Locking Rabbet Joints
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Transcript of Locking Rabbet Joints
7/28/2019 Locking Rabbet Joints
http://slidepdf.com/reader/full/locking-rabbet-joints 1/3
locking
rabbet joints
© 2011 August Home Publishing Co.
7/28/2019 Locking Rabbet Joints
http://slidepdf.com/reader/full/locking-rabbet-joints 2/3
7/28/2019 Locking Rabbet Joints
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setup & safety tips
2 WoodsmithShop.com © 2011 August Home Publishing Co. All Rights Reserve
Standing a workpiece on end to
make a cut on the table saw can
be a challenge.
fence. To provide extra support
or long workpieces, I attach a tall
auxiliary ence made out o ply-
wood to the rip ence (Figure 1).
base. Also, a zero-clearance basekeeps the workpiece rom drop-
ping into the opening between
the blade and the insert. Simply
stick a piece o hardboard to the
saw table with double-sided tape,
and raise the blade through it.
support block. Finally, to hold
the workpiece tight against the
ence (and avoid tipping it or-
ward), I clamp it to a support
side, as shown in the drawings on
the previous page. Note: Both parts
are cut with a 1 ⁄ 4" dado blade.
tongue. To orm the tongue, the
frst step is to cut a groove in the end
o the drawer ront, as in Figure 1.
This requires standing the piece on
end. To do this saely, I use the sim-ple setup shown in the box below.
When cutting the groove, the
goal is to end up with a 1 ⁄ 4"-thick
tongue. This way, you won’t have to
adjust the width o the blade when
you cut the dado later. So start by
positioning the ence 1 ⁄ 4" rom the
inside o the blade.
Then raise the blade to the cor-
rect height (or either a lipped or
ush joint) and cut the groove, as
you see in Figures 1a and 1b. Note:
Place the inside o the drawer ront against the ence.
The second part o making the
tongue is to cut it to length, as illus-
trated in Figure 2. This is just a
matter o using the ence as a stop
to establish the fnal length o the
tongue (Figures 2a and 2b).
When cutting the tongue, there’s
one thing to be aware o. I you
remove the waste in a single pass,
the cuto can get pinched between
the blade and the ence and come
ying back. To prevent this, I make
several passes until the workpiece
“bottoms out” against the ence.
dado. When you’re done with thetongue, the next step is to cut the
dado in the side o the drawer.
You’re ater two things here. The
tongue on the drawer ront needs to
ft the dado in the side. And the nar-
row stub (the part that’s let on the
end ater you cut the dado) must slip
into the groove in the drawer ront.
In theory, this should be easy. Just
adjust the blade height and set the
ence. But in practice, I’ve ound this
can produce such a tight ft that the
stub breaks o. To prevent this, I
use a simple, two-pass method. The
goal is to make the dado a hair wider
and the stub just a bit narrower.Start by setting the ence and
blade height “by the numbers” (Fig-
ures 3 and 3a). But don’t cut the dado
just yet. Instead, add a ew strips o
masking tape to the ence, as in Fig-
ure 3. (You may need to experiment
with the number o layers).
This nudges the workpiece away
rom the ence when you make the
frst pass (Figure 3b). Removing the
tape and making a second pass pro-
duces a perect ft, as in Figure 3c.
a.
3
b. c.
DOUBLE-SIDED
TAPE
1 2
block, as illustrated in Figure 2
above and Figure 1 on page 1.
It’s just a scrap with a piece o
hardboard that extends out in
ront so you can apply pressure
to the side o the workpiece. Cut-
ting a notch in the block creates
a clamping surace. And gluing
on a strip o sandpaper keeps the
workpiece rom slipping.