Malcolm Fraser on Scotland AJ 13 Jan 2011

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Malcolm Fraser on Scotland - 'We don’t export well and the big jobs at home go to non-Scots' 13 January, 2011 | By Malcolm Fraser There was scant Christmas cheer up north this winter. Workloads are shaky, with the effects of chronic underbidding yet to feed through There’s a true story about a practice that won a project with a fee bid well over four times higher than all others. There, the private client took the view that the low bids would harm either the project or the architect, or both – but other private and public clients will not or cannot take such a view.

Transcript of Malcolm Fraser on Scotland AJ 13 Jan 2011

8/8/2019 Malcolm Fraser on Scotland AJ 13 Jan 2011

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Malcolm Fraser on Scotland - 'We don’t

export well and the big jobs at home

go to non-Scots'13 January, 2011 | By Malcolm Fraser 

There was scant Christmas cheer up north this winter. Workloads are shaky, with the

effects of chronic underbidding yet to feed through

There’s a true story about a practice that won a project with a fee bid well over four 

times higher than all others. There, the private client took the view that the low bids

would harm either the project or the architect, or both – but other private and public

clients will not or cannot take such a view.

8/8/2019 Malcolm Fraser on Scotland AJ 13 Jan 2011

http://slidepdf.com/reader/full/malcolm-fraser-on-scotland-aj-13-jan-2011 2/2

The big, glamorous competitions – the Dundee V&A and the new Glasgow School of 

Art – were won by teams led by non-Scots. While cultural-exchange is valuable,

Scottish architects are not exporting well: with small-but-valuable exceptions such as

Graeme Massie in Iceland and Sutherland Hussey in China, it is the unadmired

corporates such as Keppies and RMJM that win work abroad.

Of course, RMJM tells its own story. The nailing of its colours to the Fred Goodwin

turbo-capitalist mast sends shivers down the spine, the parallels with Goodwin’s RBS

self-proclaimed.

Scotland still possesses a big bundle of small-to-medium, craft-based practices,

 bursting with talent and awards. But we’d be forgiven for thinking that the

Establishment doesn’t care for our desire to make contributions to the wealth and

 beauty of the nation. The Scottish government has bundled-up 10 and 20 years of 

 public projects into its vast, monopolistic ‘Hub’ procurement stream. So if there’s a

wee community centre to be built in an Edinburgh neighbourhood – or, indeed, a huge

hospital – I need to go and plead for the architectural work from a massive Englishconstruction conglomerate, the size of the contracts being so great that Scottish

contractors feel at a disadvantage.

I’ve written about the evils of the Hub and been invited, by its programme manager,

to ‘apply to join the supply chain’. How my heart doesn’t soar at the clear promise to

make architecture cheaper and cheaper.

Elsewhere our government seeks to impose a ‘new urbanist’ orthodoxy on us, official

 policy requiring an English-model superblock over the endemic market-and-close

 pattern. New urbanist superstar Andrés Duany is favoured, at vast expense and

without the requirement for the OJEU processes that dog the rest of us, to jet in and

tell us grateful natives what Scottish architecture and planning really is.

I hugely regret sounding like Dad’s Army’s Private Frazer (‘We’re doomed!’) and

remain a passionate optimist – the darkest hour is just before the dawn, isn’t it? Our 

vigorous, crafts-based practices share a remarkably consistent vision of the

significance of care, simplicity and integrity in architecture.

We are not well represented by our institutions in Scotland, which range from

distracted to ineffective to positively harmful. Maybe we should do something about

that?