Le.tte.- - Warner Bros.pdl.warnerbros.com/etaz/corp_comm/Burbank_Newlsetter_4pgs2.pdf · A...

4
lisa Rawlins Stud'" & Pfoductoan Waf 081" Bros, Enterta",mant from "The Adventures of Robin Hood" and the soundstage where much of "Jezebel" was filmed. Gary was quickly established as the "Mayor of Warner Bros. Studios" because of his enthusiasm for the work we do and his support of the people who do it. He also stressed the value of a positive, collaborative relationship with the City of Burbank and was responsive to and inclusive of our studio neighbors. Under Gary's leadership, we refurbished historic office buildings and production space, modernized our post production department into one of the premier facilities in the world and created a true campus atmosphere for our employees. Because of Gary's vision and leadership, Warner Bros. stands today as a preeminent facil- ity envied throughout our industry. I am excited to continue Gary's work and share news from the Studio with you through our community newsletter. We'll continue to take you behind the Studio gates, showcase vari- ous departments and projects, introduce you to our employees and inform you of our work right here in the Burbank community. And, as always, we want to hear from you. Please e-mail us at [email protected] with your comments and questions. We look forward to hearing from you! .. J-..J :.I TIIOIIGH OlJR /NOfm"RV AND mID/O have long been at the forefront of innovation and change. time often feels like it's standing still here on the Warner Bros. lot. Pieces of our original "Casablanca" sets from 1942 stand virtually unchanged, and artisans in the Studio's Mill building create sets and back- drops much as they did decades ago. Surrounded by history, it's easy to forget that the company and its employees are, in fact, never standing still. After 26 years with the company, Gary Credle is stepping back from his day-ta-day operations of the Studio. He will continue 10 remain actively involved here at Warner Bros., but he has entrust- ed 10 me the privilege of sharing news from the Studio with you, our neighbors and friends. I began my career at Warner Bros. when Gary hired me to join his team. He was transitioning from the head of Physical Production for Warner Bros. Television to president of Warner Bros. Studio Facilities. He was so proud of this studio and its long history of film and television production. He took me on a tour my first day and showed me the stage curtains used in "Gypsy," the chandeliers A Le.tte.- ...

Transcript of Le.tte.- - Warner Bros.pdl.warnerbros.com/etaz/corp_comm/Burbank_Newlsetter_4pgs2.pdf · A...

Page 1: Le.tte.- - Warner Bros.pdl.warnerbros.com/etaz/corp_comm/Burbank_Newlsetter_4pgs2.pdf · A Le.tte.-~ ..... • Q:£YSi\!,IS ... captain in the band at Burroughs High School," said

lisa RawlinsSV~ Stud'" & Pfoductoan Aff8~S

Waf081" Bros, Enterta",mant

from "The Adventures of Robin Hood" and the soundstage wheremuch of "Jezebel" was filmed.

Gary was quickly established as the "Mayor of Warner Bros.Studios" because of his enthusiasm for the work we do and hissupport of the people who do it. He also stressed the value of apositive, collaborative relationship with the City of Burbank andwas responsive to and inclusive of our studio neighbors. UnderGary's leadership, we refurbished historic office buildings andproduction space, modernized our post production departmentinto one of the premier facilities in the world and created a truecampus atmosphere for our employees. Because of Gary's visionand leadership, Warner Bros. stands today as a preeminent facil­ity envied throughout our industry.

I am excited to continue Gary's work and share news fromthe Studio with you through our community newsletter. We'llcontinue to take you behind the Studio gates, showcase vari­ous departments and projects, introduce you to our employeesand inform you of our work right here in the Burbank community.And, as always, we want to hear from you. Please e-mail us [email protected] with yourcomments and questions. We look forward to hearing from you!

~~..J-..J :.ITIIOIIGH OlJR /NOfm"RV AND mID/Ohave long been at the forefront of innovationand change. time often feels like it's standingstill here on the Warner Bros. lot. Pieces of our

original "Casablanca" sets from 1942 stand virtually unchanged,and artisans in the Studio's Mill building create sets and back­drops much as they did decades ago. Surrounded by history, it'seasy to forget that the company and its employees are, in fact,never standing still.

After 26 years with the company, Gary Credle is stepping backfrom his day-ta-day operations of the Studio. He will continue 10remain actively involved here at Warner Bros., but he has entrust­ed 10 me the privilege of sharing news from the Studio with you,our neighbors and friends.

I began my career at Warner Bros. when Gary hired me to join histeam. He was transitioning from the head of Physical Productionfor Warner Bros. Television to president of Warner Bros. StudioFacilities. He was so proud of this studio and its long history of filmand television production. He took me on a tour my first day andshowed me the stage curtains used in "Gypsy," the chandeliers

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A Le.tte.-~ ...

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..

•Q:£YSi\!,IS

collectors and fansaround the globe.

For Photo Labdirector Greg Dyro,the wort<. holdsa personal meaning. \.~il-.O't

"I have alwaysbeen in love withphotographic imagesfrom Hollywood-theclassic black and white glamour shots from the 1940s,the amazing sci-fi robots of the 1950s, the timelesstelevision images from the 1960s and all those present-dayimages destined to be future classics," Greg said. "I feellucky to be able to do what I love each and every day."

The Photo Lab works not only with Warner Bros.divisions but also with the other Hollywood studios,independent productions, media relations firms andphotographers. It even provides its services to WarnerBros. employees who can develop their photographs hereon the lot.

For more information on the Warner Bros. PhotoLab and Warner Bros. Photo Collection, please visitWBPHOTOCOLLECTION.COM. 'Gil

- ,

I ••I

HEAO TO THE WARfER~ PUOTO LABon any given day, and you'll find workers processingphotographic images thai reflect both popular culture andHollywood history. Whether it's a portrait of Christian Baleas Batman from "The Dark Knight" or a decades-old blackand white photograph of the Warner Bros. water tower, theimages that come through the Lab each tell a special storyabout the work and history of our studio.

The Warner Bros. Photo Lab dates back to the early19305. Its primary purpose was, and remains, to processstill images from films and TV shows into proofs andprints for publicity and advertising.Today, more than ever, the Labcontinues 10 be at the cutting edgeof technology in the processing,delivery and archiving of these vital L~"-:..._,images. To maintain this expertise,

the Lab employs professionals in t~!~Il;:",various areas, such as scanning,retouching, graphic design and ':1-•••iiiiiimultimedia. •

Last year, the Photo Lab launched an exciting onlineproject called the Warner Bros. Photo Collection. This sitemakes fine art prints from our archive available for directpurchase, bringing the rich visual history of our studio to

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WARNER BR09.9TUOI09

WHEN REPRE$lENTATfVE$I FROMthe City of Los Angeles sought insight forthe city's sustainability directive, they visitedWarner Bros. Studios in Burbank to learn

more about our environmental programs.Over 40 professionals from City Hall and various city

departments embarked on an "eco tour" featuring the Studio's richhistory, as well as our longtime commitment to sustain­ability through efforts in waste reduction, energy conservation,green building and environmental procurement. In addition toseeing some of the world's most famous filming locations, guestsalso gained insight into the Studio's infrastructure, which enablesextensive reuse and recycling of valuable materials and signifi­cant reductions in energy use through upgraded equipment andautomatic control systems. More recent environmental projectswere also highlighted, including the Studio's industry-leadingsolar electrical system (recently expanded to 500kilowatts) and our newest hybrid courier fleetof 23 Toyota Prius vehicles. "'~~:c

Guests also enjoyed a short film entitled"ReclaJming the Legacy: The De­construction of Building 89."Produced in partnership withWarner Bros.' Emerging Pro­fessionals affinity group, thisshort film tells the story of howWarner Bros. carefully decon­structed a building, which hadhoused grip and scenic art ma­terials for over 70 years, in orderto make way for a new sound­stage. Over 25,000 board feet of valuable Douglas fir timberswere reclaimed for reuse and for custom furniture pieces. In theend, over 92 percent of the building's materials were either re­claimed for reuse or recycled.

Warner Bros. is proud to be part of the City of Burbank, wheresustainabitity is a top priority. We look forward

to continued collaboration with the City ofBurbank and its Sustainability Action Planto further all of our sustainability goals.

To learn more about Warner Bros.Environmental Initiatives and to watch the"Reclaiming the Legacy" webisode, visitWBENVIRONMENTAL.COM. To learn moreabout the City of Burbank's SustainabilityAction Plan, visit:WWW.CI.BURBANK.CA.US/PUBLICWORKS/SUSTAINABILITYISUSTAINABILlTY.HTM. ~;

FEW PrOnE ItNOW Warne<Bros. Studios like longtime employeeand Burbank resident Jill Share.

As a child, Jill would come towork at the Studio with her father,an assistant director on variousproductions including "The EB.I."and "Freebie and the Bean."

"My dad had his own director'schair," Jill said. "I'd sit in his chair, eat donuts all day,and then he'd stick me in a scene as an extra. I was likea queen for a day."

Years later, Jill returned to Warner Bros. as a full-timeemployee when she was hired to teach at the WarnerBros. Children's Center-the Studio's state-of-the-artchildcare facility for employees-when it opened in1992. By then, Jill was raising her own son and foundways 10 share her love of the Studio with him, just as herfather had done for her.

"When my son was in 12th grade, he was the drumcaptain in the band at Burroughs High School," saidJill. "One day, I invited him and his band friends to theChildren's Center to teach our class of preschoolersabout music. By the end of the day, the children couldall name their favorite instruments. Everyone had agreat time."

Jill's work at the Children's Center was unique inthat she got to know executives from all over WarnerBros., identifying them not by their titles, but, instead,by the names of their children. This allowed her to buildlasting relationships that led to later job opportunities,inciudillQ wcxk in accounting with Warner Bros. Animationand her current position as an executive assistant inthe Business Planning Department for Warner Bros.Studio Facilities. Jill loves working with her small,close-knit department and enjoys the special projectsthey take on, providing business solutions to variousdepartments on the lot.

Having virtually grown up at the Studio, it's not surprisingthat Jill feels a deep sense of family when she thinksof Warner Bros. Though her father passed away yearsago, she feels lucky to be able to work in the sameplace that he did for so many years. But her sense offamily goes beyond these personal connections.Through her experiences working in vastlydifferent departments all across the lot, Jill, more

than almost anyone else, understandswhat motivates people to come and

ake their careers here at Warner Bros."I like to smile at people when I pass

by them," Jill said. "Here at WarnerBros., there has never been a timewhen somebody hasn't smiled back.

Everyone is really happy to be here."@

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__ It",. SL<lioo

~-"'!uo'lxJnl CA 91~n

PRSRT STDU.S POSTAGE

PAIDPERMIT No, 2701

VAN NUYS. CA

CALIFORNIA lrrAT£WMM£R ~HOOL FOR

TI/£ ART!: - INIIER!lPARI(

For mOfe information aboutInnerSpark and to downloadan application, visit

INNERSPRRK.US.

This year, Warner Bros. is proud tosponSOf ooe student currently enrolledin high schoo in the city of Burbankto attend the California State Sum­mer School for the Arts InnerSparkprogram. Students in grades 9-12 areeHgible to apply for the program andspend one month, JlJy 11--flJ.JgJst 8, 00the CalArts campus in Vafencia. Thesponsorship includes room, board andtuition costs for the four-week program.

LOCAL AEACHWarner Bros. Burbank HonorshipsThree graduating Burbank high schoolseniors are awarded Honorships eachyear. Two are $10,000 college scholar­ships and one is a $2,500 vocationalscholarship, all with accompanyingsummer internships.

This year's applications are due by

MONDRY, MRRCH 2For a complete list of HOnofShips available,application materials and more information,visit WBCOMMUNITYCONNECTION.COM.

HOW FAR CAN YOU GO?

Each year, Warner Bros. Entertainmentawards REACH Honorships to sixoutstanding and talented graduat­ing high school seniors who arepassionate about careers in theentertainment industry.

SCHOLRRSHIP + INTERNSHIP

= HONORSHIP