Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing....
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![Page 1: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,](https://reader038.fdocuments.us/reader038/viewer/2022103122/56649cf55503460f949c365c/html5/thumbnails/1.jpg)
Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492.Pen and ink drawing. 13-1/2 × 9-5/8 in.
Cameraphoto Arte, Venice / Art Resource, NY. [Fig. 8-1]
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Frank Gehry and Vlado Miluni´c. The Rasin Building, also known as the Dancing House or “Ginger and Fred,” Prague, Czech Republic. 1992-96.
© Curva de Luz / Alamy. [Fig. 8-2]
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Taj Mahal, Agra, India. Mughal period, c. 1632–48.Scala / Art Resource, NY. [Fig. 8-3]
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Enguerrand Quarton. Coronation of the Virgin. 1453–54.Panel painting. 72 × 86-5/8 in.
Giraudon/Art Resource, NY. [Fig. 8-4]
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Some different varieties of asymmetrical balance. Line art.[Fig. 8-5]
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Jan Vermeer. Woman Holding a Balance. c. 1664.Oil on canvas. 15-7/8 × 14 in., framed: 24-3/4 × 23 × 3 in.
Widener Collection. Photo: Richard Carafelli. Photograph © Board of Trustees, National Gallery of Art, Washington, D.C. [Fig. 8-6]
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Childe Hassam. Boston Common at Twilight. 1885–86.Oil on canvas. 42 × 60 in.
Museum of Fine Arts, Boston. Gift of Miss Maud E. Appleton. 31.952. Photograph © 2004 Museum of Fine Arts, Boston. All Rights Reserved. [Fig.
8-7]
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Ida Applebroog. Emetic Fields. 1989.Oil on canvas. 8 panels, 102 × 204-1/2 in.
Whitney Museum of American Art, New York/ gift of Jean Lignel 99.100a-h. Courtesy Ronald Feldman Fine Arts, New York. [Fig. 8-8]
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Rose window, south transept, Chartres Cathedral. c. 1215.Erich Lessing/Art Resource, NY. [Fig. 8-9]
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Mescalero Apache coiled basket. early 20th century.Arizona State Museum, University of Arizona,Tucson.Photo: Jannelle Weakly. (26496-x-2). [Fig. 8-10]
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Anna Vallayer-Coster. Still Life with Lobster. 1781.Oil on canvas. 27-3/4 × 35-1/4 in.
Toledo Museum of Art (Toledo, Ohio), Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, 1968.1A. [Fig. 8-11]
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Georges de La Tour. Joseph the Carpenter. c. 1645.Oil on canvas. 18-1/2 × 25-1/2 in.
Gerard Blott/Réunion des Musées Nationaux / Art Resource, NY. [Fig. 8-12]
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Anselm Kiefer. Parsifal I. 1973.Oil on paper. 127-7/8 × 86-1/2 in.
Tate, London / Art Resource, NY. Courtesy of the artist and Gagosian Gallery. [Fig. 8-13]
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Larry Poons. Orange Crush. 1963.Acrylic on canvas. 80 × 80 in.
Albright-Knox Art Gallery / Art Resource, NY. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, 1964. Art © Larry
Poons/Licensed by VAGA, New York, NY. [Fig. 8-14]
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Diego Velázquez. Philip IV, King of Spain. 1652–53.Oil on canvas. 17-1/2 × 14-3/4 in.
Erich Lessing/Art Resource, NY. [Fig. 8-15]
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Diego Velázquez. Portrait of Queen Mariana. c. 1656.Oil on canvas. 18-3/8 × 17-1/8 in.
Meadows Museum, SMU. Algur H. Meadows Collection. MM78.01. [Fig. 8-16]
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Diego Velázquez. Las Meninas (The Maids of Honor). 1656.Oil on canvas. 10 ft. 3/4 in. × 9 ft. 3/4 in.
Scala / Art Resource, NY. [Fig. 8-17]
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Diego Velázquez. Las Meninas (The Maids of Honor), detail. 1656.Oil on canvas. 138 × 276 cm.
Erich Lessing/Art Resource, NY. [Fig. 8-18]
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Do-Ho Suh. Public Figures. 1998–99.Fiberglass/resin, steel pipes, pipe fittings. 10 × 7 × 9 ft.
Courtesy of the Artist and Lehmann Maupin Gallery, New York. [Fig. 8-19]
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Claes Oldenburg and Coosje van Bruggen. Spoonbridge and Cherry. 1988.Stainless steel and aluminum painted with polyurethane enamel.
29 ft. 6 in. × 51 ft. 6 in. × 13 ft. 6 in.Collection Walker Art Center, Minneapolis. Gift of Frederick R. Welsmen in honor of his parents, William and Mary Weisman, 1988. © Claes Oldenburg and
Coosje Van Brugen. [Fig. 8-20]
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Hokusai. The Great Wave off Kanagawa, from the series Thirty-Six Views of Mount Fuji. 1823–29.
Color woodcut. 10 × 15 in.©Historical Picture Archive/CORBIS. [Fig. 8-21]
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Felix Gonzalez-Torres. Untitled. 1991.Billboard, overall dimensions vary with installation.
Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. The Museum of Modern Art, New York, NY, U.S.A. © The Felix Gonzalez-Torres Foundation. Courtesy of Andrea Rosen Gallery, New York. [Fig. 8-22]
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Polyclitus. Doryphoros. 450 BCE.Marble. height 84 in.
Alfredo Dagli Orti / The Art Archive at Art Resource, NY. [Fig. 8-23]
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Parthenon. 447–438 BCE.Pentelic marble. 111 × 237 ft. at base.Studio Kontos Photostock. [Fig. 8-24]
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Judith F. Baca. La Memoria de Nuestra Tierra, preliminary drawing. 1996.Acrylic on canvas. 9 × 23 ft.
USC Student Topping Center. © 1997 Judith F. Baca. Courtesy of the artist. Photo © SPARC, Venice, CA. [Fig. 8-25]
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Judith F. Baca. La Memoria de Nuestra Tierra. 1996.Acrylic on canvas. 9 × 23 ft.
USC Student Topping Center. © 1997 Judith F. Baca. Courtesy of the artist. Photo © SPARC, Venice, CA. [Fig. 8-26]
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Jacob Lawrence. Barber Shop. 1946.Gouache on paper. 21-1/8 × 29-3/8 in.
The Toledo Museum of Art, Toledo, Ohio. Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey. 1975.15. Photo Credit: Photography Incorporated, Toledo. © 2012 The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York. [Fig. 8-27]
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Auguste Rodin. Gates of Hell with Adam and Eve. 1880–1917.Bronze. 250-3/4 × 158 × 33-3/8 in.
Stanford University Museum of Art. Photograph by Frank Wing. [Fig. 8-28]
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Auguste Rodin. The Three Shades. 1881–86.Bronze Coubertin Foundry, posthumous cast authorized by Musée Rodin, 1980.
75-1/2 × 75-1/2 × 42 in.Iris & B. Gerald Cantor Center for Visual Arts at Stanford University. Gift
of the B. Gerald Cantor Collections. [Fig. 8-29]
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Laylah Ali. Untitled. 2000.Gouache on paper. 13 × 19 in.
Courtesy Laylah Ali and 303 Gallery, New York. [Fig. 8-30]
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James Lavadour. The Seven Valleys and the Five Valleys. 1988.Oil on canvas. 54 × 96 in.
Collection of Ida Cole. Courtesy of the artist and PDX, Portland, OR. [Fig. 8-31]
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Louise Lawler. Pollock and Tureen. 1984.Cibachrome. 28 × 39 in.
Courtesy of the Artist and Metro Pictures. [Fig. 8-32]
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Las Vegas, Nevada. c. 1985.Steve Vidler/SuperStock. [Fig. 8-33]
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Elizabeth Murray. Just in Time. 1981.Oil on canvas in two sections. 106 × 97 in.
The Philadelphia Museum of Art / Art Resource, NY. Art © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp.
[Fig. 8-34]
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Claude Monet. The Railroad Bridge. 1874.Oil on canvas. 21-4/5 × 29-2/5 in.
The Philadelphia Museum of Art / Art Resource, NY. [Fig. 8-35]