LIONEL HAVES The Guiimant COLLEGE OF...
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NEW-YORK DAILY TRIBUNE. SUNDAY, JANUARY 10. 1908. LOXDOX ART SHOWS. " \u0084-\u25a0'\u25a0 \u25a0 1 5^ Inland's landscape composition and in Miss At- \u25a0roocTs market pictures; and there is refinement of penpibllity In Miss Catherina Giles's moonlit teaches and winter scenes. The colar woodcuts, engravings and Illustrations of Mrs. Austen Brown and Mi^s Wbeelhonse are also excellent. It Is an open question whether wqmen artists do not lose more than they sain by organizing these independent t^x exhibitions, which seem to Imply la^k of confidence in their ability to o<.nip*-te on even terms with men. This is. how- ever, t!ie ninth international show of the club. and It is the largest and best of the series. London, January 4. The winter exhibition at the Academy is not materially enriched by the dispersal of the Kann collection. If the Ghirlandaio portrait, the precious Memling, the Metal formerly In the [ V'wc JVinter Academy — Primi- tives. Hogartki and Portraits. theatrical Lady Blake as Juno receiving the cestus from Venus, and the equally r:;.;o- dramatic Lady Sarah Bunhury. one of Queen Charlotte's bridesmaids, kneeling before a flam- ing tripod and offering a libation to the G-.; es are overwrought examples of his classical style; t.ut Miss Orby Hunter, another maid of honor, is Tainted in white •with pearls in fc*r l;air and with blue fur trimmed robe, and is as beau- tiful and refined as a girl tan be. even Ifit be her fate to elope vlth an ear! and to marry a fif-ld marshal; and the portraits of Lady Fran- ces S^ott and lie-r brothers and <>'. Miss Beatrix SOME OF THE CANVASSES NOW ON IEW AT THE ANNUAL EXHIBITION OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS, PHILADELPHIA. Musical. I METROPOLITAN SCHO< THE NORMAL INSTITUTE I CARNEGIE HAM. ( For Tn<hp-« „„., IT..f*-K*i.»nnl- AnTllrn \ i.oi <«i .%imr« ii SPKdAITV SCHOOLS FOB I'!.\NOFOIt . Tai« Modern '.•'\u25a0\u25a0 eem of y.us'c Study by Mr. Ku They pro»inct» '!•«\u25a0! '.-. • J^iass^n end pcrSolMrt lessons. I feiSi£L Lh SI of siaQiHfi 0 J2 S3 WEST sucks, n \ &%^«BiMw|lN =\u25a0:' (> h» aa w ww \u25a0 w * I JEAN PAUL KURSTEINER PIANO. rHEORY. COMPOSITIOX. STllfilO^^^^E^^^n* s-r^t. - ataaaa UIDWHUa, to , ntz School. Pa. "In an experience \u25a0\u25a0\u25a0>.: years, the best Wtw» ' ha\>r evrr known." — Francis E. Bennett, late Principal | of ' '«\u25a0\u25a0•.• • SchooL LIONEL RfIOCIIIITE HAVES nlJO^Mfl I Tenor. Assistant or TrabacU-10. Paris. . M-". \u25a0> K.i^i»«. : Garden. Farrar. Voices tried gratia. 130 W. 4tth J*t. j MAHMfTAN COLLEGE OF MUSIC, \u25a0ii) WEST lI.VTH wST.. NEAK LENOX WE. I.EON SI. KIJAMEK. niKECTOR. Thoroush Instruction In all departments of music ty als- j I:hbml«li.-i1 faculty. Moderate terms. Catalogue* mailed j SmTuR WOODRUFF", ! Voive PI«clB« Ereathins. Preparation for t.'hoir. t Concert and Oratorio., 12* Fifth At*.. Neve York. ; Mondays an.l Thursdays. East Orange. N. J. LIZZIE DTFERRiii OPERA. rONfFUT sI\<;KIJ INSTRKTIOS. Former, y of ;: ral Opera Hoaic. Weimar. Germany. •54 w«rf r.XtU StrrrJ. Interview It.» 1 P. M. ELIZABETH H. LINDSAY" *'onlra!to. %'oice Culture. Tone Prodnctlon. Pupil of Heinhold i.. Herman Studio. 100 W. 78th St. • MAX DUTZMANN VOICE CULTURE. Studio*. Wi;-«iS-n:i*> < arnrgl- Hall. 'Phone: 6138 Columbus. HOME PHOTOCiIiAPMY. 1.. PATSON AMES. CARNEGIE HALL. Trl. mU Col. SITTINGS AY YOUR KESIDE.VCB. ROSE STfINGE SSt— nWCC diARUC of m;!. canto Opera, Oratorio. Concert. Pupils presented when com- petent. Voices fnrlitd Repertoire. I-auif'aaee*. Ap- pointment letter only. 27 :FIFTH AVK. MME. T9RPADIE VIM.VI. ART. Carnrclr Mali. Studio ROT-SOft. OWEN TURTLE c^kT 32 of Mr. Turtle's pupils are now holding salarlafi ehurrti position! Interviews from 1-3-7 to * dally, excepting Tuesdays and Fridays. >:•.):\u25a0». SS W. 2.'>th st ALICE M. McSLVAINE, ; °LLA T ?^. llrfstol V-ilce-placlng. Interpretation. P'.ctlon. French. German. Italian. gngysh. 130 lii'Tll AYE. . JOSEPH ' C. ELUOT7~;™™ ?T a Wo SIMPLE NATURAL METHODS. 123 E. 23D ST. |>tab!lsb*J fn same place for 12 years. STEBBIN $ % £?™-£fiiS£%i?T?. M ?HrRspA A^ p SBRIGLIA METHOD HELEN TRUE WiNSIQW, ! RIXGI.Vfi AM) SPEAKING VOICE Ppeciallst; :en-Ifl» br^athinc- i:esiden:» BtadlO. 47'> West l.">7'.h Su IRWIJTIVELEfii fHASSiLL I Piano Instruction. Soloist Accompanist. »40.". Broadway. | S. C. BENNETT, Scientific Voice Training 401 CAP.NEGIE HALU School o! SiQtit Singing M->st rapid and easi»«t method. "Fixed l>o" Ab-<i>liite Pitch. Monday. Thursday, afternoons. •Tenlnc*. \u0084 IMC. Klllll \KI» BLITZ. »t::M4 farnegle Hull. CUside Kaitland Griffeth PIANO AMI HXKMONY IXSTIUTCTION. 133 fiirnegie Hall, New \»rU. ASNES SUMiiER GEER Monoiocues and Child Impersonations. I'upils accepted in Elocution. 131 East lath at. Tel. BBSS atuyvesant. WALTER S. YOUNG Vocal Instruction, v. lea Production. • Diction. Styl-. Heperiutre SOI and -'- Carr.cgle Hall. Alessandro Bonci, the celebrated Italian tenor, for the correct placement ! and - ,\u25a0:_..\u25a0 of % ... especially recommends >.<a»ri ; VALERL 34". WeK r.Stlv - FREDERIGK MARTIN VOCAL INSTItIt I !O\. Studio. MS West flat .St.. New York The Ford School of Expression. ' EDITH HIM FORD. Will In F.loc-utlon. fli>«i. .1 Training. I>nn. Fen* Inf. 4 WK.ST 40TII "\u25a0IKl.i: I "I'lioiie. 5453 It, viiil. : HARRIET FOSTER Ml/./II (OXTK.U.TO. i 151 \\>*t lOSth Street. Tel.. 41^2 River. |ir-iaj TJfIHP'JT ronwrrutory of 31n«lr. latl B'war. lltll inUUUnI nearfiSthat. SWidlos 423-427. All 1 Instruments ami lee culture. ''.ire:'', teachers. \u25a0 jl. .. WITHERS. Director. Send stamp for circular. | ;"" HUMPHRIES T^;;;& f ' ! tr»m rudiments of voice placing to artistic Onishtnac ; f»r concerts, oratorio and cburclk work. !M ".' 7>th. ! Viola Waterhouse t«i -: r nu« r \ Soprano. ManaKement of ITatnml a Tones. 542 sth «v» Florer.se H.NKLE SpJJiii j Soprano. Mjii.iseiiienl: lli».-n..«-l-.looe«. 542 sth Aff. jo*— o*— Adah HUSSEY j 122 \V. Ultii St Tel. 5414 Mornlntc. "&* KITCHENER. : Miimlolin.«.nl:ur. Itanjo. 157 W. 84«h St. \u25a0 . i Mine. Arno Schmidt VOICE rll.Tl'UF.. »37 Carnegie Hull. New York. I - — — | \u25a0MB 7iCPI CD Teaches" Art of Singing, based ! ANNA K. fcICULv.H \u25a0\u25a0'\u25a0;>\u25a0\u25a0- scientific principles. IC3 j j \V. tutu St. Trl. ISM Colnmhu*. ...... '\u25a0 my yjJCDTUE^y sirpEWOR vocal in*- R9mA 51/iln I Si£lifl STRUOTIOX. Orar.dOi^r.l ' Tenor. Concert Singer. 463 CENTRAL PAKK WEST. I 'SUSANNAiTiUAGAULAY - l^^iSftfeiS i Studio 303. «Jirnißie Hall. : 77nno PIMODUQP vocal _te.*cuek. niacov- JfICOS uINotJUnU r.r of'j,™. s.,n. th. famous tenor. &26 Carnet:!e Hall. Me* & Thur Aft*. _.. \u25a0 .• mi... Concert*. Oratorio*. Vo«-i>i CTihpti! X PotlPr^m Instruction. Recitals. LIIZCUCUI R. rdUCIdUII v Weiit 84th street. : sBBJBPgUHBi ygge& gll J.V; Ur>l 55th >t. I C.AL>rIC.K n ti_ n I ;. n .i|.l't:in» Instruction: heeinoen. or Bella d. Linnsy mu^ed. 1.-.7 «>*! -am n iiini'nn O^t3llT7 vocal IMlfsUfflgßK G. MaGKlio Suhllll, studio -. '. •" =m st. vt. .••\u25a0••n nanio. Mandolin Instruction; ooucerta. UUITAni etc (HAS HEINLINE. 126 W- 41>th »t. WIBTZ SCHOOL '" ™?' '" «yiluaM J. FfILK, S SJ %S s^°; ml^in -TrfSMTfiyiSlC Pianist. In<»:ru.Uon: LEO TEGfcTuNiUfc. • » Vole* Culture Uri!'.l^!.t T.ise Proouc- H, Wit I Sill tlon. yiKht .Rfa.ilnic. >5 W. llftth -St. til ii UmnrU Oman instruction. Church of th« I W. H. ntuUtn incarnation. 35th at and Mai ava. Musical. . ••;: OLS OF MUSICAL ART THE COLLEGE OF MUSIC :-trsxr ham., xkwakk lor All i.r.<ttr* of -tuti» SI'SSEM^ I)irrrt»r. tt. voiCK, >i\<;iM; »\'- riiKouv. •«»!' are faariatg riter.*;!*- »»• throaj£i» th» - • ISI(9H svn.l for I.JtHratur.-. AI.F.X \\ II » • AM-OV. >»eeretary. 'HHE. SQDER KUECK Weil known Kuro^an roncert Slts'r i Voice Instraetor. FAMOUS G4FG!i METHOD TAUGHT Vwct Tri-il ,iaj,>. I *,> .t f. M. T.-rm-s m«Jerat«. , Slsdio: JOS \u25ba \-i r.TH VTREET- .. . _ A \u25a0! mor I-AMrKKTI. vi b ITALIAN SClIOOt- i( From Bj-siT-'iini: to ll^j^rrory. r French Diction C1as»"«- OEQUJCHARD X \u25a0 113 «KST *:i> STREET. __ Virgii~G3rdon Piano Schcol," I" : i-- Bat >>«• Vark. Pt'BI.H: I'I.XTINC A SPECIALTY. N'.»i:lT\:. »-OCRSEH FOIt YE\I'!!EU3. > IK«;jf. <.(n:i>o\ iHrn-tsr. i'i'-HjH-.tu^on «vp!u «t:on. The Guiimant Organ School WILLIAM C. CARL. DIRECTOR. Kfnd for Ca;atf>Ku» SI Writ l.'tU St.. >ew \orSt. GIORGIO M. SULU n xrHFKor MARIO SAH9M4RGO iHi ART Off -.-M.iN. «iC < ;ir h r-i#- M..11. W>a . bit.. I«VT. naluc MARINER S ™ IOJ Piano Ir.struciioa. Vhon*. ::7 W. 'C St. hermapTepstein" Piano Carnegie Hall frank RC^EniRT VOIG£ j. D&i%£yiUl culture OP.CA.NIST ST. PAlt.'S M. E CfU'RCIi. Ij'tiwir- 7^;Sfvpsth Ay*. Tcf. «7»."V .mbas. MRS. KiDQER-PEIRGE ii wo i_<*)ism m>.i i.ntKk:'KE;tatio>. l«ack*ttatsky T^hni.ni.-. 1047 Broadway. -«Hldlo 332. E. P RES SON MILLER voick CXLTTRB and art of \u25a0 Sill StriTE 1013-1014-7015. CAP.XEGIE HALL. X- T. &.RIESBEBGIIIIS G. ARRIGHI, r2Sm Nrt-::ra! Tone Production. «ar»»; »'->i:rt. K. FV. rn*r of IHtlj anil St. Nicholas Avo Tel <T>T'> Morruni?«.i». , VIOLIN INSTRUCTION— SEVCIK METHOD. ALOISTRNKAI C»*W«« <\u25a0\u25a0' rragr.- Con- rtLUl3 * «««« I 3 ,-rvat<:ry In'-r SeTdi. 514 I.EXOX HI, near XV. 133i!» St. ABJKTIIS M. WESIT ilispiarefl voiefs r<>i;u7at»d. Quick, natural method. Classes and privai«- l—»s>rns. Opei-a. Oritirlo. Concert. 11l Went lOtth m. Th.'ne 7,4'J*- Hlver. F.ItITAKI> BKIMI-;H;;, Vmiil Instruction. rarnet:!" Hal T \u25a0:\u25a0 «j an.l c aflTt,-^rn»: other da vs. ':.-; Wf!t ftlst. L>r. »">tt.. N>itz=l w«.rl«r» hlKh-st miisicat authority. say». "Ertwarrl Br..r.il.*>re in a model vocal Instructor and a singer fit «t»rii:ie abiiiry.** HAVENS tk\imm; ' Diction — AtMctlc Br»ath!rrg Eixcrcian ' \u25a0»n"«itlm. CVa<hlr.(t for «jTatorl»ami Concert. H"A"ITr. N. T. RICH&RD ifiliK^jS l4uf&£a Ua!Sunil& mob • Pupil of I ii»- 1{ 'K"». \u25a0>\u25a0\u25a0: U. i:i«t. Car. Broadway. ! LOUISE De 4RTELL — — j Piano »nd V«x-al In*trucii«n. '0* Ka«t »*rb St. I nWiM IVI P\ TAVIPA i-^TRcr-nos piano. I tiiW'ii LiLLO lalLbn or«;\n hvr.mo.n T. ilr.str-ictor at National Conservatory. i:ms-!'JO7. Jos#Sy pup!'.. IDS West «n.«t S:. !>!. 141* • ••: ROSEMJSRIE CAMPBELL Contralto. Concerts. Krs:arem<?nt3. 2.12 W. 84th St. JBARTYII 60UDEXET " Barirone. \ocal Ip>. ruction. •>•» We«: a«J St. VAN YCRX, \u25a0«». 434 6TII AVK.. OK 39TU ST.. NEW TORS. J. WARBEN ANDREWS ST^pSSV"* *' Special 1U lesson course In .irEan. 4 V.\ TB:h St PERRY AVERILL. j B.irttone and Tcarbvr. SR» Weal MB StxeA I I! I IE Ulf>l!!U VOCAL I.NSTRCCTIOX. LILL! t H*»tEl!l J-*n:: Craw Hall. New York. Certiacatetl pupil of VannucctoiL PHiGE-GOTTLE GOHSERYATORY OF MUSIC (Daily Class.) -.'10". -evHnfh Avc . Cor. 123th St. , GIiRA BEBHETTA x^r^iFgrs&r*. HUBERTZUR«3FDEH r5r si ß^^K LOIS. UMUTIMGTfIM in«fm. ti.-n vi tsiaai MARY FIDELIA BURT 2££F?s * Ear Training. MARTrIUCLIAoUnIHarmon*. IJO_- . arnegleH^t. G£RRJT~SHITH N » r^?< T B yxVt. LGU[S $. STILLS ImnUr and Tgather. ninn 1111/10 P:»:'->»t. Irs: ruction, '.'oncerts. »34 Bui ULL Kflffiu tarnrittf •>\u25a0\u25a0» Ke».. ::«« XV. 57th. \u25a0 9 n» rSm^DCC^ .•. < r«:n:>itni«». Pi-»iw> ln«tme- M. m, HERZBiIhJ ti«n <•« te.tr.l Park Wat ..... niTra VIQrJ '"'-oal ln»truft!on. weeaasjsata Ml. CATEBjM^IIa:;; Tu^layA FrL. 1-6 p. m. m R!AU^"Ui f.-^tattoa. TS W. Hal St. MflS KATE EUUKiI Ffll- r,tK\M:if I.TCKCM. cor. TtT»»»» and r»7th at. Con- , c^.^urir. ara.ralo: n-w Ik^M.K- Apply Bu> MBr.MB r. 7.m ft a>| riSISJI* Tea ' ?h '' rpf P<anofort». ctiildr^si Wt Si FLEWiNS a .p^otelty. !M W. >4tl, St. -" ~~ _ , ... Piar.o * Voca! instrocUon. Wait. G. Hocke-Cassictts. a Si .tp.m. Carnal* HaltISO. \u25a0UV (tntUT h SaaakSßS Voice. Musical Read- • AfllY URArI I \u25a0£* Sundays at S:3». 7S W. >thj»C BROOKLYN. ! Tin: P O W~E~L L I>-TITrT» : s»ir. pr^i.l'nt Str^t Trt «1« Prospect. XT.MA WEBSTER POWELL > . Director* HAROLD KEISTER JACOBS i>;«n.<fnrt~ Ori.m. Theoretic! *«b>ot». Miss AiD£ H. MUNRO X-STKrCTOR on mano. 533 BBaSB At*.. Brooklyn. G. OA3HIE, ~ fONCF.KT'* AND PRIVATE StI'SICAIA. ' S'adlo»- ICO W«rt I'HItH. St. \u25a0•\u25a0\u25a0 \u25a0• Hll River. 0 \u25a0 p uuc h Mansion. 345 BSaS »v«.; Brooklyn. KARL SCHOLING, ' IS ,'SSS T^ Under Management of Eugene V. Bre-,v«t«r. _ Wnam niM" nt HiyC "CELLIST. ssaaaisji PAULDInU lit H'ftC, an.! Mu»Jcale» - 4iT Tosapttaa aye. nr. Ifalser- Tel. 3230 W- BodrorA -" HOLLINSHED lS sJ£&kos. ol.i Italian M<>tho««. ... »3nro«-fc St.. Cr.wMjn. . . a. . Uf|V!f!CO VIOIJN * PI ANO STUDIO. If . L WllsUi A~"^ . ...... \u25a0 b. »181 von-s «irLTVKR." 414 Cumberland, n. \u25a0 W.«a » -3g«ctalty. -% I ASTiiR SCHOOL OF VOCAL lICSIC. . -^ AL MADAME JAEGER. Direcir.*.. 1C» MoaU«U« 3% Musical Traditional Aboriginal Paradise of Muckle- shoots Discovered. A party of miners and ranchers that have arrived. In Taroma from the Natchez Pass region report the discovery In the Cascade Mountains, about ten miles southwest of the pass, of the traditional hunt- Ing grounds of the Muckleshoot Indian .tribe, and which has been used probably for centuries, run- ning back time out of mind Into aboriginal anti- quity, by both the plain Indians from the bunch- grass districts and the Stwashes from th» Sound. The spot Is a rolling district of ijr.'iss- lands from eight to ten miles In extent, surrounded and Ideally protected from the severity of weather extremes visiting the high altitudes of the Cascade Range by lofty foothills and ragged peaks, says "The Seattle Post-Intelligencer." The district is covered with the wild black huckleberry, salmon berries, and also the vlping blackberry, and this, with the grass growing upon it. makes it a paradise for bear, deer and other game. , , For years the dwindlingnumbers of the Muckle- shoot "tribe have been regularly golnß oil about berry season time In the late summer to the moun- tain*. With the usual Indian secretiveness and taciturnity they kept their object secret, and the oldtimers would often not know they hail gone on their annual hunting nnd berry outir.e until they had been away for days. 11. G. Herold, one of the persons who has just returned from the Natchez Push region, is authority for tlx* state- ment that the Indians pass their time in this prnlrie region in the heart of the Cascade Moun- tains. •Thi district," said 'Mr. Herold. "Is something In the way of an oasis of rest, and with its level and rolling formation gives a relief to the eye, especially when it is considered that the region im- mediately surrounding it is one Of tli»- two wildest regions in tha way of rugged mountains, deep can- yons, cliffs and sharp peaks in the Cascade Range The other district, thai la extraordinary for its roughness. Is a section in the vicinity of Buck Creek Pass, In th« Washington Forestry Reserve "Tho grass country up near the Natchez Pass la a paradise for the Indian at this time of the year, and from what I can learn has been hunted b> the Muckleshoot Indians for unnumbered generations Th* women can pick all th.> berries they wan! there, and the men can follow the chase to then- hearts' content. Surrounding this district are a number of featury lakes. The most remarkabw of these, all of which are l.iil away In the d- • !\u25a0 fastness** of Th*» mountains, is Echo Lake. It [s almost Impossible to get down to the shore of this lak*\ so thoroughly la it protected by s-he-r precl pi^es and reck walls. One can stand upon a elm £qOQ feet above this lake and halloo. and five dis- tinct echoes com<» back, on« after another, the last one being hurled upward from the rippMess sur- face of the lake itself. Tin bottom of the lake has not been found, and IIIs probably mam hun- dreds Of f*et deep. The isolation of the !ak.-. and the number of ghost!: e,-h.>e« replying to every sound made have given risf to many Indian tradi- tions suggested by their superstitious ... With the dwindling of the Muckleshoot tnV there has been but small \u25a0-\u25a0 for the ;*Muck!esnoot hunting grounds" in the last decade, and the few • miners and and on a stray hunter that visit th« district Bnd only an occasional ancient Indian camping spot to indicate thai man has ever visited the region Major General F. D. Grant. IT. S. A., will review the 47th Kegiment next Saturday night In the ar- mory. Captain C. W. Furcy. of Company I. has resigned on account of business. Lieutenant W. <*. Hantom, of Company B. has been unanimously elected captain. lie ha^ been a member of the regiment since 1809, and had previously Served In the 23d Regiment. Lieutenant A. A. Port?* has been assigned to duty as battalion atljuumt. OLD HUNTING GROUND IS POUND. Sergeant Morris N I.i-'bmann. of Company I. 25.1 Regiment, has been onaatsaonsly elected second lieutenant. Before h» Joined the In 801, lu- served as a lieutenant in rr 11»•1 1»•1 »• Nebraska National Guard. Some twelve thousand invitations have seen is- sued for the annual lull dress reception of the non- commissioned officers of the 3d Regiment, to be held at the armory on Tuesday night, February U. Armory rifle contests In the 12th Regiment I will begin in a few days. Colonel Dyer has taken a trip to Kurope for recreation, and will return on February 11. Lieutenant Colonel Huston is In com- mand of the regiment meanwhile. A review of the regiment will be held about the third*week" in I' •'- ruary, and the date will be definitely settled upon the return of Colonel Dyer. A review of th<> 63th Regiment by a prominent officer will be arranged for early in February. Colonel Duffy a!.-., hopes to have Governor Hughes review the regiment <lurin« the present season. Major General diaries F. Roe. will review the M Battery in Us armory, in The Bronx, on Tuesday evening, January 28. . rolled in the Defendum Association on Thursday night. January 30. and the review will b«> taken by former Captain William B. Smith, president of the association. Many prominent es;-ssesabera of the rejriment will be present. PORTRAIT OF GROVER CLEVELAND. By WiUiam M. Paxton. VOCAL OHLTIIii SINGING, TONE PRODUCTION, COACHING, DICTION. Frrnrh Lyric Diction • Specialty. THE BOM .NTI I»1O*. « MtMi.ll II MI EDWARD E. TREUJ^JJ. CONCERT PIANIST AN IITK.AdtKK. INSTRUCTION in THK ART OF piano plating Teatlmoi lali an.l Indorsement* fmni ntor. kmii. s.\ti:if. jo»»kf iiofmaxn. Siu«lo«- BJX-330 iMM A*., bet. i.'-th ami I27tb. MIM E. Van Winkle, A«l«tunt. Interview. 10-12 dally. IIIRA llflFAAG l^B^lf9 ri.\.\i<T ami iHufl lliitGSo^O 1 ii: " niN tlyliyUlllaa^ Its w.'43rt (M. A itrad'i;iio of the Royal Conservatory. Copenhagen. Vtritil Synthetic. I>r. Mai and Lewchetlzkey'B BoethoJ. Pupil of Binding an.l Backer Grondahl. Minlern Pcan- dlnavlan music \u25a0\u25a0\u25a0 \u25a0\u25a0,\u25a0\u25a0''.<\u25a0 lion. »ml Thurs., 3 '•• \u25a0*• SCHOOL OF MAMII GARCIA. From Production to Interpretation and Repertolrja. 151 WEST 77T11 ST. m CONSERVATORY of iNTFRNATItINAI \u25a0r I LnHl I lOIIlL " - /-r -- Including member! of the Metropolitan Opera Orches- tra. «'all or \u25a0 : Ite tot proapectin Sin f or 20 Lmmi In flawrr Afternoon! anil Evenings. MMX. TKOTIX. Studio. XC". Carnegie Hull. GUSTAV L. BECKER. CONCERT PIANIST M > TEACHER OF PIANO AND COMPOSITION. 1 «>st 104 th >lrrel. MME. EMMA G?BEVER!OOE, VOCAL INSTRUCTION. 03 7TII AVK.. BROOKLYN. Wed. 2 I V M. \u25a0am | Hall. : LESLEY MARTIN studio, -.he NVW Y ° rk - ORATORIO. CONCERT. RKPERTOIRE. DR. CARL E. BUFFT, COSCKRT. ORATORIO. TOTAL INSTIHCTION. STIIHIO. l east join ST. \u25a0 HART COTS WAY DRAMATIC ART STUDIO. 237 WEST 45T11 ST.. ARTHUR PHILIPS, baritone. CARNEGIE H.M.1.. NEW YORK CITY. VOCAL. INSTRUCTION. FALL. TKKM OCTOBBB Ist. l!) 07. J EUGENiO . P.RANI " HU.II SCHOOL OF PIANO PLAYING. M MADISON AVENUE. Subway Station. I'Sth St. ~^VT TENOR. mm David-"— pupil of JEAN DE Heszke UQI IU \u25a0" Kant ZZd St.. N>»v York City IIWW*.I»W HEW YORK SCHOOL OF EXPRESSION, 318 West »-;tli St. Voice Training for Correct Speech. Klocutlon. Physt.al Culture. Saturday morn nX ar.d Tuesday aftem.ion classes. <lIAIM.OTTK SIM.XV PRBBBT. WAI.TKK V. HOLT. I': Initials Mme. Anna ARKAUD Formerly with the Metropolitan Opera House^ in.-. ii VOCAL CULTURE. CLASS OF OI'KhA. StuJio: THK REMINGTON. 129 \v*eat*46th St. "MAWDOiillir— HARP 1 VALK.VTINE \l!l. IMiNKI.II; HALL. IVSTKI* TO*. ! CHAS. HERBER^CLARKE VOCAL LNbIiaCHO>. 113 tA.K>fcGl£ If ALL. m "NARCISSA." By W. Sergeant Kendall PORTRAJT OF CADWALADER WASHBURN. By Wiiliam M. Chase. A review of the 9th Regiment by Speaker James W. Wadswortii will be held In the armory on Fri- Hay night, January 24, and a reception will follow. The regiment made a line showing at its annual inspection and muster a few nights ago by War Department and state officers, and baa been highly complimented. The resini ... bad present 741 offi- cers and men, and the absentees numbered 39. Company H, which baa a number of prominent athletes in Its ranis, Judging from the practice at the armory, has a .'v: chance of winning the cham- pionship trophy at the athletic games to be h<>ltl in the armory on February l. There Is much satis- faction in the regimen! that the command has be«-n recommended to be made an artillery command. topher 1.. 1.-vi.:i and Peter Burns have been unanimously elected :i: i an.l second lieutenant re- spectively in Company O of tbe 2td Engineers. Mr. ,_. , . n was formerly a lieutenant In the regiment, In which he served a number of years, and was also an offteer in the. old llth Regiment. Mr. Burns v. us formerly fir.-t sergeant la Company G and a leader in athletics. Both men are Spanish war veterans arid skilled shots. The regiment will hula a. review in honor of its former members en- War Department and state officers will make an annual Inspection of the 71st Regiment In its armory on Friday night. Newly elected officers recently commissioned are First I.leutr-nanta Harry Men Walter G. Eliot and W. A. H. Ely and Sec- ond Lieutenant Francis L. Sattprlee. jr. Colonel Bates has ion the services of Battalion Quarter- mast Sergeant Paul De I^achesnaye. who leaves the regimen! on account of business, much to the regret of "the colonel, who says he was a most ex- cellent soldier. Arrangements are belnu nifi-jn for th* annual convention of the New York National Guard Asso- elation, which is to be held in Albany on February G a'hd 7 Matters of considerable Importance will be discussed, including the changes resulting; from the new militia law. On the night of February 7 a dinner in honor of. Governor Hughes will be held. There will be a review of the 7t!i Regiment to- morrow night in the armory In honor of Brevet Brigadier General William A. Kip. The regiment will celebrate his fiftieth year of continuous ser- , if-.-. on this occasion th« regiment will parade for the first time iv the armory organized In three bat- i ,! ,ns. with ii-ir companies in each, instead of parading with Uta customary two battalions, as it has done for so many years. Tho new formation will result In a number of changes among the posi- tions of bfflceiT. NATIONAL GUJRD NEWS. American women artista do not appear to have an active Interest In ihese exhibitions. I. N. F- Lister and the Paine listers are brilliant ex- amples of his firt. English portraiture overflows Into thr fourth gallery, where there is a glorious Cronie, "Por- ingbxnd Oak." with a pool and bathers in the foreground and \u25a0 distant landscape beyond the majestic tree; and Hopi •\u25a0-• i has a full measure of Justice In half a dozen canvases, Richard Brlnsley Sheridan among them; and there are many more Ro'mneys, Sir Joshuas. Gafnsbor-. oughs, Opies and Raeburnsii There Is Francis Havxnan's portrait of himself with iiu»h!stick and brush In hand and the jolly face <>r a ihan about town ready for drink and i porl arid this is interesting, because he taught Gainsborough how to mix paints and how to take life easily: There is also a pair of Sir Joshuas which Illus- trate his own dictum respecting the improb«r use of cool grays and blues. These are the por- traits of Sites Isabella Thorold and Thomas Middleton Trbllope, with masses of blue in uni- form and cloak, not so conspicuous as the cool colors in hi« portrait of Archbishop Bourke, In which warm tones are avoided, but sufficiently unrelieved to disprove his own theofv. oven* if Gainsborough had not experimented success- fully with crude blues in "Mrs. Siddons" and the "Blue Boy." There 1- an adjoining gallery with eighteen of Hook's sea and rlvfr pieces and the little human dramas enacted on their borders; and his portrait painted by Millals completes the memorial to \u25a0 good water painter, who knew the virtues of atmosphere, pure color and vivacity. There is also a small room filled with water color drawings- of the masters of the English school. Altogether the Academy exhibition is delightful In range, va- riety and quality of work, and the pictures ar3 faultlessly hung. The Women's International Art Club has a Urse and varied exhibition of paintings, sculpt- ure, water colors, prints and crafts -ft the Royal Institute Galleries. The work Is mainly Eng- lish, but some examples of realism like Manet's hive come from Paria, notably Mile. Stettl«r's canvases and \u25a0 vivacious Interior by Mile. I annenberg Th \u25a0 is abundant evidence of hard work an« artistic Intention among the English painters, ami they have resolutely set their faces against the '• • '•'\u25a0\u25a0 'levl • of mak- ing faces or scenes too pretty. Perhaps ' \u25a0\u25a0" '''"' portraits in drawing and color are Miss rlot'a "Mrs. Bond** and Miss aeytwmann'a "Mi At- wood." There arc many landscapes and figure Hibject*. hut few of them reach a his!) level of achievement. There is force in Miss Beatrice Braamcainp Gallery and the Ruysdael will have been purchased for England, their owners have liot sent them to Burlington House There are eight of the Kar.n pictures on exhibition among the Italian primitives and the Dutch and Flem- ish paintings, but they are not superior to works of their own class from the English country houses. There are wings from two triptych? by Gerard David portraying the bearing of the cross, thei'rucifixion. th. Resurrection and the Annunciation: then I*a small Calvary vaguely attributed to Jan Provost: there is a spirited and almost dramntic Adoration of the Magi by Quen- tinMatayn. remarkable for realism and fine color. ai i there la a triptveh hy Herri Met de Ble«, illustrating the same subject, from the Duveen collection. These are matched in Interest by works in the first gallery from the private col- lection? of . -" W. '\u25a0•\u25a0-. Brant G. Pretyman. Vernon Wat». Fairfax Murray. Major G. L.. BLolford and the Earl of Plymouth. The large circular Botticelli from Fairfax Mur- ray'= collection— the Virgin and Child, with the little at, John holding a cross-f-ls the most beau- tiful work among all th^se primitives, and will have the lartr^st group of visitors around it. In the second room there is a good Ruysdael, with i broad Ftretch of hlenching ground? near Haarlem, and there is a better Paul Potter— •\u25a0Farrier's Shop.** with men, horses and dogs ami a distant landscape; but these works from the Kann collection are surrounded and rivalled by Ruysdaels, Wouvermans. Cuyps. Tenlera. Hobbemas and other Dutch and Flemish mas- ters from ..,'.-, of Wellington's. Lord Rib- blesdale'E. Otto Belt's. Major Holford's and other houses. The remaining Kann is a brilliant por- trait of Jean Simeon Chardto. by Fragonard. and near by the Greuze. "A Girl with a Ca- nary." from Mrs. Beresford's collection, is not superior to It. The resources of the Enplish country houses are adequately Illustrated in th* Hogarth room -\u2666he beat feature of the exhibition. This Is a collection of thirty works, of which nearly twenty have not been exhibited. There are por- traits, jrroups. theatrical scenes and Interiors representing every phase of the painter's art. The masterpiece is "The Graham Family." from the Earl of UTiH \u25a0\u25a0\u25a0'""'\u25a0 collection, with four full length flgurfts of children. It Is beautiful In color and fairly throbs -with vivacity, one a*l holding a baby by the arm and another dancing merrily, and a boy playing on a music box Another gross? is the "Walpole Family." with Mr Robert. Lad] Walpole and their five chil- dren ctandin* or seated around a tea table. •The WoDaston Family" is an interior, with rixteen men and women around tea and can. tables. Another group, lent by the Duke of Devonshire, represents the grounds at CMs- wick with the four children of the fourth duke at play around a wring-* <***»*•\u25a0« picture. Anoncthe theatrical groups the most vivacious it: "The Green Boom. Drury Lane." with Barry m -ii Romeo in the garden • ! '". :^; 1 :: five players; and larger canvases portray the firs- ireht t'-rformance of Gay's "Beggar's Opera arid amm fro. DryWs "Conquest of_M«- W as performed by children. -Southwark Fair" lent by the Duke of Newcastle, and "Ranrlash." by Mary. Counter of Ilchester. arc- admirable Illustrations of g^^SgSg and th. faded "Life School an St. La««- I. one of the treasures of the A^y ; ,-hose own art took the „ are \u25a0 ..f Ho- garth's blassei Among the portraits the most -Peg Wofflnßton in pink and blue an<l l.evytch mc lace and «ceedin S ly saucy aridU-iumphant; and companion pieces are **" n **™™ l '*~ tre» and ringer; the Brst Uonl Holland dull and woodeny. and Sarah MalcombJ a murderer with compressed up- and i; " features . but without a suggestion of ™»rlous vlnd.ctne- ness. This varied flection of Hogarth* la fined out by portrait, by Zoffany. Knapton and Jonathan Hichardson and by Gainsborough- "Pitt Family." painted about the time of hi* removal from Ipswich to Bath. The commanding place, in the largest gaHerj are taken by Mrs. Sanders'* version of -The Assumption." by Mori!!... and the Duke of Bleb- Bond's Van Dyck's magnificent "King Charles I and His Family' » of four in the ""*?£"; with the best at Wlndsor-and each Is Ranked by * pair of Claudes. Lord Jersey's and Major Holford>. Worthy of the dignity of companion- «hip with these great works are Mrs. Frederick Hawker's Rembrandt, \u25a0 man with soft black hat and Jewelled colter; Mr. Pretyman s •Charleg V" by Titian: the Duke of Northum- berland* strong Tintoretto, a man in dark, fur trimmed rob,-, and ItiibenW -Queen >;!: Re- fore 4haaoeWa and \u25a0 portrait. The English masters worthily 111 one-half the wall space. Romney i* seen in. his most romantic style In Km portraits of the Earl and Countess of West- morland teal by I.»rd Jersey, and in the full length of Miss Rodbard. in v.hit. satin with touches of blue and gold, from Mr. Lever'- col- lection. There are«ei ral Galnsboroughs. Will- iam Pitt and the < \u25a0-' l^rd Douglas among then-. and time is one Indifferent Hopjmei— Mr-. O'ilara. in black, with curtain <: " ! la: d- wape. and a dozen .Sir J..shuns are hung together. The portrait of Lady Elizabeth Her- bert and her m is painted in his grnnd s< '"• but it has *uffer«d from bituminous varnishes *_4 vilost much of Its beauty of color. The
Transcript of LIONEL HAVES The Guiimant COLLEGE OF...
NEW-YORK DAILY TRIBUNE. SUNDAY, JANUARY 10. 1908.
LOXDOX ART SHOWS.
"\u0084-\u25a0'\u25a0 \u25a0 1
5^
Inland's landscape composition and in Miss At-
\u25a0roocTs market pictures; and there is refinement
of penpibllity In Miss Catherina Giles's moonlitteaches and winter scenes. The colar woodcuts,
engravings and Illustrations of Mrs. Austen
Brown and Mi^s Wbeelhonse are also excellent.It Is an open question whether wqmen artists
do not lose more than they sain by organizing
these independent t^x exhibitions, which seem
to Imply la^k of confidence in their ability to
o<.nip*-te on even terms with men. This is. how-
ever, t!ie ninth international show of the club.and It is the largest and best of the series.
London, January 4.
The winter exhibition at the Academy is notmaterially enriched by the dispersal of the Kann
collection. If the Ghirlandaio portrait, theprecious Memling, the Metal formerly In the
[ V'wc JVinter Academy—
Primi-tives. Hogartki and Portraits.
theatrical Lady Blake as Juno receiving thecestus from Venus, and the equally r:;.;o-dramatic Lady Sarah Bunhury. one of QueenCharlotte's bridesmaids, kneeling before a flam-ing tripod and offering a libation to the G-.; esare overwrought examples of his classical style;t.ut Miss Orby Hunter, another maid of honor,is Tainted in white •with pearls in fc*r l;air andwith blue fur trimmed robe, and is as beau-tiful and refined as a girl tan be. even Ifit beher fate to elope vlth an ear! and to marry afif-ldmarshal; and the portraits of Lady Fran-ces S^ott and lie-r brothers and <>'. Miss Beatrix
SOME OF THE CANVASSES NOW ON IEW AT THE ANNUAL EXHIBITION OF THE PENNSYLVANIA ACADEMY OF THEFINE ARTS, PHILADELPHIA.
Musical. IMETROPOLITAN SCHO<
THE NORMAL INSTITUTE ICARNEGIE HAM. (
For Tn<hp-«„„., IT..f*-K*i.»nnl-
AnTllrn \i.oi <«i .%imr« iiSPKdAITV SCHOOLS FOB I'!.\NOFOIt. Tai« Modern '.•'\u25a0\u25a0 eem of y.us'c Study by Mr. Ku
They pro»inct» '!•«\u25a0! '.-. • J^iass^n end pcrSolMrt lessons.
IfeiSi£LLhSI of siaQiHfi0 J2 S3 WEST
sucks, n \ &%^«BiMw|lN =\u25a0:'(> h» aa w w w \u25a0 w* I
JEAN PAUL KURSTEINERPIANO. rHEORY. COMPOSITIOX.
STllfilO^^^^E^^^n*s-r^t.-
ataaaaUIDWHUa, to,ntz School. Pa.
"In an experience \u25a0\u25a0\u25a0>.: years, the best Wtw»'
ha\>r evrr known."—
Francis E. Bennett, late Principal |of '
'«\u25a0\u25a0•.•• SchooL
LIONEL RfIOCIIIITEHAVES nlJO^MflI
Tenor. Assistant or TrabacU-10. Paris..M-". \u25a0> K.i^i»«. :Garden. Farrar. Voices tried gratia. 130 W. 4tthJ*t. j
MAHMfTAN COLLEGE OF MUSIC,\u25a0ii) WEST lI.VTH wST.. NEAK LENOX WE.
I.EON SI. KIJAMEK. niKECTOR.Thoroush Instruction Inalldepartments of music ty als- jI:hbml«li.-i1 faculty. Moderate terms. Catalogue* mailed j
SmTuR WOODRUFF", !Voive PI«clB« Ereathins. Preparation for t.'hoir. t
Concert and Oratorio., 12* Fifth At*.. Neve York. ;
Mondays an.l Thursdays. East Orange. N. J.
LIZZIE DTFERRiiiOPERA. rONfFUT sI\<;KIJ INSTRKTIOS.
Former, y of ;: ral Opera Hoaic. Weimar. Germany.•54 w«rf r.XtU StrrrJ. Interview It.» 1P. M.
ELIZABETH H. LINDSAY"*'onlra!to. %'oice Culture. Tone Prodnctlon.
Pupil of Heinhold i.. Herman Studio. 100 W. 78th St.•
MAX DUTZMANNVOICE CULTURE.
Studio*. Wi;-«iS-n:i*> < arnrgl- Hall.'Phone: 6138 Columbus.
HOME PHOTOCiIiAPMY.1.. PATSON AMES. CARNEGIE HALL.
Trl. mU Col.SITTINGS AY YOUR KESIDE.VCB.
ROSE STfINGE SSt—nWCC diARUC of m;!. canto
Opera, Oratorio. Concert. Pupils presented when com-petent. Voices fnrlitd Repertoire. I-auif'aaee*. Ap-pointment letter only. 27:FIFTH AVK.
MME. T9RPADIEVIM.VI. ART.
Carnrclr Mali. Studio ROT-SOft.
OWEN TURTLE c^kT32 of Mr. Turtle's pupils are now holding salarlafiehurrti position! Interviews from 1-3-7 to
* dally,excepting Tuesdays and Fridays. >:•.):\u25a0». SS W. 2.'>th st
ALICE M. McSLVAINE, ; °LLAT?^.
llrfstol V-ilce-placlng. Interpretation. P'.ctlon. French.German. Italian. gngysh. 130 lii'Tll AYE. .JOSEPH
'
C. ELUOT7~;™™ ?TaWoSIMPLE NATURAL METHODS. 123 E. 23D ST.
|>tab!lsb*J fn same place for 12 years.
STEBBIN $ %£?™-£fiiS£%i?T?.M?HrRspA A^p SBRIGLIA METHOD
HELEN TRUE WiNSIQW, !RIXGI.VfiAM)SPEAKING VOICE Ppeciallst; :en-Ifl»br^athinc- i:esiden:» BtadlO. 47'> West l.">7'.h Su
IRWIJTIVELEfiifHASSiLLIPiano Instruction. Soloist Accompanist. »40.". Broadway. |
S. C. BENNETT,Scientific Voice Training 401 CAP.NEGIE HALU
School o! SiQtit SingingM->st rapid and easi»«t method. "Fixed l>o" Ab-<i>liite
Pitch. Monday. Thursday, afternoons. •Tenlnc*.\u0084
IMC. Klllll\KI» BLITZ. »t::M4 farnegle Hull.
CUside Kaitland GriffethPIANO AMI HXKMONY IXSTIUTCTION.
133 fiirnegie Hall, New \»rU.
ASNES SUMiiER GEERMonoiocues and Child Impersonations. I'upils accepted
in Elocution. 131 East lath at. Tel. BBSS atuyvesant.
WALTER S. YOUNGVocal Instruction, v. lea Production.
•Diction. Styl-. Heperiutre SOI and -'- Carr.cgle Hall.
Alessandro Bonci,the celebrated Italian tenor, for the correct placement !
and-
,\u25a0:_..\u25a0 of % ... especially recommends >.<a»ri ;VALERL 34". WeK r.Stlv-
FREDERIGK MARTINVOCAL INSTItIt I!O\.
Studio. MS West flat .St.. New York
The Ford School of Expression.'
EDITH HIM FORD. WillInF.loc-utlon. fli>«i. .1 Training. I>nn. Fen* Inf.
4 WK.ST 40TII "\u25a0IKl.i:I "I'lioiie. 5453 It,viiil.:
HARRIET FOSTERMl/./II (OXTK.U.TO. i
151 \\>*t lOSth Street. Tel.. 41^2 River.
|ir-iaj TJfIHP'JT ronwrrutory of 31n«lr. latlB'war.lltll inUUUnI nearfiSthat. SWidlos 423-427. All1 Instruments ami lee culture. ''.ire:'', teachers. \u25a0
jl... WITHERS. Director. Send stamp for circular. |
;"" HUMPHRIES T^;;;&f
'!
tr»m rudiments of voice placing to artistic Onishtnac ;f»r concerts, oratorio and cburclk work. !M ".' 7>th. !
Viola Waterhouse t«i -:r nu«r \Soprano. ManaKement of ITatnml a Tones. 542 sth «v»
Florer.se H.NKLE SpJJiii jSoprano. Mjii.iseiiienl:lli».-n..«-l-.looe«. 542 sth Aff. jo*—
o*—Adah HUSSEY j
122 \V. UltiiSt Tel. 5414 Mornlntc.
"&* KITCHENER. :Miimlolin.«.nl:ur. Itanjo. 157 W. 84«h St.
\u25a0 . i
Mine. Arno SchmidtVOICE rll.Tl'UF.. »37 Carnegie Hull. New York. I- ——
|\u25a0MB 7iCPI CD Teaches" Art of Singing, based !ANNA K. fcICULv.H \u25a0\u25a0'\u25a0;>\u25a0\u25a0- scientific principles. IC3 j
j \V. tutu St. Trl. ISM Colnmhu*. ...... '\u25a0
my yjJCDTUE^y sirpEWOR vocal in*-
R9mA 51/iln ISi£lifl STRUOTIOX. Orar.dOi^r.l'
Tenor. Concert Singer. 463 CENTRAL PAKK WEST. I
'SUSANNAiTiUAGAULAY-l^^iSftfeiS i
Studio 303. «Jirnißie Hall. :
77nno PIMODUQP vocal _te.*cuek. niacov-
JfICOS uINotJUnU r.r of'j,™. s.,n. th.famous tenor. &26 Carnet:!e Hall. Me* & Thur Aft*.
_.. \u25a0 .• mi... Concert*. Oratorio*. Vo«-i>iCTihpti! X PotlPr^m Instruction. Recitals.LIIZCUCUI R. rdUCIdUII v Weiit 84th street.
: sBBJBPgUHBi ygge&gllJ.V; Ur>l 55th >t. IC.AL>rIC.K
n ti_ n I;.n.i|.l't:in» Instruction: heeinoen. or
Bella d. Linnsy mu^ed. 1.-.7 «>*! -am
n iiini'nn O^t3llT7 vocal IMlfsUfflgßK
G. MaGKlio Suhllll, studio -. '. •" =m st. vt.
.••\u25a0••n nanio. Mandolin Instruction; ooucerta.
UUITAni etc (HAS HEINLINE. 126 W- 41>th »t.
WIBTZ SCHOOL'"
™?''"
«yiluaM J. FfILK, SSJ%Ss^°;ml^in -TrfSMTfiyiSlC Pianist. In<»:ru.Uon:
LEO TEGfcTuNiUfc.•» Vole* Culture Uri!'.l^!.tT.ise Proouc-H, WitISill tlon. yiKht .Rfa.ilnic. >5 W. llftth -St.
til ii UmnrU Oman instruction. Church of th«IW. H. ntuUtn incarnation. 35th at and Mai ava.
Musical. . ••;:
OLS OF MUSICAL ARTTHE COLLEGE OF MUSIC
:-trsxr ham., xkwakklor All i.r.<ttr* of -tuti»
SI'SSEM^ I)irrrt»r.tt. voiCK, >i\<;iM; »\'- riiKouv.•«»!' are faariatg riter.*;!*- »»• throaj£i» th»
-• ISI(9H
svn.l for I.JtHratur.-. AI.F.X \\ II» •AM-OV. >»eeretary.
'HHE. SQDER KUECKWeil known Kuro^an roncert Slts'r iVoice Instraetor.
FAMOUS G4FG!i METHOD TAUGHTVwct Tri-il ,iaj,>. I *,> .t f. M. T.-rm-s m«Jerat«., Slsdio: JOS \u25ba \-i r.TH VTREET- .. . _
A \u25a0! mor I-AMrKKTI.vib ITALIANSClIOOt-i( From Bj-siT-'iini: to ll^j^rrory.
r French Diction C1as»"«-
OEQUJCHARDX \u25a0 113 «KST *:i> STREET. __Virgii~G3rdon Piano Schcol,"
I" :i-- Bat >>«• Vark.Pt'BI.H: I'I.XTINC A SPECIALTY.
N'.»i:lT\:. »-OCRSEH FOIt YE\I'!!EU3.> IK«;jf. <.(n:i>o\ iHrn-tsr.i'i'-HjH-.tu^on «vp!u «t:on.
The Guiimant Organ SchoolWILLIAM C. CARL. DIRECTOR.
Kfnd forCa;atf>Ku» SI Writ l.'tU St.. >ew \orSt.
GIORGIO M. SULU n xrHFKor
MARIO SAH9M4RGOiHi ART Off -.-M.iN.
«iC < ;irhr-i#- M..11. W>a. bit.. I«VT.
naluc MARINER S™IOJPiano Ir.struciioa. Vhon*. ::7 W. 'C St.
hermapTepstein"Piano Carnegie Hall
frank RC^EniRT VOIG£j. D&i%£yiUl culture
OP.CA.NIST ST. PAlt.'S M. E CfU'RCIi.Ij'tiwir- 7^;Sfvpsth Ay*. Tcf. «7»."V .mbas.
MRS. KiDQER-PEIRGEiiwo i_<*)ismm>.i i.ntKk:'KE;tatio>.
l«ack*ttatsky T^hni.ni.-. 1047 Broadway. -«Hldlo 332.
E. PRES SON MILLERvoick CXLTTRB and art of \u25a0 Sill
StriTE 1013-1014-7015. CAP.XEGIE HALL. X- T.
&.RIESBEBGIIIISG. ARRIGHI, r2SmNrt-::ra! Tone Production. «ar»»; »'->i:rt. K. FV. rn*r ofIHtlj anil St. Nicholas Avo Tel <T>T'> Morruni?«.i».
, VIOLIN INSTRUCTION— SEVCIK METHOD.
ALOISTRNKAIC»*W«« <\u25a0\u25a0' rragr.- Con-rtLUl3 *«««« I3,-rvat<:ry In'-r SeTdi.514 I.EXOX HI,near XV. 133i!» St.
ABJKTIIS M. WESITilispiarefl voiefs r<>i;u7at»d. Quick, natural method.
Classes and privai«- l—»s>rns. Opei-a. Oritirlo. Concert.11l Went lOtth m. Th.'ne 7,4'J*- Hlver.
F.ItITAKI> BKIMI-;H;;, Vmiil Instruction.rarnet:!" Hal T \u25a0:\u25a0 «j an.l c aflTt,-^rn»:otherda vs. ':.-; Wf!t ftlst. L>r. »">tt.. N>itz=l w«.rl«r» hlKh-stmiisicat authority. say». "Ertwarrl Br..r.il.*>re in a modelvocal Instructor and a singer fit «t»rii:ie abiiiry.**
HAVENS tk\imm;
'
Diction—
AtMctlc Br»ath!rrg Eixcrcian'
\u25a0»n"«itlm.CVa<hlr.(t for «jTatorl»ami Concert. H"A"ITr. N. T.
RICH&RD ifiliK^jSl4uf&£a Ua!Sunil& mob
• Pupil of I ii»-1{ 'K"». \u25a0>\u25a0\u25a0: U. i:i«t. Car. Broadway.
!LOUISE De 4RTELL——
j Piano »nd V«x-al In*trucii«n. '0* Ka«t »*rb St.
I nWiM IVIP\ TAVIPA i-^TRcr-nos piano.I tiiW'iiLiLLO lalLbn or«;\n hvr.mo.n T.
ilr.str-ictor at National Conservatory. i:ms-!'JO7. Jos#Sypup!'.. IDS West «n.«t S:. !>!. 141* • ••:
ROSEMJSRIE CAMPBELLContralto. Concerts. Krs:arem<?nt3. 2.12 W. 84th St.
JBARTYII 60UDEXET"
Barirone. \ocal Ip>.ruction. •>•» We«: a«J St.
VAN YCRX, \u25a0«».434 6TII AVK.. OK 39TU ST.. NEW TORS.
J. WARBEN ANDREWS ST^pSSV"* *'Special 1U lesson course In .irEan. 4 V.\ TB:h St
PERRY AVERILL.j B.irttone and Tcarbvr. SR» Weal MB StxeA
II!IIE Ulf>l!!U VOCAL I.NSTRCCTIOX.LILL!t H*»tEl!l J-*n:: Craw Hall. New York.Certiacatetl pupil of VannucctoiL
PHiGE-GOTTLE GOHSERYATORY OF MUSIC(Daily Class.) -.'10". -evHnfh Avc.Cor. 123th St.
,GIiRA BEBHETTA x^r^iFgrs&r*.
HUBERTZUR«3FDEH r5rsiß^^KLOIS. UMUTIMGTfIM in«fm. ti.-n vi tsiaai
MARYFIDELIABURT2££F?s*Ear Training.MARTrIUCLIAoUnIHarmon*. IJO_-. arnegleH^t.
G£RRJT~SHITH N»r^?<T
ByxVt.
LGU[S $. STILLS ImnUr and Tgather.
ninn 1111/10 P:»:'->»t. Irs:ruction, '.'oncerts. »34Bui ULL Kflffiutarnrittf •>\u25a0\u25a0» Ke».. ::«« XV. 57th.
\u25a0 9 n» rSm^DCC^ .•.< r«:n:>itni«». Pi-»iw> ln«tme-M. m,HERZBiIhJ ti«n <•« te.tr.l Park Wat..... niTra VIQrJ '"'-oal ln»truft!on. weeaasjsata
Ml.CATEBjM^IIa:;;Tu^layA FrL.1-6 p. m.
m R!AU^"Ui f.-^tattoa. TS W. Hal St.
MflS KATE EUUKiI Ffll-r,tK\M:ifI.TCKCM.cor. TtT»»»» and r»7th at. Con-
,c^.^urir.ara.ralo: n-w Ik^M.K- Apply Bu> MBr.MBr.
7.m ft a>| riSISJI* Tea '?h''rpfP<anofort». ctiildr^siWt Si FLEWiNS a .p^otelty. !M W. >4tl, St.
-"~~ _ , ... Piar.o *Voca! instrocUon. Wait.
G. Hocke-Cassictts. a Si.tp.m. Carnal* HaltISO.
\u25a0UV (tntUT h SaaakSßS Voice. Musical Read-• AfllYURArII\u25a0£* Sundays at S:3». 7S W. >thj»C
BROOKLYN.
!Tin: P O W~E~L L I>-TITrT»: s»ir. pr^i.l'nt Str^t Trt «1« Prospect.
XT.MA WEBSTER POWELL > . Director*
HAROLD KEISTER JACOBSi>;«n.<fnrt~ Ori.m. Theoretic! *«b>ot».
Miss AiD£ H. MUNROX-STKrCTOR on mano.533 BBaSB At*..Brooklyn.
G. OA3HIE,~
fONCF.KT'* AND PRIVATE StI'SICAIA. '
S'adlo»- ICO W«rt I'HItH. St. \u25a0•\u25a0\u25a0 \u25a0• Hll River.0 \u25a0
puuch Mansion. 345 BSaS »v«.; Brooklyn.
KARL SCHOLING,'
IS,'SSS T^Under Management of Eugene V. Bre-,v«t«r. _
Wnam niM" nt HiyC "CELLIST. ssaaaisjiPAULDInU lit H'ftC, an.! Mu»Jcale»
-4iT Tosapttaa aye. nr. Ifalser- Tel. 3230 W- BodrorA
-" HOLLINSHED lSsJ£&kos.ol.i Italian M<>tho««. ... »3nro«-fc St.. Cr.wMjn. ..a. . Uf|V!f!CO VIOIJN *PIANO STUDIO.
If.LWllsUiA~"^ ....... \u25a0 b. »181 von-s «irLTVKR."414 Cumberland, n. \u25a0 W.«a »-3g«ctalty.
-% IASTiiR SCHOOL OF VOCAL lICSIC. . -^AL MADAME JAEGER. Direcir.*.. 1C» MoaU«U« 3%
Musical
Traditional Aboriginal Paradise of Muckle-shoots Discovered.
A party of miners and ranchers that have arrived.In Taroma from the Natchez Pass region report
the discovery In the Cascade Mountains, about ten
miles southwest of the pass, of the traditional hunt-
Ing grounds of the Muckleshoot Indian .tribe, andwhich has been used probably for centuries, run-ning back time out of mind Into aboriginal anti-quity, by both the plain Indians from the bunch-grass districts and the Stwashes from th» Sound.
The spot Is a rollingdistrict of ijr.'iss- lands fromeight to ten miles In extent, surrounded and Ideallyprotected from the severity of weather extremesvisiting the high altitudes of the Cascade Range bylofty foothills and ragged peaks, says "The SeattlePost-Intelligencer." The district is covered withthe wild black huckleberry, salmon berries, andalso the vlping blackberry, and this, with the grassgrowing upon it.makes it a paradise for bear, deer
and other game. , ,For years the dwindlingnumbers of the Muckle-
shoot "tribe have been regularly golnß oil aboutberry season time In the late summer to the moun-tain*. With the usual Indian secretiveness andtaciturnity they kept their object secret, and theoldtimers would often not know they hail gone ontheir annual hunting nnd berry outir.e until theyhad been away for days. 11. G. Herold, one ofthe persons who has just returned from the
Natchez Push region, is authority for tlx* state-ment that the Indians pass their time in thisprnlrie region in the heart of the Cascade Moun-tains.•Thi district," said 'Mr. Herold. "Is something
In the way of an oasis of rest, and with its leveland rolling formation gives a relief to the eye,especially when it is considered that the region im-
mediately surrounding it is one Of tli»- two wildest
regions in tha way of rugged mountains, deep can-yons, cliffs and sharp peaks in the Cascade Range
The other district, thai la extraordinary for itsroughness. Is a section in the vicinity of BuckCreek Pass, In th« Washington Forestry Reserve
"Tho grass country up near the Natchez Pass laa paradise for the Indian at this time of the year,and from what Ican learn has been hunted b> the
Muckleshoot Indians for unnumbered generationsTh* women can pick all th.> berries they wan!there, and the men can follow the chase to then-
hearts' content. Surrounding this district are anumber of featury lakes. The most remarkabwof these, all of which are l.iilaway In the d- • !\u25a0
fastness** of Th*» mountains, is Echo Lake. It [salmost Impossible to get down to the shore of thislak*\ so thoroughly la it protected by s-he-r preclpi^es and reck walls. One can stand upon a elm£qOQ feet above this lake and halloo. and five dis-
tinct echoes com<» back, on« after another, the last
one being hurled upward from the rippMess sur-
face of the lake itself. Tin bottom of the lakehas not been found, and IIIs probably mam hun-dreds Of f*et deep. The isolation of the !ak.-. andthe number of ghost!: e,-h.>e« replying to every
sound made have given risf to many Indian tradi-tions suggested by their superstitious ...
With the dwindling of the Muckleshoot tnVthere has been but small \u25a0-\u25a0 for the ;*Muck!esnoothunting grounds" in the last decade, and the few
•miners and and on a stray hunter that visit
th« district Bnd only an occasional ancient Indiancamping spot to indicate thai man has ever visitedthe region
Major General F. D. Grant. IT. S. A., will reviewthe 47th Kegiment next Saturday night In the ar-mory. Captain C. W. Furcy. of Company I. hasresigned on account of business. Lieutenant W. <*.Hantom, of Company B. has been unanimously
elected captain. lie ha^ been a member of theregiment since 1809, and had previously Served Inthe 23d Regiment. Lieutenant A. A. Port?* hasbeen assigned to duty as battalion atljuumt.
OLD HUNTING GROUND IS POUND.
Sergeant Morris N I.i-'bmann. of Company I. 25.1Regiment, has been onaatsaonsly elected secondlieutenant. Before h» Joined the In 801, lu-
served as a lieutenant in rr 11»•1 1»•1»• Nebraska NationalGuard.
Some twelve thousand invitations have seen is-
sued for the annual lull dress reception of the non-commissioned officers of the 3d Regiment, to be
held at the armory on Tuesday night, February U.Armory rifle contests In the 12th Regiment Iwill
begin in a few days. Colonel Dyer has taken atrip to Kurope for recreation, and willreturn onFebruary 11. Lieutenant Colonel Huston is In com-mand of the regiment meanwhile. A review of theregiment will be held about the third*week" in I' •'-
ruary, and the date will be definitely settled upon
the return of Colonel Dyer.
A review of th<> 63th Regiment by a prominent
officer will be arranged for early in February.
Colonel Duffy a!.-., hopes to have Governor Hughes
review the regiment <lurin« the present season.
Major General diaries F. Roe. will review the MBattery in Us armory, in The Bronx, on Tuesday
evening, January 28. .
rolled in the Defendum Association on Thursday
night. January 30. and the review will b«> taken by
former Captain William B. Smith, president of the
association. Many prominent es;-ssesabera of therejriment will be present.
PORTRAIT OF GROVER CLEVELAND.By WiUiam M. Paxton.
VOCAL OHLTIIiiSINGING, TONE PRODUCTION,
COACHING, DICTION.Frrnrh Lyric Diction • Specialty.
THE BOM .NTI I»1O*. « MtMi.ll IIMI
EDWARD E. TREUJ^JJ.CONCERT PIANIST ANIITK.AdtKK.
INSTRUCTION in THK ART OF piano platingTeatlmoi lali an.l Indorsement* fmni
ntor. kmii. s.\ti:if. jo»»kf iiofmaxn.Siu«lo«- BJX-330 iMM A*., bet. i.'-th ami I27tb.
MIME. Van Winkle, A«l«tunt. Interview. 10-12 dally.
IIIRA llflFAAGl^B^lf9 ri.\.\i<T amiiHufl lliitGSo^O 1 ii:"
niNtlyliyUlllaa^ Its w.'43rt (M.
A itrad'i;iio of the Royal Conservatory. Copenhagen.Vtritil Synthetic. I>r. Mai and Lewchetlzkey'B BoethoJ.Pupil of Binding an.l Backer Grondahl. Minlern Pcan-dlnavlan music \u25a0\u25a0\u25a0 \u25a0\u25a0,\u25a0\u25a0''.<\u25a0 lion. »ml Thurs., 3 '•• \u25a0*•
SCHOOL OF MAMII GARCIA.From Production to Interpretation and Repertolrja.
151 WEST 77T11 ST.
m CONSERVATORY of
iNTFRNATItINAI\u25a0rILnHlIlOIIlL" -
/-r--
Including member! of the Metropolitan Opera Orches-tra. «'all or \u25a0 :Ite tot proapectin
Sin for 20 Lmmi Inflawrr Afternoon! anil Evenings.MMX. TKOTIX. Studio. XC". Carnegie Hull.
GUSTAV L. BECKER.CONCERT PIANIST M> TEACHER
OF PIANO AND COMPOSITION.1 «>st 104 th >lrrel.
MME. EMMA G?BEVER!OOE,VOCAL INSTRUCTION. 03 7TIIAVK..BROOKLYN.
Wed. 2 IV M. \u25a0am | Hall. :
LESLEY MARTINstudio, -.he NVW Y°rk
-ORATORIO. CONCERT. RKPERTOIRE.
DR. CARL E. BUFFT,COSCKRT. ORATORIO. TOTAL INSTIHCTION.
STIIHIO. l east join ST. \u25a0
HART COTS WAYDRAMATIC ART STUDIO.
237 WEST 45T11 ST..
ARTHUR PHILIPS, baritone.CARNEGIE H.M.1.. NEW YORK CITY.
VOCAL. INSTRUCTION.FALL. TKKM OCTOBBB Ist. l!)07. J
EUGENiO . P.RANI"
HU.II SCHOOL OF PIANO PLAYING.M MADISON AVENUE. Subway Station. I'Sth St.
~^VT TENOR. mm
David-"— pupil of JEAN DEHeszkeUQIIU \u25a0" Kant ZZd St.. N>»v York City IIWW*.I»W
HEW YORK SCHOOL OF EXPRESSION,318 West »-;tliSt. Voice Training for Correct Speech.Klocutlon. Physt.al Culture. Saturday morn nX ar.dTuesday aftem.ion classes. <lIAIM.OTTK SIM.XVPRBBBT. WAI.TKK V. HOLT. I':Initials
Mme. Anna ARKAUDFormerly with the Metropolitan Opera House^
in.-.ii VOCAL CULTURE. CLASS OF OI'KhA.
StuJio: THK REMINGTON. 129 \v*eat*46th St.
"MAWDOiillir—HARP1 VALK.VTINE \l!l.IMiNKI.II;HALL. IVSTKI*TO*.
! CHAS. HERBER^CLARKEVOCALLNbIiaCHO>. 113 tA.K>fcGl£ IfALL. m
"NARCISSA."By W. Sergeant Kendall
PORTRAJT OF CADWALADER WASHBURN.By Wiiliam M. Chase.
A review of the 9th Regiment by Speaker James
W. Wadswortii will be held In the armory on Fri-
Hay night, January 24, and a reception will follow.
The regiment made a line showing at its annualinspection and muster a few nights ago by War
Department and state officers, and baa been highly
complimented. The resini ... bad present 741 offi-
cers and men, and the absentees numbered 39.
Company H, which baa a number of prominent
athletes in Its ranis, Judging from the practice at
the armory, has a .'v:chance of winning the cham-pionship trophy at the athletic games to be h<>ltlin the armory on February l. There Is much satis-faction in the regimen! that the command has be«-n
recommended to be made an artillery command.topher 1.. 1.-vi.:i and Peter Burns have been
unanimously elected :i: i an.l second lieutenant re-spectively in Company O of tbe 2td Engineers. Mr.,_. ,. n was formerly a lieutenant In the regiment,
In which he served a number of years, and was
also an offteer in the. old llth Regiment. Mr. Burnsv. us formerly fir.-t sergeant la Company G and aleader in athletics. Both men are Spanish warveterans arid skilled shots. The regiment willhula a. review in honor of its former members en-
War Department and state officers will make an
annual Inspection of the 71st Regiment In its
armory on Friday night. Newly elected officersrecently commissioned are First I.leutr-nanta Harry
Men Walter G. Eliot and W. A. H. Ely and Sec-
ond Lieutenant Francis L. Sattprlee. jr. ColonelBates has ion the services of Battalion Quarter-mast Sergeant Paul De I^achesnaye. who leaves
the regimen! on account of business, much to the
regret of "the colonel, who says he was a most ex-
cellent soldier.
Arrangements are belnu nifi-jn for th* annual
convention of the New York National Guard Asso-
elation, which is to be held in Albany on February
G a'hd 7 Matters of considerable Importance will bediscussed, including the changes resulting; from
the new militia law. On the night of February 7 adinner in honor of. Governor Hughes willbe held.
There will be a review of the 7t!i Regiment to-
morrow night in the armory In honor of BrevetBrigadier General William A. Kip. The regiment
will celebrate his fiftieth year of continuous ser-, if-.-. on this occasion th« regiment willparade for
the first time iv the armory organized In three bat-i,! ,ns. with ii-ir companies in each, instead of
parading with Uta customary two battalions, as it
has done for so many years. Tho new formation
will result In a number of changes among the posi-
tions of bfflceiT.
NATIONAL GUJRD NEWS.
American women artista do not appear to havean active Interest In ihese exhibitions.
I. N. F-
Lister and the Paine listers are brilliant ex-
amples of his firt.
English portraiture overflows Into thr fourth
gallery, where there is a glorious Cronie, "Por-
ingbxnd Oak." with a pool and bathers in theforeground and \u25a0 distant landscape beyond themajestic tree; and Hopi •\u25a0-• i has a fullmeasure
of Justice In half a dozen canvases, RichardBrlnsley Sheridan among them; and there are
many more Ro'mneys, Sir Joshuas. Gafnsbor-.oughs, Opies and Raeburnsii There Is FrancisHavxnan's portrait of himself with iiu»h!stick
and brush In hand and the jolly face <>r a ihan
about town ready for drink and iporl arid thisis interesting, because he taught Gainsborough
how to mix paints and how to take life easily:
There is also a pair of Sir Joshuas which Illus-trate his own dictum respecting the improb«ruse ofcool grays and blues. These are the por-traits of Sites Isabella Thorold and ThomasMiddleton Trbllope, with masses of blue in uni-
form and cloak, not so conspicuous as the coolcolors in hi« portrait of Archbishop Bourke, In
which warm tones are avoided, but sufficiently
unrelieved to disprove his own theofv. oven* ifGainsborough had not experimented success-fully with crude blues in "Mrs. Siddons" and
the "Blue Boy." There 1- an adjoining gallery
with eighteen of Hook's sea and rlvfr pieces
and the little human dramas enacted on their
borders; and his portrait painted by Millalscompletes the memorial to \u25a0 good water
painter, who knew the virtues of atmosphere,
pure color and vivacity. There is also a smallroom filled with water color drawings- of the
masters of the English school. Altogether the
Academy exhibition is delightful In range, va-
riety and quality of work, and the pictures ar3
faultlessly hung.
The Women's International Art Club has a
Urse and varied exhibition of paintings, sculpt-
ure, water colors, prints and crafts -ft the Royal
Institute Galleries. The work Is mainly Eng-
lish, but some examples of realism like Manet'shive come from Paria, notably Mile. Stettl«r's
canvases and \u25a0 vivacious Interior by Mile.Iannenberg Th \u25a0 is abundant evidence of
hard work an« artistic Intention among the
English painters, ami they have resolutely set
their faces against the '• • '•'\u25a0\u25a0 'levl • of mak-ing faces or scenes too pretty. Perhaps '
\u25a0\u25a0"'''"'
portraits in drawing and color are Miss rlot'a"Mrs. Bond** and Miss aeytwmann'a "Mi At-
wood." There arc many landscapes and figure
Hibject*. hut few of them reach a his!) level ofachievement. There is force in Miss Beatrice
Braamcainp Gallery and the Ruysdael will havebeen purchased for England, their owners haveliot sent them to Burlington House There areeight of the Kar.n pictures on exhibition among
the Italian primitives and the Dutch and Flem-ish paintings, but they are not superior to worksof their own class from the English country
houses. There are wings from two triptych? by
Gerard David portraying the bearing of thecross, thei'rucifixion. th. Resurrection and theAnnunciation: then I*a small Calvary vaguely
attributed to Jan Provost: there is a spirited and
almost dramntic Adoration of the MagibyQuen-tinMatayn. remarkable for realism and fine color.ai i there la a triptveh hy Herri Met de Ble«,illustrating the same subject, from the Duveencollection. These are matched in Interest by
works in the first gallery from the private col-
lection? of . -" W. '\u25a0•\u25a0-. Brant G.Pretyman. Vernon Wat». Fairfax Murray.
Major G. L.. BLolford and the Earl of Plymouth.
The large circular Botticelli from Fairfax Mur-ray'= collection— the Virgin and Child, with the
little at, John holding a cross-f-ls the most beau-tiful work among all th^se primitives, and will
have the lartr^st group of visitors around it. In
the second room there is a good Ruysdael, with
i broad Ftretch of hlenching ground? near
Haarlem, and there is a better Paul Potter—
•\u25a0Farrier's Shop.** with men, horses and dogs
ami a distant landscape; but these works from
the Kann collection are surrounded and rivalledby Ruysdaels, Wouvermans. Cuyps. Tenlera.
Hobbemas and other Dutch and Flemish mas-
ters from ..,'.-, of Wellington's. Lord Rib-
blesdale'E. Otto Belt's. MajorHolford's and other
houses. The remaining Kann is a brilliant por-
trait of Jean Simeon Chardto. by Fragonard.
and near by the Greuze. "A Girl with a Ca-
nary." from Mrs. Beresford's collection, is not
superior to It.The resources of the Enplish country houses
are adequately Illustrated in th* Hogarth room
-\u2666he beat feature of the exhibition. This Is a
collection of thirty works, of which nearly
twenty have not been exhibited. There are por-
traits, jrroups. theatrical scenes and Interiors
representing every phase of the painter's art.
The masterpiece is "The Graham Family." from
the Earl of UTiH \u25a0\u25a0\u25a0'""'\u25a0 collection, with four
full length flgurfts of children. It Is beautifulIncolor and fairly throbs -with vivacity, one a*l
holding a baby by the arm and another dancing
merrily, and a boy playing on a music boxAnother gross? is the "Walpole Family." with
Mr Robert. Lad] Walpole and their five chil-
dren ctandin* or seated around a tea table.
•The WoDaston Family" is an interior, with
rixteen men and women around tea and can.
tables. Another group, lent by the Duke of
Devonshire, represents the grounds at CMs-
wick with the four children of the fourth duke
at play around a wring-* <***»*•\u25a0« picture.
Anoncthe theatrical groups the most vivacious
it: "The Green Boom. Drury Lane." with Barry
m -ii Romeo in the garden • !'".:^;1::five players; and larger canvases portray the firs-
ireht t'-rformance of Gay's "Beggar's Opera
arid amm fro. DryWs "Conquest of_M«-W as performed by children. -Southwark
Fair" lent by the Duke of Newcastle, and
"Ranrlash." by Mary. Counter of Ilchester. arc-
admirable Illustrations of g^^SgSgand th. faded "Life School an St.
La««- I. one of the treasures of the A^y;,-hose own art took the „are \u25a0 ..f Ho-
garth's blassei Among the portraits the most
-Peg Wofflnßton in pink and blue an<l l.evytchmc lace and «ceedin Slysaucy aridU-iumphant;
and companion pieces are **"n**™™l'*~
tre» and ringer; the Brst Uonl Holland dull
and woodeny. and Sarah MalcombJ a murderer
with compressed up- and i;" features .but
without a suggestion of ™»rlous vlnd.ctne-
ness. This varied flection of Hogarth* la
fined out by portrait, by Zoffany. Knapton and
Jonathan Hichardson and by Gainsborough-
"Pitt Family." painted about the time of hi*
removal from Ipswich to Bath.The commanding place, in the largest gaHerj
are taken by Mrs. Sanders'* version of -The
Assumption." by Mori!!... and the Duke of Bleb-
Bond's Van Dyck's magnificent "King Charles
Iand His Family' » of four in the ""*?£";with the best at Wlndsor-and each Is Ranked
by * pair of Claudes. Lord Jersey's and Major
Holford>. Worthy of the dignity of companion-«hip with these great works are Mrs. Frederick
Hawker's Rembrandt, \u25a0 man with soft black
hat and Jewelled colter; Mr. Pretyman s
•Charleg V"by Titian: the Duke of Northum-berland* strong Tintoretto, a man in dark, fur
trimmed rob,-, and ItiibenW -Queen >;!: Re-
fore 4haaoeWa and \u25a0 portrait. The English
masters worthily 111 one-half the wall space.
Romney i* seen in. his most romantic style In
Km portraits of the Earl and Countess of West-
morland teal by I.»rd Jersey, and in the fulllength of Miss Rodbard. in v.hit. satin withtouches of blue and gold, from Mr. Lever'- col-
lection. There are«ei ral Galnsboroughs. Will-
iam Pitt and the < \u25a0-' l^rd Douglas among
then-. and time is one Indifferent Hopjmei—
Mr-. O'ilara. in black, with curtain <:"!la:d-
wape. and a dozen .Sir J..shuns are hung
together. The portrait of Lady Elizabeth Her-
bert and her m is painted in his grnnd s< '"•
but it has *uffer«d from bituminous varnishes*_4 vilost much of Its beauty of color. The
![New York Tribune (New York, NY) 1908-07-04 [p 5]chroniclingamerica.loc.gov/lccn/sn83030214/1908-07-04/ed-1/seq-5.… · MISCELLANEOUS. THE TWENTIETH CENTURY AMERICAN. Belnf a Comparative](https://static.fdocuments.us/doc/165x107/5ec17e19bc525260cb3c77c6/new-york-tribune-new-york-ny-1908-07-04-p-5-miscellaneous-the-twentieth-century.jpg)
![New York Tribune (New York, NY) 1908-01-19 [p 6]chroniclingamerica.loc.gov/lccn/sn83030214/1908-01-19/ed-1/seq-56.pdf · i „ 1 $15.98 Morris ChairT $9.93. f53.98 Cafe Table, $2.25.](https://static.fdocuments.us/doc/165x107/5af395067f8b9a8c30915bc2/new-york-tribune-new-york-ny-1908-01-19-p-6-1-1598-morris-chairt-993.jpg)
![New York Tribune (New York, NY) 1908-09-11 [p 6]chroniclingamerica.loc.gov/lccn/sn83030214/1908-09-11/ed-1/seq-6.pdf · Mr. and Mrs. H. Van Rensselaer Kennedy, who have be*n abroad](https://static.fdocuments.us/doc/165x107/5ad95fcd7f8b9aee348b5751/new-york-tribune-new-york-ny-1908-09-11-p-6-and-mrs-h-van-rensselaer-kennedy.jpg)
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