Location-aware futures and the map
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Transcript of Location-aware futures and the map
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Location-aware futures and the mapMatthew W. Wilson, PhDUniversity of KentuckyHarvard [email protected]@wilsonism
5 June 2015Digital Landscape Architecture
Dessau, Germany
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Location-aware futures and the mapMatthew W. Wilson, PhD is not a Designer.University of KentuckyHarvard [email protected]@wilsonism
5 June 2015Digital Landscape Architecture
Dessau, Germany
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Location-aware futures and the mapMatthew W. Wilson, PhDUniversity of KentuckyHarvard [email protected]@wilsonism
5 June 2015Digital Landscape Architecture
Dessau, Germany
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Location-aware futures and the map
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@wilsonism 5Chris Bennett, 2014, Launch Site Satellite
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@wilsonism 6
These materials are most recent manifestations within a long continuum of retentional techniques for the reproduction of humanity itself.
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@wilsonism 7Allan Schmidt, 1967, Lansing, MI
retention
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@wilsonism 8Allan Schmidt, 1967, Lansing, MI
retention[ disclose ]
[ stage ]
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@wilsonism 9
retention
Twitter, 2014, Protests in Ferguson, MO
[ disclose ]
[ stage ]
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@wilsonism 10
How does the map stage?
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@wilsonism 11
How does the map stage?Who benefits from this staging?
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@wilsonism 12
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geodesignquantified-selfneogeographybig data
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geodesignquantified-selfneogeographybig data
digital pharmaka
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geodesignquantified-selfneogeographybig data
digital pharmaka
to what we pay attention
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geodesignquantified-selfneogeographybig data
digital pharmaka
to what we pay attention and how we pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographybig data
pay attention
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geodesignquantified-selfneogeographyinfrastructure
pay attention
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geodesignquantified-selflabor relationsinfrastructure
pay attention
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geodesigngovernancelabor relationsinfrastructure
pay attention
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geodesigngovernancelabor relationsinfrastructure
pay attention
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@wilsonism 32
geodesign?critical
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@wilsonism 33
geodesign?critical
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@wilsonism 34
“The Bauhaus people understood that things could not be created independently of each other in space … without taking into account their interrelationships and their relationship to the whole. … Space opened up to perception, to conceptualization, just as it did to practical action.” (Lefebvre 1991 [1974], 124-5)
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@wilsonism 35
“When it comes to the question of what the Bauhaus’s audacity produced in the long run, one is obliged to answer: the worldwide, homogeneous and monotonous architecture of the state, whether capitalist or socialist.” (Lefebvre 1991 [1974], 126)
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@wilsonism 36Andy Woodruff, Live MBTA Bus Speeds, Bostonography.com/Bus, 2013
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@wilsonism 37
“I am not a historian. I am a landscape planner who looks toward the future.” (Steinitz 2012, 8)
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@wilsonism 38
a better future?”(Esri 2013)
“Can we design
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@wilsonism 39Paul Klee, 1927, Ships in the Dark
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@wilsonism 40
“If there is a common “foundation” … that all the arts share…, this is not in the unity of what has been, but only in the unity of a common future: the “power of the future” is that most urgent of forces ...” (Grosz 2008, 86-7)
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@wilsonism 41
common future
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@wilsonism 42
common futurefuture of the commons
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@wilsonism 43
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@wilsonism 44
“A new age of geography is dawning: the age of geodesign.” (Esri 2013)
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@wilsonism 45
“A new age of geography is dawning: the age of geodesign.” (Esri 2013)
“Today, geospatial technology, or GIS, is very valuable.” (Dangermond 2010)
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@wilsonism 46
“A new age of geography is dawning: the age of geodesign.” (Esri 2013)
“Today, geospatial technology, or GIS, is very valuable.” (Dangermond 2010)
“We basically [said]: why aren’t more landscape architects… using GIS to inform their design decisions?” (Flaxman 2010)
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@wilsonism 47
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@wilsonism 48
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@wilsonism 49NCGIA Workshop on GIS and Design, 2008, Upham Hotel, Santa Barbara, CA
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@wilsonism 50
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@wilsonism 51
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@wilsonism 52
representation and futurity
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@wilsonism 53
representation and futurityneutrality and efficacy
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@wilsonism 54
representation and futurityneutrality and efficacy
relationality and complexity
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@wilsonism 55
representation and futurity
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@wilsonism 56
representation and futurity“first, ... increase the… understanding and… refine the definition [of the problem] and second, … to investigate the possible trade-offs between conflicting objectives and to identify unanticipated… characteristics of solutions.” (Densham 1991, 403)
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@wilsonism 57
representation and futurityneutrality and efficacy
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@wilsonism 58
representation and futurityneutrality and efficacy
“These techniques remain largely unquestioned, conventional devices of inventory, quantitative analysis and legitimization of future plans.” (Corner 1999, 221)
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@wilsonism 59
representation and futurityneutrality and efficacy
relationality and complexity
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@wilsonism 60
representation and futurityneutrality and efficacy
relationality and complexity
leveling the playing field
empowerment
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@wilsonism 61
representation and futurityneutrality and efficacy
relationality and complexity
leveling the playing field
empowerment
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@wilsonism 62Steinitz, 2012, A Framework for Geodesign
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@wilsonism 63
“This may be our next major challenge -- to make more complex landscape planning more readily understandable, in order to broaden public participation, and to improve decision making in support of a more equitable and sustainable future.” (Steinitz 2008, 74)
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“It may be that what all the arts share is the aim of capturing the force of time… It is this goal that makes art itself eternal, always seeking a way to render time sensational, to make time resonate sensibly, for no art can freeze time or transform its forces except through the invention of new techniques, new forces and energies.” (Grosz 2008, 86-87)
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“It may be that what all the arts share is the aim of capturing the force of time… It is this goal that makes art itself eternal, always seeking a way to render time sensational, to make time resonate sensibly, for no art can freeze time or transform its forces except through the invention of new techniques, new forces and energies.” (Grosz 2008, 86-87)
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“It may be that what all the arts share is the aim of capturing the force of time… It is this goal that makes art itself eternal, always seeking a way to render time sensational, to make time resonate sensibly, for no art can freeze time or transform its forces except through the invention of new techniques, new forces and energies?
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“It may be that what all the arts share is the aim of capturing the force of time… It is this goal that makes art itself eternal, always seeking a way to render time sensational, to make time resonate sensibly, for no art can freeze time or transform its forces except through the invention of new techniques, new forces and energies?
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I propose that a critical geodesign is both a visioning of futures, to strike at socio-environmental injustices, as well as a perpetual questioning of the conditions that enable such representations.
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“It may be that what all the arts share is the aim of capturing the force of time… It is this goal that makes art itself eternal, always seeking a way to render time sensational, to make time resonate sensibly, for no art can freeze time or transform its forces except through the invention of new techniques, new forces and energies?