Medieval Art through American Art
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Transcript of Medieval Art through American Art
UNDERSTANDING ART
Exam 3 Review
Early Medieval and Romanesque Art
Chapter 10
Hinged Clasp
Early Medieval Art in the British Isles
Anglo-Saxon metalwork
Sutton-Hoo Burial
500s-700s AD
Metal working was the
pride of Anglo-Saxon art. A
hoard of treasures was
found at the Sutton-Hoo
burial site. Grave’s
unidentified occupant was
buried in a 90-foot-long
ship. The vessel had armor
and weapons and luxury
goods for the afterlife.
Man
Gospel of Matthew, Book of Durrow
Early Medieval Art in the British Isles
Hiberno-Saxon manuscript
500s-700s AD
Borders were very important. The
human figure is very unrealistic and
armless. His robe has a
checkerboard pattern.
Monks made books in workshops
called scriptoria. Each section began
with a symbol page, a page or
ornamentation and a page of
elaborated text.
Feet point one direction but face
faces forward.
Chi Rho Page
Early Medieval Art in the British
Isles
Gospel of Matthew, Book of Kells
Hiberno-Saxon manuscript
500s-700s AD
Nothing particularly Christian
about it.
Created by a monk, isolated,
wealthy.
Contains Greek letters chi, rho
and iota that cluster together to
resemble brooches. Human and
animal forms are hidden within the
depiction.
Christ may be the red-headed
youth. Cats at the bottom eat
St. Gall Monastery Plan
Under the Holy Roman Emperor
Charlemagne (modern day France).
First emperor since Roman Empire;
forcibly Christianized people in the
East and Muslims in Spain.
Carolingian Art: renewal of learning,
art and culture via the Catholic church
800s AD
Livestock, kitchens, physician,
garden, brewery, school, workshop
and dormitory. Plus a church and
sanctuary.
Basic layout of a medieval monastery.
Cloister: central courtyard linked to all
of the monk’s most important
buildings.
Lindau Gospel Book Cover
Crucifixion with Angels and
Mourning Figures
Carolingian Art
800s AD
Metalwork – figures hammered
from the back
Very expensive, polished stones
are raised to enhance luster.
Made before the printing press.
Contains symbols of the sun and
moon and a calm Classical Jesus
who appears to be merely standing
in front of the cross.
Seven-Headed Dragon
Morgan Beatusmanuscript – colored bands, Apocalypse, no realism, woman clothed in sun, ornamental style, nightmarish quality, bold eyes
Spanish Medieval Art –mix of Muslim and Christian
Mozarabic style –Muslim style incorporated into Christian art
700s-900s AD
Gero Crucifix
Ottonian Art
Under the Holy Roman Empire of
Otto I, II, and III from Saxony
(modern day Germany). The
Carolingian Empire had been
divided into 3 parts.
900s-1000s AD
Painted wood
Cologne Cathedral
Very realistic, relatable, life-size,
human suffering, sagging arms,
thin legs, meant to inspire awe,
empathy and pity.
Bronze Doors of St. Michael
Ottonian Art
Under the Holy Roman Empire of
Otto I, II, and III from Saxony
(modern day Germany)
Hildesheim, Germany
900s-1000s AD
Most ambitious and complex casting
project since antiquity, scenes from
Creation to the murder of Abel by
Cain,
Hebrew Bible on one side, New
Testament on the other, opposition of
good and evil, damnation and
salvation.
Christ Washing the Feet of His
Disciples
Ottonian Art
Under the Holy Roman Empire of
Otto I, II, and III from Saxony
(modern day Germany)
900s-1000s AD
Page in the Gospels of Otto III
Manuscript – large, dramatic hands
and eyes, lavish gold background,
Byzantine style, slender men,
narrative power and expressiveness,
village in background, controlled and
balance architectural canopy.
Jesus is largest; final meal together,
Peter is hesitant but other disciple is
eager.
St. James of Compostela
Romanesque Art – axial direction, cross shape, nave and
transept meet (called the crossing, marked by a tower),
larger to accommodate more people on pilgrimages, more
chapels, added an ambulatory
1000s-1100s AD
Plan and reconstruction
Spain
Interior Nave View of St. James of
Compostela
Romanesque Art
1000s-1100s AD
Spain
Groin vaults draw eye
upward, barrel and half-
barrel vaults, octagonal
lantern tower for light,
compound pillars at the
corners.
Buttresses allowed
cathedrals to be larger and
taller
Portal Entrance to Church of St. Pierre,
Moissac
Romanesque Art
1000s-1100s AD
Christ in Majesty
France
Tympanum – arched half circle, Second Coming, Christ is static but surrounding people writhe with excitement, great deal of ornamentation.
Second Coming of Christ
Last Judgment
Cathedral of St. Lazare
Detail of tympanum
carving – Christ in
manderla, flanked by
angels, judges naked
humans, the damned
suffer and the saved
reach Heaven,
architectural depiction,
arches
Romanesque Art
1000s-1100s AD
Autun, France
Flight Into Egypt
Capital from a column
inside St. Lazare
Romanesque Art
1000s-1100s AD
Autun, France
Circles on bottom may be
wheels from a play for
kids, historiated capital,
charming and doll-like
figures, escaping paranoid
King Herod
Christ in Majesty
Romanesque Art
1000s-1100s AD
Large apse painting
St. Climent, Spain
Fresco – watercolor on
wet plaster for wall or
ceiling
Jesus squatted, grand
hand gesture, bold colors,
surrounded by border,
book in hand, alpha and
omega symbols
Gothic Art
Chapter 11
St. Denis, Interior View of Choir and Ground
Plan
Gothic Art
1100s-1300s AD
France
Radiating chapels,
ambulatory, rib vaulting,
groin vaults, choir
Chartres Cathedral, Reconstruction and Ground
Plan
Gothic Art
1100s-1300s AD
Chartres, France
Flying buttresses, triforium (middle
floor), colonettes, archivolts, jambs,
rose windows
Chartres Cathedral, Exterior
Façade
Gothic Art
1100s-1300s AD
Tympanum
Chartres Cathedral, Façade
detail
Gothic Art
1100s-1300s AD
Chartres Cathedral, Detail of Jamb
Figures
Gothic Art
1100s-1300s AD
Chartres Cathedral, Interior Nave
View
Gothic Art
1100s-1300s AD
Ribbed groin vaults
Chartres Cathedral, Good
Samaritan Stained Glass Window
Gothic Art
1100s-1300s AD
Allegory on sin
and salvation, on
nave aisle,
parable from
Jesus, man helps
other man that
was beaten and
robbed, next to
Creation story
Chartres Cathedral, Rose Window and
Lancets
Gothic Art
1100s-1300s AD
Willowy figures
Notre-Dame Cathedral, Side
View
Gothic Art
1100s-1300s AD
Paris
Reims Cathedral, Façade View
Gothic Art
1100s-1300s AD
France
Reims Cathedral, Jamb Figures
Annunciation and Visitation
1100s-1300s AD
Gothic Art
France
Sainte-Chapelle, Nave with Stained
Glass
Gothic Art
1100s-1300s AD
Paris
Early Renaissance Art
Chapter 12
Virgin in Majesty Altarpiece, Raising
of Lazarus
Late Medieval Art in Italy
1300s AD
Detailed naturalism, still gold
background
Virgin and Child Enthroned
Late Medieval Art in Italy
1300s AD
Cimbabue
Both Byzantine and Renaissance
elements
Virgin and Child Enthroned
Late Medieval Art in Italy
1300s AD
Giotto
Shows an increase in
naturalism from Cimabue’s
version
Arena Chapel Frescoes
Detail of Lamentation
Late Medieval Art in Italy
Naturalism, emerging narrative
approach to art
1300s AD
Giotto
Good and Bad Government
Frescoes
Vernacular and allegorical scenes, one of the
earliest landscapes since ancient Rome, rival lines
of Popes, artists become individuals, formed
guilds, bustling people large compared to
buildings, shifting viewpoints,
Late Medieval Art in
Italy
1300s AD
Lorenzetti
Florence Cathedral Dome
Brunelleschi –
studied ancient
Roman Pantheon
Early
Renaissance Art
in Italy
1400s AD
Pointed arch,
supported by
internal ribs
Church of San Lorenzo in Florence,
Nave
Brunelleschi – new visual
clarity, mathematical
proportion system,
Classically inspired,
molding, coffers,
semicircular dome,
Corinthian columns
Early Renaissance Art in
Italy
1400s AD
Medici Palace in Florence, Exterior and
Courtyard
Michelozzo – rusticated stone
blocks, Classically inspired,
massive in scale, arcade and
frieze in courtyard
Early Renaissance Art in Italy
1400s AD
David
Early Renaissance Art in Italy
1400s AD
Donatello – first free-standing
nude figure since antiquity,
David slew Goliath, jaunty hat
and boots, young features
accentuate the heroism and
triumph
Equestrian Figure of
Gattamelata
Early Renaissance Art in Italy
1400s AD
Donatello –
reminiscent of Marcus
Aurelius, first life-size
equestrian figure
since antiquity, warrior
grown old and tired
Bronze Doors of Paradise, Florence
Baptistery
Ghiberti – scenes from Hebrew bible, begins
with Creation, murder of Abel by Cain, Ghiberti’s
portrait
Early Renaissance Art in Italy
1400s AD
Trinity Fresco
Early Renaissance Art in Italy
1400s AD
Masaccio – one point
perspective creates illusion of
depth, looming figure of God,
even illumination, dove of the
Holy Spirit, kneeling in prayer
Tribute Money
Early Renaissance Art in Italy
1400s AD
Masaccio – atmospheric perspective, Tax collector asks
Peter if Jesus paid temple tax, bold color, arm diagonals,
tension
Battle of San Romano
Uccello – mathematical perspective and spatial
illusionism, for a Medici, fallen soldier, fruit
symbolism
Early Renaissance Art in Italy
1400s AD
Birth of Venus
Botticelli – interest in classical subjects of the
Renaissance, heavenly and earthly, physical
and intellectual, for Medici family member,
modest Venus, born of sea foam, blown by
wind God
Early Renaissance Art
in Italy
1400s AD
February Calendar Page
Early Renaissance Art in Northern Europe
1400s AD
Limbourg brothers
New vernacular trends in art, snow scene, low class people not in a hovel like usual, uncouth man, comfortable farm with fire, cutaway view of house, high placement of horizontal line
Merode Altarpiece of
Annunciation
Early Renaissance Art in Northern Europe
Anonymous – triptych, vivid colors, Virgin Mary out of time,
private chapel, village scene outside, unfocused eyes
suggest meditation scene, carpenter Joseph, flowers and
water pot, mousetraps
1400s AD
Ghent Altarpiece
Early Renaissance Art in Northern Europe
Van Eyck – Adam and Eve, for family chapel (wealthy
patrons), rich colors, figure of God, many different kinds
of people assembled to worship the Lamb
1400s AD
Arnolfini Wedding Portrait
Early Renaissance Art in
Northern Europe
Van Eyck – actual wedding
contract, toy dog, convex
mirror, obvious signature,
expensive fur coat and hat,
self-made cloth merchant,
prayer beads, religious scenes
around mirror
1400s AD
Deposition
Early Renaissance Art in Northern Europe
Van der Weyden – realism v. abstraction
1400s AD
Removal of Christ’s
body from the cross,
press forward into
viewer’s space, clear
anguish, very
poignant
A Goldsmith in His Shop
Christus – secular
vocational portrait,
once thought to be
St. Eligius, convex
mirror, his tools are
present
Early Renaissance
Art in Northern
Europe
1400s AD
Portinari Altarpiece
Van der Goes – adoration of the shepherds,
commissioned to be sent across Alps, admired and
emulated in Florence, baby on ground, formal religious
symbols
Early Renaissance Art in Northern Europe
1400s AD
Art of the Americas
Chapter 15
Beaver Effigy Platform Pipe
Eastern
100-400 AD
Back is a pipe, face to
face with beaver,
wide white eyes,
window to the
spiritual world
Great Serpent Mound
East
Ohio, Eastern
1000 AD
Snake could
be swallowing
an egg
Stone Effigies
Eastern, Georgia (Etowah)
1300 AD
Remnants of pigment, wide all-knowing eyes, open mouths symbolizes oral tradition, exaggerate features denotes universality
Powhatan’s Mantle
East Coast
Algonquin
1600 AD
Circles could be stars,
man among the
heavens with the
animals linking him,
embroidered with shell,
existence implies they
had the time/wealth to
make it
Pueblo Bonito
Southwest
Chaco Canyon, New
Mexico
830-1250 AD
Not all rooms would have
been inhabited, lack of
fire pits found, probably
for ceremonial purpose,
kiva – subterranean
ceremonial room, done
without draft animals or
metal tools
Seed Jar
Southwest
1500 AD
Cells reminiscent
of Pueblo Bonito,
low-fired ceramic,
complex,
angularity
enhances curve of
jar, positive and
negative space
suggests
lightening
Cedar Bentwood Chest
Northwest coast
1800s AD
Looks like a bear,
which can stand
on its hind legs
and eats salmon
like the Native
Americans did
Property of
wealthy high
ranking
individuals
Eagle Transformation Mask
Northwest
Kwakiutl
1800s AD
Link between animal and human, corresponding colors,
used in spiritual winter ceremony, spirits mingle with mortals
Battle Scene, Painted Bison
Hide
Plains
1800s AD
Read from right to left, depiction tells a story because they lack a written language, collected by Lewis and Clark
Worn over shoulder to commemorate warrior’s heroic
Battle with a Cheyenne, Four
Plains
Plains
1800s AD
Pencil on
paper,
elegant use
of color, not
realistic,
flowing
blood
Colossal Head
Olmec
1200 BC
Mesoamerica
Environmentally
diverse, quarried
at distant sites
and transported
to ceremonial
centers, each
face is different
Teotihuacan City Center
Teotihuacan culture
100 AD
Mesoamerica
First truly urban
settlement, stepped
pyramids
One of the largest in the
world at the time, made
from volcanic stone
Worshipped many
deities,
Temple of the Feathered
Serpent
Teotihuacan culture
100 AD
Talud-tablero
architectural style
Sloping base
(talud)
Vertical entablature
(tablero)
Flat, angular and
abstract
Palenque City Center
Mayan culture
600s AD
Mesoamerica
Administrative center, developed the most advanced hieroglyphic system, used sophisticated concepts like zero and place value
Portrait of Pakal the Great
Mayan culture
600s AD
Mesoamerica
Competing city-states,
elaborate and gory rituals to
appease Gods, Pakal was
found in a sarcophagus,
seemingly suspended between
the underworld and earth,
elongated head because
babies’ heads were bound,
was colorfully painted, ideal
beauty
Chichen Itza City Center
Mayan culture
Mesoamerica
800s-1200s AD
Imposing pyramids
Densely populated
cities
Most sophisticated
calendar system
Founding of Tenochtitlan, Manuscript
Page
Aztec culture
Mesoamerica
1500s AD
Began after decline of the Mayans, eagle (God) on cactus symbolized the end of their journey, much of the Empire was destroyed by the Spanish invasion, waterways divide city into four sectors, warriors at bottom depict victories over nearby cities
Goddess of Coatlicue
Aztec culture
1500s AD
Mesoamerica
Monumental, powerful and often unsettling, skirt of twisted snakes, goddess has been decapitated by other children, though her son emerges to defend her, snakes form her head, commandingly solid
Calendar Stone
Aztec culture
1500s AD
Stylized serpents with flames
Elements of sun and night
Central God with claws and face; describes the day the fifth sun will be destroyed by an earthquake, earth has already been created 4 other times
Shaman with Drum and Snake
Diquis culture –Central America
Gold image –excellent goldsmiths
1500s AD
Male figure with snake head covering his privates, scrolls could represent Shaman’s ability to speak with the animals, gold worn to inspire fear, it held a lot of power and energy
Machu Picchu City Center
Incan culture: South
America
1500s AD
One of largest states the
in world, culture center
Conquest, alliance,
intimidation…
Linguistically and
ethnically diverse
Ruler’s summer home
Produced textiles, fit
offering for the Gods
Patterns and colors
formed uniform of sorts