MANNERISM
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Transcript of MANNERISM
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Ms. Susan M. PojerMs. Susan M. PojerHorace Greeley HS Horace Greeley HS
Chappaqua, NYChappaqua, NY
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The Changing Role of the Artist
The Changing Role of the Artist
Giorgio Vasari’s Lives of the Artists, 1568.
He believed that theartist was no longer just amember of a crafts guild.
The artist was an equal inthe courts of Europe with scholars, poets, and humanists.
Therefore, the artist shouldbe recognized and rewarded for his unique artistic technique [maneria].
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BackgroundBackground Late Renaissance [Pre-Baroque]. Art was at an impasse after the
perfection and harmony of the Renaissance.
Antithetical to the principles of the High Renaissance.
From the Italian de maneria. A work of art done in the artist’s
characteristic “touch” or recognizable “manner.”
First used by the German art historian, Heinrich Wölfflin in the early 20c.
Influenced by Michelangelo’s later works.
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Michelangelo’s
“Last Judgment”
(Sistine Chapel)
Michelangelo’s
“Last Judgment”
(Sistine Chapel)
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Michelangelo’s “Last Judgment”
(Sistine Chapel – left side)
Michelangelo’s “Last Judgment”
(Sistine Chapel – left side)
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Michelangelo’s “Last Judgment”
(Sistine Chapel – right side)
Michelangelo’s “Last Judgment”
(Sistine Chapel – right side)
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1. Replace Harmony With Dissonance & Discord
1. Replace Harmony With Dissonance & Discord
“Susanna & the Elders”
Alessandro Allori
Twisted bodies or “weight shift” [contrapposto]
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2. Replace Reason with Emotion2. Replace Reason with Emotion
“Pietà” by Rosso Fiorentino 1530-1540
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“Pietà” by El Greco 1587-1597
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3. Replace Reality with Imagination
3. Replace Reality with Imagination
“The Mystic Marriage of St. Catherine”
Parmigianino
1525-1527
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“Charity”
Andrea del Sarto
1518
An allegory of the French royal family.
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4. Create Instability Instead of Equilibrium
4. Create Instability Instead of Equilibrium
“The Rape of Helene”
Francesco Primaticcio
1530-1539
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5. Bodies Are Distorted
5. Bodies Are Distorted “Christ in Agony
on the Cross”
El Greco
1600s.
An attempt to express the religious tensions of the times.
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“Adoration of theName of Jesus”
El Greco
1578-1580.
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“Adoration of the Name of Jesus”(details)
Philip II of Spain
El Greco
1578-1580
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“The Baptism of Christ”
El Greco
1608-1628.
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“Portrait of a Cardinal”
El Greco
1600
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“St. Jerome” by El Greco 1587-1597
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6. Colors are Lurid
6. Colors are Lurid
“The Tempest”
Giorgione
1510
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“The Calling of St. Matthew”
Caravaggio
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“The View from Toledo”
El Greco
1597
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7. Pictoral Space is Crowded
7. Pictoral Space is Crowded “Madonna
with the Long Neck”
Parmagianino
1534-1540
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“Joseph in Egypt”
JacomoPontormo
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“The Last Supper” Tintoretto 1594
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8. A Void in the Center8. A Void in the Center
“Bacchus & Ariadne”
Titian
1522-1523
??
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“Pastoral Concert”
Giorgione
1508-1510
??
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9. Hanging Figures9. Hanging Figures
“The Annunciation”
Jacopo Tintoretto
1583-1587
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“Moses Drawing Water form the Rock”
Jacopo Tintoretto
1577
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Characteristics of Mannerist Architecture
Characteristics of Mannerist Architecture
Stylishness in design could be applied to a building as well as to a painting.
Showed extensive knowledge of Roman architectural style.
Complex, out of step style taking “liberties” with classical architecture.
Architecture, sculpture, and walled gardens were seen as a complex, but not necessary unified whole.
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Villa Capra[or Villa Rotunda]
By AndreaPalladio
1566-1571
“Palladian” architectural style [popular in England]
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Entrance to the Villa Farnese at Caprarola
By Giacomo Vignola
1560
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Giacomo da Vignola
Wrote The Rule of the Five Orders of Architecture
1563
Became a key reference work for architects.
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The Fontainebleau School
The Fontainebleau School
French Mannerism flourished from 1531 to the early 17c.
Characteristics: Extensive use of stucco in
moldings & picture frames. Frescoes. An elaborate [often mysterious]
system of allegories and mythical iconography.
Centered around the Royal Chateau of Fontainebleau.
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The Royal Chateau at Fontainebleau
The Royal Chateau at Fontainebleau
Gallery [right] by Rosso Fiorentino & Francesco Primaticcio
1528-1537
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Jean GoujonJean Goujon
“Nymph,”1548-1549
“Nymph & Putto,”1547-1549
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GermainPilon
GermainPilon
“Caryatids”
1550s