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Embodied information and power
Renée Marlin-Bennett
Johns Hopkins University
Presented at the 2012 Millennium Conference, London.
Please note: The following is a draft for criticism. Please do not cite, but please feel free to send
critical comments to me at [email protected].
1. Introduction
This paper begins with an intellectual conundrum: The turn to materialism emerging in world
politics scholarship promises fruitful ways of understanding power and political life by focusing on
agency in the physical world. Yet immaterial information and "the virtual" seem to dominate our lives.
How can we understand the relationship between the material and the informational? Does this
understanding promise any further insight in to agency, power, and world politics? Materiality and
information are always inextricably connected, regardless of whether we are speaking of biotic or abiotic
things. The focus in this paper is on the materiality (corporeality) and information of the human body as
a special case.
I seek to answer these two questions by looking at embodied information and knowing bodies.
Bodies are not just material things and are not just the physical containers of minds. Bodies are lively
(Fishel in progress), material, agentic, and informational. Embodied information is the information
contained in the body that can potentially be accessed by others through an act of power. Surveillance is
thus a world political practice of power that should be seen as much more complex than simply the gaze
of the state on the person. On the flip side, a person sending forth his or her embodied information may
also be a powerful act. Bodies are also the means by which information becomes sensible: we
understand information from various sources and with various kinds of content through our bodies’
ability to sense. This knowing body is also implicated in power.1 In short, to control how information
flows, how it is extracted from the body, how it is inserted or received, how quickly, and to what end is to
have power or to be powerful.
The plan of the paper is as follows. I first provide a model of informational power as a useful
intellectual construct. This is then followed by a discussion of embodied information and how the body
comprises information. The following section examines the knowing body – how information and
sensation are necessarily connected. Concluding comments are in the final section.
2. Informational power
The starting point of my analysis is to redefine power in terms of control of the flow of
information, where flow of information refers to content, velocity (direction and speed), and
access. I suggest that the informational model of power that I describe here is a way and not
the way to define power. I argue below that my definition is useful for helping us understand
politics, a pragmatic criterion.2
1 I am drawing on and extending a conceptualization of privacy that I put forth in Marlin-
Bennett (2004). In that book, I examined privacy in terms of “an information space,” the
content of which is personal information (p. 169ff). In this paper, I highlight the idea that the
information space includes and surrounds a body.
2 A discussion of the pragmatic, abductive methodology that I deploy can be found in Marlin-
Bennett (under review).
The nature of power has long been a question of international relations scholarship
[insert more citations here]. A conventional IR response is Thucydides’ bromide: “The strong do
what they have the power to do and the weak accept what they have to accept” (Thucydides
1972, p. 402) as the ultimate prooftext for a realist conception of material power. Another
conventional response is that power is the ability of A to get B to do what it otherwise would
not do [cite Dahl?]. Yet neither definition works in the context of the Melian Dialog. The
Athenians may make their assertion, but the Melians, who are forced to accept death, cannot
be forced to surrender and accept subjugation. Further, the massacre at Melos is immediately
followed in the text by the Athenians’ disastrous Sicilian expedition, and the Athenians
ultimately lose the war (Deudney 2007). As Alker notes, the Melian Dialog is a morality play in
which “an increasingly blind, arrogant, lustful, imperious Athens will pay for its failings with the
lives of many of its citizens and, eventually, with its independence as well” (Alker, 1988, p. 817).
What is at stake is not solely the material, purportedly objective nature of resources,
comparing between the Melians and Athens. Rather what is at stake is the social and inter-
subjective meaning that the participants in the dialog ascribe to their sensing of the material.
Materiality of resources matters, but it matters in the context of a set of embodied social
dynamics, shared understandings, and understandings that are not shared. Information
somehow plays a role.
That information must be connected to materiality in a theory of power is even more
apparent in the Information Age. States continue to be important agents, but they are not the
sole agents that are powerful. One need only look at the consequences Nakoula Basseley
Nakoula’s use of widely available information technology to produce an anti-Moslem film
Innocence of Muslims, and to distribute the trailer via YouTube video. Nakoula’s action to
disseminate hateful information sparked rage and violence in the Moslem world. It seems, on
the face of it, that Nakoula was, for a moment, powerful, though we can guess that his
powerful acts did not result in the outcome that he had intended. Acting powerfully to control
the flow of information and having results that coincide with intentions are distinct.
At the heart of the Nakoula story, at the heart of the story about the use of social media
and the Arab Spring, is the sense that information matters in the world, that information acts
on people. Violence happens; political change happens. Perhaps, too, if we scratch the surface
a bit, interactions that seem to be about material forces acting on people might be
fundamentally about information because the only way in which we are aware of material
forces is because we have the ability to sense them. And what about the bullet that the kills
the unsuspecting, unseeing person instantly, without time for conscious awareness? I think
that information has a role here, as well, though my interpretation may be stretched.
Information flows through our bodies, most obviously through the electrical impulses that
travel along nerves, but also through the chemical signaling that flows in veins, in lymphatic
tissue, from cell to cell. A way to think about the cessation of life is a final interruption of the
flow of information in the body.
Because conventional IR notions of power fail to capture important instances of power
in the subject I study, the global political economy of information, I have been working on
reconceptualizing power as the ability to control the flow of information, with flow of
information understood in terms of content, velocity (direction and speed) and access.3 There
3 Works in progress and undergoing revision include [insert conference papers here].
are numerous points in this system at which content, velocity, or access can be controlled. To
exert control over any of these dimensions is to act powerfully. Power manifests as instants of
controlling the information flow – by acting on the content, the velocity, or the access. The
model I develop (seen below in Figure 1) need not involve humans. In theory, a machine could
be the recipient of information about some other machine (think of automated control
systems), and the recipient machine could have enough (artificial) intelligence to qualify as a
knowing recipient. Some other machine – perhaps one with faulty code4 – could disrupt the
flow of information and (arguably) have a powerful (if unintentional) effect on the system.
Figure 1. Information flow model: content, velocity, access. Information flow can be
understood in terms of content moving from a source at a certain velocity (comprising both
direction and speed) and a recipient or some recipients having access to the content.
4 Or what we might consider faulty code. Hal of 2001: A Space Oddyssey might disagree.
For this paper, however, I am interested in the endpoints of the system, and specifically
in human sources and human recipients. Content flows from a source and to a recipient. What
information can be taken from or given by the body of the source? What information can be
taken in by or forced into the recipient? How can we conceptualize embodied information and
knowing bodies and how will that enrich an understanding of world political practices?
It is tempting to think of the system depicted above only as an illustration of information
flowing through the Internet. After all, the purpose of the Internet is to enable the flow of
information. Indeed, I have written about the information and power in cyber environments in
part because it is an easy case, but also because it is an important one (Marlin-Bennett under
review). But the system illustrated here can be applied widely and does not need to be
mediated by information technology. It works in face-to-face interactions, and the sensory rich
environment of face-to-face interactions allows for different kinds of content to be moved from
the source to the recipient.
The next two sections connect this information flow model of power to bodies, both the
source body and embodied information and the receiving body, which I characterize here as the
knowing body.
3. Embodied Information
It is tempting to separate body and mind and (ironically) to locate embodied
information in a disembodied mind. I want to resist this temptation and instead consider the
body as a fully informational. The body is simultaneously material and informational: all the
material is also information; (perhaps?) all information is also material.
Embodied information thus flows internally and externally. Internal flow is the body’s
communication with itself, but this should not be reduced to “thinking” or internal narration.
As the protagonist of a Coetzee story puts it:
To thinking, cognition, I oppose fullness, embodiedness, the sensation of being –
not a consciousness of yourself as a kind of ghostly reasoning machine thinking
thoughts, but on the contrary the sensation – a heavily affective sensation – of
being a body with limbs that have extension in space, of being alive to the world
(Coetzee 19977, p. 131)5
Antonio D’Amasio (1999) notes that internal information flows are continual because
the living body constantly senses that it is alive and monitors its state. These sensations are
fundamental bits of information that the body constantly signals to itself. Internal information
flow is recursive, as in Figure 2. Our internal relationship to the information of our bodies
includes conscious comprehension, feelings and sensations that cannot be expressed in words,
and information (commands to proteins from our DNA, marching orders of our immune
systems, etc.) that operate well out of the range of the ability of our conscious mind to
understand or even notice.
5 Coetzee’s Mrs. Costello, who utters these words, is rejecting a Cartesian notion that human
rationality is more important or grants moral standing. Instead, she is arguing that animals and
humans share the same sense of being-in-the-world and therefore are of equal moral worth.
Although I am discussing specifically the embodied information of humans, I am mindful that
non-human animals are similarly both material and informational.
Much of this information is in constant motion. One moment we may not be hungry,
the next moment we may be. We smell something awful and we feel disgust. Our bodies are
constantly sending and receiving information to maintain its homeostasis. Information of our
conscious minds is in constant motion as well: We think thoughts and narrate to ourselves.
Figure 2. Internal flow of information. The source of the information is also
the recipient.
Some of our embodied information moves very slowly within us. Consider eye color.
From day to day it seems constant, yet over the span of a lifetime, it changes. Just as hair loses
pigment and becomes gray, eyes pigment degrades and eyes change color. (Disease and
chemicals can also change eye color.) Nevertheless, it is often thought of as a bodily
description of the person, the stuff of adoration – Frank Sinatra as “Ol’ Blue Eyes” or the
Russian song, popular in its day, Otchi Tchor Ni Ya (Dark Eyes).6 Yet since eye color changes,
linking an identity (and attachment) to the physical characteristic seems short-sighted (pun
intended).
But for our purposes (understanding embodied information, power, and the global), the
most interesting kind of information of the body is constant and moves only when observed
and transmitted. This information simply exists as a characteristic of the body, something that
can be used as an identifier of the person. Use of this information for identification purposes
requires that the information flow out from the body and be made sense-able to some Other.
Consider anthropometric measurements and fingerprints, which are examples of information
about a body that are collected in order to uniquely identify the person at a later time.
Fingerprints, according to G. T. C. Lambourne (1977), were described by a botanist named Dr.
Nehemia Grew in a 1684 paper in Philosophical Transactions.7 Lambourne traces the first
known systems of collecting and organizing information from the body in order to help with
identifying criminals to Dr. Alphonse Bertillon, Chief of the Identification Bureau in Paris, and Sir
Francis Galton in England, both working in the last years of the 19th Century. Bertillon created a
6 The song was recorded by several artists, including the Barry Sisters in 1957
(http://www.youtube.com/watch?v=pHeShv1mf-s, accessed October 4, 2012) and Louis
Armstrong in 1958 (http://www.michaelminn.net/armstrong/index.php?section7, accessed
October 4, 2012).
7 Lambourne asserts that this was “man’s first recorded awareness of” fingerprints (1977, p.
95), a claim that is not plausible since there is no evidence that he searched all archives in the
world in every language.
system in which habitual criminals had measurements of various parts of their bodies taken.
These measurements could then be filed and later retrieved to identify who had committed
another criminal act. In 1892, Galton published a book on a way of categorizing fingerprints for
the same purpose. By 1894, Scotland Yard began using both anthropometric measurements
and fingerprints to identify criminals.8
Fingerprinting and anthropometric measurements are now part of world political
practices, especially as practices of the state (legitimate uses of violence, to use the Weberian
definition) for securing the border and combating crime (Amoore 2006; Ceyhan 2002) [add
more citations!]. In her discussion of biometrics and security, Louise Amoore (2006, p. ?)
suggests that “the allure of biometrics derives from the human body being seen as an
indisputable anchor to which data can be safely secured.” In her analysis, the state and the
other agents (firms and individuals) charged with collecting the data on behalf of the state are
powerful because, in a Foucauldian and Butlerian sense, they govern the body and determine
(limit, allow) mobilities. And one way in which they are particularly powerful is when they
misread, misinterpret, or mistake the information in the body. In 2004, Brandon Mayfield an
innocent Oregon attorney, was wrongly thought to be the source of a latent fingerprint on
materials used in the bombing of the Madrid train station (Cole 2004) despite the fact that he
had not been out of the United States. Fingerprint analysis using data mining techniques (his
fingerprints had been transformed into readable, digital images) combined with “expert”
analysis led to this false positive result. Weeks passed before Mayfield was cleared. In this
8 For Foucault, the keeping of such records is part of “a ‘power of writing’ [that] was constituted
as an essential part in the mechanisms of discipline” (Foucault 1977, p. 189).
instance, agents of the state (the fingerprint experts for the FBI) controlled the flow of
information by acting on the content, inserting unwarranted certainty into the false conclusions
they drew from the physical evidence.
The use of data extracted from the body is the common experience of all of us who have
been through airport security. This kind of information is stable in the short run and can be
used for detecting the presence or confirming the absent of threat. Examples of this include
information that is extracted from the body at airport security checkpoints through pat-downs,
metal detectors, and back scatter radiation, all of which use a sense (touch for pat-downs,
hearing for metal detectors, and vision for back scatter radiation) to detect threats secreted on
the body. Lauren Wilcox describes, the technologically mediated searches are more powerful.
Technology makes embodied information visible, scanable, analyzable through digitization, and
therefore subject to confiscation and transformation by the government. She concludes: “The
airport security assemblages manage the threats of violence and insecurity by transforming
embodied subjects into suspicious flesh that can be dissected digitally in a search for the truth
of a person’s safety or dangerousness” (Wilcox under review).
Advances in analyzing the information of the body have led to focusing on DNA tightly
connected to identity. Images that are widely reproduced link the microscopic molecule to an
aesthetic: DNA is portrayed as alluring and dangerous. The DNA, itself an elegant corporeal
form (represented as the double helix, undulating as if alive; see Figure 3), can be a traitor. It
can give dangerous information to the cell, instructing proteins to cause disease. Bad DNA
information means that the body is no longer at ease with the conflict sets of instructions that
are given to it. Geraldine Ondrizek’s elegant synteny maps, striped arrays of gene sequences,
capture both the beauty and the danger of DNA as her art depicts genetic markers of cancer.
She ironically returns the information of the genes, their visual representation, to the body by
making her images into scarves. (See Figure 4). She uses aesthetic representation of genes
against the very chromosomes she depicts by transforming images of for genetic markers of
cancers into scarves (placing the genes back on the body) and then donating the proceeds from
sales to cancer research – in effect funding research that will undo or thwart the (malign, from
a human perspective) actions of the genes she paints.
Figure 3 DNA. Source:
http://ghr.nlm.nih.gov/handbook/bas
ics/dna
Figure 4 Geraldine Ondrizek, 2012. Pancreatic
Cancer. Series: Chromosome Painting Scarves.
Source: http://www.goforwarddesign.com/Scarf
%20Mannequin/3.jpg
Conclusions drawn from extracted DNA and scientific manipulation of research results
easily plays in to racial and racialist political meanings (Vanouse 2009) – a social cancer. In 2007
(and previously), James Watson, a discoverer of DNA, made comments that were widely
understood as racist. After the 2007 incident, he apologized and, according to an editorial in
Nature, “he acknowledged that there is no evidence for what he claimed about racial
differences in intelligence. But the damage has been done, lending succour and comfort to
racists around the globe” As the editorial notes, given the world’s history of eugenics and
racism, studying “the influence of genetics on human attributes and behavior” is risky
(Watson's Folly, 2007). For Nature, the risk is that those who are interested in political
correctness can use conclusions that scientists arrive at about the influence of genetics for
shutting down such research as racist. Yet the other risk – the risk that Watson manifested –
remains as well: Despite the widely held understanding among scientists that race is an
“unscientific word” (again quoting Nature), scientific findings based on DNA can be used to
justify racist ideas.
Paul Vanouse, an artist who uses techno-science as a medium, subverts the relationship
of DNA and race by racing DNA, quite literally. He writes:
Over the past few years, I have been specifically concerned with forcing the
arcane codes of scientific communication into a broader cultural language. In
The Relative Velocity Inscription Device (2002), I literally race DNA from my
Jamaican-American family members, in a DNA sequencing gel, in an
installation/scientific experiment that explores the relationship between early
20th Century Eugenics and late 20th Century Human Genomics. Specifically, the
double entendre of race is intended to highlight the similarities and obsession
with 'genetic fitness' within these historical endeavors (Vanouse n.d.).
The installation projects the progress of the race to the viewers. (See Figure 5.) The
irony of the disembodied DNA fragments running a race on an “inscription device” challenges
the viewer to re-inscribe meaning to race and the body and to the technology – the device –
that is used to measure and evaluate characteristics of (dis)embodied information.
Figure 5 Paul Vanouse,The Relative Velocity Inscription Device. 2002. Source:
http://www.paulvanouse.com/rvid.html
Returning to the informational power model, Vanouse’s image highlights the way in
which DNA, a molecule, can be extracted from the body and used for its informational content.
Further, extracted DNA is considered to be reliable information for providing evidence, either
damning or exculpatory, of an individual’s guilt, though the degree of reliability is subject to
statistical margins of error (Cole 2004). Though global DNA databases and fingerprints
(http://www.interpol.int/INTERPOL-expertise/Forensics/DNA, accessed October 4, 2012) may
help identify miscreants, the size of the databases is unavoidably connected to the number of
innocents who will be misidentified as guilty. The more data in the database, the greater the
number of false positives.
Another aspect of DNA and other forms of embodied information is the degree to which
embodied information is commodified and becomes something that is traded globally. To
commodify information is to change its content and to restrict access to the content. (Think of
digital rights management on music and videos; think also of Myriad Corporation patents on
isolated genes for breast and ovarian cancer
[http://www.nytimes.com/2012/08/17/business/court-reaffirms-right-of-myriad-genetics-to-
patent-genes.html?_r=0, accessed October 4, 2012]).
Vanouse again provide the ironic critique. His work, Latent Figure Protocol, uses
electrophoresis to “paint” DNA into images. Of the series of images he presents, the copyright
symbol (Figure 6) is the most telling. On one level, this works as a simple sight gag: It is funny to
see the copyright symbol as a work of art itself rather than as protecting a work of art. But the
critique quickly emerges. The image, as a creative work, is itself copyrighted. What about the
DNA itself? Presenting the copyright symbol out of genetic material makes the viewer ask
about the ownership of that material as well as of the art work it comprises. By using DNA and
electric current to paint an image, Vanouse certainly has DNA acting in an innovative and
(perhaps) useful way. Should it be patented? (It is perhaps unfortunate that there is no
similarly evocative symbol for the patent, since using such a symbol would have been
particularly apropos.) In this image, the artist is using DNA from bacterial plasmid pET-11a.
How would human DNA (and the viewer’s knowledge of the use of human DNA) have changed
the work?
Figure 6. Latent Figure Protocol, Paul Vanouse, 2007. (Just one of several images in the
work is shown here). Source: http://paulvanouse.com/lfp.html, accessed October 4, 2012.
To be able to own and alienate embodied information is to be able control its flow,
particularly in terms of content and access. This can be seen, as well, in the case of global trade
in organs (Marlin-Bennett and Fishel in progress). At first glance, organ trade may seem to be
nothing more than material: a kidney moving from one body to another. Yet it is embedded in
a series of informational relations. First of these is the idea of an organ, such as the kidney, as,
itself, embodied information. The kidney is the body part that knows how to filter the blood
and remove impurities. Others of these are webs of information about where to find organs
and transplantation tourism, medical knowledge about how to conduct transplantation,
awareness (or not) of global norms concerning transplantation. Consider the case of transplant
tourism when wealthy Westerners go to developing countries and purchase kidneys from poor
donors. The purchase of the kidney itself – being able to control the velocity (its direction and
speed) of the embodied information (the organ) – is an instance of power. Transplant tourists
get organs and they get them faster than they would otherwise. Further, the poor donor may
not have true access to information about the risks to him or her from the donation procedure
itself and from potential consequent medical issues. The consent will likely not be truly
informed. Also, being poor, the donor may not be able to control the velocity (direct and
speed) of information in the form of medical expertise that he or she might need in the future.
Comparing the ways in which individuals in this case are able to control information flow
highlights instances of power and points of powerlessness.
In the next section, I turn to the recipient of information, the knowing body.
4. The knowing body
The relationship of information to the body has to do with the fact that information, to
matter, must be received by an agent who makes sense of that information. Information can
be processed in our rational minds as important factual information. It also reaches us on an
emotional level. Information moves, in both denotations of the verb (Der Derian 2003) – it
moves as it travels across space, and it moves us emotionally. Information acts on our
emotions and we feel, and the limbic system in the brain is engaged, as a consequence.
Information that does not reach a knowing body has not been communicated.
As I noted above, disrupting those flows is an example of having power to harm or even
kill the body. Yet less brutal control of internal flows is also powerful. Jane Bennett (writing
about food “as a self-altering, dissipative materiality” [2009, p. 145]) discusses the power of
food to change how we are in the world. Though her point is about the agentic power of the
non-human, non-living material, we can re-read her examples as informational power. Food
that is ingested by the body communicates to the body and changes how the body
communicates with itself.
Sound is also information. I refer not just to the specific message that is heard and that
the knowing body can translate into a recognized word or melody or scream. The vibration,
frequency, and volume of the sound is information as well. Steve Goodman examines sonically
provoked, physiological, and autonomic reaction of the body” (Goodman 2010, Kindle loc. 111).
His focus is on the way agents use sound to provoke fear in the recipients. In terms of my
model, to be able to force the recipients to have access to this sound is an instance of power.
Moreover, as Goodman notes, the sound need not be consciously heard and processed by the
rational mind. Sound, including inaudible sound, works on the body and can force the body to
feel. The body can be knowing even when the mind does not know that it knows. Goodman
focuses on “sonic warfare,” which he describes in terms of a continuum of “sonic force,” with
one pole as a use of sound to repel or disperse and the other pole as a use of sound to attract
(Kindle loc. 266-274).9 The sound cannon disperses the rioters, using sound to cause pain. The
drumbeats and rhythm of the march (Hup 2, 3, 4!) encourage the army to move forward
together.
At times, though, sound carries content that works on a cognitive level, moving and
convincing through words, melody, and rhythm – and the movement of bodies, as well. Lester
Spence, in his analysis of Black politics and hip-hop, writes of the “circulation” of hip-hop and
the way in which the music is productive of a certain kind of Black parallel public sphere. Hip-
hop spreads “the neoliberal narrative across space and the most dominant aspects of black
politics across space and time” (Spence 2011, p. 11). Neoliberal causal explanations of life
become plausible because of the message carried by the attractive medium of hip-hop. Spence
9 Future revisions of this paper will include a discussion of Virilio and possibly Walter Benjamin.
writes that hip-hop and its related embodied reproductions (rapping, DJing, break dancing, and
tagging) “affirm…that another reality is possible” (p. 17) – a neoliberal one of consumption and
lack of regulation. A sad consequence can be the promotion of a reality that is criminal and
exploitative. In this case, the information in the music acts as an attractor to a particular kind of
ethical and aesthetic judgment. Artists are able to act powerfully when they are able to
inculcate an acceptance of that kind of ethical and aesthetic judgment. Again, this is not a
passive transmission of information from one node to another. The fact that artist and the
recipient are embodied is critical to the way the transmission happens and its attractiveness to
the recipient.
A final example of the knowing body takes us into the realm of “augmented reality” (I
borrow this phrase from Nathan Jurgensen and PJ Rey),10 reality as augmented by technology.
Our experience of information – sense data from the world -- is dependent both on the
wetware of our bodies and the technologies we use to further enable our bodies. As we evolve
(and we are continually evolving), we add means of extending our senses and sensations, of
moving our bodies outward, or perhaps bringing the outside into our bodies and incorporating
new sense organs. Donna Harraway’s cyborg idea is instructive (Haraway 1997).
There are two aspects to this: the extension of the senses and the recording of the
sense data. The first is typified by eyeglasses. My experience of the world is fully integrated
with the quality of my lenses. My reality is augmented beyond what I could sense without
10 My comments on augmented reality had their origin in my discussants remarks to a
presentation by Jurgensen and Rey at the Digital Capital Conference at Johns Hopkins University
in 2012.
them. My computer is is another obvious augmentation to my senses. When I “visit” websites,
I am the recipient of information, but I receive this information because the technology allows
me to “go” to the site.
The second aspect is in the recording of sense data. The idea is that our brain’s memory
cells are not our sole means of recording and preserving information. The technology used to
be papyrus, parchment, quills, and the like (Deibert 1997). It is now, of course, computers.
Camera technology fixes the visual aspects that fixes a moment in time. It too gives us an
ability to record information and changes the way the memory of the moment is lived.11
The use of piloted drones in warfare depends on the knowing body operating in
augmented reality, with extended senses and the ability to record that sense data. Lauren
Wilcox understands the relation of the drone pilot through the drone to the targets as a
redefinition of human bodies in terms of the ‘posthuman’ that makes possible
the political conditions of life and death for both the targets and civilians.
Specifically, the attempted (but ultimately incomplete) transformation of the
human body into an information processor enables a certain moral and political
calculus of which bodies ‘count’.
The pilot is supported by others who receive the recorded images, who try to use the
video to refine strategies, much in the way that game films are used by coaches. A problem not
11 An extreme example: A recent news feature about Mathematica developer Stephen Wolfram
has him “disclosing” “20 Years of Personal Analytics”
(http://blog.stephenwolfram.com/2012/03/the-personal-analytics-of-my-life/, accessed
October 4, 2012).
yet resolved is that too much data is being received. The New York Times reported that in the
US, the CIA and the military have been struggling with too much data to analyze effectively
(http://www.nytimes.com/2010/01/11/business/11drone.html?_r=1&partner=rss&emc=rss,
accessed October 4, 2012.) The inability to control the volume of content demonstrates a lack
of power. In this case, trying to receive the flow of content is like drinking from a fire hose.
Though few are drone pilots, the overwhelming majority of us are recipients of
information via digital technology. Social media, in particular, is alluring to us, and the use of
Facebook and other social media continues to rise rapidly. These sites fully incorporate the
extension of sensing ability and the expansion of memory retention, leading us to live
differently. We sense, remember, and live more widely. (I am not sure about more deeply.)
We are hybrids; we are cyber-humans. As our senses reach out through cyber environments,
we become (partially, only partially) what Jane Bennett, following Deleuze and Guattari, calls
“bodies-without organs” (Bennett 2001, p. 24).
5. Concluding comments
In short, we are embodied information and we are knowing bodies. We serve as
sources and recipients of information. One way to conceptualize power is to understand it as
the ability to control the content and velocity of information as well as access to it. Using this
definition, we can instances of power as information flows from embodied sources to knowing
recipient bodies.
As we recently saw (most of us at a distance and through storage of memory) in the
murder of the US ambassador and other consulate workers in Libya in September 2012, videos
can go viral, and viruses can be fatal. The metaphor of contagion brings us back to the
corporeality of our informational selves, both as embodied information and as knowing bodies.
As bodies, we can catch viruses, even viruses that seem not to be material, and they can have a
damaging effect on our lives.
But all is not bleak. In our lives we are often empowered to control the flow of
information that swirls around and through our bodies. Our control is not total and could not
be, yet there are moments when we can act to exert control.
References (not yet cleaned up)
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