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© New Zealand Qualifications Authority, 2015. All rights reserved.No part of this publication may be reproduced by any means without the prior permission of the New Zealand Qualifications Authority.

Level 3 Art History, 201591482, 91483, and 91484

2.00 p.m. Thursday 26 November 2015

RESOURCE BOOKLET

Refer to this booklet to answer the questions for Art History 91482, 91483, and 91484.

Check that this booklet has pages 2 – 34 in the correct order and that none of these pages is blank.

YOU MAY KEEP THIS BOOKLET AT THE END OF THE EXAMINATION.

L 3 – A R T R993703

For copyright reasons, these resources cannot be reproduced here.

INSTRUCTIONS

This booklet contains the plates for Art History 91482, 91483, and 91484.

There are five plates for each of the Level 3 areas of study:• Early Renaissance (early 14th century–1470s): Plates 1–5 (pages 3–7)• Late Renaissance (1470 –1540s): Plates 6–10 (pages 8–12)• Early Modernism (1900 –1940): Plates 11–15 (pages 13–17)• Modernist Design and Architecture (1900 –1960): Plates 16–20 (pages 18–22)• Modernism to Postmodernism (1950 –1990s): Plates 21–25 (pages 23–27)• Contemporary Diversity (1990 –present): Plates 26–30 (pages 28–32).

Make sure you read your chosen questions carefully before making your plate selection.

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EARLY RENAISSANCE EARLY 14th CENTURY –1470s

Plate 1: Giotto, The Flight into Egypt, 1304–1306, fresco, 200 × 185 cm

This scene is part of the fresco cycle in the Arena Chapel, commissioned by Enrico Scrovegni. The Arena Chapel, also known as the Scrovegni Chapel, is in Padua, Italy.

An interior view of the Arena Chapel.

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Plate 2: Simone Martini, Blessed Agostino Novello Altarpiece, c. 1324, tempera on wood, 198 × 257 cm

A detail from the altarpiece, showing the miracle of Blessed Agostino and the man who fell from his horse.

An altarpiece commissioned for the Church of San Agostino, Siena, Italy.

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Plate 4: Lorenzo Ghiberti, The Creation of Adam and Eve, 1425–1452, gilded bronze, 80 × 80 cm

The Gates of Paradise.

This is a panel from the Gates of Paradise (the east doors) of the Baptistery, in Florence, Italy. Commissioned by the wool merchants’ guild of Florence.

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Plate 5: Masaccio, The Baptism of the Neophytes, 1426–1427, fresco, 255 × 162 cm

Commissioned by Pietro Brancacci for a chapel in Santa Maria del Carmine, Florence, Italy.

Part of the Brancacci Chapel, showing The Baptism of the Neophytes in situ.

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LATE RENAISSANCE 1470 –1540s

Plate 6: Raphael, Alba Madonna, 1510, oil on canvas, 94.5 cm (diameter)

Originally painted in oil on wood. This was commissioned by Paolo Giovio for the Church of the Olivetani in Nocera dei Pagani, Southern Italy.

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Plate 7: Giovanni Bellini, Sacred Allegory, c. 1490–1500, oil on canvas, 73 × 119 cm

There is no evidence of a commission for this work, and it has been suggested that this is an early personal work.

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Plate 8: Sandro Botticelli, The Annunciation, 1489, tempera on panel, 150 × 156 cm

Commissioned for the Convent of Cestello, Florence, Italy.

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Plate 9: Leonardo da Vinci, landscape drawing for Santa Maria della Neve, 5 August 1473, pen and ink on paper, 19 × 28.5 cm

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Plate 10: Titian, Bacchus and Ariadne, 1522–1523, oil on canvas, 176.5 × 191 cm

This was one of a series of mythological paintings produced for the private rooms of Alfonso d’Este, Duke of Ferrara.

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EARLY MODERNISM 1900 –1940

Plate 11: Picasso, Girl Before a Mirror, 1932, oil on canvas, 162 × 130 cm

The girl is the artist’s lover, Marie-Thérèse Walter.

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Plate 12: Boccioni, Unique Forms of Continuity in Space, 1913, bronze, 111.2 × 88.5 × 40 cm

Early photographs showing the sculpture from different viewpoints.

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Plate 13: Käthe Kollwitz, The Widow I, 1922–1923, woodcut, 66 × 44.7 cm

The fourth sheet in Krieg (War), a portfolio of woodcuts.

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Plate 14: René Magritte, The Lovers, 1928, oil on canvas, 54 × 73.4 cm

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Plate 15: Salvador Dalì, Sleep, 1937, oil on canvas, 101 × 125 cm

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MODERNIST DESIGN AND ARCHITECTURE 1900 –1960

Plate 16: Le Corbusier, Villa Savoye, 1931, Poissy, France, reinforced concrete and glass

Built as a rural retreat for the Savoye family.

Interior details of the Villa Savoye, showing the staircase (left), and a view from the living room across the roof terrace (above).

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Plate 17: Frank Lloyd Wright, Falling Water, Pennsylvania, USA, 1936–1939, reinforced concrete, glass, rock, and steel

Built as a home for the Kaufmann family.

Interior details of Falling Water.

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Plate 18: Mies van der Rohe, Farnsworth House, Illinois, USA, 1945–1951, steel and glass

Built as a rural retreat for Dr Edith Farnsworth.

Interior details of Farnsworth House.

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Plate 19: Marianne Brandt, various domestic items, 1920s–1930s

Table lamps, c. 1930s, painted metal, chrome, glass.

Ceiling light, 1926, nickel-plated metal and opaque glass.

Tea and coffee service, 1924, silver and ebony with Plexiglas cover for sugar bowl.

Ashtray, 1924, silver-plated metal.

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Plate 20: Peter Behrens, electrical appliances and associated advertising for the AEG Company

Electric fan, c. 1912, metal, black lacquer and brass. Electric lamp, c. 1920s, metal and opaque glass.

Advertising posters, 1907–1915, lithographic posters.

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MODERNISM TO POSTMODERNISM 1950 – 1990s

Plate 21: Colin McCahon, John in Canterbury, 1959, enamel paint on hardboard, 52.1 × 168.4 cm

“John” refers to John Caselberg, the poet and writer, who was a close friend of Colin McCahon.

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Plate 22: Gordon Walters, Maheno, 1981, acrylic on canvas, 153 × 114.9 cm

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Plate 23: Ralph Hotere, Black Window Aramoana, 1981, acrylic on board with colonial window frame, 99 × 79.7 cm

The fence outside Hotere’s house in Port Chalmers.

Preparatory drawing for Pathway to the Sea, an installation with Bill Culbert, 1990.

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Plate 24: Claes Oldenburg, The Store, New York, 1961, multi-media installation, including performance art, sculptures, graphic art.

(Above) Claes Oldenburg photographed in The Store.(Below) Details from The Store.

Oldenburg’s printed business card.

Poster, made with watercolour and collage on old theatre poster.

Cakes, enamel painted papier mâché.

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Plate 25: Andy Warhol, Brillo Box, 1964, acrylic and silk screen on plywood, 43.5 × 43.5 × 36.5 cm

Warhol’s Factory c. 1964 (above). Andy Warhol pictured with Brillo Boxes, 1971 (left).

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CONTEMPORARY DIVERSITY 1990 –PRESENT

Plate 26: Christian Boltanski, Personnes, 2010, found objects including worn clothes, steel lockers, wooden posts, electric lights

A visual and sound installation created for the Monumenta series of large exhibitions in the Grand Palais, Paris, France.

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Plate 27: Ai Weiwei, Bang, 2013, installation of 886 antique wooden stools, Venice Biennale

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Plate 28: et al, Rapture, 2004, an installation featuring a moving Portaloo, accompanied by sound recordings of the French underground nuclear tests held at Mururoa

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Plate 29: John Pule, Kehe tau hauaga foou (To All New Arrivals), 2007, enamel, oil, pencil, pastel, oil stick, and ink on canvas, five panels 270 × 200 cm each

Second panel and detail (right)

Third panel Fourth panel

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Plate 30: Holocaust Museum, Berlin, aerial view showing the baroque Collegienhaus (1735) and Daniel Libeskind’s additions (2001), reinforced concrete and glass with zinc-coated titanium cladding

Interior and exterior details by Daniel Libeskind.

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Acknowledgements

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http://www.glubdub.com/images-uploads/2014/06/01/viewing-gallery-for-frank-lloyd-wright-falling-water-house-interior.jpg

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Page 20 http://4.bp.blogspot.com/-M3NAmklb3aI/U8NETbdhxMI/AAAAAAAAfsE/9KSNMucb3Mo/s1600/IMG_5662.JPG

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Page 21 http://features http://www.emobile.com.br/blog/fahmaioli/wp-content/uploads/sites/4/2013/06/Linha-de-Marianne-Brandt-da-Bauhaus-.jpg.cgsociety.org/newgallerycrits/g54/310454/310454_1284827955_large.jpg

https://shard4.1stdibs.us.com/archivesE/upload/9802/42_13/dsc_0863/DSC_0863_l.jpg https://shard4.1stdibs.us.com/archivesE/upload/9802/42_13/dsc_0863/DSC_0863_l.jpg http://www.officio.cl/wp-content/uploads/2013/11/90047-Marianne-Brandt.jpg http://www.neuegalerie.org/sites/default/files/MBCeilingLamp1926%5Bw%5D.jpg

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Page 23 http://christchurchartgallery.org.nz/media/cache/48/4d/484dedc39c0c7147f13a89c278d9049e.jpg

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Page 29 http://www.deutscher-pavillon.org/2013/wp-content/uploads/2013/05/DP_view19.jpg http://blogs.r.ftdata.co.uk/photo-diary/files/2013/05/mas_stoolsart.jpg

Page 30 http://www.stuff.co.nz/dominion-post/culture/blogs/blog-art-throb/1879787/No-donkey-toilet-this-year

http://www.robgarrettcfa.com/content/2012/07/12/recalling-et-al-at-venice Front cover of Art New Zealand, Number 110, Autumn 2004

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