Momoyama Art Forms - Furman University

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Momoyama Art Forms

Transcript of Momoyama Art Forms - Furman University

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Momoyama Art Forms

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Kiri-mon

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Oda

Nobunaga

(1534-1582)

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Toyotomi

Hideyoshi(1536-1598)

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Hideyoshi

Statue

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Helmets

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tsuba

(sword guards)

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Tokugawa Ieyasu (1542-1616)

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Castle Architecture

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Himeji Castle

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Himeji Castle

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Himeji

Castle

Ground

Plan

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Himeji Castle

Courtyard 1

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Himeji Castle Core

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Himeji Castle

Courtyard 2

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Himeji Castle donjon

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Himeji Castle donjon

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Osaka

Castle

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Nijo Castle

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Nijo

Castle

Screens

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Momoyama/Edo

Painting

• Official “power” painting for feudal lords

• Monochrome in the Southern Song style.

• Genre painting

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Azuchi Castle Decorations

Art for the Feudal Lords

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Screens in a Rooom

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Kano School

• Backbone of Momoyam-Edo art history

• Closest heirs to Song Chinese tradition

• Served Japan’s leaders like Chinese

academy

• Set professional standards from 15th -

19th centuries

• Leaders in direct family blood line.

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Masanobu (1434-1530

Motonobu (1476-1559)

Munenobu Shoei

Eitoku (1543-90)

Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)

Tanyu (1602-1674)

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Kano Masanobu Four Sages on Mt. Shang

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Masanobu (1434-1530

Motonobu (1476-1559)

Munenobu Shoei

Eitoku (1543-90)

Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)

Tanyu (1602-1674)

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Kano

Motonobu

White-

robed

Kannon

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Kano Motonobu

Landscape

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Masanobu (1434-1530

Motonobu (1476-1559)

Munenobu Shoei

Eitoku (1543-90)

Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)

Tanyu (1602-1674)

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Kano Eitoku(1543-1590)

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Kano

Eitoku,

Hawk on

Pine

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Kano Eitoku, Cypress

Tree

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Kano Eitoku,

“Sites In and

Around

Kyoto”

genre painting

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Genre Painting on

Screens

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Warrior

on

Genre

Screen

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Masanobu (1434-1530

Motonobu (1476-1559)

Munenobu Shoei

Eitoku (1543-90)

Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)

Tanyu (1602-1674)

(adopted)

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Kano Sanraku

Twenty-four Paragons

of Filial Piety

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Sanraku’s

Significance & Style

• Adopted son, but most talented disciple.

• Retreat from Eitoku’s dynamic style.

• Move toward elegant ornamental

treatment.

• More “intellectual” subject matter.

• Hideyoshi was his great patron.

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Masanobu (1434-1530

Motonobu (1476-1559)

Munenobu Shoei

Eitoku (1543-90)

Mitsunobu (1565-1608) Takanobu Sanraku (1561-1635)

Tanyu (1602-1674)

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Kano

Tanyu

Self-

Portrait

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Kano

Tanyu,

Tiger

among

Bamboo

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Hasegawa Tohaku,

Pine Trees

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Hasegawa

Tohaku,

Monkeys

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Kaiho Yusho,

“Fishing Nets”

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Kaiho Yusho,

“Fishing Nets”

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Bridge Screen

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Miyamoto

Musashi,

“Shrike

on

Branch”

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Hime-ji Castle

and

Osaka Castle

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Namba

n

Byobu,

Ship

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Namban Byobu, Priests

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Portugu

ese

Mercha

nt &

African

Slave

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Hidden

Christian

Art

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Hidden Christian

Art

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Koraku-en, Okayama

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Katsura Rikkyu, Kyoto

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Sambo-in Garden

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END

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Sun & Moon Landscape

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Kiyonag

a

Current

Manners in

Eastern

Brocade

(series)

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Tokuga

wa

Ieyasu

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Kano Eitoku, Crane &

Pine