ME11- Tuba Method

8/9/2019 ME11- Tuba Method

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ble for the

Tuba

or Helicon

in Ekwith 3 valves.

~

Tabelle -fiir die Bass-Tuba oder Helikon in Es mit 3 Ventile

Ta6JIn~a ,ll;JIJI6aca- reJIHKOHa HJIII

B'b Mn~ C'b3 K.JIarraHaMH.

.

• 2 2 1

12003331 12002312

2 : & J q J # J

I~ J J I

~ J § J

g S I

~ r - r r

Ib r § r I~ r

q

as

a .

ais b h ces c cis des d dis es e fes

ap a al bl> b c~ c cl d~ d dJ ep e

f~

JI~

JIJI JIJI# em, on ,ll;oP,II;o_ ,lI;0# peP pe pe# MH . MH .a~

ges g gis

&8

a. a.is

gp g gt ap a at

coJD. ,oom. con.

JIJI,

JIJI JIJI#

b h

bp b

OHio

on

ees c cis

C P

c c#

,ll;o~

,1 1;0 ,1 1;0

des d dis

d~ d d#

}Te~ pe pe#

Tabelle fur die Bass -Tuba oder Helikon in Es

mit

4 VentiIe

able for the Tuba or Helicon

in E~with 4 valves.

Ta6JIH:u;a ]J;JIJI6aCa-reJlIlROH3 ItJIH

B'b MlI~ C'L

4

KJIananaMH.

2

2

2

.1 1

.1 1

a

3

3

1

2

.0

0

1

'2

0

;

F

as a

ais

b

h

ces c

cis des

dis

I

a a

b~ b

c~

c c

d~

d

d

JIJlb .'IH . ' 1 . 1 1 # .

eu~cH

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pebpe pe~



ieVcntile und Griffe

15

o

KJlanaHaX'h IIrpu<I»ax

r

.b.-

he Valves and Fingering

t nun der Schiller die 3 Tone

ig hera usgebra cht, so fi ige er

wischennote l l hinzu. D ie To ne,

ne V enti le a ngegeb en w erden

en, sind mit

0

und

die

Zwischen-

mit Zahlen bezeichnet.

z t we rd en .

When the pupil can make these Bcnr

yqeHHR'D lUalBeJI'I>Y.areCH.1l>H

3

tones speak well, he may add

3 TOHa, TO ,lJ;O.1ai:eH'DrrpnOaBIITl>

the intermediate tones. All tones npOl\leaiYTO'lHbIH HOThI. TOH.LI,

which can be playedwithout valves

MorynQ.e ObITl>B3HT.M6es'DR.lIanaHOB'

are marked 0; those requiring

0603HalfeHbl nOCpe,lJ;CTBOl'fI'D0,

a

valves are markedwithcorrespon-

npOllejKYTOqHhle TOHhI0603HaQeHH

ding figures.

nocpe,lJ;CTBOM'D:u,U<I>P'D.

As remarked before, the right-

RaN'D YjKe

asnue

ynoMHHYTO.

hand fingers lie over the valves.

npnana

py a rrOKOllTCH

na saann-

The

3

fingers (forefinger, middle, MilX'] •.

TPII naasua. yntlaaTe.)[hHhr:U,

and ring-finger) should not be

cpe,lJ;Hiii

II

,lJ;,,'1IIRHMii,,lI;QJ[a-LHl>I

bJT.b

stretched out straight when pres- npa

H~lGIaHillKJIaIIaHO.B':LHe CJDmI-

sing thevalves,becausetliisposition ~o;')l1:'

BhITH.HYTI.J;,TaR'D RaR'D no

greatly hinders free movement;but aaaxnreasuo yxeasuraer-s HX'D

the first joint of each of these

nO;J;1iII4tHOCTb;IIepBhle'L'IeHhIHa3BaH-

fingers should be slightly bent,

Hl>IX'Dna.1blI,eB'D;il.OJ[jKHl>IO.hITbHeliHO

as this decidedly facilitates ro

1l30rHYThl, lfim'I>

ycaanaaerca

freedom of movement, which

HX'D nO,lJ;BlI&HOCTl>.

Ha

3TO OOCTO

I

should not be undervalued by HTe.1l>CTBO YIleHlIR'D ;J;OJ[.iKeH'D

l. the p'upil. ~ '\. \ .1 ~ _

06pa~aTh oc~6eHHOe,BHnl\raHie.

1 ' - 1

iDe\ . . .l -O / \ 0 ....~ )..\ \~ . 0 \

Jc.\

IJ 1

o I-a

1-2,'1 0 0 1 1-2- 1-3 _

u I ) : ; I , , '

0

I

0 I, 0

, t

0

I e- I

seho n erw ahnt, ruht die rechte

tiber den Venti len . D ie drei

r , Ze ige- ,Mi t tel und-Langf inge r,

beim Gebrauch del' Ven ti l e

lang ausgestreckt werden, well

Beweglichkett bedeutend

indert, sondern das erste Glied

nter F inger muss leicht ge-

we rd en, was i h re Bewegl .i ehkei t

entschieden erhoht, und das

vo n

dem Schiller nicht unter,

M \

%

t~ ';a( r 0

f . . I ,

o

I p i , 1 1

5 : : ,

o

o 1-3

2-3

t

i

2-3 1-3 0 1

-Tuba.~/O- J-3 2-3

0

0

1

1-2I-a

0

I I~ r : r D i J J J I

IJ 'J

I J

2

I

'1 1 J J

J

I J

J

J J

I

I

-e-

-eo -

1

I

2-3

1-3 0

t

.r

Del'

Punkt The Dot

o

TO'lx'b

t ein Punkt hinter einer No te, A Dot written after a note ,

TO'lR&

npa

HOT1>paBHHeTcH

no -

rlangert er

diese

um

die

Ha. lf te prolongs the latter by half its

J[OBllH't,lJ;O

HeH

CTOHIIJ;eii HOTbI.

urspriinglich.en

Wertes. value. ~ I

, , 1 . . \ I A . J . . . 1-2 5..~1 .M O}., 0

~ J I j. J I J . J I

J .

J I J . J r j. J I I J . Z ' J · i , j J . J ) J . J l I J . lJ. J ' d

1.2 3'4 . J 2 I ·1

-Tuba.f _2-3 1-3 2-3 J

- Es-Tuba.O 0 1 I-t'

J .

J ) J . J d

J . J ) J . J ) I J · ] ) J · ] n

I '~

J . = ~ . ~ J ~ J . O I J . o J . o J . J . j l

J · = J . ~ l O J · , 1

1 2 :\ .\

II'-Tuba t ,t _' 2-3 1-3 - __..

o - ', ' - .. ',--, , ', ' . .

I~~.11J.J I

J . J ) J . ) I j . l l l $ J · ~ . .

l l J : 5 1

:'; -:::'':

-': '-,----'

. . . . . . . .

i , _ J .

J ) J . J j l J .

J I J · O J · O J . ~ J · O

1 J. J 1 J .) 1

; · ' J · O / O ; . O I J . J 1 J . _ J ) I : : i l t . d

l : :

-~.

..-.-,:,~

. . . .

,

.,

....

I



---

_

..

_

.

-

..

18

Y on den \Vi{'dcrllOlnng's-

und Schlusszeichen

..oo Capo 0. C.)

h ei sst. vom

Anfal lg

an wiederholen.

Oal Seg/lO ~) = hoi dem ersten

Zeichen wieder anfaugeu, bis ZUlU

Worte Fille (Ende).

On the Signs for the Repeat OnoBTOpUTeJlbHblX'L 1

and the Close aaK lIO'IlITeJlbHbIX'L anasa

Oa Capo

0. c.

means, repeat L)a t:apo01C>o3HaqaeT'b:

nosro

from beginning. C'h casmro nmaaa.

IJ at S eg 110 ~) means, repeat Oal Seg7/.o (~)=HaqaT:b C H OB

from first sign ~ to the word, nepnaro auaxa ,n;o C .J IO Ba

Fl1uJ

(end). I

(zonetrs),

. 0

Boi der Wiederhohmg werden uur die ersten 7 Takte geblasen und dunn auf die 12. I gesprungcn.

On repetition, only the first seven measures are played: then skip that marked It· I. taking

1 2 ' I

ins

. IIlJu rrourcpeuia JlrpalO'l'CJI TO.'fMW nepaue 7 raarom, ;n.o 3UaR:L II. I,a :I:tT I;.\j }, nepexoll,HT'f, K'b C.ll {;;I,Y

lll,mf'h 'I'UI,'ra)l'h, co aUal:W.Wh 12. I .

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I J.

II 2.

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I J.

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r .~ ') .5 : > A , ' . (

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r ~ ~-:l z,

.c> , 1 - \ 1

Del' vorige Tukt wiederholt.

N c -

o z : ,, -

S:' ,5.;' c P , . . l 5 ' ~ 3 . A ~ Thtlprece~tngllleasurercpea.ted.

4

;> ~

I

I

,,0:;.

I~

l' IIpe.ah1](Ylu,m ntRf L nOBTopReTCSl.

. J :

Y ' , I : I

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I

J

J I

J . J i g : : 1

j J I

j. J

I . . . . - : - I

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Beide vorstehende

Takte

wiederholt.

The twopreceding measures repeated.

t J l 0 030 rrpensmyumx-s TaKTao nOBTopSfIOTCJI.

; : a 1 2 J . . ; .

r J .

£

I . * I

j J

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: = '

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j

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r

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r

r

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r

r

I

-

F-Tuba 2-3

2-3

1

I J r

J

I

F-Tuba.2·3

2-3

I J - \ ').0)

U \ ',

-~~ , - , '.

- - - - - ' ' - - - - _ - - ~ - - - ' : _ _ -



. .

Ubungen

in verschicdcnen Taktartcn.

Exercises

in various Measures.

Yrrpa~.HeHiH

B'b pa3JlIPl IIhIX'b 'TaKT

I

Bei diesen U bungen muss no ch

For these exercises w e must

bemerkt werden,

dass, wenn 2 observe, that where two or more

o der auch mehr No ten durch einen notes are connected by a slur

Bogen /~ verbunden sind, sic ~ they should not be taken

nicht

mit

der

Zunge angestossen separately with the tongue, but TaKT.hl ne OTPhIBllCTO, HO

werden durfen , SOlldern. gebunden

I

played smoothly and connectedly; legato). .

w erden so llen , w as legato genannt legato, as it is called.

wird.

II' 6~ <

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ME11- Tuba Method

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