Microphone Measurements, Standards, and Specifications Eargle, Ch. 7.
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Transcript of Microphone Measurements, Standards, and Specifications Eargle, Ch. 7.
![Page 1: Microphone Measurements, Standards, and Specifications Eargle, Ch. 7.](https://reader036.fdocuments.us/reader036/viewer/2022083007/56649e2c5503460f94b1b3bb/html5/thumbnails/1.jpg)
Microphone Measurements, Standards, and Specifications
Eargle, Ch. 7
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Primary Performance Specifications
Directional properties Data in polar form, or set of on- and off-axis frequency
response measurements. Frequency response measurements
Usually at 0° axis, and 90° (plus others) Output sensitivity
Often stated at 1 kHz, measured in free field Output source impedance Equivalent self-noise level Maximum operating SPL for a stated % of THD
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Frequency Response
Should always state measuring distance (to access proximity effect), or assume 1 meter.
Can be shown with tolerance limits, but if so, not the measurement of a specific, actual mic
Sometimes, other distances included to show proximity effect.
Response with low-cut (high-pass) filter
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Polar Response
Eargle states that due to microphone symmetry, hemispherical plots are sufficient (180°).
Most manufacturers include full sphere.
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Mic Sensitivity
Pressure Sensitivity Output rms in response to 1 kHz, 94 dB SPL, in
free field.
Output Power Sensitivity Measure the output when mic is loaded with an
impedance equal to its own internal impedance
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Microphone Source Impedance
Almost all professional mic’s today are low impedance.
Typically 50 to 200 ohmsTypical input load impedance in 2k to 5k
ohm range.Output impedance rating of little
consequence.
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Normal Mic Design Sensitivity
Reference output sensitivity matches intended use of microphone Mic’s intended for strong sound sources will
need less output sensitivity. Distant pickups require more. Close-in (2 - 8 mV/Pa) Distant (7 - 20 mV/Pa)
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Mic Equivalent Self-Noise Level RatingStated in dB(A), representing the signal
that would be picked up by an ideal mic in the rated acoustical sound field.
Capacitor mics: 7 - 15 dB(A)Tube models: 17 - 23 dB(A)Capacitor mics are 10 - 12 dB greater than
EIN of good console or preamp.Dynamic 10 - 12 dB less than capacitor.
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Distortion and Dynamic Range
Studio mics: 0.5% THD at 1 kHz.Require signal levels in the 130 to 140
range.Dynamic Range is range specified in dB
between noise floor and 0.5% THD level.