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8-2010

Mozart: Works in English Mozart: Works in English

Cheryl T. Taranto University of Nevada, Las Vegas, cheryl.taranto@unlv.edu

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Repository Citation Repository Citation Taranto, C. T. (2010). Mozart: Works in English. Newsletter of the Mozart Society of America, 14 11-13. https://digitalscholarship.unlv.edu/lib_articles/153

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Literature on Mozart Published in English in 2009Books

Coelsch-Foisner, Sabine, DorotheaFlothow, and Wolfgang Gortschacher,eds. Mozart in Anglophone Cultures:Papers Given at the I5rh Salzburg AnnualConference on English Literature andCulture Held in 2006 to CommemorateMozart S 25(Jh Birthday. Frankfurt amMain: Lang, 2009.

Freyhan, Michael. The Authentic "MagicFlute" Libretto: Mozart's Autograph orthe First Full Score Edition? Lanham:Scarecrow Press, 2009.

Goehring, Edmund J. Three Modes ofPerception in Mozart: The Philosophical,Pastoral, and Comic in "Cosifan tutte."Cambridge: Cambridge University Press,2009.

Heartz, Daniel. Mozart, Haydn, and EarlyBeethoven 1781-1802. New York: W.W.Norton, 2009.

Irving, John. The Treasures ofMozart.London: Andre Deutsch, 2009.

Leeson, Daniel N. Gran Partitta.Bloomington: AuthorHouse, 2009.

Mirka, Danuta. Metric Manipulationsin Haydn and Mozart: Chamber Musicfor Strings, 1787-1791. Oxford Studiesin Music Theory. New York: OxfordUniversity Press, 2009.

Rice, John A. Mozart on the Stage.Composers on the Stage. Cambridge:Cambridge University Press, 2009.

Rushton, Julian. Mozart. The MasterMusicians. Paperback ed. Oxford: OxfordUniversity Press, 2009.

Vigeland, Carl A. The Mostly MozartGuide to Mozart. New York: LincolnCenter, 2009.

Journal Articles

Arthur, John. "Mozart's V'amo di coreteneramente K. 348 (382g): A Case ofMistaken Chronology." The Musical Times150, no. 1906 (Spring, 2009): 33-44.

Byros, Vasili. "Towards an Archaeologyof Hearing: Schemata and Eighteenth­Century Consciousness." Musica HumanaI, no. 2 (Autumn 2009): 235-306.

Carlson, Roy D. "Don Giovanni on EcclesStreet." Texas Studies in Literature andLanguage 51, no. 4 (Winter 2009): 383-99.

Fodor, Attila. "Some Aspects of VerticalTypologies in the Last String Quartet ofWA. Mozart, KV 590, F Major." Studiauniversitatis Babe§-Bolya: Musica 54, no.1 (2009): 181-94.

Gahan, Peter. "Shaw and Music: Meaningin a Basset Horn." Shaw: The Annual ofBernard Shaw Studies 29 (2009): 145-75.

Heldt, Guido. "Playing Mozart: Biopicsand the Musical (Re)invention of aComposer." MSMJ: Music, Sound, and theMoving Image 3, no. 1 (Spring 2009): 21­46.

Kenune, Clemens. "The 'Domine Jesu' ofMozm1's Requiem: Theory and Practice ofIt's Completion." Dutch Journal of MusicTheory 14 no. 2 (May, 2009): 85-113.

Kraus, Joseph C. "Coaching Mozart'sString Quintet in E-Flat Major: Findingthe Rhythmic Shape." Music TheoryOnline 15, no. 2 (2009). http:/(mto.societymusictheory.org/issues/mto.09 .15 .2/mto.09.15.2.kraus.html (accessed April 28,2010).

LOse!, Steffen. "'May Such Great Effortnot be in Vain': Mozart on Divine Love,Judgement, and Retribution." Journal ofReligion 89, no. 3 (Jul 2009): 361-400.

Liitteken, Laurenz. "Negating Operathrough Opera: Cos! fan tutle and theReverse of the Enlightenment." Eighteenth­Century Music 6, no. 2 (Sept. 2009): 229­42.

Mace, Nancy A. "The Market for Musicin the Late Eighteenth Century and theEntry Books of the Stationers' Company."The Library: The Transactions of theBibliographical Society 10, no. 2 (June2009): 157-87.

Nedbal, Martin. "Mozart as a VienneseMoralist: Die Zauberfiote and Its Maxims."Acta Musicologica 81, no. 1 (2009): 123­57.

Popovic-Mladjenovic, Tijana, et al."W.A. Mozart's Phantasie in C minor,K. 475: The Pillars of Musical Structureand Emotional Response." Journal ofInterdisciplinary Music Studies 3 , nos. 1-2(Spring-Fall 2009): 95- 117.

Rasmussen, James P. "Sound and Motionin Goethe's Magic Flute." Monatshefte101, no. 1 (Spring 2009): 19-36.

Schleifer, Ronald. "Don Giovanni and theStorytelling of Isak Dinesen: Mosaic Art

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and the Articulation of Desire." Mosaic: AJournalfor the Interdisciplinary Study ofLiterature 42, no. 4 (Dec. 2009): 129-46.

Vallieres, Michel, et al. "Perceptionof Intrinsic Formal Functionality: AnEmpirical Investigation of Mozart'sMaterials." Journal of InterdisciplinaryMusic Studies 3, nos. 1-2 (Spring-Fall2009): 17-43.

Zegers, Richard H. c., Andreas Weigl, andAndrew Steptoe. "The Death of WolfgangAmadeus Mozart: An EpidemiologicPerspective." Annals of Internal Medicine51, no. 4 (August 18,2009): 274-W97.

Articles in Collections of Essays/Festschriften

Cone, Edward. "Mozart's Deceptions."In Hearing and Knowing Music: TheUnpublished Essays ofEdward T. Cone,edited by Robert P. Morgan, 65-79.Princeton: Princeton University Press,2009.

Konrad, Ulrich. "On Ancient Languages:The Historical Idiom in the Music ofWolfgang Amadeus Mozart." Translated byThomas Irvine. In The Century ofBach &Mozart: Perspectives on Historiography,Composition, Theory & Performance,edited by Thomas Forrest Kelly, SeanGallagher, David Blackboum, and ThomasChristensen, 253-78. Harvard: HarvardUniversity Department of Music, 2009.

Levin, Robert D. "Improvising Mozart." InMusical Improvisation: Art, Education, andSociery, edited by Gabriel Solis and BrunoNettl, 143-9. Urbana: University of IllinoisPress, 2009.

Levin, Robert D. "Mozart's Non-MetricalKeyboard Preludes." In The Keyhoard inBaroque Europe, edited by ChristopherHogwood and Gustav Leonhardt, 198-217.Cambridge: Cambridge University Press,2009.

Levin, Robert D. "Mozart's WorkingMethods in the Piano Concertos." In TheCentury of Bach & Mozart: Perspectiveson Historiography, Composition, Theory& Performance, edited by Thomas ForrestKelly, Sean Gallagher, David Blackboum,and Thomas Christensen, 379-408.Harvard: Harvard University Departmentof Music, 2009.

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Literature on Mozart Published inEnglish in 2009continued from page 11

Minturn, Neil. "Reading Mozart'sPiano Sonata in D Major (K. 311) FirstMovement." In Keys to the Drama: NinePerspectives on Sonata Forms, edited byGordon Cameron Sly, 10 1-28. Farnham:Ashgate,2009.

Schulze, Hans-Joachim. "Bach andMozart from the Perspective of DifferentDocumentary Evidence." In The Centuryof Bach & Mozart: Perspectives onHistoriography, Composition, Theory &Performance, edited by Thomas ForrestKelly, Sean Gallagher, David Blackbourn,and Thomas Christensen, 207-215.Harvard: Harvard Cniversity Departmentof Music, 2009.

Shaftet. Matthew. "Types, Tokens andFigaro: Musical Structure and Dramaticl'\arrative in the Act I Trio from Mozart'sMarriage ofFigaro." In Keys to theDrama: Nine Perspectives on SonataForms, edited by Gordon Cameron Sly, 27­52. Farnham: Ashgate, 2009.

Wheelock, Gretchen. "Mozart's Fantasy,Haydn's Caprice: What's in a Name?"In The Century ofBach & Mozart:Perspectives on Historiography,ComposiTion, Theory & Performance,edited by Thomas Forrest Kelly, SeanGallagher, David Blackbourn, and Thomas

Christensen, 317-43. Harvard: HarvardUniversity Department of Music, 2009.

Zaslaw, Neal. "One More Time: Mozartand His Cadenzas." In The Century of Bach& Mozart: Perspectives on Historiography,Composition, Theory & Performance,edited by 1110mas Forrest Kelly, SeanGallagher, David Blackbourn, and ThomasChristensen, 239-51. Harvard: HarvardUniversity Department of Music, 2009.

Dissertations

Boyd, Patrice Andrea. "Worth of the Light:Feminine Heroism in Die Zauberfioete."D.M.A. diss., City University of New York,2009.

Hinson, Daniel Ross. "Are You Serious?An Exarrtination of the Role of the Tenorin Mozart's Operas Don Giovanni and Cos!fan tulte." D.M.A. diss., The University ofNorth Carolina at Greensboro, 2009.

Nedbal, Martin. "Morals Across theFootlights: Viennese Singspiel, NationalIdentity, and the Aesthetics of Morality,c. 1770-1820." PhD. diss., Eastman Schoolof Music, 2009.

Steward, Teresa Corinne. "Justificationsof a 21" Century Wind EnsembleTranscription of Mozart's 'Overture to theMagic Flute' based upon Late EighteenthCentury Ideology." D.M.A. diss.,University of Nevada, Las Vegas, 2009.

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Reviews

Amacher, Richard E. Review of WolfgangAmadeus Mozart: A Biography, by PieroMelograni, and Wolfgang Amadeus Mozart:Perspectives from His Correspondence,"by Gloria Kaiser. Southern HumanitiesReview 43, Issue 1 (Winter 2009): 83-7.

Bartlett, Clifford. Review of Mozart,Haydn and Early Beethoven (1781-1802),by Daniel Heartz. Early Music Review 129(Feb. 2009): 21.

Black, David. Review of A Centuryof Bach and Mozart: Perspectives onHistoriography, Composition, Theory andPerformance, edited by Sean Gallagher andThomas Forrest Kelly. Eighteenth CentwyMusic 6, no. 2 (Sept. 2009): 257-60.

Burnham, Scott. Review of Bach's Cycle,Mozart's Arrow: An Essay on the OriginsofMusical Modernity, by Karol Berger.The Hopkins Review 2, no. 2 (Spring 2009,New Series): 303-6.

Casadei, Delia. Review of UnsettlinROpera: Staging Mozart, Verdi. Wagner& Zemlinsky, by David Levin. CurrentMusicology 88 (Fall 2009): 125-32.

Follet, Robert. Review of Mozart s Operas:A Companion, by Mary Hunter. Notes:Quarterly Journal of the Music LibraryAssociation 66, no. 1 (Sept. 2009): 75-6.

Green, Edward. Review of Bach's Cycle,Mozart's Arrow: An Essay on the OriginsofMusical Modernity, by Karol Berger.

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International Review of the Aesthetics andSociology ofMusic 40, no. 2 (Dec. 2009):353-9.

Heinz, Solveig M. Review of UnsettlingOpera: Staging Mozart, Verdi, Wagner,and Zemlinsy, by David Levin. MidwestQuarterly SO, Issue 2 (Winter 2009): 203-5.

Howard, Patricia. Review of Mozart,Haydn and Early Beethoven (1781-1802),by Daniel Heartz. The Musical Times ISO,no. 1908 (Fall, 2009): 112-4.

Hunter, Mary. Review of Bach s Cycle,Mozart's Arrow: An Essay on the OriginsofMusical Modernity, by Karol Berger.Modernism/Modernity 16, no. 2 (April2009): 435-7.

Irving, John. Review of Mozart's VienneseInstrumental Music: A Study of Stylistic Re­1nvention, by Simon P. Keefe. Eighteenth­Century Music 62, no. 2 (Sept. 2009):254-7.

Keefe, Simon P. Review of WA. Mozart,by Hermann Abert. Music and Letters 90,no. I (Feb. 2009): 158-60.

Malafronte, Judith. Review of Mozart's"Costfan tutte": A Compositional History,by Ian Woodfield. Opera News 73, no. 8(Feb. 2009): 72-3.

Pellettieri, Graham. Review of Mozart,Haydn, and Early Beethoven (1781-1802),by Daniel Heartz. Strings 24, no. 3: 174(Oct. 2009): 77.

Proksch, Bryan. Review of WA. Mozart,by Hermann Abert. Fontes ortis musicae56, no. 1 (Jan.-Mar. 2009): 85-6.

Pryer, Anthony. Review of Recognition inMozart's Operas, by Jessica P. Waldoff.Eighteenth-Century Music 6. no. 2 (Sept.2009): 270-3.

Rushton, Julian. Review of Mozart on theStage, by John A. Rice. Early Music 38,no.4 (Nov. 2009): 671-3.

Rushton, Julian. Review of Mozart's "Cosifan tutte": A Compositional History, by IanWoodfield. Early Music 37, Issue 2 (May2009): 308-10.

Rushton, Julian. Review of Mozart'sViennese Instrumental Music: A Study ofStylistic Re-Invention, by Simon P. Keefe.Music & Letters 90, no. 2 (May 2009):283-7.

Shadinger, Richard C. Review of Mozart,Haydn and Eurly Beethoven, 1781 -/802,by Daniel Heartz. American Music Teacher58, Issue 5 (April/May 2009): 74-6.

Steptoe, Andrew. Review of WolfgangAmadeus Mozart: A Biography," by PieroMelograni. Biography: An InterdisciplinaryQuarterly 32, Issue I (Winter 200Y): 254-5.

Sutcliffe, W. Dean. Review of The CenturyofBach and Mozart: Perspectives onHistoriography, Cumposition, Theory andPerformance, edited by Sean Gallagher andThomas Forrest Kelly. Early Music 37, no.3 (Aug. 2009): 475-8.

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Sutcliffe, W. Dean. Review of Music inthe Galant Style, by Robert O. Gjerdingen.Music and Letters 90, no. 3 (August 2009):468-73.

Taylor, Raphael. Review of Mozart: AGreat Lover of Games by GUnther GeorgBauer. Eighteenth-Century Music 16, no. 2(Sept. 2009): 243-5.

Tettlebaum, Marianne. Review of Bach'sCycle, Mozart's Arrow: An Essay on theOrigins of Musical Modernity, by KarolBerger. Nineteenrh-Century Music Review6, no. 1 (2009): 91-4.

Van Boer, Bertil H. Review of Bach'sCycle, Mozart's Arrow: An Essay on theOrigins of Musical Modernity, by KarolBerger. Notes: Quarterly Journal of theMusic Library Association 65, no. 3 (Mar2009): 503-5.

Weber, William. Review of WA. Mozart,by Hermann Abert. Common Knowledge15, Issue 3 (Fall 2009): 515-6.

Wright, Warren Keith. Review of MozartsOperas: A Companion, by Mary Hunter.Opera (United Kingdom) 60, no. 8 (2009)

Zeiss, Laurel E. Review of Mozart's "COS!fan tutte": A Compositional History, by IanWoodfield. Notes: Quarterly Journal of theMusic Library Association 6, no. I (Sept.2009): 72-5.

-Compiled by Cheryl TarantoUniversity of Nevada, Las Vegas