Mark Rothko

26
Mark Rothko

description

Mark Rothko. Complementary Colors. What are Complementary Colors? Colors which lie directly across from each other on the color wheel. Also called Color Dyads, since they’re in pairs. The major Complementary Colors consist of the three Primaries and their Secondaries: - PowerPoint PPT Presentation

Transcript of Mark Rothko

Page 1: Mark Rothko

Mark Rothko

Page 2: Mark Rothko

Complementary Colors

Page 3: Mark Rothko

What are Complementary Colors?Colors which lie directly across from each other on the color wheel.

Also called Color Dyads, since they’re in pairs.

Page 4: Mark Rothko

The major Complementary Colors consist of the three Primaries and their Secondaries:

(Primary) (Secondary)

Red Green

Yellow Violet

Blue Orange

Page 5: Mark Rothko

Every color has a complement.Complementary Colors can complement, enhance and balance each other. They produce the highest color contrast (after Black & White). Their INTENSITY is heightened when paired alongside each other.

BUT…

Page 6: Mark Rothko

Andy Warholcommissioned work of Muhammed Ali

Page 7: Mark Rothko

Katy Grannan’s Cassandra

Page 8: Mark Rothko

Hindu Deities Krishna and Radha in a Grove, 1780. (gouache on paper)Persian Miniature Painting

Page 9: Mark Rothko

3 Properties of Color

1) VALUE2) HUE3) SATURATION / INTENSITY

Page 10: Mark Rothko

3 Properties of Color

3) SATURATION / INTENSITY

Page 11: Mark Rothko

Complementary Colors can also neutralize or cancel each other out. When mixed together, their original INTENSITY is suppressed, leading us to

Chromatic Neutral Grays…

Soon Y. Warren (watercolor)

Page 12: Mark Rothko

Seated Womanoil and charcoal / board 54" x 36"1940

Willem de Kooning

Page 13: Mark Rothko

La Fenetre Ouverte, 1921

Page 14: Mark Rothko

Complementary Color combinationsfound outside the Fine Art world…

Page 15: Mark Rothko

Jack Lenor Larsen’s Red Garden

Page 16: Mark Rothko

Ad for Havaianas sandals 2008

Page 17: Mark Rothko

And in sports!

Page 18: Mark Rothko

ALBERS’ COLOR RELATIVITY:

The 3 Principles of Color Interaction1. Light/Dark Value Contrast2. Complementary Reaction or Effect3. Subtraction

Page 19: Mark Rothko

ALBERS’ COLOR RELATIVITY:

The 3rd Principle of Color Interaction

3. Subtraction

Page 20: Mark Rothko

Principle 1:LIGHT/DARK CONTRAST

Page 21: Mark Rothko

Principle 1 & 2:LIGHT/DARK CONTRAST & SUBTRACTION

Page 22: Mark Rothko

Principle 3COMPLEMENTARY REACTION/EFFECT

Page 23: Mark Rothko

Principle 3:COMPLEMENTARY REACTION

OR EFFECT

Our eye “seeks” the complement of any given color. For example, you’re staring at a red stop sign for a long period of

time…your RGB photoreceptors grow tired, namely the R-receptor. Therefore, G-receptor comes to the rescue and

“appears” to give the R-receptor a break.

Page 24: Mark Rothko
Page 26: Mark Rothko

Exercises:

Work time on 2 RE-Master Paintings

*Collect Apocalypstick written responses…

DUE NEXT WEEK:-2 RE-MASTER Painting / Collage: Achromatic & Monochromatic