M 3 - Metaverse Live Music Publication

All Matters Of Music Because All Music Matters

Metaverse Live Music PublicationIs

sue

#2

Dec

08

RockstaR Rehab

Open Mic Directory

sounds Like hollywood Likes

My sound

tIp s & tRIcks:optimize Your broadcast sound

Guilty pleasures

the cars – Greg hawkes

cruising in the Metaverse

Editor's Note

A great many thanks to our readers for the amazing

response to our premier issue. We’ve seen that the

need and interest is here, and so we aspire to keep

raising the bar, & bringing you more interesting stories,

active resources, and big news in the developments of

live music in the metaverse.

As the magazine is developing to maturity, we

excitedly invite you to send us email suggestions,

comments, or to become involved in Music Matters

magazine production.

Have a very safe and happy holiday,

- Editor

Impressum

publisher Pat Insoo

senior editor Chapl Paisley

editor Andrew Hellershanks

art Layout & Design Kaela Kilara

contributors Andrew Hellershanks

Bibi Ballinger

Chapl Paisley

Jura Sheperd

Pat Insoo

Ditribution

Reslez

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5

Table of Contents

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33

37

Rockstar Rehab Try to make SL rockstars go to rehab and some will say “YES YES YES!”

chapl’s salon players Tea and talent gatherings in Chapl’s Home Salon are bringing classical excellence in to the Metaverse.

angels & alligators Zaphod Theas long awaited Debut CD Releases exclusively to the Second Life™ grid.

Guilty pleasures Take a warm heart, a well rounded free spirit and a dollop of devilishly witty satire; You’ve baked up Evamoon Ember

the soundmanTweaky, tweaky little Star. You want to shine bright as you are.

open Mic Directory Where to go. Breaking the Ice in this new medium

13the cars – Greg hawkes Cruising in the Metaverse

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19sounds Like hollywood Likes My sound Song by Second Life™ Star Winston Ackland to be Featured in Upcoming Major Motion Picture.

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with sitting areas and easy-going

music.It can be said that there are

similar areas in-world but Rehab was

created with an atmosphere of fun

yet sophisticated, casual charm in a

private and relaxing setting.

More ambitious guests can hanglide,

ride jetskis, drive dune buggies, or have

pogo stick races. Perhaps what makes

it unique is it unmistakably implied

purpose, weary rockstars can relax to

good tunes or have fun with all the

grown up toys that make SL fun

again. This feeling of belonging and

exclusivity is clearly what Rockstar

Rehab creator Sesi Ackland had in mind

as she built it: We all need to take a

break and relax, and rehab… well, why

shouldn’t musicians have a chance to sit

and chat with each other or laugh over

how ridiculous their avi looks jumping

on a giant bouncy toy. For most of the

musicians, Second Life™ is a constant

round of gigs and more gigs.

Everyone needs to be reminded that you

Second Life’s™ music scene may not

mirror the intensity of its terrestrial

counterpart, but it is no stretch to say

that many of the more popular artists are

some of the hardest working residents

in-world. Most Second Life™ veterans

of all walks will also acknowledge that

“taking a break,” from SL is simply not

an option. Often SL entertainers forget

to have fun in-world, their time spent

logged in is all business and their Second

Life™ quickly becomes a second job.

A break from SL does not always

cure the rocker blues as the worn out

crooners come back to the grid.

They need to find a balance between

the work and fun in-world and now

they have a place to do just that.

The realization of this need, along

with a dose of humor, was the

inspiration behind “Rockstar Rehab”.

Rockstar Rehab is gentle lapping waves

on a quiet beach, hide-a-way nooks

Rockstar Rehab

5

When Second Life becomes a Second JobBy Jura Sheperd

�

Rockstar Rehab may be closer to Club

Med than the Betty Ford clinic, but it

isn’t so far fetched to see it’s appeal.

SL music fans are only now getting used

to the idea that there are in-world rock-

stars but one can only guess what’s next.

Paparazzi? Bands trashing rented sky-

boxes? Scandalous celebrity tapes?

Let’s hope so.

can do anything you want here usually

with just a click of your mouse.

We seemed to be collecting a mix of

musicians here on Twas, quite by

accident. Winston Ackland and Xengu

Kurka live here and have used it as a

very large playground with plenty of

lounging areas. I noticed that when

Winston was tired of SL, it was because

he was signing on to do gigs and leaving.

Then he would find his next toy and

the joy again. Sooner or later, Linus

Radford began popping in to play with

toys and hang out with Winston and Xen

as well as several other very popular SL

musicians. I began talking to the rockers

and realized that SL had lost the spark

for them, it had been ages since they

laughed and it became very clear to me

what they needed. To prove my point,

I shot one with toilet paper guns until he

laughed and admitted it felt wonderful to

leave the SL responsibilities at the door

and muck it up.

We may sit and chat and shoot the

breeze or we may have dogfights in the

sky above Twas. Xengu and Winston

enjoy shooting each other out of the sky

in our bi-planes. All boys and girls enjoy

their toys. In fact I bought some ground

to air missiles so I could join in the fun.

You are famous in SL and we could care

less. Egos are checked at the door.

We are all just avatars in SL and you

better believe we’ll still launch you from

the avicannon we have. 7 �

“The affirmation I get from audiences when I play my violin in Second Life™ is very encouraging”

At Home with Chapl Paisley – Creator of Chapl‚s Salon Players

By Dakota Dreamscape

Sitting in Chapl Paisley’s real life salon –

her living room – is an immersive

experience. Her original art is every-

where and her home is the perfect

backdrop to enhance every piece.

In the center, the grand piano is the

heartbeat of her home. It is as much

a multi-media studio as a place to live.

This day we sit, sipping tea, the sun

streaming in endless windows which

face either the flowered terrace or

the Red River of the North. The piano

is strewn with electronic black boxes,

sound equipment and wires waterfall

onto the floor. Microphones are

forgotten casualties of a previous

magical moment.

“I can’t seem to get the sound quality

right”, Chapl says, giving the equipment

an over-the-shoulder, dismissive glare.

I want our Second Life™ guests to have

the best quality music available

when they come to our recitals. It’s

a challenge to conquer the multitude

of technical details necessary for good

sound. It’s the same thing with the

photo quality for my paintings. But I am

learning how to use the tools necessary

in each discipline”.

It is clear Chapl does this for the love of

the music. She explained her inspiration

to create Chapl’s Salon Players, “I am

a chamber music musician but I didn’t

want to base the group on just me.

My violin work is almost always collabo-

rative, so the idea of a salon (or chamber)

is a small venue and music played

with friends.”

From Chapl’s salon to her Second Life™

audience, she has brought a distinguished

group of partners who she knows per-

sonally. “I live in a community with a

vibrant music life. I play in the wonderful

symphony orchestra and therefore know

many musicians”.

“Through Chapl’s Salon Players I’ve

introduced to Second Life™ such musicians

as Wisdom Magic (piano), and Ndugu

9 10

Magic (violin) from our local symphony.

Both of these musicians play concerts

around the world, but are based in my

city. DonJose Highbrow teaches voice

at a college, concertizes, and is music

director of an opera company. He brings

his experience as a tenor who was on

the staff as a singer in NY at the Metro-

politan Opera Company. Diva Haystack

performs in opera and as a soloist with

symphony orchestras as well as being a

professor of music. MaryBeth Brimm,

is a professional musician, an organist,

cellist, pianist and teacher. Itzaka String

is a Ph.D. psychologist who majored in

violin in college and plays in the sym-

phony. Charity Zipper is the executive

director of an art theater and film

festival, who also majored in piano

performance. She and I have performed

around our community as a duo for more

than 12 years”.

When asked what about Second Life™

inspires her talents as an artist and

musician, she responded, “The world-

wide audience is so exciting, especially

for me since I do not live in a national/

international arts center. But I enjoy

seeing my paintings in Second Life™

because it gives me a new perspective

on them. I also can combine them with

other paintings which would not always

be easy in real life. I have more than 50

paintings uploaded into Second Life™.

Most of them are not within my reach

in real life because they belong to other

people now or they are in storage.

Playing violin in SL has helped me

recover from stage fright and has

taught me new attitudes about

performance. I love how Second Life™

audiences encourage me to work on

my art and my music.

As an example, I am learning a Ravel

sonata right now with extra excitement

because I want to bring it to Second Life™”.

When asked what SL residents can look

forward to in future performances, Chapl

paused, picked up her tea, and looked

out – far beyond the river. “When I start

a painting, I don’t always know where

it’s going to take me. But I just know that

I will bring a variety of performers to the

Salon Players in Second Life™ and I will

continue to perform myself, though not

in every program.”

It is no wonder she chose for her Master’s

thesis title, “The Sublime in Art, Music

and Literature,” In both real life and

Second Life music and color envelop

her guests.

11

“The artist aspires to create a kind of beauty with power to elevate the emotions, the spirit”

1�

For some, the thought of music played

on a ukulele may conjure up images of

Tiny Tim and strains of “Tiptoe Through

The Tulips”. Well, certainly not in the

hands of Greg Hawkes, a founder of

“The Cars” and “The New Cars”.

For this concert, at Pop Art Labs, Greg

left his usual keyboards at home.

Replacing the keyboards was a Ukulele,

an instrument he became hooked on

after receiving one as a gift from his

wife in 2001.

This music was not like Tiny Tim’s!

The Hawkes concert was performed at

Pop Art Labs in Moon Park (127, 64, 21),

which provides residents the opportunity

Greg Hawkes Live at PALby andrew hellershanks

“The Cars”

13 1�

Visit our parent site for more in music, metaverse news, community and artist directories

All Matters of Music,

as all Music Matters

to listen to some of the latest real life CD

releases and re-issues in their five music

domes. PAL is expanding their services

with the introduction of live concerts

and interviews with big name, real life,

recording artists! The first of these events

was held on Friday, December 12, when

PAL played host to a one hour, solo

concert by keyboardist Greg Hawkes.

The covers of Beatles’ classics may have

been the most surprising part of the

concert, but these were just some of

the songs Greg recorded for his latest

CD release titled “The Beatles Uke”

(on Solid Air Records). “The Beatles Uke”

contains fifteen instrumental versions

of Greg’s favourite Beatles’ classics

performed in the style of a Ukulele

orchestra created through the use of

multi-tracked recordings.

The audience was treated to music

ranging from “The Cars” classics,

to songs from his alternative band

“Fierce Tibetan Gods”, as well as

the Beatles classics. After sixty-plus

minutes, Greg concluded his set

thanking the audience, mentioning

it had been,

“A virtual pleasure”.

1�

Gaius Luminos, and Galaxy Productions represent Greg Hawkes in Second Life. His

official web site is http://www.greghawkesmusic.com/.

TV Production Credits

Pop Art Lab in cooperation with SLCN.TV presents Greg Hawkes

Producer/Host (SL): Claus Uriza, Pop Art Lab CEO

Inworld Artist Manager (SL): Gaius Luminos, Galaxy Productions

Artists, Boston (RL): Greg Hawkes, Cybersound Productions

Soundtech, Boston (RL): Perry Geyer, Cybersound Productions

Tech. Support (SL): Mankind Tracer

Host (SL): Persia Bravin, Pop Art Lab

Moderator & Stage+TV design (SL): Emily Hifeng, Pop Art Lab Officer

Inworld alt. Greg Hawkes (SL): Claus Furischer

Architecture (SL): Xray Haller

15 1�

About Winston Ackland

Winston Ackland is a singer-songwriter and seasoned

performer in Second Life™. Winston has been featured

on SLCN.TV’s “Tonight Live with Paisley Beebe“, in

SLexy, SL Newspaper and was a featured performer

at SL5B and Burning Life.

Contact:

Press Inquiries contact: Jura Shepherd

Booking and related info contact: Sesi Ackland

http://www.myspace.com/winstonackland

19

T´was, Second Life™ October 14, 2008 –

Popular SL™ music performer Winston

Ackland has finalized a deal with 20th

Century Fox Films to have his quirky

cover of Kurt Cobain’s “Lithium” included

in their upcoming movie “Marley & Me”.

News of the deal accelerates Ackland’s

plan to wade in to the mixed realities

of being a top performer in SL™, and a

recording artist in the natural world.

Opening Christmas day 2008, “Marley &

Me” is a comedy based on the memoir

of John Grogan and stars Jennifer Aniston

and Owen Wilson. Winston’s bossa nova

styled cover of “Lithium” was picked by

film editor Mark Livolsi to be in the first

draft in spring 2008 and has survived the

many cut stages to make it to post pro-

duction. The superstar music production

team at “Marley & Me” is credited

with a massive list of multi-platinum

soundtracks from titles like “Good Will

Hunting”, “There’s Something About

Mary”, “the Sex in the City movie”, and

“Devil Wears Prada”. With this pool

of talent, making a hit soundtrack for

“Marley & Me” is a near certainty.

During his nearly two years of living and

performing as a Second Life™ resident,

Winston Ackland has yet to reveal much

of his music profession in the natural

world. In preparation for increased

mainstream exposure, Winston and his

team are currently updating web infor-

mation and attending to administrative

details. When asked if he had mixed

feelings about blending realities, Ackland

says: “Yes, but given the circumstances

it’s inevitable. Here in SL, I’ll always

be Winston not that other guy” and

promises that the Winston that fans have

come to know is still very real and not

going anywhere.

Hollywood is HereBy Jura Sheperd

�0

Alligators

01 Turbononsense • 02 Still Alive • 03 Blackout • 04 Last Bitter Tear • 05 Give Me A Reason •

06 Waiting For The Day • 07 Hot Devil Rush Blood • 08 No-One To Love • 09 Anosognosia •

10 Back on the Rack • 11 Why Did You Never Believe Me? • 12 Start Again

Angels

01 The Vodka Advert • 02 Bubble • 03 Desperate • 04 Angel • 05 Everyday •

06 Knowing I Am Knowing You • 07 Good Times • 08 Flow Girl • 09 Hope You Learn •

10 This Is Your Love Song • 11 Why Did You Never Believe Me • 12 Sweetie •

13 Beautiful Love Song

Rocker Zaphod Theas is releasing a

double live album titled “Angels &

Alligators” in Second Life™ on 24th

November 2008. The album, containing

25 original tracks, is a major release in

the Second Life™ entertainment scene.

Having risen to become one of Second

Life™’s leading premiere artists, Zaphod

Theas became an instant hit when he

debuted in July 2007 with his original,

high-energy live electric rock showcase.

He has since taken the show to over

200 perfomances and now brings us a

complete compendium of his original

live works to date. “I wanted to give my

listeners access to the best of what I play

in SL”, says the 33 year old British rocker

(Allan Dawson).

The album is made up of two virtual

CD’s that can be played in SL. Disc one

“Alligators” contains 12 live electric rock

tracks that are definitive examples of

his dynamic creative work.

With guitar frenzied

explosions like “Back on

the Rack” and “Anosognosia”

through to orchestrated rock

anthems like “Start Again” and

“Why Did You Never

Believe Me?”, “Alligators”

packs a heavy punch and

carries you with catchy tunes through

a gripping ride. Disc two “Angels”

contains 13 live tracks from Zaphod’s

highly regarded acoustic unplugged

“This is a really exciting album to work on because it is the cumulation of a project that

has grown and developed in Second Life™!”

“Angels & Alligators“ Double Album in SL

�1 ��

Check out his TV station, 61 or myspace pages for a variety of previews:

Z Shaped Television - http://www.mogulus.com/zaphodtheaslive

Zaphod on 61 - http://www.thesixtyone.com/zaphodtheas

Zaphod’s Myspace - http://www.myspace.com/zaphodtheas

Zaphod’s music can be purchased in SL at various locations including:

Laurel Arts Isle (187,254,21), The Foundry, (19.35,28),

Trax Live Music Resource center

concerts, amply demonstrating his softer

side without compromising on diversity.

Anger driven quips such as “Hope You

Learn”, “Sweetie” and “The Vodka

Advert” keep the hard edge up on this

album, while timeless ballads such as

“This Is Your Love Song”, title track

“Angel” and a rare piano performance

of “Beautiful Love Song” capture the

imagination and shape it like a flower.

This double album is an emotional

journey through all corners of life.

“I wanted people to meet my Angels

and my Alligators” says Zaphod, “and

I think this album allows them to do

that from the comfort of their stereo

speakers. The album is in the most part

a biographical reflection of my own life

and features a range of songs from my

�3

mid teens, through my twenties as a

struggling musician right up to the

present day.” The album format is the

brain child of Bones Writer, who has

developed a music store at TRAX Music

Resource Center. Trax has become

popular with many musicians in SL

and is enjoying encouraging success.

Several dozen artists have commissioned

their albums with Bones’ format, but

“Angels & Aligators” is a custom project,

“This double album has been exciting to

work on ,says Bones, “Because it has

allowed us to push the boundaries of

what can be achieved with the TRAX

album format, and do something a bit

more unique”.

��

EvaMoon Ember’s music is like a Las Vegas smorgas-

bord. A luscious feast of jazz, torch, hip hop, rock and

country, Eva spices it up with bawdy humor, political

commentary and the absurdities of life. Add some

champagne with a beer chaser and you’ve got one of

her shows. Oh, and if you look closely at the dessert

table, you might find Eva sitting in the middle eating all

the chocolate!

“Eva Moon skewers romance, sex, high tech and pop

culture with smart, funny original songs. It’s a tasty

blend of jazz, Funk and Comedy. Think: Sheryl Crow

meets Lily Tomlin,” or so says her profile. Her act is a

comic jazz journey in the company of terrorist cats,

Nigerian bank managers, sexy UPS guys, psychotic

baristas and more. The tone continues in the 1st life

section: “Imagine your brain is an enormous Costco

and the shelves are stocked with everything you’ve

ever experienced. There it all is – dinosaurs, baristas,

RVs, Nigerian scammers. Each memory in its own

spot on a shelf. Now imagine the Costco has been hit

by a tornado. Chaos ensues. The floor is a toxic swirl.

Random, unrelated items collide. Everything is gooey

with libido (it’s a well – stocked item). A call goes out

Guilty Pleasuresby Bibi Ballinger

��7

it’s hard to be fresh. Not so with songs

about renegade RVs, vibrators, spam or

Wall Street bailouts.”

“Getting gigs in RL can be a challenge.

People don’t go out so much anymore,

so competition for audiences is rough.

SL provides a way to reach the very

people who would like my songs but

can’t go out often – intelligent adults.

I haven’t found a better way than SL to

really reach out to a global audience

before. A few years ago I was heavily

involved in internet radio, but there are

a million stations with a dozen listeners

each. It’s hard to make any headway and

it’s all one way. In SL, it’s two – way –

more like performing, which is what

I love. It’s not just about the music. It’s

about interaction with the audience.

to the songwriter, who arrives in hip

boots with a push broom and begins the

arduous task shoving the whole stinking

mess down the drain.”

“A friend invited me into SL,” says

Ember. “I was lost at first and then when

I found the live music scene

I was intrigued but not sure it was

something I could do. I’m a band girl

– not a soloist – and I knew I couldn’t

get the whole band into it. But in the

end it was irresistible.”

EvaMoon started with gypsy music…

“I started writing songs a few years ago

while the gypsy band was on hiatus and

I was restless for something musical to

do. It was the first time I really ever sang

in English, even though it’s my native

language. I had to start a new band in

order to perform the new songs.

We have gone through a few changes

of personnel but it’s been the five of us

in Eva Moon & the Lunatics for several

years now and we’re really starting to

find our sound. From her start, EvaMoon

Embers’ music was always fun and

controversial and she wanted to try

everything. “The biggest complaint I get

from critics about my first CD is that

it’s too eclectic. No two songs have the

same style. But I’ve always loved humor

and shied away from conventional topics.

When it comes to tender love songs,

30�9

Avatar Hangout » 24

Cypernetic Art Research Project (CARP) » 17

DreamSphere » 38

Kaelaidoscope » 1

MOM » 15

Advertiser Index

Moondoggirl » 40

Ravenlong Productions » 39

RPM Challenge » 25

Taj Hejem III » 41

The Stream Team » 32

That’s where the fun is. “The best thing

any artist can do in RL or SL is be a part

of the community – network, support,

help out, hang out.”

“Unless the platform changes radically,

SL will always be a niche world. With

small audience capacity and lag, there’s

not enough impact to draw big name

artists. But I think that’s a plus for the

music scene. RL is being eaten up by

Clear Channel, focus groups and mass

marketing. It’s nice to think there is

a place for the quirky small act. The

biggest thing that would help the music

scene in SL is getting the word out that

it’s there. Artists and venues are nothing

without audiences!”

“Playing at different times of day in SL

is like taking a little world tour; midday

here in Seattle is the start of the evening

in Europe. Mornings are for Australia and

Asia. I could try to do a RL gig at 11 am

on a Tuesday, but who would show up?

I can play naked. Disadvantages? I miss

playing with my band. The interaction

between the musicians – all of them – and

the audience really ups the energy and fun

at any show. And my Lunatics definitely

know how to crack me up. SL has only

gotten the barest taste of that.”

EvaMoon Embers RL family and friends

are amused, puzzled, tolerant.

“My husband has played with me in SL

a few times, but it’s not something he

loves to do. The rest of the band seem

willing enough to give it a try sometime as

long as it doesn’t interfere with RL. Mostly

people think it’s kinda oddly cool.”

http://evamoon.net,

http://balkanarama.com,

http://evamoon.net/blog

More about Eva:

3�31

GG

G G G

For the listener, each unorchestrated sound tears at the fabric of your music, and

the flavor of the delivery. It is a live show, the utmost effort ought be taken to

ensure that on delivery, your sound shines every bit as bright, as it does in your

studio. Overlooking this fact can render tarnish on the most brilliant of artist.

Be aware, and Shine on metaverse stars!

Happy Holidays

The Sound Man

The Soundman, a column dedicated to music production

over the internet. If you have any questions or problems

setting up equipment to play live music in SL, this is the

place to ask for help.

http://mattersofmusic.com/theforums

Remember, each listener is unique. Many of them too, have gone to great lengths

with their sound setup, to ensure that they are getting the full quality of the shine

you are broadcasting.

In light of this, there are a few things left, to mark on the checklist

THE SOUNDMANYou have your sound levels set, you have landed a gig, you are at the venue, stream is tested and you are 2 minutes from stage call. What else could there possibly be, for the sound Man to tell you about?

Skype, MSN etc should be closed, or have all sounds disabled

In world sounds should be turned down. ie voice, sounds, ui, media, music

Close any programs you dont need running that may slow down the computer or internet.

Telephones should be unplugged, cell phones turned off (or active in another room)

Set up your playing area in a quiet part of the house, so background sounds are minimized.

Kids and dogs sent out, doors closed etc.

33 3�

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Cylindrian Rutabaga

Book your Special Holiday Concert today.ee

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Click info tab for details3�

Open Mic DirectOry

SUNDAY

Aquastar Ballroom

Time: 1-4 pm SLT

Genre: All

Run by: Shellie Boucher

http://slurl.com/secondlife/

Dozer/85/44/38

Shooting Star

Time 9 -11 am SLT

Genre: All

Run by: Ann Wunderland


Live%20Music/182/169/23/

Merry Prankster Called Pickers Party (Pass the Mic)

Run by: Diana Singh

Time: 7 - 12 pm SLT

Genre: All

Run By: Creola Deledda, Zany Xevious

http://slurl.com/secondlife/Prankster

%20Isle/130/129/56

Wild Rose

Time 9 -11 am SLT

Genre: All

Run by: Harmonie Weitman


Iowa/131/75/28

Open Mic Venues listed by Day of the

week. All times areSecond Life™ Time

(SLT). This list is correct at time of

printing and will be updated regularly.

Contact us for sumissions, corrections,

questions and for… Advertising!

Merry Prankster

1737

Wild Rose

TUESDAY Merry Prankster

Time: 7:30 - 10 pm SLT

Genre: All

Run By: Creola Deledda, Zany Xevious

http://slurl.com/secondlife/Prankster

%20Isle/130/129/56

MONDAY Tantalus (Beach Stage)

Time 11 am - 8 pm SLT

Genre: All

Run by: Shrike Rossini or Bubbles Lurra


Fusion%20Worlds/92/72/22

Mediaculture

Run by: AngleFireDagger

Time: 1 pm- 3 pm

Genre all

http://slurl.com/secondlife/mediacul-

ture/157/26/22

Tantalus

1739

SATURDAY

FRIDAY Carver’s Cove

Time 1 - 3 pm SLT

Genre: All - 30 minute slots

Run by: Alexa Sideways

Formal Dress


UNIVERSAL%20ADVERTISIN/

169/203/22

Carver´s Cove

THURSDAY

WEDNESDAY Wild & Wacky Wed. Open Mic @ The Double Olive

Run by: Nessa Rose Radek

Time: 7am-12pm

genre: all

http://slurl.com/secondlife/Urie-

as/35/131/30

Your

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