Mass in c minor - Mozart Project...Tapestry Opera, the Toronto Mozart Players, Pax Christi Chorale,...

Ombra felice…Io to lascio, K. 255Laudamus te, from Mass in c minor, K. 427Wolfgang Amadeus Mozart

Sarah Richmond, mezzo soprano

Matthew Owens, piano

Requiem, K. 626Wolfgang Amadeus Mozart

David Bowser, conductor

Megan Miceli, sopranoJennifer Routhier, mezzo sorpanoRiver Guard, tenorMichael Robert-Broder, baritone

Stephen Boda, organ

Toronto Mozart Choir

A virtual performance onMay 8, 2021

Ombra felice…Io to lascio, K. 255

Laudamus te, from Mass in c minor, K. 427Wolfgang Amadeus Mozart

Sarah Richmond, mezzo soprano

Matthew Owens, piano

Requiem, K. 626Wolfgang Amadeus Mozart

David Bowser, conductor

Megan Miceli, sopranoJennifer Routhier, mezzo sorpanoRiver Guard, tenorMichael Robert-Broder, baritone

Stephen Boda, organ

Toronto Mozart Choir

RequiemKyrieDies iraeTuba mirumRex tremendaeRecordareConfutatisLacrimosa (fragment)Domine JesuHostias

Toronto Mozart Choir | mozartproject.ca

David Bowserconductor

David Bowser is Co-Founder and Artistic Director of the Mozart Project and conducts the Toronto Mozart Players. He is Artistic Director and Conductor of Pax Christi Chorale and the Oakville Choral Society. He is an active guest conductor, composer, university instructor and vocal coach.

David has conducted music for ballet, opera, film, television and the concert stage, and has performed in Canada, the United States, Japan,

Belgium, France, Austria, Italy, Slovenia, Slovakia and the Czech Republic. He has been music director of the Thunder Bay Symphony Orchestra and Chorus, the Brantford Symphony Orchestra, the North York Concert Orchestra and the Hart House Chorus. He has also served as resident conductor of the Orchestre Symphonique de Québec and assistant conductor of the Nova Scotia Opera. David has conducted the National Arts Centre Orchestra in Ottawa, the Vancouver Symphony Orchestra, the Waterloo Chamber Players, the Hart House Orchestra, the Cathedral Bluffs Symphony Orchestra, the National Youth Orchestra, and has performed at the Nassau City Opera in the Bahamas, and the Flanders Music Festival in Belgium.

David earned his Doctor of Musical Arts at the University of Toronto specializing in eighteenth-century string and vocal performance practices. He holds a Master of Music degree in composition from the University of Toronto and a Diplôme d’Etudes supérieures II (Master’s Degree) in conducting from the Conservatoire de Musique in Montreal. His vocal training with esteemed pedagogue Marie Daveluy inspired a life-long passion for the voice. He studied orchestral and operatic conducting with Leopold Hager at the Hochschule für Musik und Darstellende Kunst in Vienna and with Gianluigi Gelmetti at the Accademia Chigiana in Siena, Italy.

Sarah Richmondmezzo soprano

Mezzo Soprano Sarah Richmond is known for her vocal warmth and versatility, with Opera Magazine remarking “Her voice was bright and clear, her acting wholly convincing” and Online Musik Magazin praising her “kraftiges Timbre und grosse Strahlkraft”.

Her roles encompass Rosina in Il Barbiere di Siviglia to Dritte Dame in Die Zauberflöte, span epochs from Dido in Purcell’s Dido and Aeneas to Gwendolen in Gerald Barry’s

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The Importance of Being Earnest throughout genres from Willie in Mascagni’s Guglielmo Ratcliff to Peep Bo in Gilbert & Sullivan’s The Mikado.

Amongst others, recital appearances incorporate Oxford Lieder Festival, UK Strauss Society, Chester Music Festival, and Dublin Song Series with Finghin Collins and the RTE Contempo Quartet. Prominent conductors of solo engagements include Vasily Petrenko with the Royal Liverpool Philharmonic Orchestra, Gergely Madaras and Sir Mark Elder. She has performed all of the core concert repertoire throughout the UK and Ireland; international credits include Monte Carlo and Soriano nel Cimino. She has performed regularly on Radio Ulster and has broadcast on RTE, BBC Radio 3 and worldwide as a soloist for the Irish Rugby Football Union.

A keen advocate of contemporary music, she has premiered works by Andrew Synnott (Lucrece in What Happened to Lucrece at Wexford Festival Opera), Éna Brennan, Donald Judge and Sarah Murphy. Notable successes include Janet Baker bestowing her The Joyce and Michael Kennedy Award for the Singing of Strauss and winning the Toronto Mozart Vocal Competition.

Matthew Owenspiano

Matthew Owens became Director of Music at Belfast Cathedral in September 2019 and founded the Ulster Consort later in the same year. Prior to this his career appointments included being Tutor in Organ Studies at the Royal Northern College of Music and Chetham’s School of Music, as well as working for BBC Religious Broadcasting (1994-99); Sub Organist of Manchester Cathedral (1996-99); Organist and Master of the Music at St Mary’s Episcopal Cathedral, Edinburgh (1999-2004); and Organist and Master of the Choristers at Wells Cathedral (2005-2019). Under his leadership, Wells Cathedral Choir was named by an international jury for Gramophone as the best choir in the world with children, and the sixth greatest overall. Matthew served as President of the Cathedral Organists’ Association (2010-13); he was made an Honorary Fellow of the Guild of Church Musicians in November 2012; and in October 2017 he was made a Prebendary (Canon) of Wells Cathedral – “for outstanding service” to the Diocese and the Cathedral. He was elected a Fellow of the Royal Society of Arts in October 2020.

Matthew was educated at Chetham’s School of Music, Manchester; The Queen’s College, Oxford; the Royal Northern College of Music; and the Amsterdam Conservatorium. Whilst a student, he won all the major prizes in the diplomas of the Royal College of Organists


and the Silver Medal of the Worshipful Company of Musicians. He has guest conducted, among others, the London Mozart Players, English Symphony Orchestra, Southern Sinfonia, Scottish Ensemble, Nash Ensemble, Brook Street Band, and the Hungarian National Philharmonic Orchestra. He has directed choral workshops and summer schools throughout the UK and abroad – including Australia, China, Germany, Hong Kong, Luxembourg, New Zealand, and the USA. As a conductor he has made over 30 CDs with major labels, including Hyperion and Resonus Classics. As an organist, Matthew has given recitals in Australia, France, Ireland, New Zealand, Spain, Switzerland, the USA, and throughout the UK. Matthew has contributed academic papers and publications on choristers and on contemporary sacred music (OUP; Journal of Voice; Open Book Publishers). He has championed new music, particularly of British composers, conducting over 200 world premieres, including works by leading composers ranging from Jools Holland to Sir James MacMillan, and John Rutter to Sir Peter Maxwell Davies. He is Director of the Cranmer Anthem Book (launched in October 2017); a project that will set all 88 Collects from the Book of Common Prayer to music, by some of the world’s finest composers. As a composer himself, Matthew is published by Oxford University Press, Novello, and the Royal School of Church Music.

Mehan Micelisoprano

Canadian Soprano Megan Miceli has been praised for her “bright, pure, well focused high lyric soprano, with admirably steady and evenly produced tone” (Musical Toronto). Some role highlights include Mother/Gravedigger/Guilt Spectre in the world premiere of Ghost Opera, music by Veronika Krausas, commissioned by The Old Trout Puppet Workshop in partnership with the Banff Centre for the Arts and Creativity and Calgary Opera, The Mother (Amahl and

the Night Visitors), Papagena (The Magic Flute), Berta (Il Barbiere di Siviglia), the title character in Dawn Sonntag’s new opera Evangeline, Morgana (Alcina), Despina (Così fan tutte), and Rose (At the Statue of Venus). Recent concert performances include appearances with Tapestry Opera, the Toronto Mozart Players, Pax Christi Chorale, BrottOpera and the National Academy Orchestra, Opera 5, Opera in Concert, The Cantabile Chorale, and L’Oasis Musicale, among others. Megan was recently honoured to win first prize in the Toronto Mozart Vocal Competition. She has also competed as a semi-finalist in the Orchestre Symphonique de Montréal Manulife Competition and has received a distinguished mention in The Ottawa Choral Society’s


New Discoveries Auditions. Megan was a member of Calgary Opera’s Emerging Artist Development Program for their 2018-2019 season. She is an alumna of various other esteemed training programs including Songbook VII: New Opera 101, Toronto Summer Music Festival, Halifax Summer Opera Festival, Vocalypse: Opera from Scratch, and St. Andrews Vocal Techniques Workshop. She holds a Graduate Diploma in Performance and a Masters in Music in Voice and Opera from McGill University. Postponed performances for the 2019-2020 season due to COVID-19 include appearances with Saskatoon Opera and Saskatoon Symphony Orchestra, Pax Christi Chorale, the Guelph Symphony Orchestra, and Opera in the 21st Century. Megan is excited to be an Artist Fellow with the Association for Opera in Canada’s RBC Future Launch LINK Emerging Artist Program and a resident with the Banff Centre for Performing Arts’ Opera in the 21st Century digital program for the 2020-2021 season. Upcoming virtual performances include Fanny Mendelssohn’s Lobgesang, excerpts from Barbara Croall’s Miziwe, Beethoven’s Mess C-dur, and Mozart’s Requiem.

Jennifer Routhiermezzo soprano

Praised for her ““warm, clear mezzo” (Opera Canada, 2014), mezzo soprano Jennifer Routhier is a rising star on the Canadian stage. She is passionate about engaging audiences through new music and re-identifying with the current relevance and emotional core of traditional works. She was the second place winner of the 2020 Eckhardt-Gramatté National Competition and also the City of Brandon prize winner for the best performance of the commissioned work, Han Kan: Lost in Translation, by Canadian composer Gordon Fitzell.Jennifer has performed with the Kingston Symphony, Toronto Mozart Players, VOICEBOX Opera In Concert, early music ensemble Cor Unum, and Tapestry Opera; performing such works as Mozart’s Requiem, Handel’s Messiah, Imant Raminsh’s Magnificat,C. M. Wilson’s Kamouraska, Canadian opera shorts, and J.S. Bach’s alto cantatas 170 and 169. She sang with the inaugural Toronto Sounds of Silence initiative, premiering the song cycle Precarious by Kolby Zinger-Harris and Aparna Halpe. Abroad, Jennifer has performed at Carnegie Hall as the soloist in Scott Macmillan’s Celtic Mass for the Sea with the Canadian Celtic Choir. She was the first Vocal Scholar at the Glenn Gould School (2019/2020), and holds a Masters in Voice Performance from the University of Toronto, studying under American mezzo-soprano, Laura Tucker.


River Guardtenor

Hailing from Hamilton, Ontario, River Guard graduated from Wilfrid Laurier University in Waterloo studying with Mezzo-Soprano, Kimberly Barber.

Throughout his musical career, River has transitioned from singing in a rock band, to musical theatre, and now works towards a full-fledged career in opera performance. High school roles include Seymour in Little Shop

of Horrors, and Enjolras in Les Misérables. University roles include Arithmetic and Tree Frog in L’enfant et les sortileges, Tanzmeister in Ariadne auf Naxos, and Nathanaël, Spalanzani, and Franz in Les contes d’Hoffmann.

In the summer of 2016 he partook in Opera NUOVA’s 6-week program, and sang the role of Rinuccio in Halifax Summer Opera Festival’s production of Gianni Schicchi. In the summer of 2017, River returned to Opera NUOVA to sing the role of Lensky in Eugene Onegin under Maestro Gordon Gerrard. River has completed his Opera Diploma at Wilfrid Laurier University, and sang the role of Martin in Aaron Copland’s The Tender Land. This past summer, River travelled to the Banff Centre to take part in their Opera in the 21st Century program, attended Highlands Opera Studio run by tenor, Richard Margison, and is continuing his studies at The University of Toronto for their Masters in Opera, studying with Wendy Nielsen. River has performed the roles of Lippo Fiorentino in Kurt Weil’s Street Scene and Il Podesta in La Finta Giardiniera with UofT Opera, and is in increasing demand for opera and oratorio work throughout the Toronto area.

In his spare time, River performs as a singer-songwriter, playing his own music working towards refining his craft in theatre and music.

Michael Robert-Broderbaritone

Based in Toronto, Canadian baritone Michael Robert-Broder has been praised as a singer equally at home with art song, oratorio, and opera.

On the stage, he has recently portrayed the roles of Scarpia in Tosca, Il Conte in Le Nozze di Figaro, Sprecher in Die Zauberflöte, Duke Bluebeard, Peter in Hansel and Gretel, and Don Pizarro in Fidelio.


Engagements scheduled for the 2020/21 concert season included Bizet’s Carmen, Bartók’s Bluebeard’s Castle, Donizetti’s Roberto Devereux, Strauss’ Elektra, Ravel’s L’enfant et les sortilèges, Bach Cantatas, Handel’s Messiah, and Barber’s The Lovers. Current public health measures have necessitated the cancelation or postponement of that aforementioned season.

Upcoming engagements include Beethoven’s Mass in C with the Toronto Mozart Project and a recording of Handel’s Messiah with the Windsor Symphony.

Stephen Bodaorgan

Stephen Boda holds a Master of Music degree from Yale University and a diploma from the Yale Institute of Sacred Music, where he studied organ performance with Thomas Murray. Stephen graduated in 2011 with a Bachelor of Music degree from the University of Toronto where he studied organ with John Tuttle and holds an Artist Diploma from McGill University where he studied with Hans Ola Ericsson.

Winner of the 2015 Royal Canadian College of Organists’ National Organ Competition, Stephen continues to perform in concert in Canada and the United States. He has collaborated as an accompanist with numerous choirs in the Greater Toronto Area and as a performer with the Toronto Symphony Orchestra.

Stephen is the Principal Organist at Timothy Eaton Memorial Church and has held organist positions in Toronto at Grace Church on-the-Hill and St. Paul’s Bloor Street, St. John the Evangelist in Hamilton, Ontario, and Noroton Presbyterian Church in Darien, Connecticut.


SopranoMegan Miceli*Irene CouragePixie IrvingBeatrice LauCathleen LeoneDiane Murray-Charrett

Inga PecherskyLada ShvartsmanSara Simon-VermotNicole Zwier

AltoJennifer Routhier*Svetlana ChnaiderAdrienne EastwoodDiane KolinTalia Motsenyat

Inessa Sukhomlina Anna TharyanKiley Venables

TenorRiver Guard* Scott Bergen

BassMichael Robert-Broder*Stephen CockleSteven DeWitt

Roland KesslerNorman Martin


Ombra felice…Io ti lascio

Recitativo:

Ombra felice! tornerò a rivederti.

Apri i bei lumi, e consola,

deh, almeno in questo istantecon un pietoso sguardoil fido amante.Porgimi la tua destra,un pegno estremo del tuo affetto mi dona.Ah, che la mia costanzaor m’abbandona.Io ti lascio... Aria:

Io ti lascio, e questo addiose sia l’ultimo non so.Ah, chi sa, bell’idol mio,

se mai più ti rivedrò.Vengo, oh ciel!vengo, deh lascia, oh ciel!

deh lascia, oh pene!per te sol, mio ben, pavento.Il più barbaro tormento,giusti dei, chi mai provò,Vengo, oh ciel! deh lascia,oh pene, il più barbaro tormento,giusti dei, chi mai provò.

Recitative

Happy shadows! I will return to see you again.Open your beautiful lights and console,ah, at least in this moment,the faithful loverwith a compassionate glance.Give me your hand,give me a last pledgeof your affection.Ah, how my resolutionnow abandons me.I leave you... Aria

I leave you, and I know notif this goodbye will be the last.Ah, who knows, my beautiful idol,if I will ever see you again.I am coming, oh heaven!I am coming, ah be gone, oh heaven!ah be gone, oh pain!for you alone, my love, do I fear.The cruelest torment,just gods, anyone will ever feel,I am coming, oh heaven! ah be gone, oh pain, the cruelest torment,just gods, anyone will ever feel.

Laudamus te

Laudamus te We praise you,Benedicimus te We bless you,Adoramus te We adore you,Glorificamus te We glorify you.


Requiem

Requiem aeternam dona eis,Domine, et lux perpetua luceateis.Te decet hymnus, Deus, inSion, et tibi reddetur votum inJerusalem.Exaudi orationem meam,ad te omnis caro veniet.

Requiem aeternam dona eis,Domine, et lux perpetua luceateis.

Grant them eternal rest, O Lord,and may perpetual light shineon them.Thou, O God, art praised in Sion,and unto Thee shall the vow beperformed in Jerusalem.Hear my prayer, unto Thee shallall flesh come.

Grant them eternal rest, O Lord,and may perpetual light shineon them.

Kyrie

Kyrie eleison.Christe eleison.Kyrie eleison.

Lord have mercy upon us.Christ have mercy upon us.Lord have mercy upon us.

Dies irae

Dies irae, dies illaSolvet saeclum in favilla,Teste David cum Sibylla.

Quantus tremor est futurusQuando judex est venturusCuncta stricte discussurus!

Tuba mirum

Tuba mirum spargens sonumPer sepulcra regionumCoget omnes ante thronum.

Mors stupebit et naturaCum resurget creaturaJudicanti responsura.

Liber scriptus profereturIn quo totum continetur,Unde mundus judicetur.

Day of wrath, that dayWill dissolve the earth in ashesAs David and the Sibyl bearwitness.

What dread there will beWhen the Judge shall comeTo judge all things strictly!

A trumpet, spreading awondrous soundThrough the graves of all lands,Will drive humankind before thethrone.

Death and Nature shall beastonishedWhen all creation rises againTo answer to the Judge.

A book, written in, will bebrought forthIn which is contained everythingthat is,Out of which the world shall bejudged.


Judex ergo cum sedebitQuidquid latet apparebit,Nil inultum remanebit.

Quid sum miser tunc dicturus,Quem patronum rogaturus,Cum vix justus sit securus?

Rex tremendae

Rex tremendae majestatis,Qui salvandos salvas gratis,Salve me, fons pietatis.

Recordare

Recordare, Jesu pie,Quod sum causa tuae viae,Ne me perdas ilia die.Quaerens me sedisti lassus,Redemisti crucem passus,Tantus labor non sit cassus.Juste judex ultionisDonum fac remissionisAnte diem rationis.

lngemisco tanquam reus,Culpa rubet vultus meus,Supplicanti parce, Deus.Qui Mariam absolvistiEt latronem exaudisti,Mihi quoque spem dedisti.Preces meae non sum dignae,Sed tu bonus fac benigne,Ne perenni cremer igne.Inter oves locurn praesta,Et ab hoedis me sequestra,Statuens in parle dextra.

When therefore the Judge takesHis seat, whatever is hidden willreveal itself. Nothing will remainunavenged.

What then shall I say, wretchthat I am,What advocate entreats tospeak for me,When even the righteous mayhardly be secure?

King of awful majesty,Who freely savest theredeemed,Save me, O fount of goodness.

Remember, blessed Jesu,That I am the cause of Thypilgrimage,Do not forsake me on that day.Seeking me Thou didst sit downweary,Thou didst redeem me,suffering death on the cross.Let not such toil be in vain.Just and avenging Judge,Grant remissionBefore the day of reckoning.

I groan like a guilty one.Guilt reddens my face.Spare a suppliant, O God.Thou who didst absolve MaryMagdaleneand didst hearken to the thief,To me also hast Thou givenhope.My prayers are not worthy,But Thou in Thy mercifulgoodness grantThat I burn not in everlastingfire.Place me among Thy sheepAnd separate me from thegoats,Setting me on Thy right hand.


Confutatis

Confutatis maledictisFlammis acribus addictis,Voca me cum benedictis.Oro supplex et acclinis,Cor contritum quasi cinis,Gere curam mei finis.

Lacrimosa

Lacrimosa dies illaQua resurget ex favillaJudicandus homo reus.

When the accursed have beenconfoundedand given over to the bitterflames,call me with the blessed.I pray in supplication on myknees.My heart contrite as the dust,Safeguard my fate.

Mournful that dayWhen from the dust shall riseGuilty man to be judged.

Domine, Jesu

Domine, Jesu Christe, Rexgloriae, libera animas omniurnfidelium defunctorum de poenisinferni, et de profundo lacu:libera eas de ore leonis,ne absorbeat eas tartarus, necadant in obscurum,sed signifer sanctus Michaelrepraesentet eas in lucemsanctam, quam olim Abrahaepromisisti et semini eius.

Hostias

Hostias et preces, tibi, Domine,laudis offerimus:tu suscipe pro animabus illis,quarum hodie memoriamfacimus: fac eas, Domine, demorte transire ad vitam, quamolim Abrahae promisisti etsemini eius.

Lord Jesus Christ, King of glory,deliver the souls of all thefaithful departed from the painsof hell and from the bottomlesspit.Deliver them from the lion’smouth.Neither let them fall intodarkness nor the black abyssswallow them up.And let Saint Michael, Thystandard-bearer, lead them intothe holy light which once Thoudidst promise to Abraham andhis seed.

We offer unto Thee this sacrificeof prayer and praise.Receive it for those souls whomtoday we commemorate.Allow them, O Lord, to crossfrom death into the life whichonce Thou didst promise toAbraham and his seed.

Sanctus. Sanctus, Sanctus,Dominus Deus Sabaoth!Pleni sunt coeli et terra gloriatua.Osanna in excelsis.

Holy, holy, holy,Lord God of Sabaoth.Heaven and earth are full of Thyglory.Hosanna in the highest.


Lee AkerlundRobert AndreoMalcolm AndrewsAnn ArmstrongElizabeth Asselstine

Mary AsselstineHeather BarrDavid BeevisSofia BelousovDavid BermanLine BlainMatthew BoutdaJohn BowserHerb BuckwalterSusan BurgessMarlo BurksMonica Chan-Strauss

Simon ChesterAnne ChurchillIan CockfieldUlla ColgrassGeoffrey ConquerCatherine Cookman

Joan CottonIrene CourageLydia CrowtherTrisha DayalMichelle Deslauriers

Kawal DhaliwalMary DruceHeather EnglishDavid FariaMargaret FisherNatalie FongThomas FortinBill FoundJanet FralickAdria GiaccaTim GrunkusMary Guinan

David G. HallmanBrett HaynesEd HeideSandra HillJean HilliardRussell HirschPeter HobbsSteve HubelPixie IrvingAdina IsraelNava JakuboviczIan JudyNancy KleerSiobhan KnowlesDiane KolinMargaret Kowalewski

Mike LaingCathleen LeoneLouise LePageMarilyn LernerRobin LobbRobert LoewanCarl LyonsDanielle McCandless

David MckayPeter MckinnonRobert McLeodJames McphailTimothy McphailCatherine Mcquaid

Marcellina MianMegan MiceliTeresa MiceliCynthia MillerAlison MoodieErna NeufeldtDarlene NguyenDanielle Nicholson

Dr. Margaret Oldfield

Carmelita OuanoWeiting PanMaria PanacciNicola PantinMary Ann ParkerLauren ParrottElizabeth PeckLawrence PeddieBill PeelCatherine PeerJoan And Martin Peskin

Barry PetersAnn PowerMargaret ProcterLyndsay PromaneVirginia ReimerVenia ReynoldsSarah RichmondHilary RomaniukSara RomanowskaAngela RuddenKatalin SchaferCornelia SchuhMarion ScottPeter ShoebridgeLada ShvartsmanTerry SicularSara Simon-Vermot

Reade SnairJames SnookSanjana SrikantMichael StaintonWilhelmina SukSandra TangTD Bank GroupMark TetreaultAnna TharyanPamela ThomsonEllen TitusPhoebe Todd-Parrish

Isabelle Trottier

LA TurcotteFran TurnerFrances L. TurnerLianne UnwinDick Van GeestJack Van GeestDavid VenezianoEmmy VerdunChristine VernonSebastiaan Verpoest

Carmen VicenteIsabel WamboldKuhan WangDavid WarnicaMichael WhiteStuart WhittakerMichael WilkinsKevin WilsonEve WyattMarjorie Yearwood

Trevor YuBonnie YueWai Lum YungAnonymous

On behalf of the board of directors, the musicians and volunteers of the Mozart Project, the Toronto Mozart Players and the Toronto Mozart Choir we gratefully acknowledge the generous support of our donors.

Thank you.

Toronto Mozart Choirmozartproject.ca

If you wish to support us in continuing to bring you live and virtual presentations, please visit the link below.

Your donations are greatly appreciated.

mozartproject.ca/support/

Charitable registration number: 81790 2174 RR0001

Thank you for joing us at tonight’s concert.We hope you enjoyed it and

we look forward to seeing you again.

Mass in c minor - Mozart Project...Tapestry Opera, the Toronto Mozart Players, Pax Christi Chorale,...

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Transcript of Mass in c minor - Mozart Project...Tapestry Opera, the Toronto Mozart Players, Pax Christi Chorale,...