LCCM BMus Programme Spec 2013 14
Transcript of LCCM BMus Programme Spec 2013 14
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PROGRAMME SPECIFICATION AND CURRICULUM MAP
1. Programme title Music Performance and Production
2. Awarding institution Middlesex University
3. Teaching institution London Centre of Contemporary Music
4. Programme accredited by N/A
5. Final qualification BMus (Honours)
6. Academic year 2013/14
7. Language of study English
8. Mode of study Full-Time
9. Criteria for admission to the programme
• UCAS Tariff: 200 points or equivalent including ABRSM grade 7 or 8 pass (or equivalent) or
• Music foundation course or
• Mature applicants (over 21) without formal qualifications but with appropriate musical skills,
knowledge and understanding
In addition, entry on to the programme is through audition and interview. Applicants must perform
two pieces of their own choice on their chosen instrument and demonstrate the sufficient level of
live experience, musical knowledge and aptitude for deeper study. Normally applicants will have
played their instrument for a minimum of 3 years.
Applicants whose first language is not English must demonstrate Common European Framework ofReference for Languages Certificate (CEFR) Level B2 English language competence. Applicants
must achieve at least CEFR level B2 in all four components (speaking, listening, reading and
writing).
Approved test providers
1. British Council IELTS Band 6.0: [with a minimum individual component score of 5.5].
2. Cambridge ESOL have a range of B2 courses
3. City and Guilds International ESOL Diploma
4. TOEIC - Educational Testing Service (ETS)
5. TOEFL iBT Test
6. Pearson Test of English Academic (PTE Academic)
7. Trinity College London have a range of B2 courses
10. Aims of the programme
The programme aims to provide musicians and creators of music with an education that is relevant
to the reality of the creative industries in 2013 and beyond. Graduates from this programme leave
this institution with the knowledge, understanding, skills, experience and initiative necessary to
develop lasting careers in the music related creative industries.
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11. Programme outcomes
A. Knowledge and understanding
On completion of this programme the
successful student will have knowledge
and understanding of:
A1. Contemporary musical styles,
traditions and repertoires
A2. Musical elements and concepts
A3. Performance and/or composition
techniques
A4. Musical styles and aesthetics
A5. Approaches to research
Teaching/learning methods
Students gain knowledge and understanding through:
Learning Outcome A1
A broad mixture of lectures, workshops and practical
coursework projects including extensive performance,
composition, arranging and analysis of music.
Learning Outcome A2
A range of lectures, workshops and practical coursework
projects including extensive analysis of harmony, rhythm
and style, compositions, arrangements, performances and
individual technical skills tests.
Learning Outcome A3 A broad mixture of lectures, workshops and practical
coursework projects including extensive performances,
compositions and arrangements.
Learning Outcome A4
Lectures and workshops providing an exploration of
concepts and ideas that define musical style, mood and
feel.
Learning Outcome A5
Lectures and workshops that provide students with startingpoints to the further research and use of imagination and
initiative to uncover data, information sources and how to
evaluate validity, relevance and rigour.
Assessment Method
Students’ knowledge and understanding is assessed:
Assessment of A1 is by:
Live performances and instrumental techniques (IS1, PP1)
Original compositions, arrangements and productions
(CAA1, CM1, SR1, SW1, CAA2, SA2, SWC2, HR3, JR3)
Assessment of A2 is by:
Original compositions, arrangements and productions
(CAA1, CAA2, SWC2)
Harmonic, rhythmic and stylistic analysis (HT1, HT2, HR3,
JR3)
Live performances and instrumental techniques (PP2, IS2)
Assessment of A3 is by:
Live performances and instrumental techniques (IS1, PP1,
PP2, IS2)Original compositions, arrangements and productions
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(CAA1, CAA2, SA2, SWC2, CAA3)
Harmonic, rhythmic and stylistic analysis (HR3, JR3)
Assessment of A4 is by:
Original compositions, arrangements and productions
(CAA1, CM1, SR1, SW1, CAA2, SA2, SWC2, CAA3)Harmonic, rhythmic and stylistic analysis (HT2, HR3, JR3)
Assessment of A5 is by:
The realisation of musical and commercial projects based
on and informed by research (PR2, SA2, SWC2, CAA3,
CIE3, PP3)
B. Cognitive skills
On completion of this programme the
successful student will be able to:
B1. Inform their musical practice through
theoretical knowledge
B2. Think critically and reflectively
B3. Construct and present written and oral
arguments
Teaching/learning methods
Students learn cognitive skills through
Learning Outcome B1Lectures, classes, tutorials and workshops examine and
explore a wealth of concepts and approaches, through
practice and creation.
Learning Outcome B2
Lectures, workshops and tutorials encourage students to
think critically across a wide range of subjects in theory and
practice. Evaluation assignments enable students to reflect
and analyse performances and collaborative coursework.
Learning Outcome B3Lectures, tutorials and workshops covering the use of
written argument, analysis and discussion.
Assessment Method
Students’ cognitive skills are assessed by
Assessment of B1 is by:
Original compositions, arrangements and productions
(CAA1, SR1, SW1, CAA2, SWC2)
Harmonic, rhythmic and stylistic analysis (HT1, HR3, JR3)Live performances and instrumental techniques (IS1, PP1,
PP2, IS2)
Assessment of B2 is by:
Live performances and instrumental techniques (PP1, PP2)
Original compositions, arrangements and productions
(CM1, SR1, SW1, SA2, SWC2, CAA3)
Harmonic, rhythmic and stylistic analysis (HT2, HR3, JR3)
The realisation of musical and commercial projects based
on and informed by research (CEI3, IP3)
Assessment of B3 is by:
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Present arguments through musical analysis and original
composition (HT2, SWC2, HR3, JR3)
Present arguments through projects based on research
(CIE3, IP3)
C. Practical skills
On completion of the programme thesuccessful student will be able to:
C1. Demonstrate technical competence in
their chosen specialist area
C2. Rehearse and practise effectively
C3. Demonstrate competence in a range of
musical skills
C4. Plan, organise and manage study and
research
Teaching/learning methods
Students learn practical skills through
Learning Outcome C1
Lectures, classes, tutorials and workshops providing
students with technical and theoretical knowledge for their
principal discipline and in module options.
Learning Outcome C2
Workshops, tutorials, classes and coursework projects
requiring students to develop their instrumental / vocal skills
continuously and their ability to practice the delivery of
performances and presentations to professionalrequirements.
Learning Outcome C3
Lectures and workshops focussing on performance,
composition, arranging and production.
Learning Outcome C4
Students are required to manage their own learning and
create work based on research.
Assessment MethodStudents’ practical skills are assessed by
Assessment of C1 is by:
Live performances and instrumental techniques (IS1, PP1,
PP2, IS2, IS3, RA3)
Original compositions, arrangements and productions
(CM1, SR1, SW1, MP3, RA3)
Other specialist areas (MT3, IP3)
Assessment of C2 is by:
Live performances and instrumental techniques (PP1, PP2,
IS2, PP3)
Direct ensembles (CAA3)
Compose works in collaboration (SWC2)
Presentations of business projects (CIE3)
Assessment of C3 is by:
Original compositions, arrangements and productions
(CAA1, CM1, SW1, CAA2, PR2, CAA3)
Live performances and instrumental techniques (IS1, PP1,
PP2, IS2, PP3)
Harmonic, rhythmic and stylistic analysis (HT2, HR3, JR3)
Assessment of C4 is by:
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Live performances and instrumental techniques (PP1, PP2,
PP3)
Original compositions, arrangements and productions (SA2,
CAA3)
The realisation of musical and commercial projects based
on and informed by research (PR2, CIE3)
D. Graduate Skills
On completion of this programme the
successful student will be able to:
D1. Demonstrate Personal and Career
Development
D2. Demonstrate Effective Learning
D3. Demonstrate Effective Communication
Skills
D4. Demonstrate Teamwork
D5. Use Information Technology
Effectively
D6. Use Numeracy Effectively
Teaching/learning methods
Students acquire graduate skills through
Learning Outcome D1
Lectures, evaluation of live performance, classes, tutorials
and independent studies required for FHEQ 6 module
choices.
Learning Outcome D2
Lectures, workshops, classes and tutorials focused onproviding the students with approaches to independent
study, development and learning found in Harmony and
Rhythm, Jazz Reharmonisation, Composition, Arranging
and Analysis, Creative Industries Entrepreneurship and
module choices.
Learning Outcome D3
Lectures and workshops relating to the communication of
mood and universal human themes in music and the
communication of ideas, both musical and commercial,
through verbal and written argument.
Learning Outcome D4
Assessment projects and workshops where teamwork is
fundamental.
Learning Outcome D5
Lectures, workshops and tutorials where using a range of
computer programmes and or other digital technologies are
fundamental. IT is embedded in almost all activities
throughout the programme.
Learning Outcome D6
Lectures, tutorials and workshops relating to instrumental /
vocal technique, harmony, rhythm and business.
Assessment method
Students’ graduate skills are assessed by
Assessment of D1 is by:
Live performances and instrumental techniques (IS1, PP1,
PP2, IS2, IS3, RA3)
Original compositions, arrangements and productions(SWC2, MDA3, MP3, AVS3, SW3)
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Other specialist skills (MT3, IP3)
Assessment of D2 is by:
Live performances and instrumental techniques (IS1, PP1,
PP2, IS2)
Original compositions, arrangements and productions (SR1,SW1, SA2, SWC2)
Harmonic, rhythmic and stylistic analysis (HR3, JR3)
Assessment of D3 is by:
Live performances and instrumental techniques (PP1, PP3)
Original compositions, arrangements and productions
(SW1, CAA2, SWC2, CAA3)
Presenting business projects (CIE3)
Assessment of D4 is by:
Live performances (PP1, PP2)Original compositions, arrangements and productions (SA2)
Directing ensembles (CAA3)
Collaborative business projects (CEI3)
Assessment of D5 is by:
Original compositions, arrangements and productions
(CAA1, CM1, SR1, CAA2, SA2, CAA3)
Harmonic, rhythmic and stylistic analysis (HT1, HT2, HR3,
JR3)
Devising and presenting collaborative business projects
(CIE3)
Assessment of D6 is by:
Harmonic, rhythmic and stylistic analysis (HT1, HT2, HR3,
JR3)
The use of specialist production software (CM1, SR1, SA2)
Arrangements for more complex ensembles (CAA3)
Devising and presenting financial information (CIE3)
12. Programme structure (levels, modules, credits and progression requirements)
12. 1 Overall structure of the programme
The BMus (Hons) Music Performance and Production programme is a specialist course studied
over three years (full-time) or 6 years (part-time). Study is undertaken at three FHEQ levels and is
arranged into 25 weeks per year of contact tuition followed by 5 weeks of assessment. The degree
award requires 360 credit points in total, of at least 120 at each of the following FHEQ levels: 4, 5
and 6.
Modules at level 4 provide a foundation for the skills, knowledge and experience needed for levels 5
and 6. Some modules within the programme contain key skills that are fundamental to achieving the
final award. These skills include aural recognition, harmonic and rhythmic literacy, performance and
instrumental practice, composition and arrangement skills and an advanced knowledge of business
principles in the music related creative industries.
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12.1.1 Module Choices at FHEQ 6
At level 6, students have a limited choice of module combinations. All modules offer various
opportunities for autonomous learning and specialisation. The fundamental purpose of enabling
students to choose a module combination is to ensure students focus on a single specialist area.
Any consideration for combinations outside of those documented here in 12.2 will be at the sole
discretion of the Programme Leader.
Where the Programme Leader considers a request for an alternative module combination he or she
will consider:
1. Whether the student shows an exceptional level of ability in the relevant fields and an equal
level of academic achievement in both preceding levels
2. Precedent
3. Whether the combination requested leads to a dilution of specialisation
4. The workload of the combination
5. The effect of the choice on the wider student body
The programme divides year 3 into two pathways and FHEQ 6 modules into three categories: Core
1 & 2 and Specialisation. Students must take one module from each. All modules at FHEQ 6:
• Are competitive to enter
• Have specific prerequisite requirements
• Have entry criteria based on achievement in relevant subject areas at FHEQ 4 & 5
In all cases students will be required to give a first and second preference for their module choice.NB: students will not get their first choice in all circumstances. Module leaders, in agreement
with the Education Department and other relevant tutors, will select final module choices based on a
combination of:
• Results from any exams, assessments or coursework in relevant subjects
• Grades achieved in prerequisite modules
• Attendance and attitude to learning
• Ability to work collaboratively
• Capacity of the module i.e. some modules have limited places
12.1.2 Instrumental Studies
This module can be particularly competitive. Students wishing to take Instrumental Studies 3 (IS3)
are only normally considered if they have achieved a grade 8 or higher in IS2. Students taking IS3
must also take Professional Performance 3 unless an exception is agreed by the Programme
Leader. It is also preferred for Instrumentalist Studies 3 students (except drummers and vocalists) to
take Jazz Reharmonisation 3.
12.1.3 Diploma of Higher Education (Fallback Certificate)
Students who achieve 240 points are eligible to obtain an intermediate award (Diploma of HigherEducation in Music Performance and Production), if required.
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12.2 Levels and modules
Level 4 (All modules are 30 credits)
CORE PATHWAY SPECIFIC PROGRESSION REQUIREMENTS
Students must take all of
the following:
Composition, Arranging &
Analysis 1 CAA1
Harmony & Theory 1 HT1
Professional Performance 1
PP1(Performers)
Instrumental Studies 1 IS1(Performers)
Songwriting 1 SW1(Songwriters)
Computer Music 1 CM1(Producers & Songwriters)
Studio Recording 1 SR1(Producers)
120 credits required to progress
Level 5 (All modules are 30 credits)
CORE PATHWAY SPECIFIC PROGRESSION REQUIREMENTS
Students must take all of
the following:
Composition, Arranging &
Analysis 2 CAA2
Harmony & Theory 2 HT2
Songwriting SW2(Songwriters)
Project Realisation PR2(Songwriters & Producers)
Studio Alchemy SA2(Producers)
Instrumental Studies 2 IS2(Performers)
Professional Performance 2
PP2(Performers)
210-240 credits required to progress
NB: (Students who have achieved 240points are eligible for a DipHE)
Level 6 (All modules are 40 credits)
CORE 1 CORE 2 SPECIALISATION PROGRESSION
REQUIREMENTS
Students must take
one of the following:
Harmony & Rhythm 3
HR3
Jazz Reharmonisation
Students must take
one of the following:
Instrumental Studies
3*
Creative Industries
Students may choose
one of the following:
Professional
Performance 3 PP3 *
Songwriting 3 SW3
Students who achieve
300 points are eligible
for Ordinary Degree
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3 JR3 Entrepreneurship 3
CIE3
Composition,
Arranging & Analysis 3
CAA3
Audio Visual
Synchronisation 3
AVS3
Music Production 3
MP3
Musical Direction &
Arranging 3 MDA3
Recording Act 3
Independent Project 3
Music Teaching 3
* See 12.1.2 Instrumental Studies
12.3 Compulsory modules
Module level Module code
4 CAA1, HT1
5 CAA2, HT2, IS2, PR2
13. A curriculum map relating learning outcomes to modules
See Curriculum Map attached.
14. Information about assessment regulations
LCCM is governed by Middlesex University Regulations for all but the following exceptions:
1) Course Withdrawal
2) Interruption of Study
3) Fee RefundsPolicies for these locally supervised matters as found on the LCCM web site
4) Academic Misconduct and Complaints are investigated using LCCM's procedures. After these
have been exhausted, recourse to the relevant Middlesex University Regulations is applicable.
5) Classification and Final Classification
LCCM is permitted to operate an enhanced version of the Middlesex University regulation (E4.4.3)
regarding the use of discretion in determining student profiles where HR3 and JR3 modules fall
outside students' clear profiles.
Where HR3 or JR3 module grades fall outside a clear profile, the LCCM assessment board may
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determine the profile as borderline and consequently use discretion. Such a borderline profile may
be determined one class below the clear profile according to the grade achieved in HR3 or JR3. The
assessment board will use discussion and precedent to reach a final decision.
15. Placement opportunities, requirements and support
LCCM does not operate a formal placement scheme. However for details on networking and
employment opportunities, please refer to the section on Personal Development Planning (PDP) in
this handbook.
16. Future careers
Though completion of the programme will not guarantee employment in the music related creative
industries, students who successfully complete the course will be capable of working as performers,recording artists, musicians, composers, songwriters, arrangers, programmers, producers, media
composers, musical directors, teachers and employees in the music related creative industries.
Graduates will be qualified for further study or to enter the workforce as graduate employees.
17. Particular support for learning
• Induction week for new students
• Access to extra-curricular workshops, seminars, classes and master classes
• Access to live performance opportunities
• Opportunities for commercial output• Staff professional links and contacts
• One to one tutorials
• Support classes
18. JACS code (or other relevant coding system) W310
19. Relevant QAA subject benchmark group(s) Music
20. Reference points
Middlesex University Regulations
Middlesex University Quality and Learning Enhancement Handbook and associated GuidanceLCCM web site
UK Quality Code
21. Other information
The LCCM BMus (Hons) offers a unique mixture of learning and development opportunities that
reflect many of the scenarios and pressures faced by professional practitioners currently working in
the music and related creative industries. The programme strives to evolve at a pace equivalent to
that of industry.
Please note programme specifications provide a concise summary of the main features of the programme and the learning
outcomes that a typical student might reasonably be expected to achieve if s/he takes full advantage of the learning
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opportunities that are provided. Beyond this summary, details of non-assessed activities not included in the handbook are
included in your timetable and explained during Induction.
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Curriculum map for BMus (Hons) Music Performance and Production
This section shows the highest level at which programme outcomes are to be achieved by all
graduates, and maps programme learning outcomes against the modules in which they are
assessed.
Programme learning outcomes
Knowledge and understanding Practical skills
A1 Contemporary musical styles, traditions and
repertoires
C1 Demonstrate technical competence in their chosen
specialist area
A2 Musical elements and concepts C2 Rehearse and practise effectively
A3 Performance and or composition techniques C3 Demonstrate competence in a range of musical skills
A4 Musical styles and aesthetics C4 Plan, organise and manage study and research
A5 Approaches to research C5
Cognitive skills Graduate Skills
B1 Inform their musical practice through
theoretical knowledge
D1 Personal and Career Development
B2 Think critically and reflectively D2 Effective Learning
B3 Construct and present written and oral
arguments
D3 Communication
B4 D4 Teamwork
B5 D5 Information Technology
B6 D6 Numeracy
Programme outcomes
A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6
Highest level achieved by all graduates
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
Programme outcomesModule Title ModuleCode
by
Level A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6
Level 4
Composition, Arranging& Analysis 1 CAA1 X X X X X X X
Harmony & Theory 1 HT1X X X X
Instrumental Studies 1 IS1X X X X X X X
Professional
Performance 1
PP1X X X X X X X X X X X X
Computer Music 1 CM1X X X X X X X
Studio Recording 1 SR1X X X X X X X X
Songwriting 1 SW1X X X X X X X X
Level 5 A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6
Composition, Arranging
& Analysis 2
CAA2X X X X X X X X
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Harmony & Theory 2 HT 2X X X X X X X
Project Realisation 2 PR2X X X
Professional
Performance 2
PP2X X X X X X X X X X X
Instrumental Studies 2 IS2X X X X X X X
Studio Alchemy 2 SA2 X X X X X X X X X X
Songwriting &
Composition 2
SWC2X X X X X X X X X X X X
Level 6 A1 A2 A3 A4 A5 B1 B2 B3 C1 C2 C3 C4 D1 D2 D3 D4 D5 D6
Harmony & Rhythm 3 HR3X X X X X X X X X X X X
Jazz Reharmonisation
3
JR3X X X X X X X X X X X
Composition, Arranging
& Analysis 3
CAA3X X X X X X X X X X X
Creative Industries
Entrepreneurship 3
CIE3
X X X X X X X X XProfessional
Performance 3
PP3X X X X X X
Instrumental Studies 3 IS3X X
Recording Act 3 RA3X X
Music Directing &
Arranging 3
MDA3X X
Music Production 3 MP3X X
Audio Visual
Synchronisation 3
AVS3X X
Songwriting 3 SW3 X X
Music Teaching 3 MT3X X
Independent Project 3 IP3X X X X