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Inmobiliaria Immobilien Estate Agents

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RENTAL VILLAS IBIZA

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Professional Mixing Mastering & Recording Studios

Info: Tel. +34) 662 480 221www.facebook.com/flamingostudiosibiza

LDN Network TVEnterprise

Rafael BertránCreationGraphic Designer

Mario SyllerosDigital and Social Networks

Joe Richie/Rafael BertránReporters & Writers

MagXLondon“Soul of the city”T. +44 (0) 7917 966556rafaelbertran@gmail.com

www.magxlondon.comwww.magxibz.com www.magxmxc.com

MUSIC 8 CARL COX_SPACE IBIZA13 NEIL DARUWALA14 TOP10 MASYGA18 CANDID TALK!22 ANDREA PERINI26 PEPE ROSELLO _ IMS28 IMS_ IBIZA 201630 LANGUAGE OF MUSIC36 ROB ACID

*Special thank you for everyone who contributed towards this edition and also for all the promotional support for magazine from social networks.Thanks to all the artists for participating in this edition.

FASHION38 ALEXANDER MCQUEEN40 GARETH PUGH42 RICK OWENS44 SHOWING IN SOHO46 CHINA MAKE_UP 201648 CHINA MAKE_UP (2)

PAELLAS _ SUSHI MEDITERRANEAN FOOD

EVERYDAY FROM 8AM...

APARTAMENTOS BOSSAMAR _ LOCAL 1 T. +34 871 517 662

07817 PLAYA D'EN BOSSA _ IBIZA whitebeachibiza@gmail.com

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oralesContact mail to; rafaelbertran@gmail.com

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Contact mail to; rafaelbertran@gmail.com

www.69streetrecords.co.uk

NEW RELEASE

After hearing the original track Glide by Andy reynolds, it was Neils personal mission to arrange the remixes for his label 69 Street Records.He achieved his goal and has created a strong pack (remixes from Andy Reynolds Tommy Vercetti and Affani)which will be available on promo at traxsourse on the 20th May.To listen to a preview of the remix go to.

https://soundcloud.com/dj-neil-daruwala/andy-reynolds-glide-20-neil-daruwala-remix

Después de escuchar la pista original Glibe by Andy Reynolds, fue Neils misión personal para organizar las remezclas para su sello 69 Street Records.Él logró su objetivo y ha creado un paquete fuerte (remixes de Andy Reynolds Tommy Vercetti y Affani) que estará disponible en la promo en traxsourse el 20 de mayo.

https://soundcloud.com/dj-neil-da-ruwala/glide20-remixes-tommy-vercet-tiandy-reynold-neil-daruwala-and-affani

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Contact mail to; rafaelbertran@gmail.com

OMAR LABASTIDA

Rafael Bertrán

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DJ.; I think above all it is a business, you're right! but I think they could spend one day a week to new talents, which would serve to show the world different things and the great future of the music scene.Promoter; Do you believe that club owners or artistic directors should understand more about music and consider it into their club experience or is it a matter of money, and that’s it?DJ.; Most at this moment, no. A club is a business and this is how it is seen by so many owners, but those who understand music, always have in mind everything from the sound to the DJs.Promoter; Mr. Dj. After all we've talked you believe that people are assholes and are not aware of what is going on, and are predisposed to pay a lot of money, just because there is a big name or line up. Should we think that there is no musical culture?DJ.; No, people are cool. I think there's musical culture, although this is acquired over time. I think you have to mature to understand music, those who are playing, and who they are.Promoter; Summing up, you believe there is a section of people who only go to do drugs and go all out, without having any idea of what dj or line up there is?DJ.; There is a bit of everything, but we must take into account the social effect, people grow and evolve to acquire their musical maturity.

Thank you, Mr. Promoter and Mr. Dj, for your excellent live performance.Friends, it is not usual, but this time we pretended to provide something different and special, just to let you know the opinion of these two characters, of course good vibes always, evolve and enjoy good music.

A DJ _ PROMOTER AND HAVE A CANDID TALK!

Hello everyone, I have a surprise for you for this new edition, a talk of between a _DJ/ Producer and a promoter, of which we will keep the names of anonymous, and a mediator, let's start this exciting talk.

Promoter: Do you think it's normal to have a famous DJs who arrives to their session on drugs or drunk, to be placed in front of, and be able to offer the best session for their audience in these conditions?DJ.; Depends on many factors, some of which lend themselves to go more or less hung-over, and also depends on the time, anyway, and this is my opinion, and like anything, always in moderation.Promoter; Mr. Dj. Do you believe that by being known or a famous dj, you have the right to make the session thinking only of you and your music, without thinking or looking at your audience who has paid to enjoy and have good time, with great music?DJ.; Obviously, if you're a good Dj, you must be aware of the public, but it is also true what they say sometimes "create fame and go to sleep"Promoter; Why do some say that they are a Dj/ producer, when some produce nothing and many don’t mix their own tracks, as well as prerecorded dj sessions, does that seem normal?DJ.; Well there are special cases, there are some and of course is not normal, the DJs that I personally admire are all producers, and I think a good professional should have knowledge of music and production.Promoter; Do you believe that the artistic directors and owners of clubs, should invest more in musical culture rather than on pure marketing, give more opportunities to new talents who deserve it, as they have been given to many famous djs in their time or is this not a profitable option today?

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https://pro.beatport.com/artist/andrea-perini/206044

Toy Andrea Perini Remix

NEW RELEASE

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ANDREA PERINI

https://soundcloud.com/andreaperinihttp://www.beatport.com/artist/andrea-perini/206044

Contact mail to; rafaelbertran@gmail.com

"Hello Lucy!

Have you seen the new edition of

MagXLondon magazine?

Where?

Go online to www.magxlondon.com

and enjoy to the max.

Thanks, I will. See you soon. "

www,magxlondon.com

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Rafael Bertrán

Language of Music Part IPERFECT PITCH

Absolute ear or perfect pitch is the ability to co-rrectly identify the musical name or the frequen-

cy of a given sound, or a specific sound as “fallen from heaven”, i.e., without any reference to another objec-tive sound.

Usually, the possession of this skill is considered amongst musicians as a valuable talent. It is believed that among the advantages is that it assists starting singing in the correct note when no accompaniment, support to play with instruments and to sing at first sight with precision, to listen to sheet music without playing it. But this skill may also have certain disad-vantages to the holder, such as a decreasing ability to perform certain tasks relating to heights. Absolute ear occurs more frequently among professional mu-sicians with a high degree of musical talent.

Because of these seemingly paradoxical traits, abso-lute ear has captured the attention of researchers for over a century. They have investigated three impor-tant issues, especially the relationship between abso-lute ear and on-ear; the interpretation of the genesis of the ear, especially if it is hereditary and the effects of training and experience over the absolute ear at different ages. Some musicians have what is called “almost absolute ear”, i.e. something akin to absolute ear, but for a single sound.

Some oboists regularly play the 440 as a model for tu-ning the Orchestra, and violinists who often play such a note can remember aurally and sing that note at will; and then they can produce any note by applying relative ear skills.

There are three different environmental theories on pitch reviewed by Ward and Burns. The learning theory proposes that the acquisition of pitch is entirely a product of a model with appropria-te environmental reinforcements.The theory of not learning (Abraham) is based on the notion that the majority of people have an innate pro-pensity for absolute ear, but their musical experien-ces, in fact, prevent this developing. Given that they are not trained to recognize melodies in different tones and name notes according to several different systems, the recognition of absolute pitch can be ‘un-trained’. Finally, the theory of the imprint (Copp) is based on the idea that childhood should be something equiva-lent to a ‘critical period’, during which there are cer-tain learning experiences that are crucial to develo-ping perfect pitch.

Info para la protección auditiva.GAES: http://www.gaes.es (Audiometrías Gratis)Earprotech: http://www.earprotech.comhttp://www.protectoresparalosoidos.es

3130

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103, Gaunt Street, Elephant & CastleLondon, SE1 6DP

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Rob Acid is back with another selection of ana-log filth, on his excellent Dirtcuts label. Series B ventures once more in to the darker side, with a heavy use of his hallmark good old 303, and a stack more to boot.

Robert Babicz alter ego, is once again sounding like a frenzied slab of franticness, thats been made in a dungeon. But thats why we like it so much. Here we find a veritable feast of mayhem, with 8 new tracks for you to listen to, dance to, play and cause havoc with.

So on that note, we’ll stop the talking and let the music do the rest.

https://soundcloud.com/robbabicz/sets/rob-acid-b

Music video:

http://www.youtube.com/watch?v=Qv-yayk-U10

Robert Babicz

www.magxlondon.com

Fashion Britain 201638

ALEXANDER MCQUEENThe metaphors fell like rain in McQueen's

Spring collection for men. Victorian sailors were the protagonists. Imagine them as men adrift, looking for somewhere to belong, seeking a sense of identity in the tattoos with which they covered themselves. All of that could apply to the collection itself.There was sharply defined elegance in the elongated captain's coats, but a soft, almost androgynous quality in pajamalike jacquards. Mended denim pieces and fraying jackets felt like well-worn relics of a long voyage. Sarah Burton scattered traditional nautical tattoo motifs—compasses, mermaids, anchors—across her spare tailoring, but storybook sea monsters were a stronger graphic element, in a terrycloth bathrobe no less. And there were suits patterned in dazzle ship camouflage, which looked almost incongruously dynamic in this context. That's because dynamism was precisely what the collection lacked. Burton's crew might have been drowned lost boys, suspended out of time, their sole connection to now their footwear. If Fall's earthbound collection packed a real punch, this one felt all at sea.

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GARETH PUGH

The idea of showing in Soho on a Saturday night was intoxicating he elaborated in

his show notes, likening the central London spot to a rabbit hole, such was its effect on him when he first moved to London. And as a Lon-don enfant terrible himself, it simply did seem to be the perfect fit, music pumping, lights flas-hing and pennies beneath our feet as we sat down. Saturday night: the new going out? It's going to a show, Gareth Pugh's show.

What did he have in store? A troop of bad gals that hailed from Britain's pleasure piers. Cue faces painted on over stretch masks, eyesha-dow of epic proportions, wig hair to match; la-tex leggings, stiletto killer heels; candy stripes and sequin shorts, these were wild creatures of the night alright and they were inviting you for a dance on the disco dance floor. Lengths were lean for flares and jumpsuits, tailoring rendered in leather, and pennies making for a new take on a standard sequin.All to enjoy a great night. Let's dance. Yeahaa!

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CHINA MAKE_UP LONDON FASHION WEEK

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CHINA MAKE_UP LONDON FASHION WEEK

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MARKS & SPENCER

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