Lecture04 IThe Documentary Film

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BENV2423LOWE DESIGN AND REAL TIME INTERACTIVITY – A POROSITY STUDIO

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Lecture 04 in the series for BENV2423 Real Time Interactive Environments

Transcript of Lecture04 IThe Documentary Film

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BENV2423LOWEDESIGN AND REAL TIME INTERACTIVITY – A POROSITY STUDIO

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THE DOCUMENTARYFILM

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DOCUMENTPHOBIA AND MIXED MODES: MICHAEL MOORE’S ROGER AND ME, BY MATTHEW BERNSTEIN, IN DOCUMENTING THE DOCUMENTARY, B. GRANT AND J. SLONIOWSKI ED’S

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NICHOLS TYPOLOGY

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NICHOLS TYPOLOGYOF

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NICHOLS TYPOLOGYOFDOCUMENTARY

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NICHOLS TYPOLOGYOFDOCUMENTARYMODES

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FOUR TYPES

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EXPOSITORY 1

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IN EXPOSITORY DOCUMENTARIES “IMAGES SERVE AS ILLUSTRATIONS OR [AS A] COUNTERPOINT [TO] THE VERBAL ARGUMENT”.

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MARCH OF TIME ALBANIA

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MARCH OF TIME SHOW REAL

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LISTEN TO BRITAINTHANKS

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BIRDS OF BRITAIN THANKS

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“EXPOSITORY DOCUMENTARIES EMBODY THE EPISTEMOLOGICAL ASSUMPTION THAT KNOWLEDGE ABOUT THE WORLD IS READILY ACCESSIBLE TO THE FILM MAKER. SUCH FILMS GIVE AN IMPRESSION OF OBJECTIVITY AND OF WELL SUBSTANTIATED ARGUMENT.”

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“GIVEN THE STRIDENT CERTAINTY OF EXPOSITORY DOCUMENTARIES, ETHICAL CONSIDERATIONS (SUCH AS COLLABORATION WITH PARTICIPANTS IN THE FILM) BECOME NEGLIGIBLE.”

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OBSERVATIONAL 2

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“OBSERVATIONAL DOCUMENTARIES ARE MARKED BY LONG TAKES AND BY SYNCHRONOUS SOUND FOR ‘THE EXHAUSTIVE DEPICTION OF THE EVERYDAY’ AS WELL AS PROCESSES OR CRISES.”

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THE WAR ROOM THANKS

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OBSERVATIONAL DOCUMENTARIES DEPLOY “A STYLE THAT ASPIRES TO IMMEDIACY AND TRANSPARENCY”.

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INTERACTIVE 3

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“THE THIRD DOCUMENTARY MODE, INTERACTIVE, HIGHLIGHTS THE PROCESSES OF SOCIAL EXCHANGE AND REPRESENTATION IN THE HISTORICAL WORLD. MOST OBVIOUSLY, THE INTERACTIVE DOCUMENTARY ACKNOWLEDGES THE FILMMAKERS PRESENCE IN CONDUCTING INTERVIEWS AND GATHERING INFORMATION.”

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SUPERSIZE ME YES THANKS

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“EDITING PATTERNS DO NOT EFFICIENTLY PRESENT CAUSE AND EFFECT RELATIONS AMONG PHENOMENA (AS IN EXPOSITORY FILMS) BUT TYPICALLY ENTAIL CROSS CUTTING AMONG THE DIFFERENT AND OFTEN CONFLICTING EVIDENCE OFFERED BY DIFFERENT SUBJECTS.”

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REFLEXIVE 4

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THE REFLEXIVE DOCUMENTARY, “UNLIKE THE OTHER MODES, QUESTIONS THE VERY ABILITY OF THE FILMMAKERS TO KNOW – AND CINEMA TO REPRESENT – ANY HISTORICAL REALITY FAIRLY AND ADEQUATELY.”

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THIN BLUE LINE YES THANKS

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“MORRIS’S CONSTANT REENACTMENT OF THE CRIME ‘REMINDS US OF HOW EVERY DOCUMENTARY CONSTRUCTS THE EVIDENTIARY REFERENCE POINTS IT REQUIRES,’ AS DOES HIS CROSS CUTTING AMONG DIFFERENT ‘WITNESSES’ TO THE CRIME WHO CONTRADICT ONE ANOTHER.”

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BRINGING IT ALL

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BRINGING IT ALLTOGETHER

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ROGER AND ME YES THANKS

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OTHER FORMS

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COMPILATION FILM

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ATOMIC CAFÉ YES THANKS

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MOCKUMENTARY

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BEST IN SHOW YES THANKS

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STUDENT WORK YES THANKS

01

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STUDENT WORK YES THANKS

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STUDENT WORK YES THANKS

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DEMO

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DEMOSONY VEGAS

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DEMOSONY VEGASADOBE PREMIER

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ON YOUR BLOG WRITE 150 WORDS DESCRIBING THE MODE OR MODES YOU ARE USING TO CREATE YOUR CUSTOM MACHINIMA DOCUMENTARY AND INDICATE WHAT BENEFIT YOU GAIN BY USING THEM.

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QUESTIONS?