LCCM BMus Programme Spec 2013 14

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    PROGRAMME SPECIFICATION AND CURRICULUM MAP

    1. Programme title Music Performance and Production

    2. Awarding institution Middlesex University

    3. Teaching institution London Centre of Contemporary Music

    4. Programme accredited by N/A

    5. Final qualification BMus (Honours)

    6. Academic year 2013/14

    7. Language of study English

    8. Mode of study Full-Time

    9. Criteria for admission to the programme

    •  UCAS Tariff: 200 points or equivalent including ABRSM grade 7 or 8 pass (or equivalent) or

    •  Music foundation course or

    •  Mature applicants (over 21) without formal qualifications but with appropriate musical skills,

    knowledge and understanding

    In addition, entry on to the programme is through audition and interview. Applicants must perform

    two pieces of their own choice on their chosen instrument and demonstrate the sufficient level of

    live experience, musical knowledge and aptitude for deeper study. Normally applicants will have

    played their instrument for a minimum of 3 years.

     Applicants whose first language is not English must demonstrate Common European Framework ofReference for Languages Certificate (CEFR) Level B2 English language competence. Applicants

    must achieve at least CEFR level B2 in all four components (speaking, listening, reading and

    writing).

     Approved test providers

    1. British Council IELTS Band 6.0: [with a minimum individual component score of 5.5].

    2. Cambridge ESOL have a range of B2 courses

    3. City and Guilds International ESOL Diploma

    4. TOEIC - Educational Testing Service (ETS)

    5. TOEFL iBT Test

    6. Pearson Test of English Academic (PTE Academic)

    7. Trinity College London have a range of B2 courses

    10. Aims of the programme

    The programme aims to provide musicians and creators of music with an education that is relevant

    to the reality of the creative industries in 2013 and beyond. Graduates from this programme leave

    this institution with the knowledge, understanding, skills, experience and initiative necessary to

    develop lasting careers in the music related creative industries.

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    11. Programme outcomes

    A. Knowledge and understanding

    On completion of this programme the

    successful student will have knowledge

    and understanding of:

    A1. Contemporary musical styles,

    traditions and repertoires

    A2. Musical elements and concepts

    A3. Performance and/or composition

    techniques

    A4. Musical styles and aesthetics

    A5. Approaches to research

    Teaching/learning methods

    Students gain knowledge and understanding through:

    Learning Outcome A1

     A broad mixture of lectures, workshops and practical

    coursework projects including extensive performance,

    composition, arranging and analysis of music.

    Learning Outcome A2

     A range of lectures, workshops and practical coursework

    projects including extensive analysis of harmony, rhythm

    and style, compositions, arrangements, performances and

    individual technical skills tests. 

    Learning Outcome A3 A broad mixture of lectures, workshops and practical

    coursework projects including extensive performances,

    compositions and arrangements.

    Learning Outcome A4

    Lectures and workshops providing an exploration of

    concepts and ideas that define musical style, mood and

    feel. 

    Learning Outcome A5

    Lectures and workshops that provide students with startingpoints to the further research and use of imagination and

    initiative to uncover data, information sources and how to

    evaluate validity, relevance and rigour.

    Assessment Method

    Students’ knowledge and understanding is assessed:

    Assessment of A1 is by:

    Live performances and instrumental techniques (IS1, PP1)

    Original compositions, arrangements and productions

    (CAA1, CM1, SR1, SW1, CAA2, SA2, SWC2, HR3, JR3)

    Assessment of A2 is by:

    Original compositions, arrangements and productions

    (CAA1, CAA2, SWC2)

    Harmonic, rhythmic and stylistic analysis (HT1, HT2, HR3,

    JR3)

    Live performances and instrumental techniques (PP2, IS2)

    Assessment of A3 is by:

    Live performances and instrumental techniques (IS1, PP1,

    PP2, IS2)Original compositions, arrangements and productions

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    (CAA1, CAA2, SA2, SWC2, CAA3)

    Harmonic, rhythmic and stylistic analysis (HR3, JR3) 

    Assessment of A4 is by:

    Original compositions, arrangements and productions

    (CAA1, CM1, SR1, SW1, CAA2, SA2, SWC2, CAA3)Harmonic, rhythmic and stylistic analysis (HT2, HR3, JR3)

    Assessment of A5 is by:

    The realisation of musical and commercial projects based

    on and informed by research (PR2, SA2, SWC2, CAA3,

    CIE3, PP3)

    B. Cognitive skills

    On completion of this programme the

    successful student will be able to:

    B1. Inform their musical practice through

    theoretical knowledge

    B2. Think critically and reflectively

    B3. Construct and present written and oral

    arguments

    Teaching/learning methods

    Students learn cognitive skills through

    Learning Outcome B1Lectures, classes, tutorials and workshops examine and

    explore a wealth of concepts and approaches, through

    practice and creation. 

    Learning Outcome B2

    Lectures, workshops and tutorials encourage students to

    think critically across a wide range of subjects in theory and

    practice. Evaluation assignments enable students to reflect

    and analyse performances and collaborative coursework. 

    Learning Outcome B3Lectures, tutorials and workshops covering the use of

    written argument, analysis and discussion.

    Assessment Method

    Students’ cognitive skills are assessed by

    Assessment of B1 is by:

    Original compositions, arrangements and productions

    (CAA1, SR1, SW1, CAA2, SWC2)

    Harmonic, rhythmic and stylistic analysis (HT1, HR3, JR3)Live performances and instrumental techniques (IS1, PP1,

    PP2, IS2)

    Assessment of B2 is by:

    Live performances and instrumental techniques (PP1, PP2)

    Original compositions, arrangements and productions

    (CM1, SR1, SW1, SA2, SWC2, CAA3)

    Harmonic, rhythmic and stylistic analysis (HT2, HR3, JR3)

    The realisation of musical and commercial projects based

    on and informed by research (CEI3, IP3)

    Assessment of B3 is by:

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    Present arguments through musical analysis and original

    composition (HT2, SWC2, HR3, JR3)

    Present arguments through projects based on research

    (CIE3, IP3) 

    C. Practical skills

    On completion of the programme thesuccessful student will be able to:

    C1. Demonstrate technical competence in

    their chosen specialist area

    C2. Rehearse and practise effectively

    C3. Demonstrate competence in a range of

    musical skills

    C4. Plan, organise and manage study and

    research

    Teaching/learning methods

    Students learn practical skills through

    Learning Outcome C1

    Lectures, classes, tutorials and workshops providing

    students with technical and theoretical knowledge for their

    principal discipline and in module options. 

    Learning Outcome C2

    Workshops, tutorials, classes and coursework projects

    requiring students to develop their instrumental / vocal skills

    continuously and their ability to practice the delivery of

    performances and presentations to professionalrequirements. 

    Learning Outcome C3

    Lectures and workshops focussing on performance,

    composition, arranging and production. 

    Learning Outcome C4

    Students are required to manage their own learning and

    create work based on research.

    Assessment MethodStudents’ practical skills are assessed by

    Assessment of C1 is by:

    Live performances and instrumental techniques (IS1, PP1,

    PP2, IS2, IS3, RA3)

    Original compositions, arrangements and productions

    (CM1, SR1, SW1, MP3, RA3)

    Other specialist areas (MT3, IP3) 

    Assessment of C2 is by:

    Live performances and instrumental techniques (PP1, PP2,

    IS2, PP3)

    Direct ensembles (CAA3)

    Compose works in collaboration (SWC2)

    Presentations of business projects (CIE3)

    Assessment of C3 is by:

    Original compositions, arrangements and productions

    (CAA1, CM1, SW1, CAA2, PR2, CAA3)

    Live performances and instrumental techniques (IS1, PP1,

    PP2, IS2, PP3)

    Harmonic, rhythmic and stylistic analysis (HT2, HR3, JR3)

    Assessment of C4 is by:

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    Live performances and instrumental techniques (PP1, PP2,

    PP3)

    Original compositions, arrangements and productions (SA2,

    CAA3)

    The realisation of musical and commercial projects based

    on and informed by research (PR2, CIE3)

    D. Graduate Skills

    On completion of this programme the

    successful student will be able to:

    D1. Demonstrate Personal and Career

    Development

    D2. Demonstrate Effective Learning

    D3. Demonstrate Effective Communication

    Skills

    D4. Demonstrate Teamwork

    D5. Use Information Technology

    Effectively

    D6. Use Numeracy Effectively

    Teaching/learning methods

    Students acquire graduate skills through

    Learning Outcome D1

    Lectures, evaluation of live performance, classes, tutorials

    and independent studies required for FHEQ 6 module

    choices. 

    Learning Outcome D2

    Lectures, workshops, classes and tutorials focused onproviding the students with approaches to independent

    study, development and learning found in Harmony and

    Rhythm, Jazz Reharmonisation, Composition, Arranging

    and Analysis, Creative Industries Entrepreneurship and

    module choices. 

    Learning Outcome D3

    Lectures and workshops relating to the communication of

    mood and universal human themes in music and the

    communication of ideas, both musical and commercial,

    through verbal and written argument.

    Learning Outcome D4

     Assessment projects and workshops where teamwork is

    fundamental.

    Learning Outcome D5

    Lectures, workshops and tutorials where using a range of

    computer programmes and or other digital technologies are

    fundamental. IT is embedded in almost all activities

    throughout the programme.

    Learning Outcome D6

    Lectures, tutorials and workshops relating to instrumental /

    vocal technique, harmony, rhythm and business.

    Assessment method

    Students’ graduate skills are assessed by

    Assessment of D1 is by:

    Live performances and instrumental techniques (IS1, PP1,

    PP2, IS2, IS3, RA3)

    Original compositions, arrangements and productions(SWC2, MDA3, MP3, AVS3, SW3)

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    Other specialist skills (MT3, IP3)

    Assessment of D2 is by:

    Live performances and instrumental techniques (IS1, PP1,

    PP2, IS2)

    Original compositions, arrangements and productions (SR1,SW1, SA2, SWC2)

    Harmonic, rhythmic and stylistic analysis (HR3, JR3) 

    Assessment of D3 is by:

    Live performances and instrumental techniques (PP1, PP3)

    Original compositions, arrangements and productions

    (SW1, CAA2, SWC2, CAA3)

    Presenting business projects (CIE3)

    Assessment of D4 is by:

    Live performances (PP1, PP2)Original compositions, arrangements and productions (SA2)

    Directing ensembles (CAA3)

    Collaborative business projects (CEI3)

    Assessment of D5 is by:

    Original compositions, arrangements and productions

    (CAA1, CM1, SR1, CAA2, SA2, CAA3)

    Harmonic, rhythmic and stylistic analysis (HT1, HT2, HR3,

    JR3)

    Devising and presenting collaborative business projects

    (CIE3)

    Assessment of D6 is by:

    Harmonic, rhythmic and stylistic analysis (HT1, HT2, HR3,

    JR3)

    The use of specialist production software (CM1, SR1, SA2)

     Arrangements for more complex ensembles (CAA3)

    Devising and presenting financial information (CIE3) 

    12. Programme structure (levels, modules, credits and progression requirements)

    12. 1 Overall structure of the programme

    The BMus (Hons) Music Performance and Production programme is a specialist course studied

    over three years (full-time) or 6 years (part-time). Study is undertaken at three FHEQ levels and is

    arranged into 25 weeks per year of contact tuition followed by 5 weeks of assessment. The degree

    award requires 360 credit points in total, of at least 120 at each of the following FHEQ levels: 4, 5

    and 6.

    Modules at level 4 provide a foundation for the skills, knowledge and experience needed for levels 5

    and 6. Some modules within the programme contain key skills that are fundamental to achieving the

    final award. These skills include aural recognition, harmonic and rhythmic literacy, performance and

    instrumental practice, composition and arrangement skills and an advanced knowledge of business

    principles in the music related creative industries.

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    12.1.1 Module Choices at FHEQ 6

     At level 6, students have a limited choice of module combinations. All modules offer various

    opportunities for autonomous learning and specialisation. The fundamental purpose of enabling

    students to choose a module combination is to ensure students focus on a single specialist area.

     Any consideration for combinations outside of those documented here in 12.2 will be at the sole

    discretion of the Programme Leader.

    Where the Programme Leader considers a request for an alternative module combination he or she

    will consider:

    1. Whether the student shows an exceptional level of ability in the relevant fields and an equal

    level of academic achievement in both preceding levels

    2. Precedent

    3. Whether the combination requested leads to a dilution of specialisation

    4. The workload of the combination

    5. The effect of the choice on the wider student body

    The programme divides year 3 into two pathways and FHEQ 6 modules into three categories: Core

    1 & 2 and Specialisation. Students must take one module from each. All modules at FHEQ 6:

    •  Are competitive to enter

    •  Have specific prerequisite requirements

    •  Have entry criteria based on achievement in relevant subject areas at FHEQ 4 & 5

    In all cases students will be required to give a first and second preference for their module choice.NB: students will not get their first choice in all circumstances.  Module leaders, in agreement

    with the Education Department and other relevant tutors, will select final module choices based on a

    combination of:

    •  Results from any exams, assessments or coursework in relevant subjects

    •  Grades achieved in prerequisite modules

    •  Attendance and attitude to learning

    •  Ability to work collaboratively

    •  Capacity of the module i.e. some modules have limited places

    12.1.2 Instrumental Studies

    This module can be particularly competitive. Students wishing to take Instrumental Studies 3 (IS3)

    are only normally considered if they have achieved a grade 8 or higher in IS2. Students taking IS3

    must also take Professional Performance 3 unless an exception is agreed by the Programme

    Leader. It is also preferred for Instrumentalist Studies 3 students (except drummers and vocalists) to

    take Jazz Reharmonisation 3.

    12.1.3 Diploma of Higher Education (Fallback Certificate)

    Students who achieve 240 points are eligible to obtain an intermediate award (Diploma of HigherEducation in Music Performance and Production), if required.

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    12.2 Levels and modules

    Level 4 (All modules are 30 credits)

    CORE PATHWAY SPECIFIC  PROGRESSION REQUIREMENTS

    Students must take all of

    the following:

    Composition, Arranging &

     Analysis 1 CAA1

    Harmony & Theory 1 HT1

    Professional Performance 1

    PP1(Performers)

    Instrumental Studies 1 IS1(Performers)

    Songwriting 1 SW1(Songwriters) 

    Computer Music 1 CM1(Producers & Songwriters) 

    Studio Recording 1 SR1(Producers)

    120 credits required to progress 

    Level 5 (All modules are 30 credits)

    CORE PATHWAY SPECIFIC  PROGRESSION REQUIREMENTS

    Students must take all of

    the following:

    Composition, Arranging &

     Analysis 2 CAA2

    Harmony & Theory 2 HT2

    Songwriting SW2(Songwriters) 

    Project Realisation PR2(Songwriters & Producers)

    Studio Alchemy SA2(Producers)

    Instrumental Studies 2 IS2(Performers)

    Professional Performance 2

    PP2(Performers)

    210-240 credits required to progress

    NB: (Students who have achieved 240points are eligible for a DipHE)

    Level 6 (All modules are 40 credits)

    CORE 1 CORE 2 SPECIALISATION PROGRESSION

    REQUIREMENTS

    Students must take

    one of the following:

    Harmony & Rhythm 3

    HR3

    Jazz Reharmonisation

    Students must take

    one of the following:

    Instrumental Studies

    3*

    Creative Industries

    Students may choose

    one of the following:

    Professional

    Performance 3 PP3 *

    Songwriting 3 SW3

    Students who achieve

    300 points are eligible

    for Ordinary Degree

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    3 JR3 Entrepreneurship 3

    CIE3

    Composition,

     Arranging & Analysis 3

    CAA3

     Audio Visual

    Synchronisation 3

     AVS3

    Music Production 3

    MP3

    Musical Direction &

     Arranging 3 MDA3

    Recording Act 3

    Independent Project 3

    Music Teaching 3

    * See 12.1.2 Instrumental Studies

    12.3 Compulsory modules

    Module level Module code

    4 CAA1, HT1

    5 CAA2, HT2, IS2, PR2

    13. A curriculum map relating learning outcomes to modules

    See Curriculum Map attached.

    14. Information about assessment regulations

    LCCM is governed by Middlesex University Regulations for all but the following exceptions:

    1) Course Withdrawal

    2) Interruption of Study

    3) Fee RefundsPolicies for these locally supervised matters as found on the LCCM web site 

    4) Academic Misconduct and Complaints are investigated using LCCM's procedures. After these

    have been exhausted, recourse to the relevant Middlesex University Regulations is applicable.

    5) Classification and Final Classification

    LCCM is permitted to operate an enhanced version of the Middlesex University regulation (E4.4.3)

    regarding the use of discretion in determining student profiles where HR3 and JR3 modules fall

    outside students' clear profiles.

    Where HR3 or JR3 module grades fall outside a clear profile, the LCCM assessment board may

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    determine the profile as borderline and consequently use discretion. Such a borderline profile may

    be determined one class below the clear profile according to the grade achieved in HR3 or JR3. The

    assessment board will use discussion and precedent to reach a final decision.

    15. Placement opportunities, requirements and support

    LCCM does not operate a formal placement scheme. However for details on networking and

    employment opportunities, please refer to the section on Personal Development Planning (PDP) in

    this handbook. 

    16. Future careers

    Though completion of the programme will not guarantee employment in the music related creative

    industries, students who successfully complete the course will be capable of working as performers,recording artists, musicians, composers, songwriters, arrangers, programmers, producers, media

    composers, musical directors, teachers and employees in the music related creative industries.

    Graduates will be qualified for further study or to enter the workforce as graduate employees.

    17. Particular support for learning

    •  Induction week for new students

    •  Access to extra-curricular workshops, seminars, classes and master classes

    •  Access to live performance opportunities

    •  Opportunities for commercial output•  Staff professional links and contacts

    •  One to one tutorials

    •  Support classes 

    18. JACS code (or other relevant coding system) W310

    19. Relevant QAA subject benchmark group(s) Music

    20. Reference points

    Middlesex University Regulations

    Middlesex University Quality and Learning Enhancement Handbook and associated GuidanceLCCM web site

    UK Quality Code

    21. Other information

    The LCCM BMus (Hons) offers a unique mixture of learning and development opportunities that

    reflect many of the scenarios and pressures faced by professional practitioners currently working in

    the music and related creative industries. The programme strives to evolve at a pace equivalent to

    that of industry.

    Please note programme specifications provide a concise summary of the main features of the programme and the learning

    outcomes that a typical student might reasonably be expected to achieve if s/he takes full advantage of the learning

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    opportunities that are provided. Beyond this summary, details of non-assessed activities not included in the handbook are

    included in your timetable and explained during Induction. 

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    Curriculum map for BMus (Hons) Music Performance and Production 

    This section shows the highest level at which programme outcomes are to be achieved by all

    graduates, and maps programme learning outcomes against the modules in which they are

    assessed.

    Programme learning outcomes

    Knowledge and understanding Practical skills

     A1 Contemporary musical styles, traditions and

    repertoires

    C1 Demonstrate technical competence in their chosen

    specialist area

     A2 Musical elements and concepts C2 Rehearse and practise effectively

     A3 Performance and or composition techniques C3 Demonstrate competence in a range of musical skills

     A4 Musical styles and aesthetics C4 Plan, organise and manage study and research

     A5 Approaches to research C5

    Cognitive skills Graduate Skills

    B1 Inform their musical practice through

    theoretical knowledge

    D1 Personal and Career Development

    B2 Think critically and reflectively D2 Effective Learning

    B3 Construct and present written and oral

    arguments

    D3 Communication

    B4 D4 Teamwork

    B5 D5 Information Technology

    B6 D6 Numeracy

    Programme outcomes

     A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6

    Highest level achieved by all graduates

    6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6

    Programme outcomesModule Title ModuleCode

    by

    Level A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6

    Level 4

    Composition, Arranging& Analysis 1 CAA1 X X X X X X X

    Harmony & Theory 1 HT1X X X X

    Instrumental Studies 1 IS1X X X X X X X

    Professional

    Performance 1

    PP1X X X X X X X X X X X X

    Computer Music 1 CM1X X X X X X X

    Studio Recording 1 SR1X X X X X X X X

    Songwriting 1 SW1X X X X X X X X

    Level 5  A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6

    Composition, Arranging

    & Analysis 2

    CAA2X X X X X X X X

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    Harmony & Theory 2 HT 2X X X X X X X

    Project Realisation 2 PR2X X X

    Professional

    Performance 2

    PP2X X X X X X X X X X X

    Instrumental Studies 2 IS2X X X X X X X

    Studio Alchemy 2 SA2 X X X X X X X X X X

    Songwriting &

    Composition 2

    SWC2X X X X X X X X X X X X

    Level 6 A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6

    Harmony & Rhythm 3 HR3X X X X X X X X X X X X

    Jazz Reharmonisation

    3

    JR3X X X X X X X X X X X

    Composition, Arranging

    & Analysis 3

    CAA3X X X X X X X X X X X

    Creative Industries

    Entrepreneurship 3

    CIE3

    X X X X X X X X XProfessional

    Performance 3

    PP3X X X X X X

    Instrumental Studies 3 IS3X X

    Recording Act 3 RA3X X

    Music Directing &

     Arranging 3

    MDA3X X

    Music Production 3 MP3X X

     Audio Visual

    Synchronisation 3

     AVS3X X

    Songwriting 3 SW3 X X

    Music Teaching 3 MT3X X

    Independent Project 3 IP3X X X X