Migrant Resource Centre Workshop
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Transcript of Migrant Resource Centre Workshop
![Page 1: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/1.jpg)
By Dorota GrezegorekDorota spotted this unusual display in one of the food stalls at Whitecross Street Market. She liked the contrast between the religious icon and popular culture items.
![Page 2: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/2.jpg)
By Ewa Korbut
Ewa was on her way to photograph the church when she saw a man surrounded by four dogs waiting at the crossing. Making a more interesting photo, she decided to take the picture from the dogs’ point of view.
![Page 3: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/3.jpg)
By Nerina Moris
Nerina was struck by the contrast between the man-made concrete tower blocks, and nature, in the form of the imposing tree.
![Page 4: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/4.jpg)
By Rim Ivoskis
Rim wanted to show how the angle you take a photograph from can change it’s meaning. The first photograph shows a quiet, tidy restaurant front, whereas the second portrays a messy one. Rim’s favourite was the final image as he felt it was a balanced representation of reality.
![Page 5: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/5.jpg)
By Vijay Jagum
Vijay was attracted to the bike because the panniers reminded him of a bags being carried by a donkey.
![Page 6: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/6.jpg)
By Avon Noel Malan
Avon shot the same scene twice – with and without flash – as it reminded him of experimenting with light back in his native Ivory Coast.
![Page 7: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/7.jpg)
By Ellen Davies Grefberg
Wherever you find pigeons, you find old ladies too – it was this curious symbiotic relationship that attracted Ellen to this scene.
![Page 8: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/8.jpg)
By Helena ArgyleHelena was interested in the clash between the bare lifeless nature of the tree, and the powerful structure of the building.
![Page 9: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/9.jpg)
By Yeni Rodriguez
Yeni liked the original perspective and lines of this photo as well as the pigeons perched on the ledge, which reminded her of her neighbours.
![Page 10: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/10.jpg)
By Malcolm
Malcolm thought the two elements of this graffiti went well together, representing the power of the women over the man, pictured as her puppet.
![Page 11: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/11.jpg)
By Clare Struthers
![Page 12: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/12.jpg)
By Clare Struthers
![Page 13: Migrant Resource Centre Workshop](https://reader036.fdocuments.us/reader036/viewer/2022062708/558926aed8b42abc2f8b46b8/html5/thumbnails/13.jpg)
By Clare Struthers