Lyon & Turnbull Adrian Wiszniewski retrospective catalogue

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EDINBURGH Wednesday 25th August 2010 33 Broughton Place Edinburgh Adrian Wiszniewski: The Studio Sale

description

Photographic work produced for auction house Lyon & Turnbull for their retrospective sale of paintings by Adrian WISZNIEWSKI

Transcript of Lyon & Turnbull Adrian Wiszniewski retrospective catalogue

EDINBURGH

Wednesday 25th August 201033 Broughton PlaceEdinburgh

Adrian Wiszniewski:The Studio Sale

Catalogue: £10

BUYERS’ PREMIUM25% up to £25,00020% thereafter.VAT will be charged on the premiumat the rate imposed by law.*17.5% VAT chargeable on the lot itself†5% import VAT on the lot§Droit de Suite (artists’ resale rights) applies(see our Terms and Conditions of Sale andInformation for Buyers).

Wednesday 25th August 2010at 11am

Sale Number LT294

ViewingFriday 13th August 10am - 5pmSaturday 14th August 10am - 4pmSunday 15th August 2pm - 5pmMonday 16th August 10am - 5pmSunday 22nd August 2pm - 5pmMonday 23rd August 10am - 5pmTuesday 24th August 10am - 5pmMorning of sale strictly by appointment only

SpecialistsNick [email protected]

Elena [email protected]

Ben [email protected]

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Adrian Wiszniewski:The Studio Sale

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L Y O N & T U R N B U L L

Important informationfor buyers

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Adrian Wiszniewski made his name as the most versatile anddistinctive of the famous New Glasgow Boys who led therevival of figurative painting in Scottish art during the 1980s.Their international standing was confirmed in 1987 withexhibitions worldwide, plus the acclaimed Edinburgh Festivalexhibition, 'The Vigorous Imagination' held at the ScottishNational Gallery of Modern Art.

Even seen from my current New York perspective, the glorydays of the New Glasgow Boys remain a highpoint. They gavecontemporary Scottish art a vital injection of ambition andenterprise. Yet it would have been all too easy for a key playerlike Wiszniewski to sit on his laurels. Happily, almost a quartercentury later, he continues to go out on a limb.

Wiszniewski is celebrating with an Edinburgh Festivalretrospective exhibition and auction. He has reason. His workis in 33 major museum collections, including New York’sMuseum of Modern Art and the Tate London. It's his silverwedding anniversary this year. His three children aged 16 to 23,are flourishing. He has just published his third book, 'Stone,'and one of his three plays, 'The Girl, The Boy and The Hag',appears at Pitlochry Festival Theatre.

So what is a painter doing in the theatre, you ask?Wiszniewski's gift is his fearless versatility. He loves toexperiment, explore, surprise. "I don't want to be locked awayin the studio. I need to communicate. I love collaboration;working with people with different skills. I learn so much thatway."

In exercising different muscles, Wiszniewski has hoppedaround from his characteristic, much loved paintings toneon, tapestry, ceramics, textiles, rugs, furniture, interiorsdesign, printmaking, ("I've always thought art should beuseful,") and laterly to novels, performance pieces and plays,Yet however challenging or adventurous the medium, there isno mistaking the hand. His work remains distinctivelyWiszniewski.

I first met Adrian when he was still a student at GlasgowSchool of Art. Even then he was ready to change horses inmidstream, moving from a four year architecture degree to adegree in Fine Art which he completed in 1983. Already hisbold and vibrant pictures of languid young men inhabitingdreamlike Arcadian settings were impressive. ForWiszniewski's paintings combine the appealing innocence ofdelicate visual poetry with strong, decorative, lineardraughtsmanship. Thus he hints at Britain's long tradition ofromantic art while nevertheless, his work is completely

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contemporary, totally of today. When I was asked to curate thegroundbreaking Vigorous Imagination exhibition, Wiszniewskiwas among the first to be invited.

The works included in this exciting exhibition sale range from astudent charcoal drawing from 1982 to large scale, museumquality pictures, such as 'Crucifixion,' never shown before.Many titles reflect the Wiszniewski wit and his love of puns.One glowing neon is called, 'If in doubt use Black' while a 2canvas diptych 'Black & Blue' tackles an act of violence where,he explains, "Colour and content come together."

So what next? "I have a filmscript and a novel all ready, plusI'm hoping to collaborate on a ballet. As the studio is bare, Ican also get back to my painting. But now I'm off to play five aside football." At 52, one can but admire Wiszniewski'sundiminished determination to do it all!

Clare HenryJuly 2010, New York

Adrian Wiszniewski

1 EAA222/66ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)YELLOW SHIRTSigned with initials, oil pastel

20cm x 15cm (8in x 6in)

£500-700

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2 EAA222/67ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)SEATED GIRLMixed media

36cm x 24cm (14in x 9.5in)

£400-600

3 EAA222/12ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)LADY WITH FLOWERSigned with initials and dated‘04, acrylic on canvas

85cm x 60cm (33.5in x 23.5in)

£3,000-5,000

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4 EAA222/13ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)SEACollage and oil pastel

42cm x 30cm (16.5in x 11.75in)

Note:This and the subsequent work datefrom 1998. They were designs forfluorescent rugs produced for‘Homes for the future,’ Glasgow -City of Architecture and Design

£500-700

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5 EAA222/14ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)ROCKCollage and oil pastel

42cm x 30cm (16.5in x 11.75in)

£500-700

6 EAA222/74ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)VISUAL POETInscribed verso, oil on canvas

152cm x 127cm (60in x 50in)

£4,000-6,000

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7 EAA222/63ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)GIRL AND HORNSigned, pen and ink

57cm x 41cm (23.5in x 16in)

Exhibited:Nigel Greenwood Gallery, London

Note:This work dates from 1988

£600-800

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8 EAA222/60ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)SMOKING 11Signed, charcoal

58.5cm x 41cm (23in x 16in)

Exhibited:Nigel Greenwood Gallery, London

Note:This work dates from 1988

£800-1,200

9 EAA222/49ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)SELF PORTRAIT WITH EASELBiro

183cm x 140cm (72in x 55in)

Exhibited:William Hardie Gallery, AdrianWiszniewski 1994, no.9

Note:The arist recalls using over ahundred biros in the creation of thiswork

£3,000-5,000

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10 EAA222/51ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)READING MUSESigned with initials and dated‘89, acrylic on paper

145cm x 213.5cm (57in x 84in)

Exhibited:Galerie Fortlaan 17, Ghent, Belgium

£3,000-5,000

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11 EAA222/52ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)LOOKING BACKSigned on the backboard,acrylic on paper

214cm x 145cm (84in x 57in)

Exhibited:Galerie Fortlaan 17, Ghent, Belgium

£3,000-5,000

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12 EAA222/61ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)DOWNFALLSigned and dated ‘87, acrylicon paper

57cm x 40cm (22.5in x 15.75in)

Exhibited:Nigel Greenwood Gallery, London

£300-500

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13 EAA222/65ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BOY IN BLUEOil pastel

25cm x 16cm (9.75in x 6.25in)

£500-700

14 EAA222/7ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)STILL LIFESigned and dated ‘05, acrylicon canvas

84.5cm x 60cm (33.25in x 23.5in)

£1,000-2,000

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15 EAA222/31Wiszniewski, AdrianFor Max. London: ParagonPress, 1998. Folio, number 71of 100 copies, signed by theartist, 25 linocuts plusfrontispiece, original clothfolio and slipcase byPerstella, a fine copy

£400-600

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16 EAA222/59ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)IF IN DOUBT USE BLACKNeon and perspex

61cm x 91cm (24in x 36in)

Exhibited:Fruitmarket Gallery, Edinburgh,Adrian Wiszniewski Retrospective -New Work, 1990Talbot Rice Gallery, EdinburghUniversity, Edinburgh Festival 1996Galerie Fortlaan 17, Ghent, Belgium196‘t Elzenveld Sint-Jorispond,Antwerp,1997

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Note:Wiszniewski started using neon in1989 as an antidote to his heavilyworked canvases and as a verydirect means of communicating to anew audience. Duncan Millercomments in his introduction toWilliam Hardie’s 1994 exhibition :-’Neon signs are composed of colourand line, the two most basicelements of the language of westernpainting. In Wiszniewski’s neonworks colour and line are ascompletely alive as in any painting,yet they are freed from the burden ofartistic ‘self-expression’ by the waythey are reduced to mechanicalform. Works like these are a new,technological version of thatidealism which links Matisse’s papercut-outs to the neo-classicaltradition.

£500-800

17 EAA222/30Brown, George Mackay - Bellany,John - Wiszniewski, Adrian -Howson, Peter - Mclean, BruceThe Scottish Bestiary. London:Paragon Press, 1986. Folio, one of 15copies [of an overall edition of 75],signed by author & artists, with 20plates by John Bellany, StevenCampbell, Peter Howson, Jack Knox,Bruce McLean, June Redfern &Adrian Wiszniewski, loose as issuedin original cloth portfolio and slipcase

£800-1,200

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18 EAA222/46ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)ONE MAN BETWEEN TWOTREES AND FOURBRANCHESSigned with initials and dated‘95, oil on canvas, unframed

183cm x 183cm (72in x 72in)

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Exhibited:Talbot Rice Gallery, EdinburghUniversity, Edinburgh Festival 1996,Illustrated p.97Galerie Fortlaan 17, Ghent,Belgium 196‘t Elzenveld Sint-Jorispond 1997

Note:The background to the painting wassubsequently changed from greento black

£3,000-5,000

19 EAA222/55ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)LITTLE PITCAIRNPaper cut out

58cm x 40cm (22.75in x 15.75in)

Note:This is one of twelve original designsfor a series of twelve bannersproduced for Cleveland Arts,Middlesborough in 1995. (see alsolots 20,25 &26)

£600-800

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20 EAA222/56ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)NEWFOUNDLAND NORTHISLANDPaper cut out

58cm x 40cm (22.75in x 15.75in)

£600-800

21 EAA222/11ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BATHERS BENEATH A POPPYSKYSigned with initials and dated‘05, acrylic on canvas

85cm x 60cm (33.5in x 23.5in)

£1,500-2,500

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22 EAA222/9ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BABY CHAOSSigned with initials and dated‘94, pen and ink andwatercolour

23cm x 15cm (9in x 6in)

£700-900

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23 EAA222/8ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BEACH BOYSSigned with initials and dated‘94, pen and ink andwatercolour

27cm x 18cm (10.5in x 7in)

£500-700

24 EAA222/43ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)GISELLESigned with initials and dated‘06, acrylic on canvas

65cm x 51cm (25.5in x 20in)

£1,000-1,500

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25 EAA222/58ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)MARLON BRANDO’S PRIVATEISLANDPaper cut out

58cm x 41cm (22.75in x 16in)

£600-800

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26 EAA222/57ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)ATLANTISPaper cut out

59cm x 41cm (23.25in x 16in)

£600-800

27 EAA222/47ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)DOUBLE HELIXSigned with initials and dated1997, acrylic on canvas,unframed

200cm x 200cm (98.75in x 98.75in)

£5,000-8,000

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28 EAA222/25ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)THE SIXTH STATION -ILLUSTRATION 6Signed with initials and dated‘95, pen and ink

23.5cm x 14.5cm (9.25in x 5.75in)

and three others from thesame set illustrations 2,5 & 3(4)

Exhibited:Talbot Rice Gallery, EdinburghFestival Show, A man tied up in hisown composition, 1996Galerie Fortlaan 17, Ghent,Belgium, 1997

Note:These were illustrations to GeorgeMackay Brown’s book of the sametitle written in 1995. The book waswritten in response to acommission from Giles Gordon onbehalf of Clarion Publishing, asmall enterprise dedicated toproducing finely designed books ofnew poetry and short storiesaccompanied by commissionedillustrations in limited editions atprices within the range of mostpeople’s pockets.

£800-1,200

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30 EAA222/10ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)THE RAPESigned, watercolour

33cm x 49cm (13in x 19.25in)

£500-800

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29 EAA222/33ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)THE ACROBATSSigned and inscribed, mixedmedia

44cm x 63cm (17.25in x 24.75in)

Exhibited:Nigel Greenwood Gallery, London

Note:This work dates from 1984

£800-1,200

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31 EAA222/37ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)MAN WITH FLOWERSigned and dated 2009 (begun1990), oil on panel

214cm x 44cm (84in x 17.5in)

£3,000-5,000

32 EAA222/72ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)MALE HEADSigned with initials and dated‘90, painted bronze

44cm (17.25in) high

Note:On leaving the architecture course atGlasgow School of Art Wiszniewskioriginally thought of studyingsculpture. Faced with producing aportfolio quickly paintings anddrawings proved a morestraightforward solution and hegraduated in that discipline. Thisbronze was cast with four differentpatinas at the Powerhall Foundry inEdinburgh. Wiszniewski painted thisexample before burying it in thegarden for five years to achieve therequired effect.

£1,500-2,000

33 EAA222/45ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)THE MAKING OF THE SYNOPTICSSigned and dated 1994, oil oncanvas, unframed

183cm x 183cm (72in x 72in)

Exhibited:Galerie Fortlaan 17, Ghent, Belgium

£5,000-7,000

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34 EAA222/54ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)DOWN AND OUTNeon and perspex

152.5cm x 152.5cm (60in x 60in)

£1,000-1,500

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35 EAA222/4ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BLACK AND BLUESigned and dated ‘96, oil oncanvas, unframed

200cm x 200cm (78.75in x 78.75in)

overall in two canvases

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Exhibited:Talbot Rice Gallery, EdinburghUniversity, Edinburgh Festival 1996,Illustrated p.90Galerie Fortlaan 17, Ghent, Belgium196‘t Elzenveld Sint-Jorispond 1997

£2,000-4,000

36 EAA222/42ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)INNER SPACESigned with initials and dated‘94, pen and ink

25cm x 16cm (9.75in x 6.25in)

Exhibited:Galerie Fortlaan 17, Ghent, Belgium

£400-600

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37 EAA222/64ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)WATERFALLInk, signed and inscribed

83cm x 58cm (32.5in x 22.75in)

Exhibited:Nigel Greenwood Gallery, London

Note:This work dates from 1988

£300-500

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39 EAA222/3ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)ITALIAN POP STARSigned with initials and dated‘99, oil on canvas

40cm x 30cm (15.5in x 11.75in)

£1,000-1,500

38 EAA222/6ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)DAWNSigned, inscribed and dated1987, hand decorated ceramicbowl

29cm (11.5in) diam.

Note:Wiszniewski worked with RobertReid at Glasgow School of Art wherethis piece was fired. He produced anumber of hand decorated bowlsand jugs during the late 80s.

£200-400

40 EAA222/15ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)JAPANESE RIVERBANK IMonotype, signed and dated‘92

76cm x 46cm (30in x 18in)

£300-500

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41 EAA222/39ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)JAPANESE RIVERBANK IIMonotype, signed and dated‘92

76cm x 46cm (30in x 18in)

£300-500

42 EAA222/73ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)TROUBLED LANDSCAPESigned and dated ‘91, oil oncanvas, unframed

183cm x 183cm (72in x 72in)

Exhibited:Galerie Fortlaan 17, Ghent, BelgiumWilliam Hardie Gallery, AdrianWieszniewski, 1994, no.29

£3,000-5,000

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43 EAA222/35ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)MOTHER AND CHILDOil on canvas

96cm x 46cm (37.75in x 18in)

Note:This work dates from 1995

£1,000-2,000

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44 EAA222/5ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)GALAHADSigned and dated ‘06, oil oncanvas

50cm x 38cm (19.75in x 15in)

£1,000-1,500

45 EAA222/2ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)LOST IN THE HEART OFAFRICASigned and dated ‘94, oil oncanvas, unframed

214cm x 122cm (84in x 48in)

Exhibited:William Hardie Gallery, AdrianWieszniewski, 1994, no.15

£2,000-4,000

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46 EAA222/32Wiszniewski, AdrianHarlequin series. London: Paragon Press, 1991. Folio, number14 of 30 copies, 10 prints each signed and limited by the artistin pencil, one of twenty sets including title and colophonleaves, tissue guards, original cloth portfolio by CharlesGledhill, a fine copy

£500-800

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47 EAA222/29ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)THE SIXTH STATIONSigned with initials and dated ‘95,pen and ink and coloured pencil

23cm x 14cm (9in x 5.5in)

Exhibited:Talbot Rice Gallery, Edinburgh FestivalShow, A man tied up in his owncomposition, 1996Galerie Fortlaan 17, Ghent, Belgium, 1997

Note:This was for an illustration to GeorgeMackay Brown’s book

£600-800

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48 EAA222/41ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BIRD TAMERSigned with initials and dated‘04, mixed media

19cm x 13cm (7.5in x 5in)

£300-500

49 EAA222/36ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BUNGEE JUMPERSigned and dated ‘95, pen andink and watercolour

74cm x 55cm (29in x 21.5in)

£800-1,200

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50 EAA222/62ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)CERAMICISTSSigned with initials, oil pastel

71cm x 50cm (28in x 19.5in)

£600-800

51 EAA222/53ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)SHAFTEDSigned with initials and dated‘93, acrylic on canvas, unframed

214cm x 214cm (84in x 84in)

Exhibited:William Hardie Gallery, AdrianWieszniewski, 1994, no.25

£2,000-4,000

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52 EAA222/1ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)FIGURE IN A LANDSCAPE -COMING HOMEOil on canvas

46cm x 35.5cm (18in x 14in)

Exhibited:Rex Irwin Gallery, Sydney, Australia,1995 no.8

Note:This work dates from 1988,

£800-1,200

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53 EAA222/50ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)VERONICASigned with initials and dated‘83, charcoal

153cm x 103cm (60in x 40in)

Exhibited:Post-Graduate Show, Germinations,1983

£800-1,200

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55 EAA222/68ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)RUG DESIGNOil pastel and paper cutout

54cm x 54cm (21.25in x 21.25in)

Exhibited:Galerie Fortlaan 17, Ghent, Belgium

Note:This work dates from 1996

£400-600

54 EAA222/34ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)COTTAGE CREAMSigned with initials and dated‘96, acrylic on canvas,unframed

200cm x 100cm (78.75in x 39.5in)

Exhibited:Talbot Rice Gallery, EdinburghUniversity, Edinburgh Festival 1996,Illustrated p.92Galerie Fortlaan 17, Ghent, Belgium196‘t Elzenveld Sint-Jorispond 1997

£1,000-2,000

56 EAA222/71ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)MARLON BRANDO’S PRIVATEISLANDDouble-sided flag

230cm x 152cm (90.5in x 60in)

Note:This banner was produced as part ofthe Newleafland flagscommissioned by Cleveland Arts,Middlesborough (see also lot 57)

John Cairns in his assessment ofthe Middlesbrough Projectssuggests that 'With imagery that

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57 EAA222/70ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)LITTLE PITCAIRNDouble-sided flag

230cm x 152cm (90.5in x 60in)

£500-700

combines complexity withaccessibility and forms that providefunction with an outrageous senseof decoration ... the distinctionbetween art produced within thecontext of a gallery space and thatwhich exists in the public domain isincreasingly less clear, not only canthe visual arts assist aestheticallywith urban design but the builtenvironment can provide aninspiration and audience unavailablewithin the confines of a galleryspace'

£500-700

58 EAA222/69ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)WELL HUNGCarpet

445cm x 200cm (175in x 78.75in)

Exhibited:Galerie Fortlaan 17, Ghent, Belgium1999

Note:This carpet was woven by theEdinburgh Tapestry Company at theDovecote Studios in 1999 for ‘Homesfor the Future’

£2,000-3,000

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59 EAA222/48ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)LOST IN SPACESigned and dated 1997,acrylic on canvas, unframed

200cm x 200cm (98.75in x 98.75in)

£5,000-7,000

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60 EAA222/44ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)BLASTInscribed, oil on canvas, unframed

249cm x 201cm (98in x 79in)

Exhibited:Walker Art Gallery, Liverpool 1988, no.25Galerie Fortlaan 17, Ghent, Belgium

Note:This painting dates from 1987

Note:This painting takes its title from Blast themagazine produced by Vorticists in 1914

£8,000-12,000

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61 EAA222/75ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)CRUCIFIXIONGouache on paper

152.5cm x 101.5cm (60in x 40in)

Note:This work dates from 1985 and hasnot been exhibited

£4,000-6,000

END OF SALE

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Solo Exhibitions

2009 Adrian Wiszniewski, new work, Robert Sandelson Gallery, London2009 Adrian Wiszniewski, Retrospective, 108 Fine Art, Harrogate.2009 Adrian Wiszniewski, Open Eye Gallery, Edinburgh.2008 Invited Artist, Pittenweem Arts Festival.2007 Adrian Wiszniewski, Glasgow Print Studio , Glasgow.2007 Adrian Wiszniewski, Open Eye Gallery, Edinburgh.2007 Adrian Wiszniewski, Gerber Fine Art, Glasgow.2005 Adrian Wiszniewski, Henshelwood Gallery, Newcastle.2005 Adrian Wiszniewski, Glasgow Print Studio Gallery, Glasgow2005 Adrian Wiszniewski, Open Eye Gallery, Edinburgh.2003 Netherlandische, Festival Exhibition, Edinburgh Gallery.2002 Dream On, Glasgow Print Studio Gallery, Glasgow1999 Last Painting Exhibition, Edinburgh Festival1999 Well Hung, Galerie Fortlaan 17, Ghent, Belgium1999 No Futurism, Myles Meehan Gallery, Darlington1998 E-Pix, Glasgow Print Studio Gallery, Glasgow1998 Excellent, The Fringe Gallery, Castlemilk1997 Lost in Space, Boukamel Gallery, London1997 Adrian Wiszniewski, Retrospective at t’Elzenveld, Sint-Jorispand, Antwerpen, Belgium1997 A Man Tied Up In His Own Composition, Galerie Fortlaan 17, Ghent, Belgium1996 A Man Tied Up In His Own Composition, Talbot Rice Gallery, Edinburgh Festival Show1996 New Leaf, Northern Print Studio, North Shields, England1995 Adrian Wiszniewski, Rex Irwin Gallery, Sydney, Australia1994 A Midsummer Nights Dream, Barbican Centre, London1993 Sex and Matisse, Glasgow Print Studio, Glasgow and Hunt Jennings Gallery, London1993 This Happy Void, Galerie Fortlaan 17, Ghent, Belgium1992 Empty Vessels I&II, William Jackson Gallery, London1992 Dynasty Series, Bar 10, Glasgow1991 The Secret Garden, Installation, Kelvingrove Museum, Glasgow1991 Twelve Stations, Oriel Mostyn, Llandudno, Wales and Aberdeen Art Gallery and Museum1991 New Work, Galerie Fortlaan 17, Ghent, Belgium1990 Adrian Wiszniewski, Nigel Greenwood Gallery, London1990 Adrian Wiszniewski, Gallery Aries, Tokyo, Japan1990 Adrian Wiszniewski Retrospective, Fruitmarket Gallery, Edinburgh1989 Adrian Wiszniewski, Rex Irwin Gallery, Sydney, Australia1989 Adrian Wiszniewski, Galerie Fortlaan 17, Ghent, Belgium1988 Adrian Wiszniewski, Nigel Greenwood Gallery, London1988 Adrian Wiszniewski, Glasgow Print Studio Gallery1987 Adrian Wiszniewski, Walker Art Gallery, Liverpool1986 Adrian Wiszniewski, Walker Art Gallery, Liverpool1985 Adrian Wiszniewski, Nicola Jacobs Gallery, London1984 Adrian Wiszniewski, A.I.R. Gallery, London1984 Adrian Wiszniewski, Compass Gallery, Glasgow

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Public Collections

Arts Council of Great BritainLibrary of Congress, Washington, U.S.A.Gulbenkian Foundation, Lisbon, PortugalMuseum of Modern Art, New York, U.S.A.Walker Art Centre, Minneapolis, U.S.A.Victoria and Albert Museum, LondonKelvingrove Art Gallery, GlasgowMetropolitan Museum, New York, U.S.A.Walker Art Gallery, LiverpoolSouthampton City Art Gallery, SouthamptonScottish National Gallery of Modern Art, EdinburghTate Gallery, LondonUniversity of LiverpoolStrathclyde University, GlasgowDundee Art Gallery, DundeeAberdeen Art Gallery, AberdeenThe British CouncilMiddlesbrough Art Gallery, MiddlesbroughThe Glasgow Collection, GlasgowSetagaya Museum, Tokyo, JapanNew York Public Library, New York, U.S.A.Scottish Arts CouncilMcLaurin Art Gallery, AyrLaing Art Gallery, NewcastleGlasgow UniversityGallery of Modern Art, GlasgowWhitworth Art Gallery, ManchesterScottish National Portrait Gallery, EdinburghCity Arts Centre, EdinburghWolverhampton Art Gallery, WolverhamptonYale Centre for British Art, New Haven, U.S.A.The British Museum, LondonThe Glasgow (Design) Collection, GlasgowPallant House Gallery, Chichester

Commissions and Projects

1987-90 Designed series of 5 covers for Heinemann Press, African Writers series.1990 Designed Tapestry “Through the Garden Wall” for Edinburgh Tapestry Co.1992 Lux Europa. Design of 12 Structures using steel, painted aluminium and neon for

Princes Street, Edinburgh, to coincide with the European Summit.1993 Designed Print for the Scottish National Gallery of Modern Art - Scotrail.

Designed the “Dynasty Series” - 6 limited edition rugs for the Edinburgh Tapestry Co.Received the I.C.C.F. Best Design Award in New York.

1994 “A Midsummer Nights Dream” - Folio of 6 Lithos, for the Barbican, London.1995 Painting for Glasgows Royal International Concert Hall.

Triple Portrait for the Scottish National Portrait Gallery.Illustrated “The Sixth Station” by George Mackay Brown, for Clarion Publishing.Co-Curator of Bad Blood, an exhibition for The Glasgow Print Studio Gallery.(Winner of the Paper Boat Award.)

!995-6 Two Paintings for Liverpool Cathedral, for the Jerusalem Trust.Middlesbrough Projects : Design of Mosaic - Public Furniture - Steel Frieze - 12 FlagsSculpture Court - 6 Windows - Neon Installation.

1996 Glasgows Gallery of Modern Art - Design of Cafe - Murals - Light Boxes - Stained Glass- Neon Pieces.Designed Wallpaper for Glasgow Design Festival.Artwork for films “ The Slab Boys” and “Beethoven”.

1997-8 Painting for Art in Hospitals (Scotland).1998 Awarded Hamilton Town Square Millennium Tower Project.1999 Completion of Hamilton Tower and Mosaic.

Floor Design for Glasgows Gallery of Modern Art.1999 Homes For The Future - City of Architecture and Design. Interior and Product Design.

“Stations of the Cross” for Bury St. Edmunds Art Gallery.2000 Design of sculptural platform for the Scottish National Galleries at the Edinburgh

Festival.Concept Development for Community Education and Arts Centre for Saltcoats, NorthAyrshire Council.Etched Glass Doors for Private Dwelling.Curator for Northern Star, an exhibition at the Scottish National Gallery of Modern Art.

2000-1 Editioned Series of Rugs for Stoddard International.2001 Interior for Jazz Club, Lochwinnoch Music Festival.2001 Interior Design and Large Etched Glass Window for Secondary School. North

Lanarkshire Arts and Education Department, North Lanarkshire Council.2000-2 Multistory Parking and Public Square, Design for Dundee City Council.2003-4 Designs for railings for Glasgow Green. Installed May 2004.2007 Theatre – (Writer and set design) GBH or (The Girl the Boy & the Hag) commissioned by

OranMor. Performed at OranMor, Glasgow and Queens Hall, Edinburgh FestivalBook launch of GBH at Edinburgh Festival.

2009 La Befana, (Writer and set design and artistic director) theatre productioncommissioned byOranMor. Music by Gordon Rigby.Painting commission “The Homecoming”

2010 La Befana and GBH Pitlochry Festival Theatre

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The Drawing Room

Fine AntiquesINCLUDING THE SELECTED CONTENTS FROMAN ABERDEEN TOWN HOUSE

Wednesday, 29th September, 201033 Broughton Place, Edinburgh

Viewing times Sunday 7th November 2pm - 5pm Monday 8th and Tuesday 9th November 10am - 5pmMorning of Sale

Enquiries Lee YoungTel: +44 (0)131 557 8844 or +44 (0)207 930 9115 E-mail: [email protected]

Illustrated catalogue £10 plus postage and packing

www.lyonandturnbull .com

PIERO FORNASETTI (1913-1988)TWO-TIER OCCASIONAL TABLE, 1960s

£800-1,200

Decorative Arts: Design from 1860Wednesday, 10th November, 201033 Broughton Place, Edinburgh

Closing date for entries: Friday 1st October 2010

Viewing times Sunday 7th November 2pm - 5pm Monday 8th and Tuesday 9th November 10am - 5pmMorning of Sale

Enquiries John MackieTel: +44 (0)131 557 8844 E-mail: [email protected]

Illustrated catalogue £10 plus postage and packing

www.lyonandturnbull .com

DAME LAURA KNIGHT R.A., R.W.S.(BRITISH 1877-1970)GATHERING SEAWEED

Signed, oil on canvas

63.5cm x 76cm (25in x 30in)

£20,000-30,000

Fine PaintingsWednesday, 1st December, 201033 Broughton Place, Edinburgh

Viewing times Sunday 28th November 2pm - 5pm Monday 29th and Tuesday 30th November 10am - 5pmMorning of Sale strictly by appointment only

Enquiries Nick Curnow, Elena Ratcheva or Ben HanlyTel: +44 (0)131 557 8844 E-mail: [email protected]

Illustrated catalogue £10 plus postage and packing

www.lyonandturnbull .com

Modern & ContemporaryWorks of Art 11/07/10

Auction:Sunday, November 7that 2pm

Exhibitions:Thursday, November 4th andFriday, November 5th(10am to 5pm)

Saturday, November 6th(12 Noon to 5pm)

Inquiries:anne h. henry [email protected]

aimee pflieger [email protected]

www.f reemansauct ion .com

Upcoming

FREEMAN’S

1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

Fax: 215.563.8236

www.freemansauction.com

126 Garrett Street

Charlottesville, VA 22902

Telephone: 434.296.4096

Fax: 434.296.4011

www.freemanssouth.com

LUCIO FONTANA(ITALIAN 1899-1968)"CONCETTO SPAZIALE”1965, signature incised lower right,aluminum with laceration95 3/4 x 38 in. (243.2 x 96.5cm)PROVENANCE:Gagosian Gallery, London.Private Collection, New York, New York.EXHIBITED:“Living, Looking, Making: Sculpture byGiacometti, Fontana, Twombly, Serra,” GagosianGallery, London, March 26-May 19, 2007.$500,000-800,000 (£335,000-533,500)

54

Board of Directors

ChairmanSir Angus Grossart

Vice ChairmanPaul Roberts

Managing DirectorNick Curnow

DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieGavin Strang

Specialist Departments

Pictures, Watercolours andPrintsNick CurnowElena Ratcheva

Contemporary ArtBen Hanly

Furniture, Clocks andWorks of ArtLee Young

Rugs and CarpetsGavin Strang

Jewellery, Silver,Coins and MedalsTrevor KyleColin Fraser

Decorative Arts and DesignJohn Mackie

European and Asian CeramicsCampbell Armour

Book, Maps, Manuscripts andPhotographsSimon VickersAlex Dove

Arms and ArmourJohn Batty (consultant)

Antique SalesGavin LindsayHarry Douglas-Hamilton

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email: [email protected]

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

11-12 Pall Mall, LondonSW1Y 5LUTel +44 (0)20 7930 9115Fax +44 (0)20 7930 9629

www.lyonandturnbull .com

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Operations ManagerAmy Symington

Finance ManagerMhairi McFadden

AccountsFlo MarshallEileen Welsh

AdministrationEdinburghKerry WallaceLiz WilsonKate Bain

GlasgowLinda Robinson

Technical ServicesSydney Drew

Press and Public RelationsPhilip Gregory

MarketingMatt McKenzie

PhotographerMike Bascombe

Valuation Department Administration

Telephone: 0845 882 2794

UK DirectorRachel Doerr

Department ManagerEvelyn Robertson

Client ServicesJudith HardieLinda RobinsonJane Lightfoot

Business DevelopmentLady MiddletonJohn SibbaldJohn ThomsonTessa Thomson

VALUERS

ScotlandTrevor KyleCampbell ArmourGavin Strang

Northern EnglandDavid Hall (consultant)

North West England andIrelandRachel Doerr

MidlandsPatrick BowenMichael Mays

London and Home CountiesSean McIlroy

South West & WalesRobin Barlow

London and Southern England

Ben HanlyTel: 020 7930 9115 Mobile: 07920 [email protected]

Elena RatchevaTel: 020 7930 9115 Mobile: 07931 580 [email protected]

Lee YoungTel: 020 7930 9115 Mobile: 07825 [email protected]

56

CONDITIONS OF SALE

Lyon & Turnbull carries on business withbidders, buyers and all those present inthe auction room prior to, or inconnection, with a sale on the followingGeneral Conditions and on such otherterms, conditions and notices as may bereferred to herein.

1. DEFINITIONS

In these Conditions:

(a) "Auctioneer" means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) "deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source but which isunequivocally described in the catalogueas being the work of a particular creatorand which, at the date of the sale, had avalue materially less than it would havehad if it had been in accordance with thedescription;

(c) "hammer price" means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) "terms of consignment" means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) "total amount due" means thehammer price in respect of the lot soldtogether with any premium, Value AddedTax chargeable and any additional chargespayable by a defaulting buyer under theseConditions;

(f) "sale proceeds" means the net amountdue to the seller, being the hammer priceof the lot sold less commission at thestated rate, Value Added Tax chargeableand any other amounts due to us by theseller in whatever capacity and howeverarising;

(g) "You", "Your", etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural andvice versa as appropriate.

2. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfyany security arrangements before enteringthe auction room to view or bid;

(b) the maker of the highest bid acceptedby the auctioneer conducting the saleshall be the buyer at the hammer priceand any dispute about a bid shall besettled at the auctioneer's absolutediscretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the selleris expressly reserved up to the amount ofany reserve and the right to refuse any bidis also reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.Antiques, Jewellery & Silver and Pictures(Not Fine Sales)17.5%.

All other sales (Fine/Special/Collections)25% up to £25,000 / 20% thereafter.VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed withan asterisk or double asterisk. ValueAdded Tax is charged at the appropriaterate prevailing by law at the date of saleand is payable by buyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us.We accept cash, bank transfer (details onrequest), Switch or Debit Cards and Visaor MasterCard (please note there is asurcharge of 1.5% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

(2) Any payments by you to us may beapplied by us towards any sums owingfrom you to us on any account whateverwithout regard to any directions of you oryour agent, whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than 3working days following the day of theauction or upon the clearance of anycheque used for payment after which youshall be responsible for any removal,storage and other associated charges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main saleroom.

8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/orany other lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate notexceeding 1.5% per month on the totalamount due to the extent it remainsunpaid for more than 3 working days afterthe sale;

(f) to retain that or any other lot sold toyou until you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right to

retain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller andon their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

9. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for thesafety of the property of persons visitingprior to or at a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumedto have carefully inspected and satisfiedthemselves as to its condition we shall ifso instructed clearly and in writing executebids on their behalf. Neither theauctioneer or our employees or agentsshall be responsible for any failure to doso save where such failure isunreasonable. Where two or morecommission bids at the same level arerecorded we reserve the right in ourabsolute discretion to prefer the first bidso made.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer andto you that the seller is the true owner ofthe property consigned or is properlyauthorised by the true owner to consign itfor sale and is able to transfer good andmarketable title to the property free fromany third party claims.

12. AGENCY

The auctioneer normally acts as agentonly and disclaims any responsibility fordefault by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of thelot.

14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damagewarranty: 1.5% on value of lots sold.Photography: max £40 mono per lot, max£250 colour. Internet Service: £10 per lot.

(2) If a vendor wishes to withdraw acatalogued lot, a withdrawal fee will applyat the auctioneer’s discretion; this will becharged at 10% mid estimate.

15. DESCRIPTIONS AND CONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,inevitably, representations or statements

by us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonablyheld and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

16. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer's premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.

18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.

(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.

19. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.

20. Special terms may be used incatalogue descriptions of particularclasses of items in which case thedescriptions must be interpreted inaccordance with any glossary appearing atthe commencement of the catalogue.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.

22. Scottish law applies to theinterpretation of these Conditions.

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Local DeliveriesLocal deliveries can bearranged by A&S Pert Re-movals.Telephone 07876 343520.

Packing and ShippingPlease note that we do notpack or ship items. The fol-lowing suggested carrierswill be able to arrangepacking and shipping;please contact them di-rectly to receive a quote.You may wish to contact analternative courier.

Smaller itemsMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BFTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email:[email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail:[email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close, Creek-moorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Fine Art CarriersGallery Support Group37 Cremer StreetLondon E2 8HDTel: +44 (0)20 7729 6692Email:[email protected]

Arrangements for Sold LotsAll bought items will be heldfree of charge at BroughtonPlace until the Friday follow-ing the sale.

Thereafter lots will be re-moved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will be avail-able at the saleroom on viewdays and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2010. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

11-12 Pall Mall, LondonSW1Y 5LUTel +44 (0)20 7930 9115Fax +44 (0)20 7930 9629