi -
mor -
numsi -
te -
di -ti -li -tu -
De -ta:
rae,
bus,nus:um,is,
i,
& bb œ œ œ œ œ œ œ œ œ œ œ ˙1.2.3.
4.5.6.7. Sur -
Te -Du -In -
TuFonsIm -
ri -
fir -cto -quere -
plevi -
u -
te
maretri -xit,
su -vus,
pro -
sicus -ac
per -i -
no -
mis -
tequePa -
nagnis
stri
sum
prae -Spi -ra -
gra -ca -
cor -
Pa -
vi -ri -cli -
ti -ri -
po -
tris,
o,tumto,
atas,
ris
& bb œ œ œ œ œ œ œ œ œ œ œ ˙1.2.3.
4.5.6.7.
Ser -
Vi -Cre -In
QuaeEt
Vir -
mo-
te -da -sae-
tuspi -
tu -
ne
musmuscu -
cre -ri -
te
di -
o -
a -ta -
fir -
lo -o -
tans
mne
rum
stilis
man
mni
gut -
no -tem-sae -
pe -un -
per -
tu -
xi -po -cu -
cto -cti -
pe -um.re.la.
ra.o.ra.
ti.
œ œ œ ˙ ˙
A - men.
Veni Creator Spiritus
Text: Veni Creator Spiritus, attr. Rabanus Maurus, c. 780-856 Tune: VENI CREATOR SPIRITUS, L M; Mode VIIIText and Tune: Public Domain
45
& b 43 ˙ œ3.
1.2.
Ho
HoHark!
lythely
œ œ œGodloudFa
wece
ther,
œ œ œpraiselesHo
thytially
.˙name!hymnSon,
-
- -- -
-
& b ˙ œLordAnHo
ofgelly
œ œ œall,
choirsSpir
weait,
œ œ œbowboveThree
bearewe
œ œ Œforeraisname
thee.ing,thee;
-- -
--
-
& b ˙ œAllCherWhile
onuin
œ œ œearthbimes
thyand
sence
œ œ œscepseron
trealy
.˙claim;phimOne,
- --
---
-
& b ˙ œAllInUn
inundi
œ œ œheav'nceasvid
ainged
œ œ œbovechorGod
auswe
œ œ Œdorepraisclaim
thee.ing,thee;-
--
--
--
--
& b .. ˙ œ œIn
FillAnd
fithea
œ œ œniteheav'nsdor
thywithing
˙ œ œvastsweetbow
doacto
.˙main,cord:thee,
- -
- -
--
& b ..˙ œEvHo
While
erly,we
œ œ œlastHo
own
ingly,the
œ œ œis
Homys
thylyter
.˙reign.Lord.
y.
--
- -- -
- -
Holy God, We Praise Thy Name
Text: Te Deum laudamus, c. 4th cent.; German version, Katholisches Gesangbuch, Vienna, 1774; tr. Clarence A. Walworth, 1820–1900Tune: GROSSER GOTT, 78 78 77; Katholisches Gesangbuch, Vienna, 1774, alt.Text and Music: Public Domain
46
& # # 44 œ œ œ œ3.2.1. At
WhereEas
thethe
ter
Lamb'sPastri
chalhigh
umph,
.œ jœ ˙bloodfeast
Easis
we
terpoured,
sing,
joy,--
-
& # # œ œ œ œDeath'sPraise
Ondarkto
lyanour
thisgelvic
can
œ œ ˙sheathestor
sin dehisious
stroy;sword;King,
œ œ œ œIsHe
Fromrael'shas
sin'shosts
washed
deathtrius
do-- - -
- -
-
& # # .œ jœ ˙umin
Thouphantthe
setgo
tide
free
œ œ œ œThroughFlow
Soulstheing
rewavefrom
born,thathis
O
œ œ ˙drownsLord
piercthein
edfoe.side;
Thee.--
- -
& # # œ œ œ œ# œPraisePraise
Hymnswewe
ofChrist,glo
Him,whosewhose
ry
œ œ# ˙bloodlove
andwasdi
ofshed,vine
praise,
-
-
& # # .œ Jœ œ œPasGives
Fa ther,chalus
vicsa
untim,cred
to
œ œ ˙PasBlood
Theechalfor
webread;wine,
raise;
œ œ œ œWithGives
Risinhis
sencerBod
Lord,iy
all- - - - - -
- -
- -
& # # œ œ# ˙tyfor
praiseandthe
tolovefeast,
Thee
œ œ œ œEatChrist
Evwethe
ermanvic
withnatim,
the
œ œ ˙fromChrist
Spia
the
ritbove.be.
Priest.
-- --
-
At the Lamb’s High Feast We Sing
Text: Ad regias Agni dapes, c. 7th cent.; tr. Robert Campbell, 1814–68Tune: SALZBURG, 77 77 D; Jakob Hintze, 1622–1702; setting: Johann Sebastian Bach, 1685–1750Text and Music: Public Domain
47
& # # œ œ œ œ2.3.4.
1.
AnFa
PriasePraise, my
himthergels,
soulforlikehelp
thehisheus
œ œ ˙ ˙Kinggracetendsto
ofandand
a
heavfa
sparesdore
en;vorus;
Him;--
--
--
& # #3 œ œ œ œToWell
To
Ye beourhisHis
holdfeechilfeet
blehim
drenthy
œ œ ˙tribin
frameface
ute
to
disHe
bring;tress;
knows;face;-
--
--
& # #5
œ œ œ œRanPraise
InSun
hisand
somed,Him
healed,still
handsmoon
rethehe
bow
œ œ œ œ#stored,samegentdown
foraslybe
givev
bearsfore
en,er,us,
him,
- -
-
-
-
--
& # # œ œ œ œEvSlowResDwell
erto
cuesers
morechide,
usall
andfrom
His
in
œ œ# ˙praisswiftalltime
esto
ourand
sing:bless:foes.
space.
œ œ œ œAlAlAlAl
lelelele
lulululu
ia!ia!ia!ia!
-
-
- - ----
----
-----& # # œ œ œ œ
AlAlAlAl
lelelele
lulululu
ia!ia!ia!ia!
œ œ œ œPraiseGloWidePraise
therious
lywith
evinyetus
er
the
HisHis
œ œ ˙lastfaithmerGod
ingfulcyof
King.ness.flows.grace.
----
----
----
--
- - ---
-
Praise, My Soul, the King of Heaven
Text: Henry F. Lyte, 1793–1847Music: LAUDA ANIMA, 87 87 87; John Goss, 1800–80Text and Tune: Public Domain
48
& b 44 œ œ ˙Do na
Voice 1
ROUND
œ œ ˙no bis
œ œ œpa cem,
œ ˙pa cem,- - - -
& b œ œ œ œ œdo na
.œ Jœ œno bis
œ œ œ œpa
.˙cem.- - -
& b .˙Do
Voice 2 .˙na
œ œ œno bis
œ ˙pa cem,- - -
& b œ ˙do na
œ ˙no bis
œ œ œ œpa
.˙cem.- - -
& b .Do
Voice 3 .na
.œ jœ œ œno bis
œ ˙pa cem,- - -
& b œ ˙do na
œ ˙no bis
œ œ œ œpa
.˙cem.- - -
Dona nobis pacem
Text: TraditionalTune: DONA NOBIS PACEM, Irregular; TraditionalText and Music: Public Domain
49
& b 43 œ œ œ
4.
1.2.3.
PriasePraisePraisePraise
totototo
thethethethe
.œ jœ œLord,Lord,Lord,Lord,
theWhoWhooh
alo'erdothlet
œ œ œmighallproall
ty,thingssperthat
thesothyis
- -
-
& b œ œ œkingwonworkin
ofdrousandme
crelydea
.˙a
reignfenddore
.˙tion!eth,thee,Him!
œ œ œ
AllSureShelOh my
tersly
that
soul,theehis
hath
- -- - -
--
--
& b .œ jœ œpraiseun
goodlife
Him,dernessand
forHisand
breath,
œ œ œHe
wings,mercome
cynow
isHe
thyso
herewith
œ œ œhealthgentdaiprais
andlylyes
salsusatbe
-- - -- - - -
- -& b .˙va
taintendfore
.˙tion!eth;thee;Him!
œ œ œAllHastPonLet
youthouderthe
whonota
"A
.˙hear,seennewmen"
--
- --& b œ œ œ
NowHowWhatSound
tothythe
from
hisdeAlHis
œ œ œtemsiresmighpeo
plealltyple
drawhavecana
.˙near,
do,gain,
been-
-- -
- -
& b œ œ œJoinGrant
IfGlad
inged
withly
inin
Hisfor
œ œ œgladwhatloveev
aHeHeer
doorbea
.˙ra
dainfrienddore
.˙tion!eth?thee!Him!
- - - -- - -
-- - - -
Praise to the Lord, the Almighty
Text: Joachim Neander, 1650–80; tr. Catherine Winkworth, 1827–78, alt.Tune: LOBE DEN HERREN, 14 14 4 78; Erneuerten Gesang-Buch, StralsundText and Music: Public Domain
50
& # 43 œ1.2.3.4.
ImIn
ThyWe
œ œ œmaheanamepray
cuvenis
for
latetheourour
œ œ œMablesspoMo
ry,ed
wer,ther,
thythythythe
œ œ œ œpraisglovir
Church
esry
tuesup
weproouron
˙sing,claim,light,earth,
- - - - -- - - -
- -- -
& # œWhoOnThyAnd
œ œ œreignearthlovebless,
estweis
dear
inthyourest
œ œ œsplenchilcomLa
dordrenfort,dy,
within
thythe
œ œ œ œJe
vokepleadland
susthyingof
ourfairourour
.˙King.name.might.birth.
- - -- -- -
- -
& # ˙ œA ve,
˙ œa ve,
œ œ œa ve Ma
˙ œri a.- - - - -
& # ˙ œA ve,
œ œ œa ve, Ma
˙ œ œri
˙a.- - - -
Text: Jeremiah Cummings, 1814–66Tune: LOURDES HYMN, 11 11 and refrain; Antiphonale, Grenoble, 1882Text and Tune: Public Domain
Immaculate Mary
51
& # # 44 œ œ .œ œ œ œ1.2.3.4. Vir
OVirO most
gin
go,sanc
hoevtisre
lyersi
spi
one,fair,ma,ce,
œ œ .œ œ œO
MothO
Ma
moster,piter,
lowhear
isa
lyoursi
spi
one,prayer,
ma,ce,
-
-
--
--
- --
- -- -
- - - -
& # # œ œ œ œ œLovLookDulAu
ingupcisdi
VironVirnos,
gin,us,go,O
MaMaMaMa
œ œ ˙riririri
a!a!a!a!
-
-
-
-
-
-
---
- --
- -
& # # .œ œ œ œ .œ œ œMothBringMaTu
er,to
Maidusterme
ofyour
adi
maci
treafair est love,
sure,ta,
nam
.œ œ œ œ .œ œ œLa
GraceIn
Por
dybe
Queenyond
tetas
ofallmedi
allmeasravi
aure;ta,
nam,
bove,-
-- -
--
- -- - - - - -
- - - -
- -
& # # œ œ œ œ œ œ œ œPrayO
forra,us,
opray for
raus,
pro
œ œ ˙no
Marbis!y!
- - --
O Sanctissima | O Most Holy One
Text: Traditional, Vs 1-2 tr. Charles W. Leland, C.S.B.Music: SICILIAN MARINERS, 10 7 10 7; Sicilian; setting: The Hymnal, 1982Text and Music: Public Domain
52
& bb 44 œ œ1.2.3.4.
Hail,Turn
OAnd
œ œ œ œho
then,genwhen
lymosttle,
from
Queengralov
death
enciousing,to
.œ jœ ˙thronedadholife
avoly
we've
cate,one,
passed,
bove,-
---
---
--
& bb ˙ ˙OOOO
MaMaMaMa
˙ œ œ œriririri
a!a!a!a!
Hail,Towards
MakeShow
œ œ œ œususus
Queen ofyoureachyour
mereyesdaySon,
cycommoreour
----
----
--
& bb .œ jœ ˙andpaslikeLord,
ofsionyour
at
love,ate,Son,last,
˙ ˙OOOO
MaMaMaMa
˙ ˙riririri
a!a!
a!a!
- -----
----& bb œ œ œ œ œ
Tri umph all ye
œ œ ˙Cher u bim,
œ œ œ œ œSing with us ye- - -
& bb œ œ ˙Ser a phim,
œ œ œ œHeav'n and earth re
œ œ ˙sound the hymn:- - -
& bb œ œ ˙Sal ve,
œ œ ˙Sal ve,
œ œ œ œSal ve, Re
˙ œgi na!- - - - -
Hail, Holy Queen Enthroned Above
Text: Salve Regina Coelitum, anon., Latin, c. 1080; tr. by anon., c. 1884Tune: SALVE REGINA COELITUM, 84 84 with refrain; Melchior Ludwig Herold, 1753–1810Text and Tune: Public Domain
53
& b œ œ œ œ ˙ œ œ ˙ReO
giQueen
naof
caehea
li,ven,
laebe
tajoy
re,ful,
œ œ œ ˙alal
lele
lulu
ia,ia,
- - --
- --
--
--
--
& b œ œ- œ œ œ œ œ œ œ ˙QuiFor
ahe
quemwhom
meyou have
ruhum
i stibly
porborne
tafor
re,us,
œ œ œ ˙alal
lele
lulu
ia,ia,
- - - --
- - --
--
--
& b œ œ œ œ- œ œ œ ˙ReHas
sura
reri
xitsen,
sias
cuthe
diprom
xit,ised,
œ œ œ ˙alal
lele
lulu
ia,ia,
- --
--
- --
--
--
--
& b œ œ œ œ œ œ ˙OOf
rafer
pronow
noour
bisprayer
Deto
um,God,
œ œ œ ˙alal
lele
lulu
ia.ia.
--
- - --
--
--
Regina caeli, laetare | O Queen of Heaven, Be Joyful
text: Latin, 12th century, tr. by Winfred Douglas, 1867-1944, alt.music REGINA CAELI, irregular, Mode VIText and Tune: Public Domain
54
