Lecture 5c principles of design on line
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Orientation in Art Chapter 5 Principles of Design 1
Transcript of Lecture 5c principles of design on line
Orientation in Art
Chapter 5
Principles of Design
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Principles of Design
• Unity• Variety• Balance (symmetrical, asymmetrical)• Emphasis • Subordination• Proportion• Scale• Repetition • Rhythm (pattern)• Movement• Contrast
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Henri Matisse
Memory of Oceania. 1953Gouache on paper,Cut and pasted, and charcoal on whitePaper; 9’4” x 9’4 7/8”
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Shimmering Substance 1946 (280 Kb); Oil on canvas,
30 1/8 x 24 1/4 in
Jackson Pollock
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Jackson PollockNumber 1 1949.Enamel an metallic paint on canvas5’3” x 8’6” .
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1. JACKSON POLLOCK: "Number 5, 1948", 1948 8
JACKSON POLLOCK 9
Jackson Pollock, (1912-1956)Going West, ca. 1934-1935, 15 1/8 x 20 3/4 inches
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Annette Message.Mes Voeux. 1989Framed photographs and Handwritten texts, suspendedWith twine 59” x 15”
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Annette Message.Mes Voeux. 1989Framed photographs and Handwritten texts, suspendedWith twine
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Cornell, JosephUntitled (The Hotel Eden)c. 1945Construction15 1/8 x 15 3/4 x 4 3/4 in.
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Isamu Noguchi Red Cube, 1968
red painted steel.
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Georgia O’Keeffe
Deer’s Skull with Pedernal , 1936 16
Georgia O’Keeffe
City Night, 1926
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Georgia O’Keeffe
White Trumpet Flower, 1932
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Black Cross1932
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Redsnap Dragons1932
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Thirteen-Deity Jnanadakini Mandala
Newar Artists at Densatil Monastery, Ü District, Central Tibet Between 1417 and 1447Distemper on clothH: 33 1/4 in. (84.5 cm) W: 28 7/8 in. (73.3 cm)
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The Lou Brothers.
Welcome the World Famous Brand Name. collage and lacquer on wood, 8’ 7/8” x x 4’ 1¼” x 1 3/16”
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Image: Welcome the World Famous BrandDate: 2000Medium: lacquer on woodSize: 246 x 126cm
The Luo Brothers
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Balance Symmetrical
and Asymmetrical
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Gustav Klimt
Death and Life, 1915Oil on canvas, 178 x 198 cm
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Gustav Klimt
The Kiss1907-08Oil and gold on canvas180 x 180 cm
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Tawaraya (Nonomura) Sotatsu.
The Zen Priest Choka. c. Edo period, late 16th-17th century.Hanging scroll, ink on paper 37” x 14 ¾” ”
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Joseph Mallord Turner
The Burning of the Houses of Parliament
Date: 1834Medium: oil on canvasDimensions: 36 x 48 inches
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Edouard Manet
A Bar at the Folies-Bergere
1881-82Oilib canvas37” x 51”
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The Banjo Lesson
1893Oil on canvas49 x 35 1/2 in
Henry Ossawa Tanner
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Paul Cezanne
Still Life with Comptier,Pitcher,
and Fruit.
1892-94 32
The Third of May, 1808: The Execution of the Defenders of Madrid. 1814. Oil on canvas,
Francisco Goya
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Plantoir, 2001Stainless steel, aluminum,Fiber-reinforced plastic, painted with polyurethane enamelHeight 23’ 11”
Claes Oldenburgand
Coosje van Bruggen
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Claes Oldenburg and coosje van Bruggen
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Spoonbridge and Cherry 1985-1988aluminum, stainless steel, paint354 x 618 x 162 in
Claes Oldenburg and Coosje van Bruggen
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Rene Magritte.
Delusions of Grandeur II , 1948
Oil on canvas, 39” x 32”
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Rene Magritte.
The Human Condition, 1935
Oil on canvas,
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The Lovers
1928
Rene Magritte
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Rene Magritte
Le Blanc
1940
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A royal altar to the hand(ikegogo).
Benin, 18th century. Brass, height 18”.
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Stela of the sculptorUserwer, detail. Egypt, Dynasty 12,
c. 1991-1783 B.C.E.
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Leonardo da Vinci.
Study of Human Proportions according to Vitruvius. c. 1485 -90.
Oil on canvas, 13 ½” x 9 ¾””
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Portions of the golden section and golden rectangle.
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Le Corbusier.
The Modulor. c. 1945.
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Le Corbusier.
Notre-Dame-du-Haut,Ronchamp, France
Exterior view from southeast. c. 1950-55
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Lorna Simpson.
Still from Easy to Remember. c. 2001.
16mm film transferred to DVD, sound 2:35 minutes looped
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Kaiho Yusho.
Fish Nets Drying in the Sun. c. 17th century.
One of a pair of six-panel, 5’ 3” x 11’6”
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Paul Klee.
Landscape with YellowBirds. c. 1923.
watercolor and gouache on paper, 13 7/8” x 17¼”
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Leon Battista Alberti.
Façade of Sant’Andrea, Mantua. c. 1470.
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Hans Baldung Grien.
The Three Ages of Woman, and Death. c. 1510.
oil on limewood, 18 7/8” x 12 ¾ ”
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Titian.
Venus with a Mirror. c. 1555.
oil on canvas, 49” x 41 1/2 ”
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Pablo Picasso.
Girl Before a Mirror. c. 1932.
oil on canvas 5’ 4” x 4’ 3¼”
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Marie-Thérèse Walter at 19 with her mother’s dog Dolly. The married Picasso fell for her when she was a teenager in Paris.
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Picasso’s ‘Marie-Thérèse,’ featuring work like “Nude on a Black Armchair” (1932) and other portraits of his muse Marie-Thérèse Walter, is at Acquavella Galleries.
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Orientation in Art
Chapter 5
Principles of Design
End of Slide Show
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