Title, YEARBock

Courtesy of the artist

Max Boufathal, Madonna 207, 2014. Commissioned by Marrakech Biennale 5Photo: Pierre Antoine

Max Boufathal, Madonna 207, 2014. Commissioned by Marrakech Biennale 5 Photo: Pierre Antoine

Mustapha Akrim, We Had A Dream, 2011. Courtesy of L’Appartement 22.

Shezad Dawood, Towards the Possible Film, 2014. Commissioned by Film and Video Umbrella and Delfina Foundation

Courtyard Ornamentation with 4 Sounding Dots and a Shade, 2013 Cevdet Erek

Four-channel sound, directional loudspeakers and architectural additions, duration variable, Commissioned by Sharjah Art Foundation. Installation view, image courtesy of Sharjah Art Foundation

Cevdet Erek, Courtyard Ornamentation with Sounding Dots and a Prison (detail), 2014. Commissioned by Marrakech Biennale 5Photo: Pierre Antoine

Asim Waqif, Bordel Monstre, 2012, Palais de Tokyo, Paris. Courtesy SAM Art Projects. Photo: Romain Meriaux Delbarre

Katinka Bock, Red, red, red, 2014.Ceramic, raw clay, courtesy the artist. Commissioned by Marrakech Biennale 5 Photo: Pierre Antoine

Jelili Atiku, I Will Not Stroll With Thami El Glaoui, performance, 2014. Commissioned by Marrakech Biennale 5 Photo: Pierre Antoine

Jelili Atiku, Bill to Mayor, performance at Gunpo, South Korea, October 25, 2013. Photo: Quentin Cornet

Kader Attia, Political Anthropophagy, 2014. Commissioned by Marrakech Biennale 5 Photo: Pierre Antoine

Kader Attia, research materials, front page of the newspaper Le Journal des Voyages, 19th century.

Can & Aslı Altay, An Archipelago from the Mediterranean, 2014. Commissioned by Marrakech Biennale 5 Photo: Pierre Antoine

Mohamed Arejdal, Crank, 2012. Courtesy of Le Cube - independent art room and Voice Gallery

Hassaan Khan & Ibtesam Gazder, We Always Have Options, 2014. Courtesy of Arabian Wings. Commissioned by Arabian Wings and the Marrakech Biennale 5

Atchilihtalah, This is all that God gave us. Atelier Eric van Hove, the trone of Dragon, the wood masterphoto: Pierre Antoine

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Mounira Al Solh, In brown, longtime thresholds and substrates without catalogues (preliminary sketch), 2014.Commissioned by Marrakech Biennial 5Courtesy the Artist and Sfeir-Semler gallery

Gabriel Lester, MurMurMure, 2014. Commissioned by the Marrakech Biennale 5 Photo: Pierre Antoine

Pamela Rosenkranz, Clean Eyes, 2014, Intervention on Existing Fountain “Dar Si Saïd”. Colleyre Blue, Water, Pump. Photo: Pierre Antoine

Eric van Hove, V12 Laraki, 2013. Air filter (assembled), 25x20x22 cm, yellow copper, nickeled silver, tin, Middle Atlas white cedar wood, red copper, cow bone, recycled aluminum, rolling bearing and cowskinPhoto: Keetja Allard

Eric van Hove, V12 Laraki, 2013. Air Conditioning system (dismantled), dimensions variable yellow copper, nickeled silver, tin, cowskin, pink apricot wood, Middle Atlas white cedar wood, mahogany wood, rolling bearing, coton, Chinese superglue, neoprene glue, green onyx, Taroudant stone, red marble of Agadir, black marble of Ouarzazate, white marble of Béni Mellal, pink granite of Tafraoute and tigers eye stonePhoto: Keetja Allard

Sandra Niessen & MJA Nashir, Rangsa ni Tonun. (Production Still featuring Nurhaida Siregar) © MJA Nashir, 2011

From “bindu” tot “bindu” Adriana Lara, Interesting Theory 14, 2014. Commissioned by the Marrakech Biennale 5 Photo: Pierre Antoine

Adriana Lara, Interesting Theory 12 & Interesting Theory 13, 2014. Commissioned by the Marrakech Biennale 5 Photo: Pierre Antoine

Max Boufathal, SERMENT D’ARISTOTE, 2010. Wire, polypropylene 90cm/50cm Photo: Claire Soubrier

Max Boufathal, SERMENT D’HIPPOCRATE, 2008. Wire, enamelled copper wire, 90cm/60cmPhoto: Claire Soubrier

Yassine Balbzioui, Grosse tête, 2014. Performance, Courtesy Galerie Shart

Hicham Benohoud, Bienvenue à Marrakech, 2014. Courtesy of the artist. Commissioned by the Marrakech Biennale 5 Photo: Pierre Antoine

Eric van Hove, V12 Laraki, 2013. 180 x 150 x 150 cm / 380Kg. Mixed media: 465 parts / 53 materials Courtesy of the artist. Photo: François Fernandez.

Zaynab Khamlichi, The King Inspires Me, 2013.Courtesy the artist

Burak Arikan, Monovacation, 2013. This work was prepared for the purpose of VitrA Contemporary Architecture Series: Please Do Not Disturb exhibition realized in 2013. Courtesy of the artist

Agnes Meyer-Brandis, Impact - Studies in Cause and Effect, Public Meteor Watching Event, May 16th 2009, Ekaterinburg. Photo: National Centre for Contemporary Arts NCCA Branch Yekaterinburg, Russia

Agnes Meyer-Brandis, Impact - Studies in Cause and Effect, Public Meteor Watching Event, May 16th 2009, Ekaterinburg © Agnes Meyer-Brandis, VG Bildkunst

Saâdane Afif, Works note for “Souvenir” : la fonderie. Commissioned by the Marrakech Biennale 5 Photo: Pierre Antoine

Saâdane Afif, Rehearsal with Dahmad Boutfounast : lesson 2 / the circle. Commissioned by the Marrakech Biennale 5 Photo: Pierre Antoine

Anne Verhoijsen, Visions of Paradise, 2008.Video 67 min DVD 2008. Language and subtitels: English, Arabic, Turkish, Amazigh, Papiamento, Dutch. Director Anne Verhoijsen Courtesy of the artist

Hamid El Kanbouhi, Hakkendak, 2011.200x200 cm oil pait on canvas, Collection De Heus-Zomer

Hamid El Kanbouhi, Metro, 2012. Ink on paper, 70x 50 cm, Dutch Ministry of Foreign Affairs

Keren Cytter, Sirens, 2014. Video, PAL 16:9 10min. Image courtesy of the artist and Pilar Corrias Gallery, Draxler Nagel Gallery. Commissioned by the Marrakech Biennale 5

Tala Madani, Eye Stabber, 2013. Single channel/stop motion animation1’35’, ed. of 5. Courtesy of the artist and Pilar Corrias, London Commissioned by the Marrakech Biennale 5

Katarina Zdjelar, Into the interior (The last day of the permanent exhibition), 2014. HD video. Courtesy of the artist; Circus, Berlin; Spazio A, Pistoia Commissioned by the Marrakech Biennale 5

Lili Reynaud-Dewar & Dorine Aguerre, Chloe Delarue, Camille Dumond, Olivier Hensi, Lou Masduraud, Lea Meier, Nastasia Meyrat, Laura Vaissade, Enseigner comme des adolescents / Teaching As Teenagers, Hotel Adriatica, Genève 2013.

Randa Maroufi, Untitled#4, from the series Reconstitutions, 2013. Lambda color print mounted on aluminium, 110 x165 cm

Hamza Halloubi, To Leave, 2011-2012. Single channel video installation, 3 min 40 sec, color, mute

Charif Benhelima, San DAMIANO #4, Brussels 1997-1998.From the Welcome to Belgium series. Courtesy of the Artist

Charif Benhelima, San DAMIANO #6, Brussels 1997-1998. From the Welcome to Belgium series. Courtesy of the Artist

Saud Mahjoub, Untitled. Courtesy of Arabian Wings

Hicham Benohoud, La salle de classe, 1994-2002. Courtesy of the artist and Atelier 21

Patrick Wokmeni, Mutua-Zamba 1, 2013, from the series Purgatoire, Rabat. Courtesy of the artist

Saout Radio, Ici Maintenant Ou, 2014. Courtesy of the artists.

Wafae Ahalouch el Keriasti, Freakshow, 2011. Installation mural and 3 paintings. Courtesy of the Artist

Younes Rahmoun, “Zahra-Zoujaj” (Flower-Glass), 2010. Glass, mirrors, felt, LEDs, cables, speakers, wood, metal structure. Chamber Dimensions: 700 x 600 x 500 cm, The flower: 50 cm height, Al-Riwaq Art Space, Mathaf, Doha, QatarPhoto: Mathaf, Doha, Qatar

Freq_out, installation image at Theatre Royal, 2013. Photo: Pierre Antoine

Freq_out, detail at Theatre Royal, 2013. Photo: Pierre Antoine

Singing Maps and Underlying Melodies curated by Clara Meister in collaboration with S.T.I.F.F., kamarstudios and Moroccan musicians, 2014. Photo: Clara Meister and S.T.I.F.F.

Hiba Khamlichi, Cours Chemins. Courtesy of the artist

Ghita Khamlichi, Theatre Performance. Courtesy of the artist

Khaled Sabsabi, 70,000 Veils, 2014.5 channel 3D video work, 700sec per channel. Images and work courtesy of Khaled Sabsabi and Milani Gallery, Brisbane AustraliaThis project is funded and supported by Australia Council for the Arts

Title, YEARBock

Courtesy of the artist