Los Angeles Modern Auctions May 23, 2010 Auction
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Transcript of Los Angeles Modern Auctions May 23, 2010 Auction
May 2
3, 2
010
11
Preview: May 15 -May 22, 10-6pm (PST)
Auction: Sunday, May 23, 12pm (PST)
16145 Hart Street
Van Nuys, CA 91406
The shape of things. As the financial markets start to return to normal, I
can’t help wonder if the art market isn’t a better place to invest. For one thing, you
are unlikely to wake up tomorrow to discover half of your painting is gone because
of predatory lending in the housing market; or three of your dining chairs have
disappeared due to a bad credit default swap. But more important than the financial
investment, there is the emotional one. I love hanging out in the Wegner “Papa” chair
I’ve had since 1996. I enjoy rearranging the objects and books on my Eames storage
unit (one of my first purchases in 1988!). Both have gone up and down in value while
I’ve owned them, but I can’t possibly measure the dividends that eawch have paid in
the quality of my life.
More recently, I have discovered that Fine Art adds an exciting dimension to any
interior. In this catalogue you will find a selection of the best art and objects I could
find available on the market. The standout highlight is a large offering from the
private collection of GLC Art Co. LLC; Gerard L. Cafesjian, President. From Altoon and
Bayer to Vasarely and Warhol, works from this collection represent some of the best
examples to surface in recent memory.
Incredibly, many lots offered here are entering the market for the first time. The Van
Keppel Green designs were acquired by Paul Kasper (a sculptor, landscape architect
and former employee of VKG) when they were first designed and still look like they did
sixty years ago. Several lots of objects come from Elaine K. Sewell Jones and the late
A. Quincy Jones. Anyone who had the pleasure of visiting this extraordinary power
couple of modern design in their home will surely recognize the Architectural Pottery,
Eames furniture, and Arts & Architecture magazines always on display. And the Frank
Lloyd Wright carpet is direct from his son David’s residence in Arizona and is unlike
any Wright-designed object ever to come on the market.
This is a big sale, so I hope you will take it all in. Think about what may enhance your
life. Select a few works you can’t live without. And simply enjoy the shape of things! — Peter Loughrey, Director
1HeNdriCk VAN keppel & TAylor GreeNTAll freeSTANdiNG bookSHelf
VKG, designed circa 1946 72”h x 13”d x 96”l
Provenance: ESTATE oF PAuL KASPEr
$5,000-7,000
55
3HeNdriCk VAN keppel & TAylor GreeNCoNSole TAble
VKG, designed circa 1951 26”h x 48”l x 18”d
Provenance: ESTATE oF PAuL KASPEr
$1,000-1,500
2dAVid CreSSeypAir of wHiTe plANTerS
Model no. AP-513 Architectural Pottery, designed circa 1960 Glazed with texture Each 15.5”h x 20”diameter
$1,000-1,500
4HeNdriCk VAN keppel & TAylor GreeNGroup of 6 diNiNG CHAirS
VKG, designed circa 1950 Each 29.5”h x 22.5”w x 20”d
Provenance: ESTATE oF PAuL KASPEr
$1,500-2,000
77
5HeNdriCk VAN keppel & TAylor GreeNdiNiNG TAble
VKG, designed circa 1950 27”h x 38”w x 72”
Provenance: ESTATE oF PAuL KASPEr
$2,500-3,500
7pAul SoldNerSCulpTure
Studio, executed circa 1958-1962 Glazed ceramic Signed 32.25”h x 9” x 9”
Provenance: ESTATE oF PAuL KASPEr
$3,000-5,000
6pAul SoldNerSCulpTure
Studio, executed circa 1958-1962 Glazed ceramic Signed 43”h x 13”diameter
Provenance: ESTATE oF PAuL KASPEr
$3,000-5,000
99
8AdolpH GoTTliebblACk SiGNS
1967 Wool tapestry Signed, titled and numbered on a linen label affixed verso #1 of 5 53.5” x 72”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$8,000-10,000
9AdolpH GoTTliebCHrome GreeN
1972 Serigraph in colors Signed and numbered in pencil #131 of 150 35.875” x 27.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
10ANAToli pApANiANdoN QuixoTe, THe womAN ANd THe deATH
1991 Etching on paper #6 of 13 24” x 30”
$1,000-1,500
11JoHN folliS & rex GoodeSombrero oN STANd
Model no. 4048 Architectural Pottery, designed 1949 29”h x 24.5”diameter
$1,500-2,000
12HeNdriCk VAN keppel & TAylor GreeNCHild’S CHAir
VKG, designed circa 1940 29”h x 14”w x 17”d
$400-600
13HeNdriCk VAN keppel & TAylor GreeNrefeCTory TAble
VKG, designed circa 1950 To be used as a bookshelf or table, this versatile unit was often advertised by Van Keppel & Green in Arts & Architecture magazines 27.25”h x 13”d x 94”l
Provenance: ESTATE oF PAuL KASPEr
Literature: ArTS & ArChITECTurE, MAy 1952
$3,000-5,000
1 11 1
14miTCHell bobriCkCoNTrol liGHT
Controlight Company, designed circa 1949 retains label “Controlight Los Angeles, Calif” 60”h x 20” x 28”
This lamp won an A.I.D. merit award in 1949
Provenance: ESTATE oF PAuL KASPEr
$2,000-3,000
1 31 3
17pAul kASperuNTiTled (2)
Studio, executed circa 1968 Galvanized steel 10”h x 12” x 1.25” and 10”h x 15” x 15”
Provenance: ESTATE oF PAuL KASPEr
$1,000-1,500
16pAul kASperuNTiTled
Studio, executed circa 1968 Welded metal Stamped “8” 28.5”h x 26” x 6”
Provenance: ESTATE oF PAuL KASPEr
$1,000-1,500
18pAul kASperNeCklACe
Studio, executed circa 1968 Welded and melt-coated metal
Provenance: ESTATE oF PAuL KASPEr
$500-1,000
15pAul kASperuNTiTled
Studio, executed circa 1968 Welded metal 28.5”h x 20” x 13”
Provenance: ESTATE oF PAuL KASPEr
$1,000-1,500
19lArry CoHeNCeNTury CiT y SeeN from eASTbourNe
1991 oil on canvas Signed verso; Jan Turner Gallery label verso 22” x 22”; Framed 22.75” x 22.75”
$4,000-6,000
1 51 5
20roGer HermANGirl oN THe rAilroAd TrACkS
1987 oil on canvas Signed and dated verso 24” x 12”
$1,500-2,000
21roGer HermANuNTiTled ( Two fiGureS STANdiNG)
1981 oil on paper Signature and date lower right Sheet 41.75” x 29.75” Framed 46” x 36”
$1,500-2,000
22ArNe JACobSeNGroup of 8 oxford CHAirS
Fritz hansen, designed circa 1965 retains labels Side chairs 50”h x 18.5”w x 20”d; Armchairs 46”h x 25”w x 20.5”d
Literature: DECorATIVE ArT IN MoDErN
INTErIorS 1966/67, VIKING PrESS, 1966,
PG 75
$5,000-7,000
1 71 7
23HANS J. weGNerdiNiNG TAble
Model no. AT-319 Andr. Tuck, designed circa 1958 rosewood Branded “Fabrikat=Andr. Tuck/Arkitekt=hans J. Wegner/Made in Denmark” 27.75”h x 117.75”l x 39.25”w
$4,000-6,000
24borGe moGeNSeN, ATTribuTedlouNGe CHAir
Possibly Karl Andersons, designed circa 1955 rosewood and leather 30”h x 26”w x 29”d
$1,500-2,000
25JeAN GilloNlouNGe CHAir ANd oTTomAN
Wood Art, designed circa 1965 retains label “Gillon handmade Jacaranda Wood - Wood Art - Industria Brasileira” 33”h x 35”w x 44”d
$2,500-3,500
1 91 9
26TierNey GeAroNuNTiTled
1999 C-print mounted on Sintra Signed “Tierney Gearon” on a label verso From the edition of 5 40” x 50”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
27lArry SulTANmiSSioN HillS
2000 C-print White Cube Gallery label verso #2 of 15 Sheet 20” x 24”; Framed 23.5” x 26.75”
$4,000-6,000
28pedro freidberGoCCASioNAl TAble
Pedro Freidberg, designed circa 1975 24.5”h x 25”diameter
$9,000-12,000
2 12 1
29GuSTAVo NoVoAuNTiTled SCreeN
1972 oil on panel Signed & dated bottom right panel 84”h x 72”l (each panel 18”w)
$5,000-7,000
30CArloS AlmArAzuNTiTled (2)
1989 Etching Each with signature and edition #10 of 25 and #46 of 50 Sheet 19” x 15” and 17” x 16.75”
$1,500-2,000
2 32 3
32frANCiSCo ToledouNTiTled (2)
Etching Signed lower left; edition lower right Artist’s proof (EA) and #18 of 30 Image 6” x 9.75” (framed 14.5” x 18.5”) and Image 6.5” x 8”
$1,500-2,500
31JoSe ClemeNTe orozCoTHe broTHel
1935 Lithograph printed on BKF rives paper Signed in pencil and numbered #37 of 120 15.875” x 22.75”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$1,800-2,500
33AlexANder CAlderGroup of 9 liTHoGrApHS
Circa 1971-76 unknown edition Pubished by Galerie Maeght Various markings Various sizes, each framed
$2,000-3,000
2 52 5
35eAmeS & frieNdSmiNiATureS ( 10)
Vitra Design Museum Comprised of Eames “DCW”, “rAr”, Dowel chair and 3 “Time Life” stools; Nelson “Pretzel” chair, Prouve “Stan-dard” chair and Jasper Morrison chair
Provenance: ELAINE K SEWELL JoNES
$800-1,200
34GeorGe NelSoNexeCuTiVe offiCe Group deSk wiTH reTurN
Model no. 9719 with no. 605 lamp & no. 601 Pendaflex file basket herman Miller, designed 1949 29.75”h x 72” x 72.5” total
This design was featured in the June 1952 issue of Arts & Architecture article on “Modern Office Furniture” as a “tool for better management”.
Literature: ArTS & ArChITECTurE,
JuNE 1952
$5,000-7,000
36JoHN eNTeNzA , publiSHerArTS & ArCHiTeCTure mAGAziNeS
Incomplete set dating 1949 to 1966 51 issues See full listing online
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$400-600
37GeorGe NelSoNCASe GoodS CAbiNeT
herman Miller, designed circa 1947 retains herman Miller label 40”h x 18.5”d x 24”l
$1,000-1,500
38GeorGe NelSoNCASe GoodS CAbiNeT
Model no. 5245 herman Miller, designed circa 1947 retains herman Miller label 39.5”h x 18.5”d x 56”l
$1,500-2,000
39GeorGe NelSoNSTriNG CloCk
Model no. 2214 howard Miller,designed 1952 retains howard Miller label 19”diameter
Literature: ArTS & ArChITECTurE,
MAy 1955
$800-1,200
40GeorGe NelSoNexeCuTiVe offiCe Group deSk
Model no. 8500 with no. 604 privacy screen herman Miller, designed circa 1952 30”h x 39” x 20.5”
$1,500-2,000
2 72 7
41ilyA boloTowSkyAreA ruG
Designed circa 1970 Wool rug Signed in selvedge verso 84”diameter
$2,000-3,000
42JoHN mClAuGHliNuNTiTled (#33)
1958 oil on board Verso “John McLaughlin #33-1958 The Landau Gallery” 12” x 6.25”
$20,000-30,000
The paintings from McLaughlin’s later part of his life (1950 - 1975) methodically embody the style of Western nonobjective art, so much so, that it takes a sensitive viewer to fully see the influences of Japanese culture and art in his compositions. McLaughlin’s study of Japanese language and art, his experience of living in Japan, and his expertise in Japanese paintings and prints, ultimately shaped and informed his artistic style. McLaughlin, after his wartime experiences, did not
part-take in the Abstract Expressionist movement. Instead he looked to his past influences from the works of Sesshu, Malevich, and Mondrian. The post-war movement brought McLaughlin closer to his aesthetic of modesty and plainness, leading his compositions to become more distilled as he aged. McLaughlin’s careful scale and color relationships were not his prime focus; it was the hoped-for state of mental struggle brought by the painting that was McLaughlin’s ultimate goal.
2 92 9
44mArCel breuerCoffee TAble
Custom, designed 1965 This table was commissioned for “Stillman II” in Litchfield, CT. 13.5”h x 36” x 36”
Provenance: Mr AND MrS ruFuS
STILLMAN
Literature: MArCEL BrEuEr: NEW
BuILDINGS AND ProJECTS, PrAEGEr ,
1970, PG 165
$9,000-12,000
43mArCel breuerdiNiNG TAble
Custom, designed circa 1970 This was designed and used as a conference table for “Stillman III”. 27”h x 54” x 54”
Provenance: Mr AND MrS ruFuS
STILLMAN
$15,000-20,000
From the late 1940”s until his death in 1981, Marcel Breuer created half a dozen buildings and projects for rufus Stillman including three residences in Litchfield, Connecticut. The following four lots are examples of tables designed for function and utility and have been used by the Stillman family for over sixty years.
46mArCel breuerCoffee TAble
Custom, designed 1950 Slate top (black) This was the first table designed for the Stillman’s residence in Litchfield, CT 13.5”h x 36” x 36”
Provenance: Mr AND MrS ruFuS STILLMAN
Literature: MArCEL BrEuEr: BuILDINGS AND
ProJECTS 1921- 1961 , ThAMES & huDSoN,
PG 210
$9,000-12,000
45mArCel breuerdiNiNG TAble
Custom, designed circa 1970 This table was designed for rufus Still-man’s office at the Torin Corporation and was used at Stillman III. 29”h x 36” x 72”
Provenance: Mr AND MrS ruFuS STILLMAN
$15,000-20,000
3 13 1
47mAx erNSTlA bAllAde du SoldAT (S/l 218)
1972 Lithograph printed in colors 34 signed and numbered in pencil #3 from the edition of 79 suites
A complete set of signed lithographs (34) together with a complete folio with text by Georges ribemont-Dessaignes, in a portfolio box Each sheet 15.5” x 11.25”
Provenance: FroM ThE PrIVATE CoL-
LECTIoN oF GLC ArT Co LLC; GErArD L
CAFESJIAN, PrESIDENT
$8,000-10,000
49ANdrew SzoekeCoffee TAble
Studio, 1946 retains “Andrew Szoeke Associates” label 16.5”h x 64” x 24”
$3,000-4,000
48mArCel breuerCHAiSe louNGe
Isokon, designed circa 1937-38 Ink stamped “New Furniture Incoroporates” 31”h x 24.5”w x 50”l
$5,000-7,000
3 33 3
50CAio foNSeCAuNTiTled
1999 oil and mixed media on canvas Signed lower right; signed, inscribed and dated verso 27” x 52”
$20,000-30,000
51Jim diNewAll CHArT ( williAmS ColleGe)
1974 Lithograph in colors on rives Signed and dated in pencil #3 of 75 48.5” x 35”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$6,000-9,000
3 53 5
52ArNAldo pomodororomboide
1977 Bronze Signature, date and edition inscribed on base #28 of 30 12” x 11” x 6.8”
$15,000-20,000
54CHriSTiAN liAiGreToJA CoCkTAil TAble
Studio, designed circa 2000 15.5”h x 63.5” x 43.5”
$2,500-3,500
53VlAdimir kAGANSeCTioNAl SofA
Kagan Design Group, designed 1970 retains label “Vladimir Kagan Designs Incorporated” From the omnibus Seating Collection 27”h x 104”l x 34”d and 27”h x 75”l x 34”d
$7,000-10,000
3 73 7
55VlAdimir kAGANbuffeTKagan Design Group, designed circa 1960 Buffet: 32”h x 84”w x 20.75”d Cabinet: 54.75”h x 42”w x 13.5”d Glass Front Display Cabinet Not Illustrated
$5,000-6,000
56VlAdimir kAGANouTdoor SeT
Kagan-Dreyfuss, designed 1958 From the Capricorn Collection Table 28”h x 41”diameter; Chairs 42.5”h x 18.5”w x 28”d
Literature: ThE CoMPLETE KAGAN,
PoINTED LEAF, 2004, PG 134 -35
$3,000-5,000
57HowArd HodGkiNbleediNG (#67 )
1981-82 Lithograph from 3 aluminum plates with hand coloring in gouache Signed with initials, numbered and dated lower center #91 of 100 Sheet 35.5” x 60”; Framed 43.5” x 67”
Literature: hoWArD hoDGKIN PrINTS: A
CATALoGuE rAISoNNE, hEENK, PG 190
$4,000-5,000
58bArbArA HepworTHGreeN mAN
1970 Lithograph Signed lower right; edition lower left and blind stamp “Cerde Graphique European” #120 of 200 Framed 30.25” x 22”
$2,000-3,000
59HAmiSH fulToNfourTeeN CoAST To CoAST wAlkS ( 10)
1982-1989 offset lithograph #13 of 35 Signed and numbered verso lower edge Approximately 38.75” x 25.75”, other dimensions vary, includes cloth-bound portfolio and nine other works not illus-trated, see additional images online.
$12,000-15,000
3 93 9
60mAlColm morleyGoAT
Watercolor on paper Signed lower right 13.75” x 15.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$4,000-6,000
61TrACey emiNediTioN for pArkeTTe
2001 Photograph printed on Kodak paper Signed and dated verso and inscribed “Self Portrait 12-11-01 31” and “Edition for Parkette 63” Sheet 8.25” x 8”; Framed 18” x 17.75”
$1,500-2,000
62GilliAN weAriNGoliA
2003 C-type Signature, dated and edition verso & Count Gallery London label #59 of 100 Sheet 24” x 20”
$1,500-2,000
64frANk o. GeHryeNd TAble
Easy Edges, designed 1972 Corrugated cardboard and Masonite 18”h x 9.5” x 24”
$2,000-3,000
65frANk o. GeHrypower plAy Club CHAir
Model no. 94L-GC Knoll, designed 1992 retains branded signature, Knoll label and “02/00” 32”h x 32”w x 28.5”d
$2,000-3,000
63frANk o. GeHrylouNGe CHAir ANd oTTomAN
Easy Edges, designed 1972 Corrugated cardboard and Masonite 29”h x 23.75”w x 61”d (with ottoman)
$5,000-7,000
In 1992 Gehry was awarded Time Magazine’s “Best Design” of the year for this chair.
4 14 1
66Alex kATzSAmANTHA
1987 Screenprint in colors on Toso hanga paper Signed in pencil and annotated “r.T.P” with Simca Print Artist blind stamp Trial proof, aside from the edition of 80 66.25” x 28.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$9,000-12,000
67Jerome kirkpATTerN lANGuAGe
1975Aluminum sculpture Signed “Kirk”; retains label “#6 Pattern Language” and “3-27-75” 36”h x 25”w x 6”d
$4,000-6,000
4 34 3
70ludwiG mieS VAN der roHebArCeloNA CHAir
Model no. Mr 250 Knoll, designed 1929; this example produced before 1972 Black leather and stainless steel 29”h x 29.5”w x 30”d
$1,000-1,500
69GeorGe NelSoNCoffee TAble from THe CATeNAry Group liNe
Model no. 6371 herman Miller, designed 1962 15.25”h x 36” x 36”
Literature: GEorGE NELSoN: ThE DESIGN
oF MoDErN DESIGN, NELSoN, 1995, PG
133-34
$2,000-3,000
68floreNCe kNollpArAllel bAr CouCH
Model no. 1205 S3 Knoll, designed 1954 30”h x 56”l x 30”d
$1,200-1,500
71JeAN-miCHel bASQuiATrome pAyS off
2004 Screenprint in colors Edition lower left; label verso from the Administrator of the Estate of Basquiat, signed by Gerard Basquiat hC, aside from the total edition of 20 Framed 45.5” x 41.5”
$10,000-15,000
4 54 5
72JeAN-miCHel bASQuiATleG of A doG
1983 Two color silk screen on okawara rice paper Pencil signature lower right From the signed edition of 11 40” x 31.25”
This print has kindly been authenticated by Fred Hoffman
$10,000-15,000
73CArlo buGATTiwriTiNG deSk
Studio, designed circa 1900 Ebonized wood, mahogany, leather, applied copper and Mother of Pearl 39.5”h x 24.75”w x 20”d
A similar example is in the permanent collection of National Gallery of Victoria, Australia.
Literature: BuGATTI : CArLo, rEMBrANDT,
ETTorE, JEAN, DuNSMorE, PELEuS PrESS,
2009, PG 38-39
$12,000-15,000
4 74 7
NOT ILLUSTRATED3mArCo zANuSopAir of “lAdy ” CHAirS
Arflex, designed 1951 Arflex foil label 30.5”h x 31”w x 31”d
$3,000-5,000
74CArlo buGATTiSide CHAir
Studio, designed circa 1900 Italian burl Walnut, lacking original parchment seat and back 41.5”h x 13.75”w x 19”d
A similar example is in the permanent collection of National Gallery of Victoria, Australia.
Literature: Bugatti: Carlo, rembrandt, Ettore, Jean, Dunsmore, Peleus Press, 2009, pg 36
$3,000-5,000
75CArlo buGATTiwAll mouNTed plANTer
Studio, designed circa 1900 Blackened wood, mahogany, applied copper and Mother of Pearl 36”h x 21”w x 7.25”d
$6,000-9,000
4 94 9
76CArlo buGATTiCorNer mouNTed CAbiNeT
Studio, designed circa 1900 Blackened wood, mahogany, applied copper, mirror and Mother of Pearl 49”h x 12”w x 9”d
$7,000-9,000
77dAmieN HirSTbuTTerflieS (6)
2008 Etchings in color Signed lower right; edition lower left #16 of 75 Sheet 17.5” x 16.25”; Framed 24.5” x 23.25”
$18,000-25,000
5 15 1
78frANCoiS-xAVier lAlANNerHiNoCeroS bleu
Executed 1981 Enameled Bronze retains label, see detail #83 of 150 9”h x 22” x 7”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$25,000-35,000
Francois-Xavier Lalanne, a French sculptor, is most noted for his Surrealist, inventive sculptures of animals. he received great success with commissions from famous fashion designers such as yves Saint Laurent, hubert de Givenchy and Karl Lagerfeld. Lalanne’s inventiveness was shown through the functionality of his sculptures, such as “rhinocretaire”, a life-size rhinoceros, whose side folded into a desk. Intending to demystify art, Lalanne looked at art as a “fun house” and promoted the usefulness of sculpture to eliminate the superfluous adoration of art.
5 35 3
79frANCoiS-xAVier lAlANNeSiNGeS ATTeNTifS Si & Sii
Executed 1999 Bronze with green patina Each with signature, edition, and foundry mark (see detail of SI) Each #1 of 8 SI: 29.5”h x 7” x 7”; SII: 30”h x 8” x 6”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$100,000-125,000
5 55 5
80pANel CArVepAir of CArVed wood doorS
Panel Carve, designed 1965 Each 80”h x 30”
$3,000-5,000
81eVelyN ACkermANbirdS of A feATHer
1962 Wool ErA Industrias Stitched “EA” and retains sewn tag “Evelyn Ackerman Design/handwoven in Mexico All Wool/c ErA Industrias rN 23103/Los Angeles, Calif” 19.5”h x 57”l
$1,500-2,000
82eVelyN ACkermANpuerTA
1959 Mosaic title ErA Industries 48.5”h x 13”w
$2,500-3,500
83Jerry ACkermANboTTle wiTH STopper
Jenev, executed 1955 Engraved signature “A Jenev Design Ackerman” 14.5”h
$300-500
85mAuriCe mArTiNelouNGe CHAir
Studio, designed circa 1948 29”h x 21”w x 25”d
$1,800-2,500
84AllAN GouldlouNGe CHAir
Possibly by Functional Furniture, designed circa 1950 29”h x 28”d x 20”l
$700-900
86luTHer w. CoNoVerlouNGe CHAir
Pacifica, designed circa 1950 30”h x 20”w x 20”d
$1,500-2,000
5 75 7
87AmeriCAN mid-CeNTurymAGAziNe TAble
Custom manufactured for the Associated American Artist’s Showroom, New york, designed circa 1952 18”h x 39”w x 26.5”d
$500-700
88lA GArdo TACkeTTdouble CoNe plANTer
Model no. Th-04 Architectural Pottery, designed circa 1955 Bisque, unglazed 25.5”h x 17.75”diameter
$800-1,200
89lA GArdo TACkeTTdouble CoNe plANTer
Model no. T-102 Architectural Pottery, designed circa 1955 White glaze 20”h x 10.5”diameter
$600-800
90lA GArdo TACkeTTlow double CoNe plANTer
Model no. IN-03 Architectural Pottery, designed circa 1955 Bisque, unglazed 16”h x 22”diameter
$800-1,200
91pipSAN SAAriNeN SwANSoNGroup of furNiTure
From the Sol-Air Collection Ficks reed Co., designed circa 1949 Comprised of 2 chaises, 6 armchairs, 2 coffee tables, one side table (not illustrated) Chaise: 30”h x 24”w x 54”d; Tables 15.75”h x 49”diameter; Square table 17.5”h x 20” x 17.5”; Chairs 31”h x 25.5”w x 27.5”d
Literature: ArTS & ArChITECTurE,
MAy 1950
$3,000-5,000
92kArl HeuSSeNSTAmmuNTiTled
Studio, 1956 Sculpture Signed 29”h x 19” x 5”
Provenance: ESTATE oF PAuL KASPEr
$1,000-1,500
93kimurAVASe
Studio, 1967 Glazed ceramic Signed “Kimura 67” at base of vessel Approximately 16”h x 15”diameter
$2,000-3,000
5 95 9
95ellAmArie & JACkSoN woolleyeNAmeled plAQue eNCASed iN wood box
Studio, executed circa 1955 Signed “Ellamarie & Jackson Woolley 3780” 2”h x 5.75”w x 4.5”d
$2,000-3,000
96dAVid CreSSeybiomorpHiC GlAzed bowl
Model no. 6041 Architectural Pottery, designed circa 1965 Inscribed “16 CD” 2” x 7” x 6”
$300-400
94JoHN folliS & mArilyN kAy AuSTiNGroup of 10 plANTerS ANd oNe SHAllow bowl
Models C-0806, C-0808, SS-350, and Sr-700 & 6077 Architectural Pottery, designed circa 1963 Various sizes (largest 8.5”h x 8.5”diameter)
Provenance: A QuINCy JoNES & ELAINE K
SEWELL JoNES
$400-600
97ClAire fAlkeNSTeiNSCulpTure
Studio, executed circa 1965 Fused glass and bronze 17.5” x 13” x 15”
$12,000-15,000
98ClAire fAlkeNSTeiNuNTiTled
Circa 1950 oil on canvas with string Initialed verso and retains Falkenstein card 15”h x 30.5”
$4,000-6,000
99ClAire fAlkeNSTeiNuNTiTled (HorSe)
1993 Drawing Signed and inscribed verso, sold with three Falkenstein catalogues, see illustration online 9.25” x 12”
Provenance: A QuINCy JoNES & ELAINE K
SEWELL JoNES
$300-500
6 16 1
101HeleN frANkeNTHAlerAerie
2009 Lithograph with hand-torn deckled edges #18 of 128 Signed lower right; edition lower left Sheet 39” x 30”
$4,000-5,000
100HeleN frANkeNTHAlerA pAGe from A book: i- i i i (3 workS)
1997 Etchings on handmade paper Each signed, dated and numbered; Tyler Graphics blind stamp #9 of 60 Each 10” x 24.75”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$9,000-12,000
102dAVid HoCkNeyNo. #4 (from doG wAll)
1998 Etching Signed and dated lower right; edition lower left; Alan Cristea Gallery label verso #25 of 35 Image 16.5” x 19”; Framed 26.5” x 29.25”
$5,000-7,000
103dAVid HoCkNeyA Hollywood ColleCTioN ( ‘A piCTure of A lANdSCApe iN AN elAborATe Gold frAme’)
1965 Lithograph in six colors printed on rives BFK paper Signature, dated, edition lower right of image Trail Proof II, aside from the edition of 85 Printed by Kenneth Tyler at Gemini Ltd Sheet 30.25” x 22.25”; Framed 42” x 34”
Literature: DAVID hoCKNEy By DAVID
hoCKNEy, ABrAMS, 1976, PG 122
$3,000-5,000
104AmeriCAN moderNTwo-pieCe SeTTee
Fortress, designed 1988 retains “Fortress” labels with LACMA inventory number 37”h x 69”l x 31”d
Custom designed and built as gallery furniture at LACMA in 1988 during a retrospective on David hockney.
$2,000-3,000
6 36 3
105roberT rAuSCHeNberGuNTiTled (feATureS & CurreNTS)
1970 Screenprint signed with edition lower right 40” x 40” #47 of 50
$2,000-3,000
106roberT rAuSCHeNberGuNTiTled (feATureS & CurreNTS)
1970 Screenprintsigned with edition lower right 40” x 40” #47 of 50
$2,000-3,000
107roberT rAuSCHeNberGeArTH dAy
1970 offset lithograph Signed lower center and dated “70” From the signed edition of 300 Published by Castelli Graphics for the American Environment Foundation Sheet 33.5” x 25.5”
$1,000-1,500
108roberT rAuSCHeNberGCurreNTS
1970 offset lithograph unsigned From the edition of 300 Sheet 34.75” x 30.5”
Literature: roBErT rAuSChENBErG,
SMIThSoNIAN, 1976, PG 178
$1,000-1,500
109lyNN foulkeSuNTiTled
1961 oil on paper Pasadena Art Museum and Dilexi Gallery label verso Image 4.5” x 2.75”; Framed 13.25” x 10”
$3,000-5,000
110roberT moTHerwellSooT blACk SToNe #5
1973 Lithograph Signature and edition lower right #21 of 53 Sheet 35” x 23”; Framed 40.25” x 28.5”
$1,500-2,000
6 56 5
111AmeriCAN iNSTiTuTe of ArCHiTeCTSArCHiTeCTurAl AwArd
1969 66”h x 50” x 24”
This composition was awarded to A. Quincy Jones and Fredrick E. Emmons for their outstanding architectural achievements as the Firm of the year in 1969. The structure illustrates the important collaborative projects between Jones and Emmons, and are showcased by photographs from Julius Shulman.
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$800-1,200
112CHArleS eAmeS & elAiNe k Sewell JoNeSTexTileS ANd obJeCTS publiCiT y book 1961
hand assembled by Elaine K Sewell Jones for the opening of the New york Show-room. Less than fifteen of these books were made. It includes 12 original silver gelatin photographs by Charles Eames of the Alexander Girard-designed interior. Each image stamped and notated verso. 7.5” x 8”
Provenance: ELAINE K SEWELL JoNES
$800-1,000
113HerberT reAdA CoNCiSe HiSTory of moderN SCulpTure
Published by Frederick Praeger, 1964 Paperback book
This book has been signed by over 25 artists including Isamu Noguchi, harry Bertoia, rufino Tamayo, Jacques Lipchitz, George rickey, Leonard Baskin, Peter Gebhardt, Leonard Edmondson, Keith haring, Nechita, Jose Luis Cuevas and others.
$1,000-1,500
A. Quincy Jones (1913–1979), a purely modernist architect, is most noted for his innovative buildings and environmentally conscious urban planning. Jones partnered with Fredrick E. Emmons to produce thousands of Eichler homes, and received commissions for churches, universities, manufacturing plants, and libraries. Jones and Emmons
worked with new materials, were very aware of site design, and gave attention to the user. They took advantage of the pre-fabricated industrial units of the time and fused custom-built and merchant-built homes, making homes both affordable and livable for post-war middle class Americans.
114JuliuS SHulmANA . QuiNCy JoNeS buildiNGS(8)
Printed circa 1950s-60s Vintage Silver Gelatin prints Each retains “Photography by Julius Shulman” ink stamp and inventory numbers Comprised of images of St. Matthews Church, Sidney Brody residence, Sascha Brastoff Factory & Showroom (4) and Klein Norton & Co building (2) Each 8.5” x 11.5”
$2,000-3,000
6 76 7
115JuliuS SHulmANA . QuiNCy JoNeS buildiNGS(6)
Printed circa 1950s-60s Vintage Silver Gelatin prints Each retains “Photography by Julius Shulman” ink stamp and inventory numbers Comprised of images of the Griffith Park Girls Camp, Palm Springs Tennis Club (2), Steel house, St. Matthews Church, and King Cole Market Each 10.5” x 13.5”
$2,000-3,000
116dAVid CreSSey & bob mArTiNGroup of 3 lArGe plANTerS
Model no. 5050 Architectural Pottery, designed circa 1963 Pro/Artisan Series with “random Line” texture Form designed by Martin and texture by Cressey Each 25.5”h x 23”diameter
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$3,000-5,000
117A . QuiNCy JoNeSArCHiTeCTS deSk
Custom designed circa 1948 for his architectural office 25.25”h x 73”l x 36.75”d
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$2,000-3,000
6 96 9
118dAVid CreSSey & JoHN folliSGroup of 3 plANTerS
Model no. AP-5010 and 4062 Architectural Pottery, designed circa 1963 Form designed by Cressey and texture by Follis Two are 10”h x 13”diameter; one 11”h x 13”diameter
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$1,000-1,500
119AmeriCAN moderNGroup of 6 drAfTiNG/bAr SToolS
A. Quincy Jones used these from the 1940s thru the 1970’s in his various architectural offices. Each 30”h x 16”diameter
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$600-900
120A . QuiNCy JoNeSArCHiTeCTurAl AwArd model
Circa 1969 This model was a miniature of the large scale Firm of the year 1969 award. 20” x 16” x 6”
$400-600
121CHArleS & rAy eAmeSGroup of 8 eTr TAbleS
herman Miller, designed Each 10”h x 15.5” x 13.25”
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$1,000-1,500
122CHArleS & rAy eAmeSpAir of louNGe CHAirS (2)
Model no. LAX Zenith Plastics Co. for herman Miller, designed 1950 Molded fiberglass retains Zenith/herman Miller label Each 25”h x 25” x 25”
$2,000-3,000
7 17 1
123CHArleS & rAy eAmeSHANG-iT-All
Tigrett Enterprises, designed 1953 15”h x 20” x 7”
This “hang-it-all” was a gift from ray Eames to Elaine Jones
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$2,000-3,000
124CHArleS & rAy eAmeSpAir of ArmCHAirS
Model no. DAr herman Miller, designed 1952 one retains herman Miller label Each 31”h x 24”d x 25”w
$700-900
126CHArleS & rAy eAmeSCoffee TAble
Model no. CTW herman Miller, designed 1946 Finish in red aniline dye 15.5”h x 34”diameter
$3,000-5,000
125CHArleS & rAy eAmeSlouNGe CHAir
Model no. LCW Evans Products for herman Miller, designed 1945 Finish in red aniline dye retains “Evans Products” label 26.75” x 22”w x 24”d
$1,800-2,000
129CHArleS eAmeSeAmeS HouSe pHoToGrApH
Circa 1950 Silver Gelatin print Image 7.25” x 8”; Framed 14.75” x 15.5”
$2,000-3,000
127CHArleS eAmeSeiffel Tower CHAir pHoToGrApH
Circa 1951 Silver Gelatin print Image 7.5” x 9”; Framed 17” x 18”
$2,000-3,000
128CHArleS eAmeSTHe Toy pHoToGrApH
Circa 1951 Silver Gelatin print Image 4.75” x 6”; Framed 9.75” x 10.75”
$1,000-1,500
7 37 3
131ANdrew SpeNCeuNTiTled (#83.11 )
1983 oil on linen Signed and inscribed “83.11” verso 54.25” x 36”
Provenance: MAX ProTETCh, NEW yorK;
PrIVATE CoLLECTIoN, NEW yorK
(ACQuIrED FroM ThE PrEVIouS oWNEr IN
1984 ); PrIVATE CoLLECTIoN oF GLC ArT
Co LLC; GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
130ellSworTH kellyyellow oVer blACk (ix .20)
1964-65 Lithograph on rives BFK paper Signed lower right; edition lower left Artist Proof aside from the edition of 75 Printed by Marcel Durassier at Imprimerie Maeght Sheet 35” x 23.5”; Framed 38.75” x 26.75”
Literature: ThE PrINTS oF ELLSWorTh KELLy:
A CATALoGuE rAISoNNE 1945-1985, AXSoM,
huDSoN PrESS, PG 49- 50
$3,000-5,000
331edwArd fieldSruG
1973 Virgin wool Signed verso 67” x 127”
$3,000-5,000
132ellSworTH kellyGAlerie mAeGHT (3)
1958 Group of 3 color lithographs unknown edition size 27” x 20.5”; 27” x 21.25”; 27.5” x 21”
Published by Imprimerie Arte, Paris for his first one man exhibit at Galerie Maeght
Literature: ThE PrINTS oF ELLSWorTh
KELLy: A CATALoGuE rAISoNNE 1949-1985,
AXSoM, huDSoN hILL , 1987, PG 181
$2,500-3,500
7 57 5
136Norio AzumApeACeful imAGe
Circa 1972 Signed lower right, title and edition lower left #19 of 45 25” x 30”
$2,000-3,000
135yAACoV AGAmuNTiTled
Circa 1970 Serigraph on 3-D #23 of 90 Edition lower left; signed lower right
$500-700
134mAx billuNTiTled
1972 Screenprint #83 of 100 Signed lower right; edition lower left
$600-900
133roberT mANGoldyellow liNe priNT
1974 Signed lower left; edition middle; title and date lower right #20 of 100 Sheet 22” x 22”; Framed 26” x 26.25”
$1,000-1,500
138woo SANG koHNATASHA
Circa 1990s Digital print Signed in ink verso 48” x 28.5”
Provenance: FroM ThE
PrIVATE CoLLECTIoN oF
GLC ArT Co LLC; GErArD L
CAFESJIAN, PrESIDENT
$2,000-3,000
139THomAS STruTHroSe, wiNTerTHur
1990 From the edition of 40 Image 15.25” x 19.75”; Framed 24.75” x 30.5”
$1,000-1,500
137pHilip peArlSTeiNuNTiTled
1970 Color lithograph Signature, date, edition upper left corner Edition of 50 Framed 30.5” x 22.25”
$1,000-1,500
7 77 7
140roberT mAppleTHorpemArT y & VeroNiCA
1982 Silver Gelatin print Signed and dated lower right; stamped verso “Photo By: robert Mapplethorpe” Image 10” x 10”; Sheet 14” x 11”; Framed 18.75” x 17.5”
$5,000-7,000
141roberT mAppleTHorpelilieS ANd SHAdow
1984 Monochrome photogravure on Arches Signed lower right; edition lower left #16 of 40 From the Flowers portfolio Image 21” x 17.75”; Framed 39” x 33.5”
$5,000-7,000
7 97 9
142Herb riTTSfred - bACk View wiTH CHAiN (from body SHop SerieS)
1984-85 Silver gelatin print Signed, titled, dated and numbered verso Edition of 25 18.75” x 15”
$6,000-9,000
143JoHN bAldeSSAriJACob’S lAdder
2004 Anodized print on aluminum elements, anodized aluminum frame and base with integrated motor and gear system. #33 of 50 29.25” x 11.75” x 7”
$6,000-7,000
8 18 1
144riCHArd AVedoNwArHol
1971 Silver Gelatin print Signed and dated lower right; titled lower left Image 10” x 8”; Framed 18.5” x 16”
$3,000-5,000
145dAmieN HirSTfor THe loVe of God
2008 Silkscreen with Diamond dust Signature lower right; edition lower left #118 of 1000 Sheet 12.75” x 9.5”; Framed 21” x 18”
$3,000-4,000
8 38 3
146lArry ClArkuNTiTled (from TulSA)
1971 Silver Gelatin print Image 8” x 12”; Framed 16” x 20”
$2,000-3,000
147lArry ClArkuNTiTled (from TulSA)
1971 Silver Gelatin print Image 12” x 8.5”; Framed 20” x 16”
$2,000-3,000
148roy liCHTeNSTeiNbruSHSTrokeS (#45)
1967 Screenprint on off-white wove paper Signature, dated and edition in pencil lower right #159 of 300 Published by Leo Castelli for the Pasa-dena Art Museum, of which a poster was also published Sheet 23” x 31”
Literature: ThE PrINTS oF roy LIChTEN-
STEIN: A CATALoGuE rAISoNNE 1948-1993,
CorLETT, huDSoN
$9,000-12,000
149roy liCHTeNSTeiNSTill life wiTH red JAr
1994 Screenprint in colors Signature, date and edition lower right #74 of 250 Published by Gemini G.E.L Framed 26” x 23”
$8,000-10,000
8 58 5
150roy liCHTeNSTeiNbull i-Vi (6 workS)
1989 Glazed ceramic Gemini G.E.L. Each with signature, titled, edition and copyright stamps verso #50 of 51 Each 12” x 12”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$8,000-12,000
151GerTrud & oTTo NATzlerSpHeriCAl VASe, CloSed form
Natzler inventory #490 Studio, 1940 Terra-cotta with velvet blue mat glaze, partially glazed, flowing Signed “G&o Natzler” 8.5 cm h x 11.5 cm diameter
Certain techniques used on this form are similar to those Otto devised originally in Vienna; not glazing the inside of a closed form, applying the glaze as an overflow so that one could see the soft glaze edge and the terra-cotta color of the smoothed clay surface. Only five ceramics received this Velvet Blue mat glaze, which is similar to a glaze on a bottle the Natzler’s made in Vienna in 1938, making this form particularly rare.
Exhibited: F INE ArTS GALLEry, SAN DIEGo
(NoW ThE SAN DIEGo MuSEuM oF ArT ),
1940
$6,000-8,000
152oTTo NATzleroVAl form wiTH frAGmeNTed Top
Natzler inventory # X073 Studio, 1977 Pale green crater glaze with grey blotches Signed “otto Natzler” and numbered “Xo73” 23.6cm h x 11.5cm w x 7.5cm deep
$5,000-7,000
8 78 7
153CHriSTowrApped Tree, proJeCT
1979 Color lithograph with mixed media Signature and edition lower right; titled lower left #53 of 99 Published by Editiones Poligrafa 22” x 27.5”
Provenance: LEE NAIMAN GALLEry, NEW
yorK; PrIVATE CoLLECTIoN, CALIForNIA
$3,000-5,000
155kwok Hoi CHAN“zeN” CHAir
Steiner, designed 1970 24”h x 36”w x 22”d
$2,000-3,000
154AmeriCAN pop ArTACryliC Coffee TAble wiTH NeoN iNTerior
Manufacturer unknown, designed circa 1968 11” x 24” x 24”
$2,000-3,000
156willy GuHlGArdeN plANTer
Eternit AG, designed circa 1955 37.5”h x 22”diameter
$1,500-2,000
157NANNy STillHANGiNG liGHT
Dutch Company raak, designed circa 1970 Approximately 62”h
$2,000-3,000
8 98 9
158ViCTor VASArelydVA-dVA
1978-86 oil on canvas Signed “Vasarely” lower center; signed again (twice), titled and dated verso 44.875” x 44.875”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$80,000-120,000
159JASoN SeleyuNTiTled
1970 Welded steel automobile bumpers on a metal base Together with MoMa book (Americans 1963) and poster from an exhibition in Berlin 1970 28.5”h x 22” x 17”
$7,000-9,000
161roberT koVACS, ATTribuTedpAir of floor lAmpS (2)
Manufacturer unknown, designed circa 1969 72”h x 11” x 7.5”
$3,000-5,000
160VerNer pANToNeASy CHAir G
Fritz hansen, designed 1973 one of ten models (A thru L) designed for the “System 1-2-3” seating and table series. 27.5”h x 23”w x 34”d
Literature: VErNEr PANToN: ThE CoLLECTED
WorKS, VITrA DESIGN MuSEuM, 2000, PG 265
$2,000-3,000
9 19 1
162doNAld JudduNTiTled (No. 97 )
1974-1979 Aquatint in black Signature and edition lower right #46 of 175 Printed at Styria Studio, New york Sheet 40” x 29”; Framed 43.75” x 32.25”
Literature: DoNALD JuDD: PrINTS AND
WorKS IN EDITIoNS, A CATALoGuE rAI-
SoNNE, SChELLMANN
$3,000-5,000
163eTTore SoTTSASSulTrAfrAGolA lAmp
Poltronova designed 1970, this example produced later Mirror with pink neon lighting 77”h x 41”w x 3.5”d
Literature: ETTorE SoTTSASS: FurNITurE
AND A FEW INTErIorS, ArNoLDo MoNDA-
DorI EDITorE, 1985, PG 66
$5,000-7,000
9 39 3
167roberT SoNNemAN, ATTribuTedpAir of CANTileVered floor lAmpS
Manufacturer unknown, designed circa 1968 Each 45”h x 21”w
$2,000-3,000
165GiNo SArAfATTi, ATTribuTedAdJuSTAble wAll lAmp
Possibly by Arteluce, designed circa 1954 Adjustable
$1,500-1,800
164GAmboNebull
Studio, designed circa 1965 Glazed ceramic Signed “Gambone Italy” 9”h x 13.5”l x 4.5”w
$800-1,200
166CASATi & poNziopeloTA TAble lAmpS (2)
Studio DA, designed 1970 Each 12”h x 4.25” x 9”
$1,500-2,000
168HerberT bAyerCHromATiC ACCrumeNT
1971 Acrylic on canvas Signed, dated and numbered lower right; inscribed verso “Bayer 1971 102 Chromatic Accrument” 50” x 50”
Provenance: MArLBorouGh GALLEry,
NEW yorK; hoKIN GALLEry, PALM BEACh;
PrIVATE CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$6,000-9,000
9 59 5
169NANdA ViGouTopiA TAble lAmp
Arredoluce, designed 1970 Stainless steel retains label 24” x 24” x 6”
Literature: ITALy: ThE NEW DoMESTIC
LANDSCAPE, AMBASZ, MoMA , 1972, PG 58
$12,000-15,000
171VASA uNTiTled
1985 Acrylic sculpture Etched signature “#2664 Vasa c 1985” 18.5”h x 23” x 3”
$1,000-1,500
170JACk leNor lArSeNmAGNum fAbriC
Larsen Design Studio, designed 1970 Cotton, vinyl, nylon, polyester; backed with nylon scrim 58” x approx. 3 yards
This fabric design was first commissioned for the Phoenix Civic Plaza Symphony Hall curtain in 1970. Because of its popularity this pattern was produced by Larsen in a variety of colors until 1992.
$8,000-10,000
9 79 7
172ViCTor VASArelyuNTiTled
1958 Lithograph Signed lower right; edition lower left #105 of 200 Sheet 26.5” x 26.5”; Framed 27” x 27”
$1,000-1,500
173ViCTor VASArelyuNTiTled
Circa 1975 Silkscreen in colors on paper Signed lower right; edition lower left #166 of 250 Image 34” x 16.5”; Framed 45.75” x 28”
$1,000-1,500
174ViCTor VASArelyNepTuNe
Silkscreen in colors on paper Signed lower right; edition lower left #162 of 250 Image 16” x 15.5”; Sheet 24.5” x 19.25”
$700-900
175STudio TeTrArCHpAllAde floor liGHT
Artemide, designed 1968 12”h x 14”diameter
$800-1,200
176ViSToSi TAble lAmp
Vistosi, designed 1970 20”h x 19”diameter
$1,500-2,000
177JoHN GArreTTVulCAN proGeNiTor
1990-1992 Aluminum with galvinized and stainless steel 23” x 24” x 23.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
Pho
togr
aphs
cou
rtes
y of
Jon
n C
oolid
ge P
hoto
grap
hy
9 99 9
179C JereCrANe lAmp
Studio, 1977 Signed “C Jere 1977” 75”h x 31”w
$2,000-3,000
180milo bAuGHmANpAir of louNGe CHAirS
Thayer Coggin, Inc., designed circa 1965 retains “Thayer Coggin, Inc, high Point, NC” label 27”h x 28.5” x 32”d
$3,000-5,000
178miCHAel & frANCeS HiGGiNSmobile
Studio, designed circa 1965 Etched signature “higgins Studio” 32”h x 23”
$2,000-3,000
182kim brookSCouGAr
Gouache on paper Signed lower right 25.5” x 37”
Provenance: STrEMMEL GALLErIES LTD;
PrIVATE CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$1,500-2,000
181louiS berTrANdTribuNAl , freNCH GuiANA , 1930S
1981 Acrylic Signed lower right 11.6” x 11.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
1 0 11 0 1
183bruCe rubeNSTeiNuNTiTled
2002 oil and mixed media with collage on canvas Signed and dated verso 72”h x 60”w
$10,000-15,000
187SuSAN rANdiSlANd roAd
1999 oil pastel on canvas 48” x 36”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
185Joe zuCkerTouCAN
1980 Cast paper pulp on paper Signed and dated lower left 33” x 33”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$4,000-6,000
186duNCAN HANNAHblue NoTe
1981 oil on canvas Initialed lower left, dated lower right, titled lower center; signed again and dated verso “1981 Feb-May” 38” x 38”
Provenance: ChArLES CoWLES GALLEry,
NEW yorK; PrIVATE CoLLECTIoN oF
GLC ArT Co LLC; GErArD L CAFESJIAN,
PrESIDENT
$3,000-5,000
184kAreN leGeNHAuSeNSummer TrAil
Pastel 24” x 24”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
1 0 31 0 3
188VeSNA kreziCH kiTTelSoNSelf porTrAiT
oil on canvas Shaped canvas 19.5” x 17”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
190HANS J. weGNerCoNVerTible dAybed
Getama, designed 1954 28”h x 34”d x 81”l
$1,000-1,500
189fiNN JuHlpAir of louNGe CHAirS
Model no. 137 France & Sons, designed 1959 retains Fritz hansen tag 26.5”h x 27”d x 28.5”l
Literature: DECorATIVE ArT 1959-1960,
VoLuME 49, STuDIo LIMITED, 1949, PG 24
$2,500-3,500
1 0 51 0 5
191fiNN JuHlCHiefTAN CHAirS (2)
Baker, designed 1949; these chairs produced after 1955 retains Baker labels 41”h x 36.5”w x 37.5”d
$10,000-15,000
192HANS J. weGNerpApA CHAir ANd oTTomAN
Model no. AP19 A.P. Stolen, designed 1951 38.5”h x 36” x 36”; ottoman 16”h x 27.5” x 16”
$5,000-7,000
193roGer CAproNCoffee TAble
Studio, designed circa 1970 Inset ceramic tiles with wood frame Signed “r. Capron” 14”h x 22.5”w x 46.5”l
$1,500-2,000
1 0 71 0 7
194berNArd rederSmAll TrumpeT plAyer
1957 Bronze and marble This is a reduced version of the bronze created in 1956 12” high plus base
Provenance: WorLD houSE GALLErIES,
NEW yorK, ACQuIrED FroM ThE ArTIST IN
1958; PrIVATE CoLLECTIoN oF GLC ArT Co
LLC; GErArD L CAFESJIAN, PrESIDENT
Exhibited: WorLD houSE GALLErIES
“rECENT SCuLPTurE JAN - FEB 1959,
CATALoGuE No 1 1 ; NEW SChooL ArT CENTEr ,
NEW yorK, SCuLPTurE FroM ThE ALBErT A
LIST FAMILy CoLLECTIoN, oCT - NoV 1965,
CATALouGE No 63
$2,000-3,000
195SCHool of pAriSreCliNiNG fiGure
Mid-twentieth century Cast plaster 7”h x 12” x 6”
Provenance: ESTATE oF PAuL KASPEr
$800-1,000
196doNAld SulTANfruiTS ANd flowerS (SuiTe of 8)
1991 Screenprint in colors Inscribed with edition Artist Proof #16 of 20 (7 works) and #6 of 20 (1 work) Each 23” x 22”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$10,000-15,000
1 0 91 0 9
197HANS J. weGNerdrop leAf TAble ANd 6 CHAirS
Model no. 309 Andr. Tuck, designed circa 1953 Branded “Fabrikat=Andr. Tuck/Arkitekt=hans J. Wegner/Made in Denmark” Table 28.5”h x 34” x 89” (fully extended); Chairs 29.5”h x 21”w x 16”d
$3,000-5,000
198HANS J. weGNerpeACoCk CHAir
Model no. 550 Johannes hansen, designed 1947 Ash and teak Branded “Johannes hansen/Copenhagen Denmark” 41.25”h x 30”w x 28”d
Wegner designed this chair after the English Windsor chair, but fellow designer Finn Juhl famously renamed it the Peacock chair.
Literature: DANISh ChAIrS, ChroNICLE
BooKS, 1996, PG 106
$1,800-2,500
1 1 11 1 1
199SAm frANCiSuNTiTled (Sfe-064 )
1987 Etching with aquatint Artist Proof Signed lower right; inscribed “Bon a Tirer” and dated “3 Mai 1987” lower left Image 34.75” x 39”; Framed 48” x 51.5”
$7,000-9,000
200SAm frANCiSweb (Sfe-136)
1972 Screenprint #16 of 50 Signature and edition lower right Sheet 42.5” x 54.5” Framed 47” x 59”
$5,000-7,000
201GeorGe NelSoNArmCHAir
Model no. DFh herman Miller, designed 1958 retains label 29”h
$500-700
202CHArleS & rAy eAmeSlouNGe CHAir
Model no. LCW herman Miller, designed 1945 Branded “Woodpecker Industries Inc. Los Angeles uSA” 27”h x 22”w x 22”d
Provenance: ESTATE oF PAuL KASPEr
$300-500
203GeorGe NelSoN SwAG leG TAble
17”h x 17”diameter
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$200-300
204AlVAr AAlTo Group of 3 STACkiNG SToolS
Branded “Aalto Design Made in Sweden” 17.25”h x 15”diameter
Provenance: A QuINCy JoNES &
ELAINE K SEWELL JoNES
$100-200
205mArCel breueroCCASioNAl TAble
Model no. 50T1-F1 Knoll, designed circa 1927, this example later 18”h x 21.5” x 19”
$400-600
206riCHArd SCHulTzpeTAl TAble
Knoll, designed 1960 retains label 19”h x 16”diameter
$600-800
1 1 31 1 3
207CHArleS & rAy eAmeSdCm CHAir
herman Miller, designed 1952 30”h x 19.5” x 21”
Provenance: A QuINCy JoNES & ELAINE K
SEWELL JoNES
$400-600
209HArry berToiAdiAmoNd CHAir ANd oTTomAN
Model no. 422Lu Knoll Inc., designed 1952 Blue ultra suede cover retains Knoll, Inc. label 28”h x 31”d x 45”l
$800-1,200
210CHArleS & rAy eAmeSSofA CompACT
Model no. 473 herman Miller, designed 1954 36”h x 29”d x 71”
$1,500-2,000
211GeorGe NelSoNplATform beNCH
Model no. 4692 herman Miller, designed circa 1955 14”h x 18.5”w x 72.5”l
$500-700
212GeorGe NelSoNplATform beNCH
Model no. 4692 herman Miller, designed circa 1955 14”h x 18.5”w x 71”l
$500-700
208CHArleS & rAy eAmeSdCm CHAir
herman Miller, designed 1952 30”h x 19.5” x 21”
Provenance: A QuINCy JoNES & ELAINE K
SEWELL JoNES
$400-600
213ed ruSCHAlibrAry & book reTurN (2)
1994-95 hard-ground etching on Dieu Donne handmade cotton paper with deckled edges Each signature lower right; edition lower left #31 of 40 and #33 of 40 Sheet 20” x 23.5” and 23.25” x 19.75”; Framed 24” x 28” and 28” x 24.5”
Literature: EDWArD ruSChA: EDITIoNS
1959-1999: CATALoGuE rAISoNNE, ENG-
BErG, WALKEr ArT CENTEr (#224 & 225 )
$7,000-9,000
1 1 51 1 5
214edwArd ruSCHAANCHor iN SANd
1991 Lithograph in colors Signed, dated lower right; edition lower left #78 of 100 21” x 32”
This image was used on the cover of the 1992 issue of the journal “Paris Review”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
Literature: EDWArD ruSChA: EDITIoNS
1959-1999: CATALoGuE rAISoNNE,
ENGBErG, WALKEr ArT CENTEr (#213)
$3,000-5,000
215ed ruSCHAANGel
2006 Lithograph Signature and date lower right; edition lower left #33 of 50 Sheet 20” x 16”; Framed 28.5” x 24.5”
$4,000-5,000
217ed ruSCHASpATTerSHip
1990 Lithograph Signature and date lower right #68 of 100 Sheet 36” x 27”; Framed 44.25” x 35”
Literature: EDWArD ruSChA: EDITIoNS
1959-1999: CATALoGuE rAISoNNE, ENG-
BErG, WALKEr ArT CENTEr (#202)
$4,000-5,000
218edwArd ruSCHAbrewS
1970 Screenprint in colors on wove paper Signed and numbered #24 of 75 Published by Editions Alecto 23” x 32”
Literature: EDWArD ruSChA: EDITIoNS
1959-1999: CATALoGuE rAISoNNE, ENGBErG,
WALKEr ArT CENTEr (#40)
Provenance: FroM ThE PrIVATE CoLLECTIoN
oF GLC ArT Co LLC; GErArD L CAFESJIAN,
PrESIDENT
$3,000-5,000
216ed ruSCHAiT iS A Go
2009 Lithograph Signature and date lower right; edition lower left #16 of 50 Sheet 23.25” x 19”; Framed 28.75” x 24.5”
$4,000-5,000
1 1 71 1 7
220edwArd ruSCHATHirT yfour pArkiNG loTS iN loS ANGeleS
1967 Published by the artist First Edition
$3,000-5,000
219edwArd ruSCHACArp
1969 Lithograph Published by Tamarind Lithography Workshop Signed and dated lower right #9 of 20 Printed on Arches with deckle edges Sheet 17” x 24”; Framed 20.5” x 27.5”
Literature: EDWArD ruSChA: EDITIoNS
1959-1999: CATALoGuE rAISoNNE, ENG-
BErG, WALKEr ArT CENTEr (#10)
$7,000-10,000
221lAddie JoHN dilluNTiTled
1968 Lithograph Signed “L Dill ‘68” lower right; edition lower left #8 of 9 22.25” x 21.75”
$1,200-1,500
223peTer VoulkoSVASe
Studio, executed circa 1955 Stoneware Signed “Voulkos” 7.75”h x 5.5” x 4”
$4,500-5,000
225elSA rAdyGlAzed porCelAiN bowl
Studio, 1981 Signed “Elsa 81” Together with exhibition catalogue of the artist’s work 7.25”h x 9.25”w
$1,500-2,000
222peTer VoulkoSplATe
Studio, executed 1954 Stoneware Signed “Voulkos” 3”h x 15”diameter
$4,800-5,500
224ANNe HiroNdelleCerAmiC VeSSel wiTH bASe
Studio, executed circa 1980 Signed “AE hirondelle” overall height 14.5”h x 17” x 8.5”
$1,500-2,000
1 1 91 1 9
226lAddie JoHN dilluNTiTled
November 1974 Mixed media on canvas over plywood Verso “Laddie John Dill November 1974 Venice Cal” 83.5”h x 60”w
$4,000-6,000
227lAddie JoHN dillCoffee TAble wiTH GlASS Top (NoT illuSTrATed)
Executed circa 1994 Glass and concrete 15”h x 36” x 26.5”; with glass top 15.5”h x 48” x 30”
Laddie John Dill calls this work “Sculpture that is Functional”, for the base can be taken off and mounted to the wall. These works were all special commissions and less than ten were made.
LAMA wishes to thank the artist for his assistance in cataloguing this work.
$4,000-6,000
1 2 11 2 1
229keiTH HAriNG & ToSHiyuki kiTAoN TAro lAmp
1988 Signed “Keith haring 88” and “T. Kita” 21”h x 13” x 7.5”
$2,500-3,500
228keiTH HAriNGuNTiTled
1983 Silver ink on pink paper Signed dated and inscribed “For Nancy & Zack” recto at top (not pictured) Sheet 9.5” x 9.5”; Framed 13.25” x 12”
Provenance: ACQuIrED DIrECTLy FroM
ThE ArTIST, MIChELLE roSENFIELD GAL-
LEry, NEW yorK; PrIVATE CoLLECTIoN,
LoS ANGELES
$8,000-10,000
230ANdy wArHolJANe foNdA
1982 Screenprint on Lenox Museum Board Printed by rupert Jasen Smith Signed “Andy Warhol” lower left in black marker, inscribed lower right “Peace Jane Fonda” in pencil; signed by Jane Fonda verso in pencil #28 of 100 Together with original print documentation sheet and sales receipt dated July 1982 Sheet 39.5” x 31.5”
Literature: ANDy WArhoL PrINTS: A CATALoGuE
rAISoNNE 1962-1987, FELDMAN & SChELLMANN,
2003 (FS I I 268)
$15,000-20,000
1 2 31 2 3
231lArry riVerSCulTure box (4 workS pluS box )
Two not illustrated 1992 Screenprint in colors on folded sheet metal with original wooden box Each signed, dated and numbered #3 of 25 overall 23” x 24” x 6”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$4,000-6,000
232ANdy wArHolVAN HeuSeN (roNAld reAGAN)
1985 Silkscreen printed in colors on Lenox Museum Board Published by ronald Feldman Fine Arts, New york Signed in pencil and inscribed “AP 16/30” Artist proof #16 of 30; aside from the edition of 190 37” x 37”
Provenance: FroM ThE PrIVATE CoLLECTIoN oF GLC ArT Co
LLC; GErArD L CAFESJIAN, PrESIDENT
Literature: ANDy WArhoL PrINTS: A CATALoGuE rAISoNNE
1962-1987, FELDMAN & SChELLMANN, 2003 (FS I I 356)
$15,000-20,000
234ANdy wArHoledwArd keNNedy
1980 Color screenprint with Diamond dust Signature and edition lower right #182 of 300 40” x 32”
Published to raise funds for the Edward Kennedy primary campaign for president
Literature: ANDy WArhoL PrINTS: A CATALoGuE rAISoNNE
1962-1987, FELDMAN & SChELLMANN, 2003, (FS I I 240)
$4,000-6,000
233ANdy wArHolkimiko
1981 Screenprint Signature and edition verso #200 of 250 36” x 36”
Literature: ANDy WArhoL PrINTS: A CATALoGuE rAISoNNE
1962-1987, FELDMAN & SChELLMANN, 2003, (FS I I 237 )
$18,000-20,000
1 2 51 2 5
235floreNCe kNollpArAllel bAr CouCH
Model no. 1205 S3 Knoll, designed 1954 Blue vinyl 30”h x 84”l x 30”d
$3,000-5,000
236floreNCe kNollpArAllel bAr louNGe CHAirS (2)
Model no. 51W Knoll, designed 1955 Blue vinyl Each 30”h x 24”l x 30”d
$3,000-5,000
237dAVid roTHrANdom Color (4 workS)
1976-77 Color lithographs Each signed and dated lower right; edition lower left Artist proof Each 37” x 37”
$6,000-8,000
1 2 71 2 7
239HArry berToiAbird CHAir ANd oTTomAN
Model no. 423Lu Knoll, designed 1952 38.5”h x 38”w x 32”d
Provenance: ESTATE oF PAuL KASPEr
$700-900
240HArry berToiApAir of diAmoNd CHAirS
one Not Illustrated (white) Model no. 422L Knoll, designed 1952 Each 27.5”h x 44”w x 36”d
Provenance: ESTATE oF PAuL KASPEr
$600-800
238floreNCe kNollCredeNzA wiTH mArble Top
Model no. 2543M Knoll, designed 1961 20”h x 74.5”l x 18”d
$4,000-6,000
241SAm mAloofroCkiNG CHAir
Studio, executed 1986-89 Walnut and White oak with Ebony Signed “No.4 1989 Sam Maloof F.A.C.C.” 44”h x 26”w x 44”d
Sold with the original receipt and a signed copy of Sam Maloof Woodworker.
$35,000-45,000
1 2 91 2 9
242SAm mAloofdiNiNG TAble
Studio, executed 1982 American Black Walnut Signed “No. 35 1982 Sam Maloof F.A.C.C” 27”h x 48”diameter
$25,000-30,000
243New york SCHoolCArVed wood deSk ANd CHAir
Manufacturer unknown, designed circa 1969 Table 34”h x 48”w x 22”d; Chair 26.75”h x 21.75” x 16”d
$5,000-7,000
244Jill GuSSowHomAGe To A deAd doG
1977-79 Van Dyke Brown on fabric, photo etched brass, red ink 14” x 17”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$1,500-2,000
245Jill GuSSowHAirCuT
1977-79 Van Dyke Brown and quick print fabric, hair, hand coloring with ink and pencil 14” x 16”
This is a ritualistic-type piece that actually includes the hair of the person getting the haircut.
$1,500-2,000
1 3 11 3 1
246ruTH ASAwAuNTiTled (CoNTiNuouS form)
Executed late 1950s Crochet wire sculpture unique 68”h x 13”diameter
LAMA wishes to thank Aiko Cuneo for her assistance in cataloguing this lot.
$80,000-120,000
While in Toluca, Mexico in 1947, ruth Asawa learned how to crochet wire from a technique used to make egg baskets. According to Asawa these crotcheted wire sculptures are “three-dimensional drawings” floating across space. Instead of blocking and confining space, Asawa created interlocking patterns by using lines to capture a form that is still transparent. These sculptures were showcased in a retrospective exhibit of Asawa’s work at the San Francisco Museum of Modern Art in 1973 and more recently at the de young Museum in San Francisco in a 2007 exhibition “The Sculpture of ruth Asawa: Contours in the Air”.
249Jim diNeTHirT y boNeS of my body ( wire CuTTer)
1972 Dry point etching Signature, date and edition lower center #5 of 10 Catalogue #63-92 Sheet 31” x 22.25”; Framed 33.5” x 24.75”
Literature: J IM DINE PrINTS: 1970-197 7,
WILLIAMS CoLLEGE, hArPEr , 197 7, PG
60-64
$2,500-3,500
247Jim diNeTHirT y boNeS of my body (Spoke wreNCH)
1972 Dry point etching Signature, date and edition lower center #5 of 10 Catalogue #63-92 Sheet 31” x 22.25”; Framed 33.5” x 24.75”
Literature: J IM DINE PrINTS: 1970-197 7,
WILLIAMS CoLLEGE, hArPEr , 197 7, PG
60-64
$2,500-3,500
248Jim diNeTHirT y boNeS of my body (plyerS)
1972 Dry point etching Signature, date and edition lower center #5 of 10 Catalogue #63-92 Sheet 31” x 22.25”; Framed 33.5” x 24.75”
Literature: J IM DINE PrINTS: 1970-197 7,
WILLIAMS CoLLEGE, hArPEr , 197 7, PG
60-64
$2,500-3,500
250Jim diNeHiSToriA
1971 Etching, lithograph and screenprint in colors with hand coloring Signed, dated and numbered #17 of 80 Published by Petersburg Press 22” x 30.75”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$1,200-1,800
1 3 31 3 3
251rAlpH GoiNGSGem Top
1975 Watercolor on paper Signed and dated lower right unique Signed; o.K. harris Works of Art & Byron C. Cohen labels verso 9” x 13”; framed 18” x 22.5”
The subject matter of this work is a shopping center in Sacramento, CA
LAMA wishes to thank the artist for his assistance in cataloguing this work.
Provenance: oK hArrIS WorKS oF ArT, NEW
yorK; PrIVATE CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
Literature: rALPh GoINGS, ChASE, NEW yorK,
1988, ILLuSTrATED oN PG 83
PhoTorEALISM, MEISEL , NEW yorK, 1980,
ILLuSTrATED PG 290
$30,000-50,000
1 3 51 3 5
252STAN biTTerSmoNumeNTAl freeSTANdiNG medAllioN SCulpTure
Glazed ceramic with welded metal unique Studio, 1969 Base signed “Stan Bitters 1969 With stand 63”h x 48”w x 32”d
Literature: ENVIroNMENTAL CErAMICS,
STAN BITTErS, LITToN EDuCATIoNAL
PuBLIShING, 1976
$12,000-15,000
253STAN biTTerSGArdeN TAble ANd 4 SToolS
hans Sumpf, designed 1960s, this example produced later Glazed ceramic Table 29”h x 32”diameter
Stan Bitters designed this seating unit while at Hans Sumpf and they continued producing it adding different decorative designs.
$2,000-3,000
1 3 71 3 7
254STAN biTTerSTHumb poT
hans Sumpf, designed circa 1960s Impressed “hSC B-24-20” 19”h x 23”diameter
$800-1,200
255STAN biTTerSlArGe bruSH Side poT
hans Sumpf, executed circa 1990s 24”h x 24.75” diameter
$700-900
256STAN biTTerSpAir of eArly THumb poTS
hans Sumpf, designed circa 1960s 12”h x 22”diameter and 12”h x 23”diameter
$1,200-1,500
257STAN biTTerSSHAllow bowl
Studio, executed circa 1968 Signed “Bitters” 7”h x 17”diameter
$500-600
258mAbel HuTCHiNSoNuNTiTled
Studio, 1973 Wood construction Verso “rosewood head Construction by Mabel hutchinson 1973” 12”h x 5.25”
$500-700
259mAlColm lelANdmACQueTTe
Studio, executed circa 1961 With stand 6.5”h x 4” x 2”
$1,500-2,000
260mAlColm lelANdbAS-relief
Studio, executed circa 1961 Signed “ML” With stand 10.75”h x 4.5” x 1”
$1,500-2,000
261mAlColm lelANdfruiT bowl/CeNTerpieCe bowl
Studio, designed circa 1951 Signed “Leland” 9”h x 9”diameter
$800-1,200
262mAlColm lelANdCompoTe
Studio, designed circa 1951 Glazed ceramic Signed “Leland” 9.5”h x 5.75”diameter
$700-900
1 3 91 3 9
263miCHAel ArNzbouNdAry SToNe SCulpTure
Studio, 1966 Glazed ceramic Approximately 46”h x 38” x 12”
Fascinated by the relationship humans have to the natural environment, this work was inspired by Arntz’s 1964 visit to the British Museum’s prehistoric galleries.
$5,000-7,000
268dAVid CreSSeyplANTer
Model “Phoenix 2” Architectural Pottery, designed circa 1963 Glazed ceramic From the Pro/Artisan series 23”h x 23”diameter
$2,500-3,500
267dAVid CreSSeyplANTer
Model “Phoenix 2” Architectural Pottery, designed circa 1963 Glazed ceramic From the Pro/Artisan series 23”h x 23”diameter
$2,500-3,500
266dAVid CreSSeyplANTer wiTH leAf TexTure
Model no. 4108 Architectural Pottery, designed circa 1963 Stoneware Form designed by Leland and glaze by Cressey From the Pro/Artisan Series 17.5”h x 17.25”diameter
$600-900
264dAVid CreSSey & JoHN folliSplANTer wiTH expreSSiVe TexTure
Model no. 4045r Architectural Pottery, designed circa 1963 “Terra umbra” glaze Form designed by Follis, texture and glaze by Cressey From the Pro/Artisan Series 17”h x 22.75”diameter
$1,000-1,500
265dAVid CreSSeyplANTer wiTH ribbed TexTure
Model no. 5059 Architectural Pottery, designed circa 1963 Stoneware From the Pro/Artisan Series 22.25”h x 14.25”diameter
$700-900
1 4 11 4 1
269dAVid CreSSeypAir of plANTerS wiTH ribbed TexTure
Model no. 4101 Architectural Pottery, designed circa 1968 Glazed ceramic From the Pro/Artisan Series Each 16”h x 10.5”diameter
$1,200-1,500
270pAolo SoleriHANGiNG bell
Arcosanti, designed 1950, this example later Bronze Stamped with artist foundry mark 39”h x 11” x 7”
$1,000-1,500
271mAlColm lelANdeArTHworkS relief
1966 Cast Aluminum Plaque attached verso one of 25 reliefs 20” x 12”
$2,000-3,000
272pHilip lloyd powellbAr CAbiNeT
Custom, 1967Walnut, slate, velvet, glass and found objects Approximately 107.5”h x 55”w (cabinet only) x 25”d
$70,000-90,000
After World War II Powell moved to New hope to build his own furniture and refurbish antiques. Powell opened a shop and began to sell Knoll and herman Miller designs, while including his own pieces in the store. Powell’s shop had great success and attracted other outsider artists of the time such as Paul Evans. Even though minimalist Scandinavian furniture was popular, Powell took a more naturalistic approach to the wood he used. Similar to the work of George Nakashima, who also worked in New hope, Powell allowed the organic indentions and curves to speak in his pieces. The success of the shop allowed Powell to continue to create works that were becoming commissioned by return clients, thus allowing him to feed his passion for traveling. When Powell did travel he brought back found objects to incorporate into his works, adding unique details to enhance each work as a whole.
1 4 31 4 3
274dAmieN HirSTuNTiTled (broNze SpoT lANdSCApe)
2008 Silkscreen with Diamond dust Signed lower right; edition lower left #20 of 150 Sheet 29.5” x 37”; Framed 33.75” x 41.5”
$5,000-6,000
273dAmieN HirSTuNTiTled (SilVer SpoT lANdSCApe)
2008 Silkscreen Signed lower right; edition lower left #20 of 150 Sheet 29.5” x 37”; Framed 33.75” x 41.5”
$5,500-6,000
1 4 51 4 5
275dAmieN HirSTloVe will TeAr uS ApArT
1995 Sintra Cabinet, needles and syringes #18 of 30 Tanya Bonakdar Gallery label verso signed by hirst, May 30, 1995 14” x 20” x 8.75” and a custom base with acrylic cover
$25,000-35,000
276riCHArd boSmANmouNTAiNeer
1986 oil on canvas 90” x 60”
Provenance: BrooKE ALEXANDEr
GALLEry, NEW yorK; PrIVATE CoLLECTIoN
oF GLC ArT Co LLC; GErArD L CAFESJIAN,
PrESIDENT
$5,000-7,000
1 4 71 4 7
277riCHArd boSmANSuNSeT & life rAfT (2)
1983-84 & 1987 Etching on wove paper & Linocut in colors Each signed in pencil and numbered #24 of 40 and #32 of 40 21.75” x 29.25” and 38.75” x 29.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$1,500-2,500
278Jim dowHuberT H. HumpHrey meTrodome, AlmedA CouNT y ColiSeum & ArliNGToN STAdium ( TripT yCH)
1982 Photographs (3) Each signed, titled, dated and numbered verso Each #25 of 40 Each 7.75” x 29.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
1 4 91 4 9
279JAmeS JeNdroboATS AT reST
1997 Acrylic on canvas Signed lower right
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
280dANA browNpier View
1999 Watercolor on paper 23.5” x 19.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
281SAlVAdor dAliTHe TwelVe TribeS of iSrAel (porTfolio of 13 workS)
1973 Color dry points printed on Japan paper Each signed lower right #18 of 35 (roman numerals); aside from the regular edition of 195 printed on rives Together in its original presentation box/bound portfolio 20.1” x 14.6” raisonne # 618-630, Michler/Lopsinger
$10,000-15,000
1 5 11 5 1
282CArole JeAN feuermANuNTiTled
1992 Mixed media (resin and oil) #2 of 9; however only two sculptures were realized Signed, dated and numbered 16.25” x 12.5” x 6.75”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$8,000-12,000
284GeorGe NAkASHimA“New ” Side CHAirS (2)
Studio, executed before 1954 American Black Walnut 36”h x 18.75”w x 18”d
$2,500-3,500
283GeorGe NAkASHimAeArly ANd rAre diNeTTe TAble
Studio, executed before 1954 28”h x 37.5”w x 33.75”d
$5,000-7,000
1 5 31 5 3
285GeorGe NAkASHimAeArly ANd rAre CHeST of drAwerS
Studio, executed before 1954 33.5”h x 56”l x 20”d
$4,000-6,000
286GeorGe NAkASHimAeArly ANd rAre CAbiNeT
Studio, executed before 1954 32.5”h x 54”l x 19.25”d
$4,000-6,000
287GeorGe NAkASHimAeArly ANd rAre CAbiNeT
Studio, executed before 1954 31.75”h x 60”l x 20”d
$4,000-6,000
288GeorGe NAkASHimApAir of louNGe CHAirS
Studio, executed before 1954 31”h x 25”w x 31”d
$7,000-9,000
289GeorGe NAkASHimAeArly ANd rAre diNiNG TAble
Studio, executed before 1954 28.5”h x 72” x 36.5”
$8,000-12,000
290GeorGe NAkASHimAwiNdSor CHAirS (4 )
Studio, executed before 1954 30”h x 23”w x 18.5”d
$2,000-3,000
1 5 51 5 5
291GeorGe NAkASHimACoNoid Coffee TAble
Studio, circa 1958 Marked “Schieller Sue” 14.25”h x 63”l x 20.5”w
$6,000-8,000
292GeorGe NAkASHimACoffee TAble
Studio, executed before 1954 15.5”h x 31” x 21”
$2,500-3,500
293GeorGe NAkASHimACoffee TAble
Studio, executed before 1954 14”h x 36” x 18”
$2,500-3,500
294GeorGe NAkASHimAGroup of 3 GrASS-SeAT CHAirS
Studio, designed circa 1947 American Black Walnut and Sea grass Each 27.25”h x 24”w x 19.5”d
$2,500-3,500
295GeorGe NAkASHimA3 -leG STool/beNCH
Studio, executed before 1954 10”h x 26” x 9”
$3,000-5,000
296GeorGe NAkASHimAmirA CHAir
Studio, executed before 1954 26.5”h x 19”w x 17”d
$800-1,000
297GeorGe NAkASHimAGrASS SeAT STool
Studio, executed before 1954 12.5”h x 20”w x 15”d
$500-700
1 5 71 5 7
298ANNA kATHeriNe SkeelewAr dANCe
Circa 1945 oil on canvas with artist’s frame Signed lower right; label verso “Sixth Annual Exhibition / Artists of Los Ange-les and Vicinity / Los Angeles County Museum - 1945” 35” x 43”
$3,000-5,000
Born in Wellington, ohio, Anna Katherine Skeele (1896-1963) first started her art studies while at olivet College in Michigan. After moving to Southern California in 1912, she settled in Monrovia and continued at Pomona College. Furthering her art studies in the 1920s, Skeele worked with Armin hansen in Monterey, ASL of NyC under hawthorn and Bridgman, Académie de la Grande Chaumière and André Lhote in Paris, and royal Academy of Arts in Florence. In 1951 Skeele and her husband Frode Dann established the Pasadena School of Fine Art.
299piero forNASeTTiGiro di CoNCHiGlie pATTerNed TrAy ANd STANd
Fornasetti, designed circa 1955 Tray retains Fornasetti label and also impressed “Fornasetti Milano Made in Italy” Tray: 1”h x 30.25” x 22.25”; with stand 31”h
$2,000-3,000
300lAwreNCe lASkeTooTHpiCk CACTuS Coffee TAble
Model no. 81-Tr-35 Knoll, designed 1993 Birdseye maple retains tag “Toothpick Cactus Table Knoll Studio 1993” with artist signature 16”h x 36”diameter
$2,000-3,000
1 5 91 5 9
301GrANT woodiNdiAN Creek
1927 oil on paper laid down on board Signed lower left; signed, titled and dated verso
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$16,000-18,000
302THeopHile AlexANdre STeiNleNuNTiTled (STudy )
Together with another similar study Circa 1910 Graphite on paper Each signed lower right Image 8” x 3.25” (framed 17.25” x 12”) & Image 9.5” x 7.75” (framed 16.5” x 14”)
$1,000-1,500
304pierre boNNArduNTiTled
Circa 1930 Graphite on paper Initialed lower right Sheet 5” x 6.5”; Framed 11.75” x 13.5”
$2,000-3,000
303CAmille piSSArrouNTiTled
Circa 1890 Graphite on paper Initialed lower right Image 7.5” x 5.5”; Framed 14” x 11.5”
$5,000-7,000
1 6 11 6 1
305lArry HofmANNJuly eVeNiNG (SmAll Tree wiTH miSSiNG limb)
2008 Acrylic on canvas 38” x 44”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$4,000-6,000
306GeorGe GroSzNude oN THe beACH (ArTiSTS wife)
Circa 1942-46 oil on paper laid down on Masonite Signed “Grosz” lower right 19.75” x 14.25”
Peter Grosz has confirmed the authenticity of this painting
Provenance: FroM ThE PrIVATE CoLLECTIoN oF
GLC ArT Co LLC; GErArD L CAFESJIAN, PrESIDENT
$15,000-25,000
307GeorGe GroSzSeATed Nude
oil on paper laid down on canvas Signed lower right 23.25” x 15.75”
Provenance: FroM ThE PrIVATE CoLLECTIoN oF
GLC ArT Co LLC; GErArD L CAFESJIAN, PrESIDENT
$15,000-25,000
1 6 31 6 3
308GeorGe GroSzTHree GeNTlemeN
1927 Ink on paper Signed lower right and dated 1927; inscribed “Erich & Lena with my best Christmas wishes, from George Grosz, Dec 1956” Image 24” x 18.5”; Framed 31.5” x 26”
Provenance: LEE NAIMAN GALLEry, NEW
yorK; PrIVATE CoLLECTIoN, CALIForNIA
(ChrISTIES EAST, NEW yorK 1993)
$8,000-10,000
309le CorbuSierwArdrobe from uNiTe d’HAbiTATioN, mArSeille
Studio, designed 1952 61.25”h x 41”w x 22”d
$7,000-9,000
310JeAN prouVebed
Comm. Lycee Fabert, Metz, France, designed 1935 34”h x 32”w x 75”d
$4,000-6,000
1 6 51 6 5
311HeNri mATiSSefiGure ASSiSe, bouQueT de fleurS deVANT lA mer
1923 Lithograph on Japan paper Signed lower right; edition lower left #25 of 60 Image: 11.75” x 8.5”; Sheet 17.75” x 11.25”
Literature: MATISSE LIThoGrAPhS,
LAMBErT, LoNDoN, 1972
$18,000-25,000
312AlberTo GiAComeTTiuNTiTled (STudy of HeAd)
Circa 1960 Ink on paper In pencil verso “7350.B” and “B” 2.5” x 4.5”; framed 16.75” x 12.25”
Provenance: LEE NAIMAN GALLEry, NEW
yorK; PrIVATE CoLLECTIoN, CALIForNIA
$10,000-20,000
1 6 71 6 7
313JAmeS CoiGNArduNTiTled (profile Sur ouVerTure GAuVe)
1978 oil on canvas Signed lower right; titled on stretcher verso 25” x 20.75”
Provenance: MIChELLE roSENFELD
GALLEry, NEW yorK;
PrIVATE CoLLECTIoN, CALIForNIA
$3,000-5,000
314JeAN roberT ipouSTeGuyl’Homme Qui riT
1960 Bronze Signed twice #4 of 6 9.5” x 7” x 7”
Provenance: MIChELLE
roSENFELD GALLEry, NEW yorK;
PrIVATE CoLLECTIoN, CALIForNIA
$5,000-8,000
1 6 91 6 9
315pierre JeANNereTdeSk
Studio, designed 1950s Indian rosewood with red leather 28”h x 33” x 48”
Provenance: uNIVErSIT y ChANDGArh,
INDIA; PrIVATE CoLLECTIoN, LoS ANGELES;
( VIA ChrISTIES SALE Lo9824 )
$7,000-9,000
316ClAude CoNoVerCerroS plANTer
Studio, designed circa 1961 Glazed ceramic with decoration Signed “Claude Conover Cerros” retains original plastic insert 13”h x 9”diameter
$5,500-6,500
317edwArd wormleypAir of iNTerloCkiNG TAbleS
Model no. 5404 Dunbar, designed 1956 retains Gold Dunbar tag 24”h x 53.5”l x 23”d and 15”h x 86”l x 15.75”d
Literature: DuNBAr: FINE FurNITurE oF
ThE 1950S, SChIFFEr , 2000
$3,000-5,000
1 7 11 7 1
319pAblo piCASSoCoTe d’Azur
1962 Lithograph poster Mourlot Edition of 7,500 39” x 26”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
320pAblo piCASSopiCASSo: ToreroS
1961 Book published by George Braziller, New york
Book includes the four original lithographs printed by Mourlot Freres
$2,000-3,000
318pAblo piCASSo, AfTer A deSiGN byTApeSTry
Circa 1968 hand-looped wool depiction of “Guenica” 31”h x 69”
$1,500-2,000
321pAblo piCASSoJACQueliNe
August 14, 1958 Color lithograph Signature and date lower right; edition lower left #81 of 100 Sheet 19.3” x 13.4”; Framed 41” x 35”
$12,000-15,000
1 7 31 7 3
322AlexANder CAlderblue mooN
1970 Color lithograph Signed lower left; edition lower right #47of 100 Sheet 22.875” x 30.5”
$1,200-1,500
323JoAN mirol’oiSeAu de feu
1963 Color etching and aquatint on paper Signed lower right; edition lower left #20 of 75 Image 22” x 31”; Framed 32” x 40”
$3,000-4,000
324berNArd buffeTlA CANAl & TroiS mAiSoNS Sur le lAC (2)
1968 Dry point etchings Each signed lower left; edition lower right #80 of 100 and #80 of 200 Catalogue raisonne #61 and #62 (rheims) Each sheet 12.25” x 9.5”; Framed 17” x 13.75”
$1,000-1,200
325dieGo riVerAuNTiTled (mAN ANd womAN wiTH flowerS)
Circa 1954 Watercolor, pastel & pencil on paper Signed upper right in pencil; verso “obelisk Gallery London” Sold with copy of receipt from obelisk Gallery, London and Galeria habana, Cuba 9” x 6”
Provenance: ENrIQuE CArAVIA (ACQuIrED FroM
ThE ArTIST IN MAy 1954 ); GALErIA hABANA (APrIL
1970); DAVID PEEL CoLLECTIoN; oBELISK GALLEry,
LoNDoN ( 1972); PrIVATE CoLLECTIoN, CALIForNIA
$9,000-12,000
1 7 51 7 5
326dAVid A . SiQueiroSuNTiTled
1955 Pyroxylin on Masonite Signed and dated lower right unique 23.5” x 19.5”
$40,000-60,000
328mANuel AlVArez brAVooSSuAire (Skull/CroSSboNeS)
1960; this example printed later Silver Gelatin print Image 7” x 7.5”; Framed 16.5” x 17”
$3,000-5,000
329mANuel AlVArez brAVolA bueNA fAmA durmieNdo (Good repuTATioN SleepiNG)
1939; this example printed later Silver Gelatin print one of Bravo’s most famous images. Image 6.5” x 8.5”; Framed 15.25” x 17”
$5,000-7,000
327mANuel AlVArez brAVoel eNSueNo ( THe dAydreAm)
1931; this example printed later Silver Gelatin print Image 9” x 7”; Framed 18.5” x 16”
$4,000-6,000
Born in 1902 in Mexico City, Alvarez Bravo photographed his homeland, taking advantage of the everyday people in familiar scenery. Although he never formally took part in the Surrealist movement, Bravo’s work shows Surrealist qualities through his focus and attention to dreaming, fantasy, and granting human traits to inanimate objects.
1 7 71 7 7
333rufiNo TAmAyodemi-poiSSoN (HAlf fiSH)
1969 Lithograph Signed lower left; edition lower right Artists Proof “VIII/XXV” Sheet 23” x 30”; Framed 27.5” x 36”
Literature: ruFINo TAMAyo: A CATALoGuE
rAISoNNE, PrINTS: 1925-1991 , TAMAyo
FouNDATIoN
$2,000-3,000
332rufiNo TAmAyomuJer CoN SANdiA (peredA 33)
1950 Lithograph in colors on Arches Signed in pencil and numbered #191 of 200 21.75” x 16.75”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
331rufiNo TAmAyoCAbezA eN oCHre (HeAd iN oCHre)
1984 Etching on Guarro paper Signed and numbered in crayon, lower right; edition lower left Artist Proof #3 of 15 aside from the edition of 99 From the series “8 Aguafuertes” pub-lished and printed at Ediciones Poligrafa Sheet 29.25” x 21.5”; Framed 43” x 35”
Literature: ruFINo TAMAyo: A CATALoGuE
rAISoNNE, PrINTS: 1925-1991 , TAMAyo
FouNDATIoN
$4,000-6,000
330rufiNo TAmAyouNTiTled illuSTrATioN
Ink on tissue paper Signed lower left Approximately 13” x 14.5”
$6,000-8,000
335JeAN CoCTeAuuNTiTled (le diAble)
Circa 1952 Graphite and ink on paper Signed lower right; Galerie Anne Julien, Paris label verso Image 8” x 5.25”; Framed 14.5” x 11.5”
$4,000-5,000
334JeAN CoCTeAuuNTiTled (fAlleN ANGel)
1936 Pencil drawing with inscription Signature and date of 1936 lower right; upper right “18 oct 1956” with inscription Image 10.25” x 8”; Framed 19.75” x 19”
This was a study for a mural at “La Cha-pelle Saint Pierre, Villfranche Sur Mer, France
Literature: LA CAPELLE SAINT PIErrE,
VILLEFrANChE Sur MEr JEAN CoCTEAu,
EDITIoNS Du roChEr , MoNACo, 1957, PG
6 AND 21
$5,000-7,000
336JeAN CoCTeAuuNTiTled (profile)
1955 Graphite drawing Signed and dated lower left Sheet 10.25” x 8.25”; Framed 20.5” x 16.5”
$3,000-5,000
1 7 91 7 9
340AlleN rupperSberG24 pieCeS
1970 Spiral bound book Published by Sunday Quality Signed with hand written note in blue pen First edition; 600 copies printed Photography by Gary Krueger 6.25” x 8.25”
Ruppersberg, a conceptualist artist, created this book in which he juxtaposes the interior decor of local hotel and motel rooms alongside examples of the greater urban environment.
$400-600
339AlleN rupperSberG23 pieCeS
1969 Spiral bound book Self Published; Photography by Gary Krueger unknown edition 6.25” x 8.25”
Ruppersberg’s very first artist’s book. It illustrates a photographic survey of the late sixties Los Angeles environment that oftentimes finds the artist in the picture.
$300-500
338SCoTT GrieGerimperSoNATioNS
1970 15 individual sheets in portfolio, black and white Self published unknown edition 7.5” x 10.25”
15 images interpreting of various artists work (Tony Delap, Richard Serra, Sol Lewitt, Rauschenberg, Robert Irwin, Ernest Trova, John McCracken, Claes Oldenburg and others)
$300-500
337Jim GANzerArmCHAir
Studio, designed circa 1985 40”h x 27”w x 29”d
$2,500-3,500
341doN SoreNSoNuNTiTled
1981 oil on canvas Signature and date verso 26”h x 43”; Framed 33.25” x 50”
$6,000-8,000
1 8 11 8 1
342dAVid GilHoolyeroTiC froG weddiNG CAke #6
1979 Glazed and painted earthenware Signed and dated unique 25.5”h
This is the final piece in the Erotic Wedding Cake series
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$10,000-15,000
344dorA de lArioSGlAzed CerAmiC fiGure
Studio, executed circa 1957-63 Signed 13”h x 10” x 10”
Provenance: ESTATE oF PAuL KASPEr
$600-800
343dorA de lArioSHorSe & rider
Studio, executed circa 1957-63 Signed 12”h x 11” x 7”
Provenance: ESTATE oF PAuL KASPEr
$600-800
346dorA de lArioSGlAzed CerAmiC fiGure
Studio, executed circa 1957-63 13”h x 10” x 12”
Provenance: ESTATE oF PAuL KASPEr
$800-1,200
345dorA de lArioSGlAzed CerAmiC fiGure
Studio, executed circa 1957-63 Signed 18”h x 11” x 7”
Provenance: ESTATE oF PAuL KASPEr
$1,000-1,500
1 8 31 8 3
347dorA de lArioSGlAzed CerAmiC fiGure
Studio, executed circa 1957-63 Signed 10”h x 12” x 4.5”
Provenance: ESTATE oF PAuL KASPEr
$700-900
348dorA de lArioSGlAzed CerAmiC fiGure
Studio, executed circa 1957-63 Signed 10”h x 8” x 6” and 8.5”h x 6.5” x 6”
Provenance: ESTATE oF PAuL KASPEr
$1,000-1,500
351oTTo & ViVikA HeiNoCermiC piTCHer ANd CupS ( 7 )
Studio, designed circa 1979 Signed
$1,000-1,500
352oTTo & ViVikA HeiNoGlAzed CerAmiC VeSSel
Studio, designed circa 1968
Provenance: A QuINCy JoNES & ELAINE K
SEWELL JoNES
$200-300
350beATriCe woodCHAliCe
Studio, circa 1980 Glazed earthenware Signed “Beato” and in black ink “BWTF 604” 11”h
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$4,000-6,000
349beATriCe woodloVerS
Studio, circa 1980 Glazed earthenware with Quartz 9.75” x 8.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$4,000-6,000
1 8 51 8 5
354GroNkGroup of 3 porTrAiTS
Circa 1980Each 5.75” x 4”; Framed 12.5” x 10.75”
$1,500-2,500
353GroNkuNTiTled (2 workS)
1983 one signed, titled and dated Sheet 5.5” x 7.5” and 5.75” x 7”
$1,500-2,000
355roberT frAmeTHree mACkerelS
Before 1952 oil on canvas Signed upper left and lower right; labels verso from Dalzell hatfield Gallery, Los Angeles & Pasadena Art Institute exhibi-tion label from oct-Nov 1952 20” x 30”
Exhibited: PASADENA ArT INSTITuTE,
oCToBEr - NoVEMBEr 1952
Provenance: ESTATE oF PAuL KASPEr
$2,000-3,000
356milford zorNeSTelfuNd CoAST - GreeNlANd
1953 Watercolor Signed and dated verso and lower right; inscribed verso “Painted at Thule Greenland Frozen Sea in April or May” and “Telfund Coast - Greenland Milford Zornes 1953” 22” x 30”
$2,000-3,000
1 8 71 8 7
357GerAld mCCAbeoCCASioNAl TAble
orange Crate Modern, designed circa 1968 Branded signature 28”h x 36” x 60”
This versatile table can be turned on its side to make a low or high coffee table
$2,000-3,000
358mAuGeriTe wildeNHAiNCoVered VeSSel & low piTCHer
Pond Farm, executed circa 1954 Glazed ceramic Stamped signature and artist cipher Vase 7”h x 5”diameter; pitcher 4”h x 8” x 6”
$1,000-1,500
359ArTHur eSpeNeTGroup of 4 TurNed wood bowlS
Studio, executed circa 1960 Black Walnut, Walnut, and Pochata Branded “Espenet 607b” and “Espenet” 2”h x 7”diameter; 1”h x 8”diameter; pair at 1”h x 7.75”diameter
$2,000-3,000
1 8 91 8 9
360ANdy wArHoleleCTriC CHAirS ( 10)
1971 Screenprints in colors on heavy wove paper Published by Bruno Bischofberger Signed and dated in ink verso with stamp numbered edition Artist Proof “IV/L”; aside from the edition of 250 Each 35.5” x 48”
Provenance: FroM ThE PrIVATE CoLLECTIoN oF
GLC ArT Co LLC; GErArD L CAFESJIAN, PrESIDENT
Literature: ANDy WArhoL PrINTS: A CATALoGuE
rAISoNNE 1962-1987, FELDMAN & SChELLMANN,
2003, (FS I I 74 -83)
$150,000-200,000
361TAkASHi murAkAmimoNoGrAm mulTiColore - CHerry
2007 Canvas on aluminum chassis with original box Published by Louis Vuitton & MoCA Signed verso on the chassis From the edition of 100 15.75” x 15.75”
Provenance: PurChASED AT ThE MuSEuM
oF CoNTEMPorAry ArT (MoCA),
oCToBEr 29, 2007
$9,000-10,000
362TAkASHi murAkAmimoNoGrAm mulTiColore - wHiTe
2007 Canvas on aluminum chassis with original box Published by Louis Vuitton & MoCA retains Louis Vuitton/MoCA certificate; signed on the chassis verso #15 of 100 15.75” x 15.75”
Provenance: PurChASED AT ThE MuSEuM
oF CoNTEMPorAry ArT (MoCA),
oCToBEr 29, 2007
$9,000-10,000
1 9 11 9 1
364williAm weGmANHANdSome
2001 Chromegenic C-print #72 of 150 Signature, dated, title and edition verso Image 7.25” x 7.25”; Framed 16.5” x 16.5”
$2,000-3,000
363NeAl TAiTuNTiTled
2000 Gouache on paper Jay Jopling London label verso Image 8” x 10”; Framed 12.75” x 14.75”
$3,000-5,000
365JoHN SCHNAbeluNTiTled (pASSeNGer #2)
1995 Silver Gelatin print #5 of 10 Image 23” x 19”; Framed 33” x 28.5”
$2,000-3,000
366louiS duroTASpirAle CHAir
Designed 1972 Polyurethane resin Together with catalogue on Durot’s polyurethane designs 26”h x 33”diameter
$2,500-3,500
367JeAN NouVellouNGe CHAir
Sawaya & Moroni, designed 1994 Stamped 45”h x 30”w x 29”d
$6,000-8,000
1 9 31 9 3
368louiSe NeVelSoNuNTiTled
1992 Plaster Eric Firestone Gallery label verso #2 of 4 14.25”h x 9” x 6”
$9,000-12,000
369douG & mike STArNTwiN ACrobAT
1989-90 Photo collage Inscribed verso “For Lisa, Merry Christ-mas & happy Birthday, Mike Doug” Frame 19” x 22”
$7,000-10,000
370GreG ColSoNuNTiTled
1996 Lithograph Signature and date lower right; edition lower left #17 of 20 Sheet 29” x 29”; Framed 36.5” x 36.5”
$1,500-2,000
1 9 51 9 5
372riCHArd SerrAuNTiTled (pATHS & edGeS)
2007 Etching printed on heavy Lanaquarelle watercolor paper #19 of 60 Sheet 20” x 26.5”; Framed 28” x 34.25”
$4,000-5,000
371riCHArd SerrAuNTiTled (pATHS & edGeS)
2007 Etching printed on heavy Lanaquarelle watercolor paper #19 of 60 Sheet 23.5” x 29.5”; Framed 31.5” x 37.5”
$5,000-6,000
374miCHAel CrAiG-mArTiNuNTiTled (book)
1997 Screenprint in colors in bound book together with two loose screenprints, all in gray cloth-covered portfolio Published by Alan Cristea Gallery and rindinghouse Editions, London Each signed, dated and numbered #143 of 150 13” x 21.25”
Provenance: FroM ThE PrIVATE CoLLECTIoN
oF GLC ArT Co LLC; GErArD L CAFESJIAN,
PrESIDENT
$4,000-6,000
373peTer doiGCANoe
2000 Silkscreen #163 of 300 Signature and edition verso Sheet 28.5” x 39”; Framed 37.5” x 47.5”
$2,500-3,500
1 9 71 9 7
376rAymoNd peTTiboNoNCe upoN A THouSANd ANd oNe NiGHTS
Lithograph Signed lower right; edition lower left #4 of 4 publisher’s proof 26” x 19.75”
$2,000-3,000
375louiSe bourGoiSuNTiTled (pAriS reView )
1994 Intaglio with hand painting Signed, dated and numbered in pencil #53 of 65 Sheet 36.5” x 28”; Framed 39.25” x 30.5”
$3,000-5,000
377NANCy GrAVeSliNeATe
August 1981 oil on canvas Signed, titled and dated verso; retains Graham Gund, Cambridge, MA label & M. Knoedler & Co, New york label 64” x 82”
$15,000-20,000
1 9 91 9 9
378luCAS SAmArASTHe SpeCTATor ( wiTH Two mouTHS)
1984 oil on canvas Pace Gallery label verso 36” x 24”; framed 40.5” x 29”
Exhibited: PACE GALLEry ShoW,
oCToBEr - NoVEMBEr 1985 “LuCAS
SAMArAS: PAINTINGS” AND ILLuSTrATED
IN ThE CATALoGuE
Provenance: PACE GALLEry, NEW yorK;
PrIVATE CoLLECTIoN, CALIForNIA
$25,000-35,000
379keNNy SCHArfJuiCy JuNGle (2)
Screenprint Each with signature and edition #113 of 150 Sheet 33.5” x 38.5”; Framed 41.5” x 46”
$1,500-2,000
2 0 12 0 1
380pAul wuNderliCHuNTiTled
1973 oil on canvas Signed and dated lower left; signed and dated verso 21.5” x 25.5”
Provenance: ESTATE oF ChrISTINA
PINKErToN; PrIVATE CoLLECTIoN oF
GLC ArT Co LLC; GErArD L CAFESJIAN,
PrESIDENT
$8,000-12,000
381roberT moTHerwellfreNCH reVoluTioN biCeNTeNNiAl SuiTe (4 )
1987-88 Etchings with aquatint with hand applied collage Signature and edition lower right Each Artist Proof VII/VII Sheet 16.75” x 20”; Framed 25” x 28.5”
$14,000-16,000
2 0 32 0 3
382CHuCk CloSelyle
2003 Screenprint in colors Signature, edition and dated in pencil #34 of 80 Published by Pace Editions, Inc 58.25” x 47.875”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$25,000-30,000
383Albert ChAse MCArthur & FrAnk lloyd WrightbiltMore tiles
Custom, designed circa 1928 Glass 17.5” x 13” x 1.25”
The Arizona Biltmore, Phoenix, was built by Albert Chase McArthur with some collaboration from Wright.
$1,500-2,000
384gAetAn JeAnninArChiteCturAl eleMent
Custom, designed 1928 Each panel marked Designed for the Oviatt Building, Los Angeles 17.75” x 13.5” x 4.5”
$1,800-2,500
385FrAnk lloyd WrightCustoM rug (opposite pAge)
V’soske, circa 1945-50 Approximately 19’ diameter
Designed by Frank Lloyd Wright for the David L. and Gladys B. Wright Resi-dence, Phoenix, AZ
$40,000-60,000
The David L. and Gladys B. Wright Residence, 1950, located in Phoenix, Arizona, was the home for Frank and Catherine Wright’s fourth child, David Wright. The plans of the house are based on the working drawings to Frank Lloyd Wright’s project “How to Live in the Southwest”. The curved in-line plan of the residence eliminates spaces confined to rectangular shapes, thus granting the living room a view across the pool to the nearby mountain range. The living room also contained a rug, which was based on a 1926 design with interlocking and overlapping circles, and was woven by V’Soske of Puerto Rico. Only a few Frank Lloyd Wright buildings contain rugs, and in addition to its rarity, the design is detailed and complex. This rug is an exceptional example of Wright’s meticulous control over the complete design of his houses.
2 0 52 0 5
388GilberT roHdepAir of TAble lAmpS
For Mutual Sunset, designed circa 1935 20.5”h
$2,000-3,000
387GilberT roHdeCHeST of drAwerS
herman Miller, designed circa 1940 retains herman Miller tag 44”h x 32”w x 19”d
$1,500-2,000
386pAul SCHreCkeNGoSTTeApoT
Gem Clay Forming Company, designed 1938 Signed “Paul Schreckengost Gem Clay Forming Co” 7”h x 11” x 4”
Literature: MoDErNIST DESIGN
1880-1940, DuNCAN, 1998
$9,000-12,000
2 0 72 0 7
390louiS dierrA , ATTribuTedGlASS CHAir
Pittsburgh Plate Glass Company, designed 1939 for the “Glass Center Pavilion” a the New york World’s Fair Textured glass and metal 29”h x 22”w x 18”d
Literature: ArTS & ArChITECTurE,
oCToBEr 1947
$5,000-7,000
389GreTA GroSSmAN, ATTribuTedTAble lAmp
Possibly ralph o. Smith, designed circa 1940s 13”h x 8” x 6.25”
$1,000-1,500
This chair was originally designed for the World’s Fair and later sold at J.W. Robinson Co. Scholars have attributed this to Louis Dierra who was a designer at the Pittsburgh Plate Glass Company. According to the manufacturer, the original process of bending plate glass left a dimpled surface which could be ground and polished to create a clear sheet. This chair is unpolished and appears as it was advertised in 1947.
392THomAS HArT beNToNlAborer
Circa 1930 Graphite on paper Signed lower right 13” x 9.25”
Provenance: LEE NAIMAN GALLEry, NEW yorK;
PrIVATE CoLLECTIoN, CALIForNIA
$5,000-7,000
391pAul CAdmuSHorSeplAy
1935 Etching Signed lower right; Midtown Galleries, Ny label verso Image 9” x 4.75”; Framed 20” x 15.5”
Literature: PAuL CADMuS, KIrSTEIN,
IMAGo, NEW yorK
$6,000-9,000
Thomas hart Benton (1889- 1975) an American regionalist painter is most known for his paintings and drawings of everyday American life in the 1930s. Benton’s America was represented in prairie lands, sleepy rivers, and rugged laborers set against the struggles of harvest – traditional aspects the country wanted to see in itself in the ‘30s. As a regionalist painter, Benton persistently kept to his style of representing a sense of nationalism and romanticism even though art trends began to change in the 1950s. As time passed and technology began to change, the America Benton had depicted in his travels in the ‘30s was disappearing quickly; steam engines and hand tools were objects in museums and rustic towns had become curiosities. Benton’s work represents the rugged America of the past, brought to life through his sculptural drawing style.
2 0 92 0 9
394THomAS HArT beNToNTHe liTTle fiSHermAN
1967 Lithograph Signed lower right Proof aside from the edition of 300 Catalogue raisonne # 80 (Fath) Image 14.25” x 9.875”; Sheet 18” x 13”
Together with 4 related items: An American In Art, Benton, 1969, signed, Thomas hart Benton: A Personal Commemorative, 1973, signed in pen Associated American Artists catalogue & Commemorative 1st day issued stamp on postcard signed, dated May 8, 1971
$2,500-3,500
395THomAS HArT beNToNmAkiNG CAmp
1972 Lithograph Signed lower right Proof, aside from the edition of 250 Published by AAA Image 12” x 14.25”; Sheet 16” x 19”
Together with The Adventures of Tom Sawyer, Mark Twain, 1939, signed from the limited edition
$1,500-2,000
393THomAS HArT beNToNTeN pouNd HAmmer
1967 Lithograph Signed lower right; titled lower left Proof, aside from the edition of 300 Catalogue raisonne #79 (Fath) Image 14” x 9.75”; Sheet 17.75” x 13”
Together with 3 related items: An Artist In America, Benton, 1968, signed, The Lithographs of Thomas hart Benton, 1969 & Ambassador Magazine (TWA) dated November 1974
Lithograph purchased directly from the artist at his studio in November 1974
$4,000-6,000
2 1 12 1 1
396berNArd “ ToNy ” roSeNTHAluNTiTled SCulpTure (fluTe plAyer)
1950 Bronze Signed and dated “rosenthal 50” 23.5”h x 10.5” x 7”
$6,000-8,000
397berNArd “ ToNy ” roSeNTHAluNTiTled SCulpTure
1965 Bronze Stamped signature “rosenthal 65” unique 20”h x 6” x 6”
$5,000-7,000
398frANz HAGeNAuerpAir of NubiAN dANCerS
hagenauer, designed circa 1925 Stamped “hagenauer Wien handmade Made in Austria” with artist cipher 10.25”h x 5” x 1.5”
$2,000-3,000
399frANz HAGeNAuerNubiAN buST
hagenauer, designed circa 1925 14.5”h x 9” x 4.5”
$800-1,000
400frANz HAGeNAuerGroup of leApiNG deer (3)
hagenauer, designed circa 1925 Stamped “hagenauer Wien handmade Made in Austria” with artist cipher 5.5”h x 5” x 1.5”; 4”h x 6” x 4”; and 5.5”h x 8.5” x 1.5”
$1,500-2,000
2 1 32 1 3
401frANz HAGeNAuerSAilboAT ANd ryder
hagenauer, Designed circa 1925 Stamped “hagenauer Wien handmade Made in Austria” with artist cipher 16”h x 17” x 6.5”
$1,800-2,500
402frANz HAGeNAuerGroup of fiGureS (8)
hagenauer, designed circa 1925 Various hagenauer stamps Various sizes
$1,000-1,500
403kArl HAGeNAuerTrAy
hagenauer, designed circa 1925 Stamped “hagenauer Wien Karl hand-made Made in Austria” with artist cipher .5”h x 9.75” x 9.75”
$300-400
404HAGeNAuerpAir of mATCH-STiCk HolderS (2)
hagenauer, designed circa 1925 Stamped “Made in Austria” 3.5”h x 3.5” x 1.5”
$400-600
405JAmeS feefACeleSS CHriST, CroSSed wire & JASperS flAG (3)
1997-1998 Silver Gelatin print Craig Krull label verso Edition of 10 Image 18” x 18”; Framed 27.75” x 27.75”
$3,000-5,000
2 1 52 1 5
406peTer beArdTwo diAry pAGeS, April 7TH ANd 8TH, 1970
1970 Gelatin silver print with ink and blood handwork Signed and annotated in ink (in the image) 15.875” x 19.875”
Exhibited: PETTINESS AND FuTILIT y,
FAhEy KLEIN GALLEry, MArCh 1999
Provenance: FroM ThE STuDIo oF ThE
ArTIST; PrIVATE CoLLECTIoN oF GLC ArT
Co LLC; GErArD L CAFESJIAN, PrESIDENT
$12,000-18,000
407ArT fouNdry CoNSole TAble
Art Foundry, 1968 Cast Bronze with patina and solid walnut frame 28.5”h x 51.25”l x 25.75”d Sold with copy of Art Foundry catalogue
$6,000-8,000
2 1 72 1 7
408AbiGAil VArelAmuJer ColGANdo eN uN Aro
1998 Bronze sculpture 41.25”
Provenance: FrEITES-rEVILLA GALLEry;
PrIVATE CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$15,000-20,000
410kArl SpriNGerCoNSole
Springer Mfg., designed circa 1975 Lacquered parchment 32”h x 71”l x 20”d
$3,000-4,000
409edwArd wormleyCouCH
Model no. 4756 Dunbar, designed 1956 33”h x 88”w x 43”d
Literature: DuNBAr: FINE FurNITurE oF
ThE 1950S, SChIFFEr , 2000
$3,000-5,000
2 1 92 1 9
411HeATHer CAriSCHTHe Cello
1993 Acrylic on paper Signed and dated lower right
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
412JuliAN SCHNAbelTibeT HouSe
1990 offset lithograph Signed lower right; edition lower left #13 of 200 Sheet 57.5” x 42”; Framed 62.4” x 47”
$2,500-3,500
413pAul eVANSbACkGAmmoN Coffee TAble
Studio, designed circa 1972 19.5”h x 68” x 28.75”
$4,000-6,000
2 2 12 2 1
414pAul eVANSCiT ySCApe diNiNG TAble
Directional, designed 1974 Signed and dated 29.5”h x 44” x 80”
$5,000-7,000
416louiSe NeVelSoNuNTiTled
1975 Etching in colors with collage Signed and dated lower right; edition lower left #25 of 90 Published by 2rC Editions Image 29.5” x 20”; Framed 40.5” x 30.25”
$2,000-3,000
415louiSe NeVelSoNSky SHAdow
1973 Lead intaglio collage on heavy rag paper Signed in pencil, dated, titled and numbered #27 of 150 Published by Pace Editions, New york 29.75” x 25”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
2 2 32 2 3417ulbAld kiNGSofA
Stendig, designed 1970 retains Stendig label (reupholstered) Each section 26.5”h x 34”w x 56”d
$3,000-5,000
418GiANCArlo pireTTipAir of ploNA SToolS
Castelli, designed 1970 retains label “Plona Divisione Sedie Castelli Italy” Each 19.5”h x 22”w x 17”d
$1,500-2,000
420ANGelo mANGiAroTTieroS Coffee TAble
First produced by Societa henraux, Lucca, Italy, then later by Gruppo Skipper, Italy, designed 1971 Carrera marble 16”h x 41” x 41.5”
Literature: DECorATIVE ArT IN MoDErN
INTErIorS 1973/74, VIKING PrESS, 1973,
PG 75
$3,000-5,000
419roberT VeNTuriSHerAToN CHAir
Knoll International, designed 1984 retains Knoll label 33.5”h x 21.75”w x 23”d
$5,000-6,000
2 2 52 2 5
421Joe ColomboCANTileVered floor liGHT
“Coupe” model o-Luce, designed 1966 retains label “ostuni o-Luce Milano Made in Italy” As photographed 72”h
Literature: SourCEBooK oF MoDErN
FurNITurE, hABEGGEr & oSMAN, NorToN,
2005, PG 331
$1,500-2,000
422GiANCArlo pireTTiGroup of 6 ploNA CHAirS
Castelli, designed 1970 29”h x 27”w x 20”d
$2,000-3,000
423lAmliTe-TAble
Model no. LL-130 Lam Workshop, Inc., designed circa 1950 Molded fiberglass Specified for Case Study house 1950 15.5”h x 15.25”diameter
Literature: ArTS & ArChITECTurE,
oCToBEr 1950
$1,500-2,000
424GeorGe NelSoNTAble CloCk
howard Miller, designed circa 1960 retains howard Miller label 8.5”h x 4” x 4”
$1,000-1,500
425dANiSH moderNCAbiNeT
Manufacturer unknown, designed circa 1958 rosewood 30”h x 60”l x 19”d
$2,500-3,500
426edwArd wormleypAir of SeTTeeS
Dunbar, designed circa 1950 Each 32”h x 48”w x 30”d
$3,000-5,000
2 2 72 2 7
428JoHN AlTooNNew york CiT y SkyliNe
Tempera on board 12” x 36”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$5,000-7,000
427beNiCio NuNezuNTiTled (3)
Group of 3 works Gouache on paper Signed and dated
Provenance: Estate of Paul Kasper
$800-1,200
429JASper morriSoNCoNrAN SofA
Custom designed for the Conran Shop, London, 1995 32.5”h x 79”w x 42”d
$8,000-10,000
430AlVAr AAlTodiNiNG TAble
Artek, designed circa 1936; this example produced after 1950 28”h x 50.25”diameter; with leaf 23.675”l
$3,000-4,000
431TApio wirkkAlApAir of CANdleSTiCkS
Iittala, designed circa 1955
Provenance: A QuINCy JoNES & ELAINE K
SEWELL JoNES
$300-500
432TApio wirkkAlAGlASS bowl
Model no. 3616 Iittala, 1955 Etched signature “Tapio Wirkkala Iittala 55” 3.75”h x 5.5”diameter
$800-1,200
2 2 92 2 9
434GAry HumeloNdoN plANe leAVeS
1999-2000 India ink on paper Signed lower right “hume” Made for the White Chapel Art Gallery Exhibition Image 8” x 5”; Framed 10.75” x 8”
$1,000-1,500
433riCHArd loNGmiSSiSSippi mud
1987 Mixed media on paper Signed and dated top Image 11.5” x 8.25”; Framed 21.5” x 17.25”
$10,000-15,000
435rApHAel SoyerporTrAiT of A model
Circa 1940 oil on canvas Signed and inscribed “For my friend Bernie Bergman 1941” retains Forum Gallery label verso Canvas 14” x 10”
Framed 21” x 16.75”
$2,000-3,000
436keeS VAN doNGeNTeTe de femme
Circa 1955 Lithograph in colors Signed in the stone and numbered #22 of 120 20.5” x 14.5”
Provenance: FroM ThE PrIVATE CoL-
LECTIoN oF GLC ArT Co LLC; GErArD
L CAFESJIAN, PrESIDENT
$1,200-1,800
437JoNi miTCHellTurbuleNT iNdiGo
Lithograph Signed Artist Proof 32” x 26”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$2,000-3,000
2 3 12 3 1
438kArleN HoVeSpiANGirlfrieNdS
1990 oil on canvas Signed upper right 19.5” x 14.5”
Provenance: ArMENIAN CENTEr For
CoNTEMPorAry EXPErIMENTAL ArT;
PrIVATE CoLLECTIoN oF GLC ArT Co
LLC; GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
439JACQue VilleGleuNTiTled
Circa 1961 Torn poster collage Signed lower right Sheet 5.5” x 7.5”; Framed 14.5” x 17”
$3,000-5,000
2 3 32 3 3
440HeNri ToulouSe-lAuTreCle loGe Au mASCAroN dore (proGrAmme pour le miSSioNNAire)
1893, printed in 1894 Color lithograph First state before letters, untrimmed Theatre Libre, publisher; Ancourt, printer Sheet 19.5” x 12.5”
$5,000-7,000
441reNe GruAudANCer wiTH orANGe ANd yellow feATHerS
Ink and gouache on paper 25.75” x 19.75”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$3,000-5,000
442berNArd VillemoTbAlly (loTuS)
1974 Lithograph 46.5” x 46”
Villemot managed to make the two female torsos look like a giant lotus blossom. The only color is on the shoes, so that the product draws ones attention.
Provenance: FroM ThE PrIVATE CoL-
LECTIoN oF GLC ArT Co LLC; GErArD L
CAFESJIAN, PrESIDENT
$1,000-2,000
443frANCiS berNArdVii SAloN de ArTS meNAGerS
1931 Poster Sheet: 38.5”h x 24.5”
$1,000-1,500
444kAy kurTweiNGummi
Circa 1972 oil on canvas 55.25” x 94.5”
Exhibited: NEW yorK CuLTurAL CENTEr
“rEALISM NoW ”, 1972; TrAVELING EXhIBI-
TIoN FroM NoVEMBEr 1980- APrIL 1981
TITLED “KAy KurT: PAINTINGS” AT ThE
WALKEr ArT CENTEr , TWEED MuSEuM oF
ArT, AND GrAND rAPIDS ArT MuSEuM
Provenance: J ILL KorNBLEE GALLEry,
NEW yorK; PrIVATE CoLLECTIoN oF
GLC ArT Co LLC; GErArD L CAFESJIAN,
PrESIDENT
$3,000-5,000
445Gio pomodorouNTiTled
Circa 1975 Signature and edition lower right; inscribed lower left Artist Proof Sheet 30” x 22.25”; Framed 38.5” x 29.75”
$1,000-1,500
2 3 52 3 5446Tommi pArziNGerCAbiNeT ANd TribAl HorN
This cabinet and tribal horn was one of many items designed for a house in Scarsdale, Ny in 1965. Custom, executed circa 1965 37”h x 74.75”w x 19”d
$5,000-6,000
447JoHN VAN AlSTiNeToTem & diAGoNAl TeNdeNCieS
1984-85 Pastel on paper & graphite and pastel on paper Each signed and dated lower right; titled lower left 44” x 30” and 49.5” x 29.5”
Provenance: FroM ThE PrIVATE
CoLLECTIoN oF GLC ArT Co LLC;
GErArD L CAFESJIAN, PrESIDENT
$1,200-1,500
The following are our “Conditions of Sale” for the items listed in this catalogue to be sold by Modern Auctions, Inc. (L.A. Modern Auctions or “LAMA”). We are acting as an agent on behalf of our consignors.
PAyMENTAll sales are final. All sold lots are to be paid for on the day of the sale. We accept cash, bank wire transfers, checks, and Mastercard and Visa (PLEASE NoTE: Credit card payments are accepted only in person and will not be accepted over the phone). All payments made by personal checks will be subject to clearance before purchases can be collected. Buyers who have not purchased from Modern Auctions, Inc. (Los Angeles Modern Auctions) previously are asked to provide a method of payment and/or letter of reference from a bank or creditor prior to the auction. Bank wire information is available upon request, please phone (323) 904-1950. If payment is not received by June 1st collection & storage fees will begin incurring.
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CoNDITIoNEVEryThING IS SoLD IN “AS-IS” CoNDITIoN. No statement regarding condition of any item, whether it is made orally at the auction or at any other time or in writing in this catalogue shall be deemed to be a warranty, representation or assumption of liability. It is the sole responsibility of the buyer to inspect all goods prior to the sale. We strongly encourage all bidders to request a condition report on any item before bidding. All electrical items are sold for decorative value only and should be assumed not to be working. All measurements are approximate. Photographs of any lots not illustrated can be found on our website Lamodern.com
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“after” does not qualify for our guarantee. In addition, the buyer assumes responsibility of reading all addendums and posted corrections to the catalogue prior to bidding.
rESCISSIoNShould the authenticity of an item be disputed after a sale, the buyer has 90 days from the date of the auction to provide written documentation or conclusive opinion of a mutually agreed upon independent expert, retained at the buyers sole expense, that the item in question is not as stated in the catalogue. In the event of an error, Modern Auctions, Inc. will rescind the purchase contract. Modern Auctions, Inc. will reimburse the buyer for no more than the hammer price plus the buyer’s premium and only after the item is returned to the original point of sale in the condition in which it was sold. Taxes, packing, shipping and storage costs will not be reimbursed. Modern Auctions, Inc. is not liable for any costs, such as experts and attorney’s fees. If the item is authentic, as stated in the Modern Auctions, Inc. catalogue, then the purchaser shall bear Modern Auctions, Inc.’s expenses incurred in defense of the allegation, such as attorney’s fees and other costs. The limited right of rescission is only available to the original purchaser from Modern Auctions, Inc. once the item is resold, then all rights and liabilities of Modern Auctions, Inc. regarding authenticity end. ThE PurChASEr’S SoLE AND EXCLuSIVE rEMEDy AGAINST MoDErN AuCTIoNS, INC. For ANy rEASoN IS ThE LIMITED rIGhT oF rESCISSIoN DESCrIBED IN ThIS SECTIoN. The purchaser shall not be entitled to damages, compensatory, incidental, consequential, nominal or punitive, nor any expenses incurred during the proceedings, such as expert fees, attorney’s fees and other costs.
rIGhTS To PhoToGrAPhSIt is important to note that the images printed in this catalogue are considered intellectual property and are copyrighted. Buyers of vintage prints do not acquire the rights to reproduce the images in any form.
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Modern Auctions, Inc.Bond # 92-W6-8303-9 FPeter Loughrey, principal auctioneerLos Angeles Modern Auctions (LAMA)Po Box 56748, Sherman oaks, CA 91413
Conditions of Sale/Notice to Buyers
2 3 72 3 7
C O N S I G N M E N TS
Yan Face, (Ramie #512)Fro m a c o l l e c t i o n o f P i c a s s o c e ra m i c s t o b e o f f e re d
A C C E P T I N G
FALL2010
A U C T I O Nth50
from Hollywoodmake your way to the 101 freeway
proceed North on the 101merge onto the 405 NorTH
Take the 4th exit onto “Sherman way, weST”proceed weST on Sherman way
Turn lefT at the 3rd light onto “woodley”Take the first riGHT onto “Hart” street, which is a side street
from THe weSTSideTake the 405 freeway, North
Continue past the Getty museum and the 101 interchangeexit onto “Sherman way, weST” (this is 4 exits North of the 101) proceed weST on Sherman way
Turn lefT at the 3rd light onto “woodley”Take the first riGHT onto “Hart” street, which is a side street
Complimentary Valet parking
VAN NUYS
AIRPORT
VALJ
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ShErMAN WAy
Wo
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LAMA
hArT ST
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FrEE
WAy
101 FrEEWAy
SEP
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BLV
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GETTYCENTER
WooDLAND hILLS hoLLyWooD
DIrECTIoNS To AuCTIoN & PrEvIEw
Sunday mAy 23 12pm (noon pST)
AUCTION DAY
mAy 15 thru mAy 2210am - 6pmor by appointment
PREVIEWDAYS
Location: 16145 Hart Street, Van Nuys, CA 91406
2 3 92 3 9
AAalto, Alvar 204, 430Ackerman, Evelyn 81-83Agam, yaacov 135Almaraz, Carlos 30Altoon, John 428Arnz, Michael 263Art Foundry 407Asawa, ruth 246Avedon, richard 144Azuma, Norio 136
BBaldessari, John 143Basquiat, Jean-Michel 71-72Baughman, Milo 180Bayer, herbert 168Beard, Peter 406Benton, Thomas hart 392-395Bernard, Francis 443Bertoia, harry 209, 239, 240Bertrand, Louis 181Bill, Max 134Bitters, Stan 252-257Bobrick, Mitchell 14Bolotowsky, Ilya 41Bonnard, Pierre 304Bosman, richard 276-277Bourgois, Louise 375Bravo, Manuel Alvarez 327-329Breuer, Marcel 43-48, 205Brooks, Kim 182Brown, Dana 290Buffet, Bernard 324Bugatti, Carlo 73-76
CCadmus, Paul 391Calder, Alexander 33, 322Capron, roger 193Carisch, heather 411Casati & Ponzio 166Chan, Kwok hoi 155Christo 153Clark, Larry 146-147Close, Chuck 382Cocteau, Jean 334-336Cohen, Larry 19Coignard, James 313Colombo, Joe 421Colson, Greg 370Conover, Claude 316Conover, Luther W. 86Craig-Martin, Michael 374Cressey, David 2, 96, 116, 118, 264-269
DDali, Salvador 281De Larios, Dora 343-348Dierra, attributed, Louis 390Dill, Laddie John 221, 226-227Dine, Jim 51, 247-250Doig, Peter 373Dow, Jim 278Durot, Louis 366
EEames, Charles & ray 35, 112, 121-29,
202, 207-10Emin, Tracey 61Ernst, Max 47Espenet, Arthur 359Evans, Paul 413-414 FFalkenstein, Claire 97-99Fee, James 405
Feuerman, Carole Jean 282Follis, John 11, 94Fonseca, Caio 50Fornasetti, Pierre 299Foulkes, Lynn 109Frame, robert 355Francis, Sam 199-200Frankenthaler, helen 100-101Friedeberg, Pedro 28Fulton, hamish 59
GGambone 164Ganzer, Jim 337Garrett, John 177Gearon, Tierney 26Gehry, Frank o. 63-65Gilhooly, David 342Gillon, Jean 25Goings, ralph 251Gottlieb, Adolph 8-9Gould, Allan 84Graves, Nancy 377Grieger, Scott 338Gronk 353-354Grossman, Greta 389Grosz, George 306-308Gruau, rene 441Guhl, Willy 156Gussow, Jill 244-245
hhagenauer 398-404hannah, Duncan 186haring, Keith 228-229heino, otto & Vivika 351-352hepworth, Barbara 58herman, roger 20-21heussenstamm, Karl 92higgins, Michael & Frances 178hirondelle, Anne 224hirst, Damien 77, 145, 273-275hockney, David 102-103hodgkin, howard 57hofmann, Larry 305hovespian, Karlen 438hume, Gary 434hutchinson, Mabel 258
IIpousteguy, Jean robert 314
JJacobsen, Arne 22Jeanneret, Pierre 315Jeannin, Gaetan 384Jendro, James 279Jere 179Jones, A. Quincy 117-120Judd, Donald 162Juhl, Finn 189, 191
KKagan, Vladimir 53, 56Kasper, Paul 15-18Katz, Alex 66Kelly, Ellsworth 130, 132Kimura 93King, ulbald 417Kirk, Jerome 67Knoll, Florence 68, 235-238Koh, Woo Sang 138Kovacs, robert 161Krezich Kittelson, Vesna 188Kurt, Kay 444LLalanne, Francois-Xavier 78-79
Lam 423Larsen, Jack Lenor 170Laske, Lawrence 300Le Corbusier 309Legenhausen, Karen 184Leland, Malcolm 259-271Liaigre, Christian 54Lichtenstein, roy 149-150Long, richard 433
MMaloof, Sam 241-242Mangiarotti, Angelo 420Mangold, robert 133Mapplethorpe, robert 140-41Martine, Maurice 85Matisse, henri 311McCabe, Gerald 357McLaughlin, John 42Mies van der rohe, Ludwig 70Miro, Joan 323Mitchell, Joni 437Mogensen, Borge 24Morley, Malcolm 60Morrison, Jasper 429Motherwell, robert 110, 381Murakami, Takashi 361-362
NNakashima, George 283-295Natzler, Gertrud & otto 151, 152Nelson, George 34-40, 69, 201, 203, 211,
212, 424Nevelson, Louise 368, 415-416Nouvel, Jean 367Novoa, Gustavo 29Nunez, Benicio 427
oorozco, Jose Clemente 31
PPanton, Verner 160Papanian, Anatoli 10Pearlstein, Philip 137Pettibon, raymond 376Picasso, Pablo 319-321Piretti, Giancarlo 418, 422Pissarro, Camille 303Pomodoro, Arnaldo 52Pomodoro, Gio 445Powell, Philip Lloyd 272Prouve, Jean 310
rrady, Elsa 225rand, Susan 187rauschenberg, robert 105-108read, herbert 113reder, Bernard 194ritts, herb 142rivera, Diego 325rivers, Larry 231rohde, Gilbert 387-388rosenthal, Bernard “Tony” 396-397roth, David 237rubenstein, Bruce 183ruppersberg, Allen 339-340ruscha, Edward 213-220
SSaarinen Swanson, Pipsan 91Samaras, Lucas 378Sarafatti, Gino 165Scharf, Kenny 379Schabel, John 365Schnabel, Julian 412
School, New york 242Schreckengost, Paul 386Schultz, richard 206Seley, Jason 159Serra, richard 371-372Shulman, Julius 114-115Siqueiros, David A. 326Skeele, A. Katherine 298Soldner, Paul 6-7Soleri, Paolo 270Sonneman, robert 167Sorenson, Don 341Sottsass, Ettore 163Soyer, raphael 435Spence, Andrew 131Springer, Karl 410Starn, Doug & Mike 369Steinlen, Thephile Alexandre 302Still, Nanny 157Struth, Thomas 139Studio Tetrarch 175Sultan, Donald 196Sultan, Larry 27Szoeke, Andrew 49
TTackett, La Gardo 88-90Tait, Neal 363Tamayo, rufino 330-333Toledo, Francisco 32Toulouse-Lautrec, henri 440
Vvan Alstine, John 447van Dongen, Kees 436Van Keppel, hendrick 1-5,13Varela, Abigail 408Vasa 171Vasarely, Victor 158, 172-174Venturi, robert 419Vigo, Nanda 169Villegle, Jacque 439Villemot, Bernard 442Voulkos, Peter 222-223Vistosi, Luciano 299-300Vivin, Louis 445-447von Wicht, John 394Voulkos, Peter 188-191
WWarhol, Andy 230-234, 360Wearing, Gillian 62Wegman, William 364Wegner, hans J. 23, 190-92,198Wildenhain, Maugerite 358Wirkkala, Tapio 431-432Wood, Beatrice 349-350Wood, Grant 301Woolley, Ellamarie & Jackson 95Wormley, Edward 317, 409, 426Wright, Frank Lloyd 383, 385
ZZornes, Milford 356Zucker, Joe 185
INDEx
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