Martin Scorsese, Leonardo DiCaprio & Sir Ben Kingsley’s Shutter...
Transcript of Martin Scorsese, Leonardo DiCaprio & Sir Ben Kingsley’s Shutter...
Martin Scorsese, Leonardo DiCaprio & Sir Ben Kingsley’s Shutter
Island: High Profiling MK Ultra and Threatening What Coercive Diplomacy Promises to Deliver for the R&D, Deployment and
Proliferation of Stealth Cognition Technologies
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Just how gripped with trepidation over the second instance of militarized
‘mind control’ experimentation that violates the Nuremberg Code and its
successor, Article 7 of the International Covenant on Civil & Political Rights is
observed in this suspense thriller set in the mid-1950s when MK Ultra was in
full swing both north and south of the 49th Parallel. To the public another
Hollywood feature film in the genre created by ‘The Manchurian Candidate’;
but to those operating in or privy to the diplomatic back-channel and
coalition fears and intentions another example of coercive diplomacy
employed to drive home how committed the partnership is to addressing this
Pandora’s Box and holding responsible parties accountable.
The lexicon is introduced early – a telltale sign of coalition involvement back
to September 2006; but isn’t employed most assertively until a scene where
two U.S. Marshals, the lead detective played by DiCaprio, are examining the
cell of an escaped psych ward patient deemed to be very dangerous. A note
is discovered below the floorboards, which to Scorsese et al. is a
circumstance that in addition to the MK Ultra issue draws them to make the
film because the author of the book on which the film is reproduced chooses
what in geo-circles is a Taylor Identifier. The scene ends with a Clooney M..
This production decision is amplified when the coalition’s supra-celebrity is
honoured the month before the film’s release with the prestigious ‘2009
Partner of the Year’ distinction. The number ‘67’ is generously sprinkled
throughout the script:
Then DiCaprio’s character interviews all staff members about the inexplicable
disappearance. Behind him on the wall is a clock set at 7:20 – the number
twenty being the constituent symbolizing two decades of enslaving
torturous human experimentation. And 7 – 2 = five, representative of the
quantum the Canadian lawyer is entitled to for what he suffered and lost.
Additionally, he and an extra who plays a nurse are choreographed to
employ lexiconic gestures as follows:
Marshall: Miss Solandro [O-S M.] was put in her room for lights out.
Does anyone here know what she did before that? [extra: q-Cl.M.] Anyone? C’mon, anyone, anyone, anyone [snaps fingers three times]?
Nurse: She was in a group therapy session.
Marshall: [Condi M.] Huh! Anything unusual occur?
Nurse: Define 'unusual'.
Marshall: Excuse me! Nurse: This is a mental institution Marshall for the criminally
insane [McG-J.M.]. ‘Unusual’ isn’t part of our day. [laughter]
In a scene involving Leo, Sir Ben Kingsley, who plays the psych ward’s head
doctor and Leo’s law enforcement partner, is the following dialogue; which
includes a combination 'gun to the temple' 'we're gonna f _ _ k you up real
good' gesture to underscore what kind of radical approach the coalition feels
compelled to employ since the Chinada threat is so profound and diplomacy
failed:
Marshall: And which school [of psychiatric thinking] are you,
doctor? Doctor: Me? I have this radical ideal that [Powell-R-S M.] if you
treat a patient with respect listen to him; try and understand you might just reach him.
[background distraction: patient screams; staff subdue her]
Marshall: These patients, huh? Doctor: Even these. What used to do as a last resort is becoming
a first response. Give them a pill, put them in a corner it all goes away. […] The greatest obstacle to [the escaped
patient’s] recovery was her refusal to face what she had done.
Leo has a flashback to his days serving in World War II. He recalls what
happened during the liberation of a Nazi concentration camp where human
experimentation is suspected. He and other soldiers are so furious at the
inhumanity they witness they line the guards up against a fence and execute
them en masse.
Immediately after this scene Leo and his partner are discussing their
assignment and the matter of MK Ultra is injected into the dialogue to link
this graphic slaughter with consequences for pursuing stealth cognition
technology R&D in the face of worldwide condemnation:
Marshall: You know this [asylum] is funded by a special grant from
the House on Un-American Activities Committee? Partner: How exactly are they fightin’ the Commies from an island
in Boston Harbor? […]
Marshall: By conducting experiments on the mind. […] Like I said,
no one would talk, right, ‘till I found someone [that got funding for a science project] who used to be a patient here. […] So he starts seein’ dragons everywhere. He almost beats his professor to death. Ends up here in … Ward ‘C’. They release him after a year, right. What
does he do? Two weeks on the mainland he walks into a bar, stabs three guys to death. [At trial] he begs the judge for the electric chair. […] They’re experimenting on people in here.
Like the recurring Taylor Identifying #67, "Ward C" to Scorsese et al. was
another perfect fit, being representative of the Coalition.
The film is full of flashbacks which until the end of the movie and the
delivery of a big twist in the plot are not fully understood. However, they
certainly are in terms of what Scorsese et al. wanted to communicate to the
Chinada High Command through this production. For example, Leo
repeatedly sees his wife and child in various dreams. One involves him
standing over them amongst piles of concentration camp corpses. She’s
attired in Chinada prison certainty (chain link fence).
Later when he’s confronted by her in the doctor’s study, the same lexiconic
constituents:
When in a dream she’s seen to have been shot by him because she
murdered their three children, the same colors that implicate the Beijing
leadership in 21st century MK Ultra are again present:
The Marshall's convinced the head of the facility is the 'directing mind' of the
human experimentation program, and one of the evidentiary circumstances
is being a German. He confronts him with this perceived malfeasance and
proceeds to effect the kind of punishment coalition partners have threatened
many times over the years:
Doctor: And wouldn't you agree when you see a monster you
must stop it? Marshall: I agree.
When the full plot is fully revealed producers again draw attention to
Chinada’s violations of the International Covenant on Civil & Political Rights.
However, this time they add a specific rebuke for what the Canadian lawyer
has been suffering since the earliest days of his two-decade ordeal. In a
critical scene the doctor implores the U.S. Marshall to fess up and Scorsese
et al. describe the malfeasants as ‘insects’ living inside the Canadian’s mind.
They add a reference to the technology that sounds like tapping on the other
side of the wall used dozens of times a day; that when the coalition is
successful it ought to be the last time enslaving torturous experimentation
will occur in the western world; and partners came to the Canadian’s rescue.
Doctor: We need to hear you say it. Marshall: After she tried to kill herself the first time Deloris told me
she –- she had an insect living inside her brain. She could feel it clicking across her skull; just pulling the
wires just for fun. She told me that. She told me that. But I didn’t listen [Cl.M.]
Doctor: I hope what we’ve done here will [McCain M.] be enough
to stop it from ever happening again. I need to know you’ve accepted reality.
Marshall: [Newman M.] You came after me, huh Doctor? [You] tried
to help when no one else would [Cl.M.].
The film concludes with another reminder who's to blame for the 21st
century's MK Ultra. There are eight actors and extras in the final shot: