Lawrences Auctioneers of Crewkerne

Pictures, Clocks, Furniture & Rugs

Started 05 Jul 2019 10:00 BST

The Linen Yard

South Street

Crewkerne

Somerset

TA18 8AB

United Kingdom

Lot Description

1401

ROBERT HAVELL (1769-1832) after HUBERT CORNISH (1757-1823) SIDMOUTH, DEVON Aquatints, originally published by J. & S.

Harvey (Sidmouth) and by J. & E. Wallis (London), 1840, a 20th Century restrike, on three sheets, uncoloured, unframed Each image 29

x 89cm. (3) ++ Each with some handlin ...[more]

1402SAVERIO MANETTI (1723-1785) CUCULE DI BECCO LUNGO DI GIAMMAICA: (CUCKOO), Pl. LXXIX Etching with hand colouring,

published c.1776 Plate 34.5 x 27cm. ++ Good impression with neat hand colouring

1403

AFTER HENRY STRAFFORD (Fl.1830-1873) FOUR PRIZE WETHERS Lithograph with hand colouring, by J. W. Giles, published by

Fores, c.1837 35 x 50cm.; with a coloured engraving of `Crib and Rosa` (Old English bulldogs) by J. Scott after A. Cooper, restrike,

originally published 1817, image 22.5 x 28.5cm ...[more]

1404

AFTER JEAN BAPTISTE VANMOUR (1671-1737) RECEUIL DE CENT ESTAMPES REPRESENTANT DIFFERENTES NATIONS DU

LEVANT Twelve engravings by G. Scotin from the set of 100 (plates 3, 25, 27-32, 34, 34, 48 and 60), published by Le Hay and

Duchange, Paris, 1714 Each image 32.5 x 24cm. (12) ++ Each plate with s ...[more]

1405

AFTER LIEUT. JOSEPH MOORE (Fl.c.1820-1830) THE PRINCIPAL APPROACH TO THE GREAT DAGON PAGODA AT RANGOON

(PL. 3 FROM `RANGOON VIEWS AND COMBINED OPERATIONS IN THE BIRMAN EMPIRE`) Etching with aquatint, finished by hand,

by T. Fielding, published by Kingsbury & Co, 1825 25.5 x 36.5cm.; with a c ...[more]

1406

EDWARD J. BURROW (1869-1934) THE SHERBORNE PORTFOLIO The volume of ten etchings, on laid India, depicting various views

within the school, each signed in pencil, published by W. H. Benyon & Co, c.1897 Each 18 x 25cm approx. ++ The stiff wove support

sheets with foxing, mould and damp stains ...[more]

1407

TURKISH INTEREST A folio of ten leaves of engraved portraits and topographical lithographs, subjects to include portraits of Amurath

III and Capt. A Caesareanis and views of `.. Cap Baba`, ` ..la Mer Noire` and `Entree des Lacs Amers` after Dubourg, P. Lauters, Plou &

Lemonnier, Edouard Riou an ...[more]

1408

JACOB DE GHEYN II (1565-1929) THE EXERCISE OF ARMS (`WAPENHANDELINGE VAN ROEN MUSQUETTEN ENDE

SPIESSEN...`) Engravings, 49 from the set of 117, richly coloured and illuminated in gold and silver, evidently from a very early

presentation copy before the first publication in 1608, good impressions, ...[more]

1409

CORNELIUS VARLEY (1781-1873) TREES IN HENHAM, SUFFOLK Signed with initials, dated and inscribed C.V. 1801 Henham Park,

Suffolk (all to verso, now laid down), watercolour 12.5 x 22.5cm.; with three further pencil sketches by the same hand (a boat; a cow;

and a farmhouse scene), two signed, pencil ...[more]

1410WILLIAM PAYNE (1760-1830) WOODED LANDSCAPE VIEW WITH FISHERMEN AND A STONE BUILDING ON A MOUND

Watercolour 32.5 x 48.5cm. ++ Creases and tears; some stains; fair only

1411ANTHONY VANDYKE COPLEY FIELDING (1787-1855) SKIDDAW FROM DERWENTWATER Signed, watercolour and pencil 14.5 x

21.5cm. ++ Slightly pale

1412FOLLOWER OF PAUL SANDBY, RA (1725-1809) FRUIT SELLERS UNDER A TREE, NEAR A COASTAL TOWN Watercolour with pen

and ink 28.5 x 45.5cm. ++ Spotted and faded, noticeably in the sky; laid down onto an old washline mount

1413

DAVID COX (1783-1859) RUINED TOWER Bears initials, bears inscription verso This drawing was obtained direct/ from the artist David

Cox in or about/ 1814 drawn for the purpose of illustrating/ a series of views, watercolour and pencil 14.5 x 13cm.; with another

watercolour by an imitator of Cox, ...[more]

1414GEORGE HAYDOCK DODGSON (1811-1880) THE CANAL LOCK, EVENING Watercolour and pencil 21 x 40cm. ++ Retouched tear

upper right corner

1415HENRY BRIGHT (1810-1873) NAWORTH CASTLE Inscribed with title lower right, watercolour and pencil heightened with white 30.5 x

45cm. Provenance: Collection of Alec Cotman, Norwich, until 1981; Appleby Collection ++ Some grazes in the sky; paper light stained

1416ATTRIBUTED TO EDWARD CHENEY (1803-1884) AN ITALIAN TOWN SCENE ON A RIVER Watercolour, in a pierced and swept

`Florentine` frame 19 x 30cm. Provenance: Isabella Capel Cure, who lived in Cheney's house, Badger Hall, Shropshire ++ Faded

1417PETER LA CAVE (1769-1811) RUSTIC FAMILY ON A COUNTRY TRACK Signed, watercolour 23 x 36cm. ++ Some discoloration and

fading

1418

DAVID COX (1783-1859) BEESTON CASTLE. CHESHIRE, WITH HARVESTERS Signed, watercolour 26.5 x 36.5cm. Provenance:

London, The Fine Art Society Ltd; the wedding day gift of Sir John and Lady Nicholson and of Mr and Mrs F. H. Glazebrook, June 3rd

1954; London, Martyn Gregory, from whom purchased by t ...[more]

1419WILLIAM WYLD (1806-1886) FIGURES ON THE PIAZZETTA, VENICE Signed and dated 1839, watercolour 29 x 45cm. * To be sold

for the benefit of St Margaret's Hospice ++ Some fading and foxing

1420WILLIAM CALLOW, RWS (182-1908) VENICE: A VIEW TOWARDS SAN SIMEONE PICCOLO Watercolour and pencil 21.5 x 31cm. ++

Good condition

1421BENJAMIN JOHN MERIFIELD DONNE (1831-1928) SWISS SCENES (ONE OF FURKA PASS) Two, both signed and dated 83,

watercolour heightened with white Each 24 x 34.5cm. (2) ++ `Furka Pass` with brown staining/discoloration

1422

RAMSAY RICHARD REINAGLE, RA (1775-1862) KESWICK Signed with initials, watercolour and pencil 58.5 x 89cm.; with a

watercolour of an East Anglian cottage, by Henry Jutsum, 1846, 22.5 x 34.5cm. (2) ++ (Reinagle) some fading and discoloration, good

period gilt frame; Jutsum discoloured and faded

1423EDWARD TAYLER (1828-1906) THE DOMINIE Signed, also signed and inscribed on a label on the backboard, watercolour 55.5 x

43.5cm. ++ Good condition

1424JOHN SHERRIN (1819-1896) CHRISTMAS LUNCH FOR THREE Signed, watercolour and bodycolour over traces of pencil 14 x

18.7cm. ++ Good condition

1425CLARA MONTALBA, RWS (1840-1929) ON THEIR WAY TO AN AUDIENCE Signed and dated 1870, watercolour 33.5 x 27cm.

Provenance: Reigate, Bourne Gallery ++ Generally good condition; needs a light clean

1426

ARCHIBALD THORBURN (1860-1935) FLEDGLING IN A NEST Bears initials AT and dated June 13/84, watercolour sketch 13 x 18cm;

with five unframed leaves of pencil sketches of birds, three initialled, three dated 1918, 23 and 1927, various sizes; and a watercolour of

gulls on a beach, this one attribut ...[more]

1427

JOSIAH GILBERT (1814-1892) PORTRAIT OF VIOLET EMILY HOOPER (1887-1966) Bust length, wearing a blue dress with a white

collar, signed and dated indistinctly, pastels, vignette 53.5 x 41.5cm.; with a pastel portrait by another hand of Kenneth William Broom

(1910-1927), wearing a white gown and hol ...[more]

1428

•WYCLIFFE EGGINTON (1875-1951) HEATHLAND SCENE WITH A TOWER (POSSIBLY CONYGAR TOWER, DUNSTER) Signed,

watercolour 34.5 x 50.5cm.; with a watercolour of a coastal headland by George Horton, signed, 33 x 52cm. (2) ++ Each needs a light

clean

1429

THOMAS ROWLANDSON 1756-1827) THE SITE VISIT, c.1805 Watercolour, mounted on washline support sheet 20 x 30cm.

Literature: Robert Wark, Drawings by Thomas Rowlandson in the Huntington Collection, San Marino (1975), p.62 (a version of the same

subject, entitled `A Nobleman Improving his Estate`) ...[more]

1430THOMAS ROWLANDSON (1756-1827) OFF TO THE RACES Watercolour with pen and ink 27.5 x 42cm. Provenance: See following lot

++ Laid down onto a support sheet; scuffed upper centre; fading and time staining

1431

THOMAS ROWLANDSON (1756-1827) TO ASCOT Watercolour with pen and ink 27.5 x 42cm. Provenance: W. V. Kitching, MA, Clerk

Vicar of Great Finborough (Suffolk); by whom given to the Rev. Charles Terry of Tostock, Bury St Edmunds, c.1885 (the latter's label on

backboard) ++ Laid down onto support she ...[more]

1432

GEORGE RICHMOND, RA (1809-1896) PORTRAIT OF THE HON. NORMAN LISTER MELVILLE (1839-1923), AGED 7 The boy

depicted full length, wearing a smock, holding a cricket bat, standing before stumps, signed and dated Geo. Richmond dela.t 1845,

watercolour and bodycolour, with pencil and heightened with scr ...[more]

1433

PAUL MARNY (1829-1914) WESTMINSTER BY MOONLIGHT Signed and dated London 1863, watercolour, heightened with some

bodycolour and gum arabic 55 x 101cm. ++ Some tears at top edge; some foxing and pale staining; some white retouching in centre (by

the Elizabeth Tower); gum arabic slightly perished; ...[more]

1434

GEORGE HOWARD, 9th EARL OF CARLISLE, HRWS (1843-1911) FREIBURG Watercolour and bodycolour, period gilt frame 25 x

35.5cm. Provenance: By descent to the artist's daughter, Lady Mary Henrietta Murray (1865-1956), a friend of the ancestor of the

vendor ++ Good condition

1435

CIRCLE OF DAVID COX (1783-1859) AT WOOLWICH Sepia wash and pencil 15 x 22cm.; with four watercolours by or attributed to

William Mineard Bennett, David Cox, Peter de Wint and John Keeley, various sizes (5) Provenance: (Woolwich) Bewdley, Stanley W.

Fisher and Stratford upon Avon, S. & K. M ...[more]

1436

CIRCLE OF WILLIAM HENRY BARTLETT (1809-1854) THE GOLDEN HORN, CONSTANTINOPLE Watercolour and pencil 18 x

26cm.; with two watercolours by Ernest Albert Chadwick and attributed to Wilmot Pilsbury, various sizes (3) Provenance:

(Constantinople), Birmingham, Pauline Norton Ltd; (Chadwick) Birmingh ...[more]

1437FRED HINES (Fl.1875-1928) THE SHEPHERD'S RETREAT Signed, watercolour 26.5 x 37cm.; with three watercolours by Hines, Henry

Earp and a follower of David Cox, various sizes (4) ++ Both Hines and Earp with some fading

1438

F** DA PONTE PLAYER (Fl.c.1880-1890) A HARBOUR SCENE Signed, watercolour 23 x 33.5cm.; with five further watercolours by

Robert Winchester Fraser, Charles Hannaford, Elsie Haynes and James Hamilton, each signed, various sizes (6) Provenance: (Haynes

and Hannaford) Bridgnorth, Pauline Norton Gal ...[more]

1439

CLAUDE HAYES (1852-1922) FIGURES ON A BEACH Signed, watercolour 23.5 x 34.5cm.; with eight further works by the same hand,

to include scenes in Surrey and Yorkshire, each signed, various sizes (9) Provenance: Birmingham, Pauline Norton Ltd, March 1976-

November 1978; and Limpsfield Watercolours ...[more]

1440

ALFRED SALE WATSON (Fl.c.1898-1928) THE ROSE WALK, ROYAL BOTANICAL GARDENS, KEW, SURREY Signed and dated

1926, watercolour 18 x 26.5cm.; with a watercolour, formerly ascribed to Robert Dixon, 29 x 20.5cm. (2) Provenance: (Watson)

Limpsfield Watercolours, May 1997 (Dixon) Birmingham, Pauline Nor ...[more]

1441

SEVEN ASSORTED SMALL STUDIES AND SKETCHES to include `Boy riding a Fish` by Edward Gordon Craig, 8 x 10cm.; Treport by

Edward William Cooke; and other works by Charles Vincent Barber, Augustus E. Mulready, follower of Copley Fielding and Emily

Gertrude Thompson, three signed or monogrammed/initiall ...[more]

1442ENGLISH SCHOOL, Circa 1900 THE FISHERMAN Initialled ST, watercolour and pencil 34.5 x 21cm.; with a watercolour by A.

Sherwood Edwards, signed, 20.5 x 12cm. (2) ++ Principal item good; the latter with some fading and foxing

1443

•SAMUEL JOHN LAMORNA BIRCH, RA, RWS (1869-1955) FIGURES ON A COUNTRY PATH Signed and dated 1942, inscribed To

Greta with love from John FA, watercolour 10 x 16cm.; with four watercolours and drawings by Blanche Chichester, Edward Bouverie

Hoyton, Bernard Sleigh and Charles John Watson, three sig ...[more]

1444

•PERCIVAL GASKELL (1868-1934) SAN GIORGIO MAGGIORE, VENICE Aquatint, signed in pencil 19 x 31cm.; with six etchings by

Michael Chaplin, Rowland Langmaid and Frank Brangwyn, (four of Venice), four signed, various sizes (7) ++ Some time staining and

mat burn; Chaplins and Gaskell good

1445

GIOVANNI BATTISTA PIRANESI (1720-1788) TEATRO DI MARCELLO (Hind 33) Etching with engraving, on wove, c.1757, with

margins 40 x 54.5cm.; with `Sepolcro della famiglia Tossia..`, etching with engraving by Luigi Rossini, 46 x 57cm (2) ++ Piranesi

generally good; Rossini with worm holes, water stai ...[more]

1446

THREE OLD MASTER PRINTS comprising `The Four Disgracers, Ixion` (1588) by H. Goltzius after C. van Haarlem, 31cm. diam.; `Mary

Magdalene washing Christ's feet in the home of Simon the Pharisee` by M. Natalis after Rubens, 39 x 49.5cm.; and `La Chasse au

Tigre` by J. J. Flipart after Francois Bouche ...[more]

1447

GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DEL TEMPIO DETTO DELLA CONCORDIA Etching with engraving, from a

later edition (paginated 764/ 12 upper right, blindstamp lower right) 45.5 x 69.5cm.; with a trimmed and stuck down print of `Knight,

Death and the Devil` after Durer (2) ++ (Piranesi) ...[more]

1448

AFTER LOUIS FRANCOIS CASSAS (1756-1827) VUE DE CONSTANTINOPLE PRISE DE LA MER DE MARMARA Engraving with fine

hand colouring by Schwartz, published c.1810-1830 53 x 77.5cm.; with `Stanford's Bird's-Eye View of the Seat of War in the Crimea`,

second edition, coloured lithograph by Maclure, Macdona ...[more]

1449

FRANCISCO DE GOYA Y LUCIENTES (1746-1812) LOS PROVERBIOS: OTRAS LEYES POR EL PUEBLO; LLUVIA DE TOROS;

QUE GUERRERO; UNA REINA DEL CIRCO Four, etchings with aquatint, c.1824, these published in L'Art, Francois Lienard, Paris,

1877 (the third edition) Each 21 x 32cm approx. (4) ++ Some pale foxing ...[more]

1450

JACQUES CALLOT (1592-1635) LES MISERES ET LES MALHEURS DE LA GUERRE The set of eighteen etchings, published by

Israel Henriet, 1635, the second state but possibly from a later edition, framed as two Each 8 x 18.2cm. (2) ++ Each plate float mounted

on a common support sheet; each in generally goo ...[more]

1451•ROMANO PARMEGGIANI (1930-2002) VENICE: RESTING COMMEDIA DELL'ARTE PERFORMERS Two, both signed and dated 63

or 1963, charcoal and white chalk on buff or brown paper Each 32 x 58cm. (2) ++ Good condition

1452

AFTER THE ANTIQUE HERCULES KILLING THE CENTAUR NESSUS Charcoal and pencil drawing, initialled B.C. (c.1930-1950), 52 x

39cm.; with a river landscape by AH (c.1900-1920), watercolour and gouache, 53 x 18.5cm. (2) ++ `Hercules` with some foxing and time

staining; AH in good condition

1453

CIRCLE OF JEAN BAPTISTE EDOUARD DETAILLE (1848-1912) A FRENCH SOLDIER IN UNIFORM Oil on panel, vignette, unframed

31.5 x 16.5cm.; with `Man Fishing`, signed indistinctly (J Nels?) and dated indistinctly 4 Aout 1..7, oil sketch on thin panel, unframed,

15.2 x 24cm. (2) ++ `Detaille` needs a clea ...[more]

1454ARSENE LE FEUNE (?) (Fl.c.1882) ARTIST'S STUDIO: MON LOGEMENT A PARIS RUE DE CAIRE AU 7e EN 1882 Signed and

inscribed with French title verso, oil on paper laid on board 30.5 x 36cm. ++ One or two slight surface grazes

1455

FOLLOWER OF ADRIAEN DE GRYEFF (1657-1722) SHEPHERD WITH SHEEP AND GOATS; HUNTSMEN WITH SPANIELS;

HOUNDS HUNTING SWANS AND OTHER FOWL; PEACOCK, PARROTS AND OTHER FOWL Four, oil and watercolour with pen and

black ink on paper, laid on canvas Each 36.5 x 58cm approx. (4) ++ Each with some damages - ...[more]

1456•SIR EDUARDO PAOLOZZI, CBE, RA (1924-2005) MULTI-CHANNEL PROTOTYPE Screenprint, 1970, published by Petersburg Press,

printed by Advanced Graphics, signed, dated and numbered 30/120 76 x 51cm. ++ A little foxing; a few minor blemishes

1457

GEORGE BELLOWS (American, 1882-1925) BETWEEN ROUNDS NO.1 (LARGE) (Mason 25; Bellows 52) Lithograph, 1916, bears

name Geo. Bellows and J.B.B.(inscribed by Jean Bellows Beeth, the artist's daughter) and numbered 54 (the edition was 58) Image

51.7 x 41.5cm. * Bellows noted, "Recuperating a boxer du ...[more]

1458

ITALIAN SCHOOL, 19th CENTURY CHRIST AT THE COLUMN Oil on panel, unframed 48 x 30cm. * Possibly derived from an

engraving by Hendrick Goltzius (1597) ++ Damage lower centre; lower right corner and upper left; scattered damages elsewhere; panel

bowing

1459STUDIO OF WILLEM ROMEYN (c.1624-1693) COWHERD TENDING CATTLE IN A LANDSCAPE Oil on canvas, unframed 74 x 66cm.

++ Old lining; retouching; evdence of old wear; some scuffs and craquelure

1460FOLLOWER OF ALEXIS GRIMOU (1678-1833) JUDITH WITH THE HEAD OF HOLOFERNES Oil on canvas 79.5 x 60cm. * Possibly

derived from a composition ascribed to Grimou's circle (Palace Museum, Wilanow, Poland) ++ Lined; much retouching; craquelure

1461FOLLOWER OF JACOPO GUARANA (1720-1808) JUPITER, JUNO AND IO Oil on canvas 32 x 58.5cm. ++ Lined; much retouching;

craquelure

1462MANNER OF GIOVANNI MARTINELLI (1600-1659), 19th Century HEADS OF TWO CHILDREN Oil on canvas 37.5 x 51.5cm. ++

Lined; evident retouching; craquelure; frosted and discoloured varnish

1463MANNER OF DAVID TENIERS THE YOUNGER (1610-1690) PEASANTS DANCING AT A COTTAGE DOOR Oil on canvas, unframed

81.5 x 148cm. ++ Patched repairs verso; some flaked losses

1464HERMANUS DONSELAER (1761-1829) WINTER LANDSCAPE WITH FIGURES ON A FROZEN RIVER Signed, oil on panel 35 x

46cm. ++ Some surface grazes; some craquelure; needs a clean

1465MANNER OF JEAN BAPTISTE OUDRY (1686-1755), 20th CENTURY DEAD FOWL AND FRUIT Oil on canvas, 98.5 x 72.5cm. ++

Lined; some associated retouching; some craquelure; needs a light clean

1466CIRCLE OF WILLEM VAN HERP (1614-1677) FIGURES AT A TABLE IN A COTTAGE INTERIOR Bears an indistinct monogram and

date, oil on panel 23.5 x 32.5cm. ++ Damage with retouching at lower and right edges

1467FOLLOWER OF HYACINTHE RIGAUD (1659-1743) PORTRAIT OF A GENTLEMAN Quarter length, wearing a blue and gold mantle

and long wig, before a Classical pillar, oil on copper, oval 26 x 21cm. ++ Retouching over some chipped and flaked losses

1468CIRCLE OF MARC BAETS (Fl.c.1720-1750) VILLAGERS AND RIDERS IN A LAKESIDE HAMLET Oil on panel 25.5 x 33cm. ++ Two

old splits (retouched); craquelure; small blistered paint loss upper right

1469

CIRCLE OF PIETER BORSSELAER (1633-1687) PORTRAIT OF A GENTLEMAN, POSSIBLY A DUTCH COUNCILLOR NAMED

CORNELIUS JACOBSZ Quarter length, wearing a dark robe and white collar, long black wig, a crest upper right (red shield with a bird

upon a ball), oil on canvas 65 x 50cm. ++ Old lining; some associ ...[more]

1470FOLLOWER OF JAN COSSIERS (1600-1671) MARY MAGDALENE Oil on canvas 58.5 x 47.5cm. ++ Lined; associated retouching; a

few minor grazes

1471JURGEN OVENS (1623-1678) THE HOLY FAMILY WITH THE INFANT ST JOHN THE BAPTIST Signed J. OVENS F, oil on canvas 98

x 128.5cm. Provenance: London, Christies South Kensington, July 12th 2002, lot 126 ++ Lined; retouching; craquelure

1472

CIRCLE OF DANIEL MYTENS (1590-1647) PORTRAIT OF A GENTLEMAN Quarter length, wearing a cream tunic, a leather glove and

a red mantle, lace collar, oil on panel 61 x 47cm. * Formerly identified as a portrait of Sir Walter Raleigh (c.1552-1618) ++ Cradled

panel; background with inpainting; scatter ...[more]

1473

WILLEM WISSING (1656-1694) PORTRAIT OF A LADY Quarter length, wearing a a white dress, with pearl necklace and earrings, oil

on canvas 73.5 x 61cm. * The attribution was confirmed by Sir Oliver Millar. The picture may be dated to the mid-1660s. ++ Lined;

replaced stretchers; some associated ret ...[more]

1474

CIRCLE OF CARLO CERESA (1609-1679) PORTRAIT OF AN OPERA SINGER Seated, half length, wearing a blue dress and pearl

jewellery, her hand resting upon a musical score, a viola and bow beyond, oil on canvas 71 x 59.5cm. ++ Lined; retouching; craquelure;

needs a clean

1475

MANNER OF JOHN MICHAEL WRIGHT (1617-1694) PORTRAIT OF A PREGNANT LADY, POSSIBLY ANN, LADY FANSHAWE

(1625-1680) Standing long half length, wearing a black dress with lace bonnet, collar and cuffs, holding a fan, oil on canvas 106.5 x

66.5cm. * Born Ann Harrison, the daughter of Sir John Harrison ...[more]

1476

AFTER ALEXANDER ROSLIN (1718-1793) PORTRAITS OF PAUL I, EMPEROR OF RUSSIA (1754-1801); and EMPRESS MARIE

FEODOROVNA (1758-1828) A pair, oil on canvas Each 68 x 50cm. (2) * The Emperor is wearing the Order of St Alexander Nevsky and

the Empress is wearing the Order of St Catherine. The subjects a ...[more]

1477A PICTURE FRAME with leaf-and-shield sight edge, plain hollow, bead border below plain outer edge To fit canvas 48 x 63cm approx.

++ Minor wear and slight damages; generally good

1478AN ENGLISH `MORLAND` PICTURE FRAME, 19th CENTURY with plain sight, egg and dart inner border, cluster-reeded top edge and

acanthus leaf inner corners To fit canvas 77.5 x 63.5cm. ++ Some minor scattered damages

1479A GILT COMPOSITION PICTURE FRAME with dentil inner border with scroll decoration, leafy shell-and-scroll inner and outer edges To

fit canvas 48 x 68cm approx. ++ Scattered losses to the decoration

1480FOLLOWER OF HENRY WYATT (1794-1840) PORTRAIT OF A GENTLEMAN Quarter length, wearing a brown coat and blue cloak, oil

on board 24.5 x 19.5cm. ++ Damage and retouching lower left; craquelure`

1481AFTER LADY DIANA BEAUCLERK (1734-1808)PORTRAIT OF DIANA, DUCHESS OF DEVONSHIRE (1778) Oil on canvas, 60.5 x

73.5cm.Provenance: The Hannay family, Kingsmuir House, Fife++ Lined; scattered retouching; some abraded areas and craquelure

1482CIRCLE OF SIR GEORGE HAYTER (1792-1871) PORTRAIT STUDY OF A YOUNG LADY Bust length, wearing a white dress and

patterned shawl, oil on canvas 50 x 40cm. ++ New stretcher and lining; some associated retouching

1483

ATTRIBUTED TO WILLIAM SALTER (1804-1875) PORTRAIT OF JOHN SPRING, OF THE 12th EAST SUFFOLK REGIMENT OF

FOOT Standing long half length, wearing uniform, oil on canvas 26.5 x 22cm. ++ Unlined; some craquelure; needs a clean*The sitter is

Captain John Spring, but the uniform is that of the 63rd (West S ...[more]

1484

THOMAS GEORGE (c.1790-c.1840) PORTRAIT OF EDMUND LLOYD OF THORNBURY (1795-1860); AND OF HIS WIFE,

CATHERINE ELIZABETH (nee HUME) (1808-1878) A pair, each quarter length, he wearing a dark coat and white shirt; she wearing a

lace dress with a tartan sash, oil on canvas Each 60 x 49.5cm. (2) Prove ...[more]

1485

JACOB MORE (1740-1793) LANDSCAPE WITH ARGUS GUARDING IO Oil on canvas, period gilt `Maratta` frame 47.5 x 59cm. * The

composition is a copy in reverse of Claude's original (Holkham Hall) and was known from engravings by A. Pond, G. Knapton etc,

c.1741-1746 Literature: Walpole Society Journal, 1 ...[more]

1486

CIRCLE OF ALEXIS SIMON BELLE (1674-1734) PORTRAIT OF A YOUNG GENTLEMAN, TRADITIONALLY IDENTIFIED AS JAMES

FRANCIS EDWARD STUART (`JAMES III`, `THE OLD PRETENDER`, 1688-1766) Standing, three quarter length, wearing a cream

tunic with gold facings and a blue mantle, oil on canvas 100 x 69cm. * The ...[more]

1487PROVINCIAL FOLLOWER OF JAMES POLLARD (1792-1867) THE CHASE Oil on board 40.5 x 55cm. ++ Some surface scuffs, chips

and grazes; some craquelure; needs a clean

1488ATTRIBUTED TO JOHN NOST SARTORIUS (1759-1828) HUNTING SCENES A pair, oil on panel laid on panel Each 9.5 x 16cm. (2)

++ Each needs a light clean

1489

SAMUEL SPODE (1798-1858) CANEZOU, A BAY RACE HORSE IN A STABLE Inscribed with horse's name, oil on canvas 67 x

89.5cm. * Canezou, foaled in 1845, by Melbourne out of Madame Pelerine, was owned by Lord Stanley. Frank Butters rode her to

victory in the 1000 Guineas at Newmarket in 1848. An explana ...[more]

1490

THOMAS BARKER OF BATH (1769-1847) FISHING IN A MOUNTAINOUS LANDSCAPE Oil on paper laid on card, unframed 18 x

23.5mm. Provenance: London, with P. & D. Colnaghi by 1965; by whom sold to Walter Brandt; and thence by descent ++ Retouched

along horizontal crease

1491FOLLOWER OF THOMAS BUTTERSWORTH (1768-1842) VESSELS (OFF PLYMOUTH?) Oil on canvas laid on board 49 x 59cm. ++

Much retouching over paint separation, craquelure and wear

1492

•FOLLOWER OF THOMAS BUTTERSWORTH (1768-1842) THE WRECK OF THE EARL TALBOT, SOUTH CHINA SEAS, OCTOBER

1800, THE HOUGHTON SENDING UP FLARES Oil on canvas 42.5 x 59.5cm. Provenance: Lady Mary Talbot; by bequest to the Hybart

family * "Earl Talbot" was a fine large East Indiaman built in Perry's yard on ...[more]

1493MANNER OF WILLEM WISSING (1656-1687) PORTRAITS OF WILLIAM OF ORANGE; AND QUEEN MARY A pair, oil on canvas

Each 46 x 37cm. (2) ++ Old linings; some retouching, noticeably near edges; each needs a clean

1494ENGLISH SCHOOL, Circa 1820 PORTRAIT OF A GENTLEMAN Quarter length, wearing a dark blue coat and yellow waistcoat, oil on

canvas 74 x 61cm. ++ Lined; associated retouching; some craquelure; period gilt frame

1495CIRCLE OF SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF A GENTLEMAN Quarter length, wearing a black coat and a

white stock, before a red curtain, oil on canvas laid on board 74 x 61.5cm. ++ Some associated retouching

1496

NATHANIEL HONE, RA (1718-1784) PORTRAIT OF THE REVEREND DR. WILLIAM SCLATER (1709-1778) Seated, half length,

wearing black clerical robes and holding spectacles, oil on canvas 74.5 x 62cm. * The sitter was born at Loughton, Essex and studied at

Winchester (where he was a Scholar) and at Oxford. ...[more]

1497

FOLLOWER OF THOMAS GAINSBOROUGH, RA (1727-1788) PORTRAIT STUDY OF A GIRL Oil on canvas, period gilt frame 44.5 x

36.5cm. Provenance: The Rev. Edward R. Gardiner (Gainsborough's great nephew); Literature: Sir Walter Armstrong, art historian and

author of Gainsborough and his place in English Ar ...[more]

1498

ATTRIBUTED TO JAMES BAKER PYNE (1800-1870) FIGURES WITH A PONY ON A LOCHSIDE PATH; THREE FIGURES WITH A

DOG BY A CROFT BY A LOCH A pair, oil on paper laid on canvas Each 23 x 38cm. (2) ++ Each needs a light clean; the latter with a

repaired tear lower right and a flaked loss

1499CIRCLE OF GEORGE MORLAND (1763-1804) A RUSTIC COTTAGE, WOMAN DRYING LAUNDRY Bears initials, oil on canvas 45 x

40cm. ++ Lined; retouching; craquelure; paint a little thin in places

1500FOLLOWER OF GEORGE ARNALD, ARA (1763-1841) TRAVELLERS WITH A WAGON ON A COUNTRY ROAD Oil on panel 29.5 x

34.5cm. ++ Some craquelure; chipped loss at right edge; damage in sky top centre; scattered retouching; needs a clean

1501

JAMES FRANCIS DANBY (1816-1875) A COUNTRY HOME, PROBABLY SHUTEND HOUSE, STAFFORDSHIRE Bears old inscribed

label verso that reads No. 30/ Miss Barkham/ Danby Jr., oil on board 22 x 29.5cm. * Possibly by Thomas Danby (1818-1886) ++ Good

overall; a little rubbed in the sky

1502DUTCH SCHOOL, 18th CENTURY TRAVELLERS AND HORSES BY A TREE Oil on panel 16.5 x 21cm. ++ Some craquelure; needs a

clean

1503HENRY LADBROOKE (1800-1869) THE RABBIT CATCHERS Oil on canvas 53.5 x 74cm. Provenance: Norfolk, Sheringham, The

Westcliffe Gallery, from whom purchased November 2004 ++ Old lining; associated scattered retouching

1504

CIRCLE OF ANTON SCHRANZ (1769-1839) A DUTCH TWO-DECKER ENTERING VALLETTA HARBOUR, MALTA Oil on canvas 63.5

x 99.5cm. Provenance London, Frost & Reed (as `18th Century English School`) ++ Lined; retouching; evidence of wear and

craquelure; needs a clean

1505

CIRCLE OF HENRY PICKERING (c.1720-c.1770) PORTRAIT OF EDWARD LLOYD OF BRISTOL (1725-1765) Quarter length, wearing

a dark red suit (his `wedding clothes`, according to a handwritten family paper verso), oil on canvas, scrolled carved wood gilt frame 75

x 62cm. Provenance: By descent in the family ...[more]

1506CORNELIS VAN LEEMPUTTEN (1841-1902) POULTRY IN A FIELD A pair, both signed, oil on panel Each 17 x 23cm. (2) ++ Each

needs a light clean

1507WILHELM THEODOR NOCKEN (1830-1905) SPORTSMAN AND HIS DOG ON A FOOTBRIDGE IN A WINTER LANDSCAPE Signed,

oil on canvas 45.5 x 60cm. ++ Lined; some associated retouching; needs a light clean

1508

THORA MULLER (Fl.c.1828-1858) STILL LIFES WITH FLOWERS Three, one signed and dated 1858 verso and inscribed after Jensen,

the others initialled and dated 1828 and 1830 39 x 30.5cm.; 36.5 x 30.5cm.; and 38 x 44cm. (3) * After Johannn Laurentz Jensen (1800-

1856) ++ Each with some damages and/or c ...[more]

1509FOLLOWER OF HERMANN ARMIN KERN (1839-1912) A DIVERTING FIND; THE COBBLER'S DISTRACTION A pair, the former

signed Kerner, oil on canvas, unframed Each 46 x 32cm. (2) ++ Some flaked losses at canvas edges

1510MICHELANGELO MEUCCI (1840-1909) TROPICAL PARULAS AT A NEST Signed an dated Firenze 1876, oil on board, mounted oval

46.5 x 35.5cm. ++ Retouching over craquelure in the sky; a few slight grazes; needs a light clean

1511

FOLLOWER OF EDOUARD CORTES (1882-1969) PARIS; LES GRANDS BOULEVARDS, LA NUIT Bears signature, oil on panel 32 x

45cm. Provenance: London, Sothebys, Elton John Collection, vol. IV, September 8th-9th 1988, lot 1006 (described as being by Cortes

and as oil on canvas), whereat purchased by the owner ...[more]

1512

EUGENE LEPOITTEVIN (1806-1870) THE DAIRY MAID'S QUESTION Signed and dated 1852, also monogrammed on the milestone,

oil on canvas 32 x 39.5cm. Provenance: Gibbons collection, Boddington Manor, Gloucestershire ++ Lined; some associated retouching;

slight losses in the sky; some craquelure; needs ...[more]

1513 •ANGELO BROMBO (1893-1962) GONDOLA ON A VENETIAN BACKWATER Signed, oil on board 23.5 x 17cm. ++ Needs a light clean

1514

ANDRE CORTES (Fl.late 19th Century) CATTLE WATERING NEAR A COTTAGE; CATTLE WATERING NEAR SHEPHERD AND

SHEEP A pair, both signed, oil on canvas Each 39.5 x 53cm. (2) ++ The former lined, the latter needing to be lined; retouching,

craquelure and old damages on each; each needs a clean

1515CIRCLE OF ELIAS CHILDE (1778-1848) WAYSIDE TALK Oil on canvas 39.5 x 49.5cm. ++ Lined; associated retouching; some

craquelure

1516FOLLOWER OF RICHARD BUCKNER (1812-1883) STUDY OF A COUNTRY GIRL CARRYING A PANNIER OF WOOD Oil on canvas

76 x 68cm. ++ Lined; some associated retouching

1517ENGLISH PROVINCIAL SCHOOL, 19th CENTURY W. BUCKINGHAM'S BUTCHER'S SHOP Oil on panel 26 x 32.5cm. ++ Slightly

abraded areas; needs a clean

1518FOLLOWER OF ANTON SCHRANZ (1769-1839) THE WATERFRONT AND HARBOUR, VALLETTA, MALTA Oil on canvas 31.5 x

48.5cm. ++ Lined; much craquelure with some cupping and a few flaked losses; scattered retouching; needs a clean

1519ERNST RIECK (Fl.1832-1858) LANDS END Signed and dated 1852, oil on canvas 73 x 97cm. ++ Evident retouching upper right and

lower left; craquelure; needs a clean

1520CHARLES H. POINGDESTRE (1825-1905) MONT ORGUEIL, JERSEY Signed, inscribed with title and dated 1882, oil on canvas 19.5 x

36cm. ++ Some craquelure; needs a light clean

1521

ROBERT F. WATSON (Fl.1845-1866) EDINBURGH FROM THE FORTH; BASS ROCK A pair, the former signed, inscribed and dated

1856 on a label on the frame, oil on card Each 12 x 24.5cm. (2) Provenance: James Leathart (1820-1895), by whom sold in the 1890's

(one picture is stamped LEATHART verso) ++ Each n ...[more]

1522

LIVERPOOL SCHOOL, MID-19th CENTURY THE SAILING SHIP IDAS, OUTWARD BOUND OFF THE TUSKAR ROCK, SOUTH

EAST IRELAND Oil on canvas 64 x 100.5cm. * The perilous seas around Tuskar Rock were a test for any mariner, so reaching the

open ocean beyond was a relief for a shipmaster. Idas, 144 feet in lengt ...[more]

1523ANGLO-CHINESE SCHOOL, Circa 1900-1920 JUNK AND OTHER VESSELS; CHINESE FISHING BOAT A pair, oil on card Each 18.5

x 27cm. (2) ++ Good condition

1524GEORGE AUGUSTUS WILLIAMS (1814-1901) THE THAMES MOORING Signed and inscribed indistinctly with title on a label on the

stretcher, oil on canvas 29.5 x 49cm. * The title may read `The Thames Morning` ++ Some craquelure; needs a light clean

1525

ATTRIBUTED TO GEORGE ALEXANDER NAPIER (1823-1869) A STEAM YACHT OF THE NEW BRIGHTON YACHT CLUB AT `THE

TAIL OF THE BANK` ON THE CLYDE Oil on canvas 54.5 x 95.5cm. * The blue ensign and blue pennant at the mainmast of this

steamer indicate that the owner is a member of a privileged yacht club and ...[more]

1526

ATTRIBUTED TO JOHN SYER (1815-1885) THE AVON GORGE AT BRISTOL, LOOKING TOWARDS THE CLIFTON BRIDGE AND

HOTWELLS Oil on canvas 53 x 76cm. * This subject predates the completion of the bridge in 1864 and was probably painted in the

1850s. The original constructors went bankrupt in 1837 after the bu ...[more]

1527EDWARD JOHN COBBETT (1815-1899) HEATHER BELLES Signed, oil on canvas 82 x 110cm. ++ Lined; retouching and craquelure;

period gilt frame

1528GEORGE WRIGHT (1860-1942) RETURNING HOME Signed, oil on canvas 24 x 39.5cm. Provenance: London, Richard Green Fine

Paintings ++ good condition

1529

HENRY GIBBS (Fl.1880-1907) THE WISDOM OF YEARS Oil on canvas 75 x 62cm. Provenance: Lawrences Crewkerne, April 12th

1984, lot 316, with a typed note from Leanora Woodhouse, dated 9/1/84, stating that the picture was a gift to the Woodhouse family

from the artist and that the lady depicted was a ...[more]

1530ALEXANDER JOHNSTON (1815-1891) PORTRAIT OF A GIRL IN A RED SHAWL Signed with initials, oil on canvas, mounted oval 34.5

x 26cm. ++ Lined; some retouching; a little thin in places

1531SCOTTISH SCHOOL, Circa 1900 PORTRAIT OF WILLIAM BROOM (d.1926) Seated half length at a desk, wearing a dark coat, oil on

canvas 90 x 70cm. Provenance: By descent in the family of the sitter ++ Slight bloom; needs a clean

1532

SCOTTISH SCHOOL, Circa 1940 PORTRAIT OF WILLIAM ALEXANDER BROOM OF CAMPBELTOWN (1882-1954) Quarter length,

wearing a grey suit and black cape, oil on canvas 75 x 62.5cm. Provenance: By descent in the family of the sitter ++ Good condition;

needs a light clean

1533 WITHDRAWN

1534BENJAMIN SHIPHAM (1806-1872) VILLAGERS ON A COUNTRY ROAD Oil on canvas 36 x 52.5cm. ++ Lined; some associated

retouching

1535WILLIAM MANNERS (Fl.1885-1910) A REST DURING HARVEST Signed and dated 1891, oil on canvas 32 x 57cm. ++ Patched repair

at right; scattered retouching; needs a light clean

1536DAVID BATES (1840-1921) FAGGOT GATHERERS IN THE VALE Signed and dated 1896, oil on canvas 44 x 60cm. ++ Lined;

scattered retouching (including some to the signature)

1537DAVID BATES (1840-1921) STICK GATHERERS IN THE BIRCH WOOD, CAPEL CURIG, NORTH WALES Signed and dated 1879,

bears inscription on the stretcher, oil on canvas 51.5 x 34cm. ++ Very good condition; under glass in period gilt frame

1538

DAVID BATES (1840-1921) ON THE AVON; FERN GATHERING ON WELLAND COMMON, NEAR MALVERN A pair, both signed and

dated 1879, each bears inscription on the stretcher, oil on canvas Each 23.5 x 31cm. (2) ++ Very good condition; under glass in period

gilt frames

1539DAVID BATES (1840-1921) AT COWLEIGH, MALVERN; A WINDFALL A pair, both signed and dated 1881, each also signed and

inscribed and dated verso, oil on canvas Each 19.5 x 24.5cm. (2) ++ Very good condition; under glass in period gilt frames

1540

JOHN BRANDON SMITH (1848-c.1893) FISHERMAN BY A WATERFALL; WOMAN ON A RIVERSIDE PATH A pair, both signed and

dated 1892 and 1893, oil on canvas Each 37.5 x 49.5cm. (2) * Smith's date of death is universally given as 1884 but these two

canvases are clearly dated. ++ The former with a long tear, ...[more]

1541•ALFRED FONTVILLE DE BREANSKI (1877-1957) ON THE RIVER LYD, DARTMOOR Signed, also signed and inscribed with title

verso, oil on canvas 49.5 x 75cm. ++ Needs a light clean; some craquelure

1542•ALFRED FONTVILLE DE BREANSKI (1877-1957) A MOORLAND TRACK, NEAR PRINCETOWN, DARTMOOR Signed, also signed

and inscribed with title verso, oil on canvas 59.5 x 90cm. ++ Good condition

1543

RALPH TODD (1856-1932) TALES OF THE SEA Signed and dated 83, oil on canvas 46 x 60cm. Provenance: London, Christies,

November 15th, 1951, lot 55 (£120). The receipt for the transaction accompanies this lot. (2) Exhibited: (?) The artist showed `A

Fisherman's Home, Cornwall` at The Royal Society ...[more]

1544CHARLES NAPIER HEMY, RA, RWS (1841-1917) THE RETURN OF THE FISHERMEN Signed with initials and dated 1901, oil on

canvas 58.5 x 89.5cm. ++ Lined; associated retouching and further retouching over craquelure and lifting paint; needs a clean

1545WRIGHT BARKER (1863-1941) PATIENCE IS THE GREATEST VIRTUE Signed and dated 1901, oil on canvas 75.5 x 100.5cm. ++

Striplined; some associated retouching; needs a light clean; the vertical stretcher bar is off centre

1546CIRCLE OF JOSEPH H. BARNES (Fl.1867-1887) FEEDING THE SHEEP Bears signature BARNES, oil on canvas 34 x 43.5cm. ++

Lined; craquelure and retouching over old damages; two newer spots of damage with slight paint loss; needs a clean

1547ALFRED MORRIS (19th Century) SHEEP ON A MOORLAND RIDGE Signed and dated 1862, oil on canvas 60 x 90cm. ++ Lined;

associated retouching

1548

ANNIE LOUISA ROBINSON, ARA (1844-1933) PORTRAIT OF LILIE, DAUGHTER OF W. McGRATH Seated three quarter length,

wearing a blue dress and holding a rosebud, inscribed label on the frame, oil on canvas 75 x 62cm. * The artist is better known by her

married name, Swynnerton ++ Lined; associated reto ...[more]

1549

CHARLES ROWBOTHAM (1856-1921) HAMPSTEAD HEATH Signed, inscribed with title and dated 1887, watercolour 27.5 x 45.5cm.;

with a watercolour of children with goats by W. A. Frank, 1984, 52.5 x 41.5cm. (2) Provenance: (Rowbotham), Collection of the artist's

son, Leopold Charles Leeson Rowbotham (18 ...[more]

1550ALFRED D. BASTIN (1849-1913) `NO FOLLOWERS ALLOWED` Signed, inscribed verso, watercolour 36.5 x 24.5cm. ++ White mould

spots; some foxing

1551

ARTHUR WINTER SHAW (1869-1948) WATER MEADOWS AT AMBERLEY, SUSSEX Signed with initials and dated 1903, watercolour

and pencil 33 x 47cm.; with `On the Romney Marshes` by Arthur George Bell, 35.5 x 53cm.; and `Banstead Down, Surrey` by Thomas

Colman Dibdin, 10 x 19.5cm. (3) ++ Shaw a little rubbe ...[more]

1552 CHARLES LOW (Fl.1885-1902) IN THE MEADOWS Signed, watercolour 26.5 x 38.5cm. ++ Some foxing; slight fading

1553 CHARLES LOW (Fl.1885-1902) OLD MILL BY THE ORCHARD Signed, watercolour and pencil 25 x 37cm. ++ Needs a light clean

1554

JOHN MOGFORD (1821-1885) CROMER FROM WEST CLIFFS, FORENOON, AUG `76; LANDSLIP NEAR TRIMMINGHAM A near

pair, both signed and dated 1876, the former inscribed Cromer, the latter inscribed Landslip east of Cromer, Sept 76, each inscribed

with given title verso, watercolour Each 34 x 50cm. approx. (2 ...[more]

1555ROBERT THORNE WAITE, RWS (1842-1935) BURNING THE STUBBLE Signed, watercolour 26.5 x 46cm. Provenance: Painswick,

Newman Fine Art ++ Good condition

1556WILLIAM BISCOMBE GARDNER (1847-1919) THE MIDDAY PIPE AT CASTLE MILL, DORKING, SURREY Signed, watercolour 28.5 x

21cm. ++ Good condition

1557NEVILL SIDEBOTTOM (Fl.c.1910-1914) INTERIOR; SAILMAKER'S WORKSHOP Signed and dated 1910, inscribed on a label on

backboard, watercolour and pencil, heightened with white 35 x 45cm. ++ Good condition

1558THOMAS DANBY (1818-1886) BOATING AT OYSTERMOUTH Signed and dated 1885, watercolour over traces of pencil 26.5 x 51cm.

++ Good condition

1559

•CHARLES WALTER SIMPSON (1885-1971) THE RODEO GROUP: A. V. ELLISON, AMATEUR Inscribed Sketched in the Arena June

21st and A. V. Ellison, amateur, black crayon 26 x 33.5cm. * In 1924, Bodley Head published Simpson's first book, `El Rodeo`. The

sketches were executed at the British Empire Exhibiti ...[more]

1560DAVID BATES (1840-1921) THE PRIORY CHURCH, LITTLE MALVERN Signed and dated 1874, also signed and inscribed on the

stretcher, oil on canvas 18 x 30cm. ++ Good condition

1561CARL BRENNIR (1850-1920) THE SANDY COMMON, SURREY Signed and dated 1899; also signed, inscribed, dated and further

indistinctly inscribed on the stretcher, oil on canvas 29.5 x 44.5cm. ++ Some craquelure; needs a light clean

1562•VINCENT LINES (1909-1968) BRANCH LINE AT LONGPRE Signed, also signed and inscribed on a label verso, oil on board 39.5 x

60cm. Provenance: London & Cheam, J. Dowmunt Fine Art ++ Good condition

1563•WILLIAM EDWARD NARRAWAY (1915-1979) SHOVE HA'PENNY Signed, oil on canvas 60 x 49.5cm. * The artist's widow confirmed

in c.1984 that the picture was painted in 1940-1 at the Gateway pub, Swinton, near Rotherham, South Yorkshire. ++ Some craquelure

1564CHARLES JAMES ADAMS (1859-1931) WAITING FOR THE FERRY, KYLE OF LOCHALSH Signed, watercolour 36 x 53cm. ++ Very

good condition

1565•ROBERT BUHLER, RA (1916-1989) ROBERT KITCHENER WRITING AT A TABLE Signed, also signed and inscribed verso, oil on

canvas 50 x 60cm. ++ Some retouching

1566

•WILHELMINA BARNS-GRAHAM, CBE (1912-2004) THE TOY SHOP, THE DIGEY, ST. IVES Signed and dated 1944-?5 (amended by

the artist from 1944), pencil with touches of coloured crayon 50 x 63.5cm. * The toy workshop, located in a narrow passage off the

Digey, struck the artist as a superb theme for a pa ...[more]

1567

•HAROLD KNIGHT, RA (1874-1961) THE MAIDEN Signed, oil on canvas 76.5 x 62cm. Provenance: London, Phillips, Dcember 4th

2001, lot 45 Exhibited: Warrington (Museum & Art Gallery), Salford Quays (Lowry) and Birkenhead (Williamson Art Gallery), `Shades of

British Impressionism : Lamorna Birch a ...[more]

1568•WILLIAM LEE-HANKEY, RWS (1869-1952) LA TOILETTE Etching, signed in pencil 16 x 16cm. ++ Slight mount burn in margins; image

good

1569•WILLIAM LEE-HANKEY, RWS (1869-1952) EVENING Drypoint, c.1919, with artist's blindstamp and signed in pencil 22.5 x 24.5cm. ++

Slight time toning of the paper; a very strong impression

1570

HERBERT DICKSEE (1862-1942) LIONESS ON A ROCK Etching, signed in pencil, unframed 15 x 25cm.; with seven further unframed

etchings by or after A. Lepere, E. Edwards, G. Gascoyne, W. Rawson and C. Jacque; and two more by W. Rawson, these framed, six

signed. (10 items in total, 2 framed) ++ Gene ...[more]

1571

EDMUND BLAMPIED (1886-1966) THE OLD COMPLAINT (THREE OLD PARTIES) Drypoint, 1929, signed and numbered 4/100,

unframed 25.5 x 19.5cm.; with six etchings by W. Lee-Hankey, W. Strang, A. Legros, Y. Boussidan and after P. Potter, two signed, all

unframed. (7) ++ Generally satisfactory-good

1572

•CHARLES FREDERICK TUNNICLIFFE, OBE, RA (1901-1979) THE FRUIT OF THE TREE; THE FLIGHT FROM EDEN Two, etchings,

1931-1932, each signed in the margin and also within the image (each signature in pencil), unframed 28.5 x 20.5cm and 27.5 x 20cm.

(2) ++ Creasing and some pale foxing and handling mark ...[more]

1573

•EDWARD BAWDEN, CBE, RA (1903-1989) FISHMONGER Engraving, 1927-1929, from the edition published in 1973, signed in pencil

and numbered 8/40 10 x 15cm. Literature: Jeremy Greenwood and Elspeth Moncrieff, Edward Bawden: Editional Prints, (Woodbridge,

2005), pp.18-20 ++ Some slight mount burn and ...[more]

1574

•BLAIR HUGHES-STANTON (1902-1981) THE WAR IN HEAVEN (ILLUSTRATION FROM `THE REVELATION OF ST. JOHN THE

DIVINE`) Wood engraving, artist's proof, 1932, signed, dated, titled and inscribed AP3 (the edition was 250 plus proofs) 21 x 12.5cm.;

with `The Cellar Boy`, etching by Gerald Maurice Burn, 193 ...[more]

1575

•EDWIN LA DELL (1914-1970) SPANISH HARBOUR Colour lithograph, signed, titled and numbered 10/25 43 x 55.5cm.; with `Cattle`,

colour etching by John Brunsdon, signed, titled and numbered 72/100, 30 x 22cm. (2) ++ La Dell with some old soft creases near edges;

Brunsdon good

1576•ALISTAIR GRANT (1925-1997) KNIGHTS Screenprint printed in black and grey, c.1964, signed, titled and numbered 9, unframed

Image 45.5 x 61.5cm. ++ Some small tears at edges and pale stains in margins; handling creases

1577 •RICHARD BAWDEN (b.1936) CLUN Colour aquatint with etching, signed, titled and numbered 6/75 41 x 58cm. ++ Good condition

1578

•STANLEY WILLIAM HAYTER, CBE (1901-1988) COMBAT (Black & Moorehead 210) Colour etching with aquatint, signed and dated

53, numbered 149/200, published by La Guide Internationale de la Gravure, Geneva and printed by the artist, unframed 29.5 x 19.7cm.;

with `Portrait de Femme`, offset lithogr ...[more]

1579•JOHN PIPER, CH (1903-1992) HIGH CROSS, HAMPSHIRE (Levinson 284) Colour lithograph, 1978, signed and numbered 49/75,

published by Orde Levinson (and with his blindstamp), full margins 41 x 55cm. ++ Slight spotting and very pale damp marks in margins

1580

•JOHN PIPER, OM (1903-1992) ABBEVILLE, ST. WOLFRUN (Levinson 207) Colour screenprint, 1972, signed and inscribed Artist's

proof (one of 20, aside from the edition of 70), published by Marlborough Fine Art 79.5 x 59cm.; with `Dryslwyn Castle` by Piper,

published by Curt Valentin, 1955, 27 x 21cm. ...[more]

1581

•AFTER ARTHUR BARBOSA (1908-1995) THE US TOPOGRAPHICAL ENGINEERS - LT. COLONEL, c.1841; AND ELEVEN OTHERS

The set of twelve, offset lithograph reproductions with skilful hand colouring, from `Fine Art Lithographs of American Army Uniforms`,

apparently published by Heirloom Fine Art/ W. S. Cowell L ...[more]

1582

•SHEILA ROBINSON (1925-1988) PARROT Colour linocut, signed and dated 1965, titled and numbered 2/30 53 x 66cm.; with three

further signed, titled, dated and numbered linocuts by the same hand, comprising `Cat`, 1967, 2/30, 42.5 x 57.5cm; `Tom Cat`, 1963,

30/50, 45 x 59.5cm; and `Donkey`, 1966, 2 ...[more]

1583•PRUNELLA CLOUGH (1919-1999) GRAMMAR OF ORNAMENT Colour lithograph, signed and numbered 30/30, unframed Image 45.5

x 41cm. ++ Pale foxing affecting the margins

1584

•BEN NICHOLSON, OM (1894-1982) SAN GIMIGNANO (Cristea 21) Etching with drypoint, 1953, printed with plate tone, signed and

dated in pencil, from an edition of unrecorded size (possibly only 10), on wove paper, unframed Plate/image 17.6 x 24.8cm.; sheet 23.2

x 29.6cm. ++ Minor nick on tower on ri ...[more]

1585•HENRY MAYO BATEMAN (1883-1970) ASPECTS OF ANGER Four studies, pen and black ink over traces of pencil, editor's notes,

various shapes and sizes, unframed 14.5 x 10.5cm and smaller (4) ++ Some time toning

1586•HENRY MAYO BATEMAN (1883-1970) "MARK YOU --"; "AND THEN --!" Two, each initialled and dated 62, titled in pencil, pen and

black ink over traces of pencil, unframed 19 x 12.5cm and 18.5 x 12cm. (2) ++ Slight handling creases at edges

1587

•HENRY MAYO BATEMAN (1883-1970) "THE YARD": THE BEST DETECTIVES - EDGAR WALLACE'S - ARE ALWAYS SCOTLAND

YARD MEN Initialled and inscribed "The Yard", with remainder of the title verso, editor's notes recto, agent's stamps and notes verso,

pen and black ink over traces of pencil, unframed 14.5 x 2 ...[more]

1588

•HENRY MAYO BATEMAN (1883-1970) HE "OO"-ED TWICE & PASSED PEACEFULLY AWAY Initialled and dated 20, inscribed with

title, editor's notes, agent's stamp verso, pen and black ink over traces of pencil, unframed 15.7 x 25.5cm. Published: The Tatler; Letters

of Lucille IV ++ Slight handling mark ...[more]

1589•HENRY MAYO BATEMAN (1883-1970) PREBENDARY ORPINGTON Signed, bears title in pencil, black ink with nib and brush over

traces of pencil, unframed 25 x 20.5cm. ++ Creases and slight wear at edges

1590•HENRY MAYO BATEMAN (1883-1970) THE MAYOR'S PARLOUR Bears title in pencil, pen and black ink over traces of pencil,

unframed 15 x 22.5cm. ++ Repaired tear upper centre margin; slight creases and handling marks

1591•HENRY MAYO BATEMAN (1883-1970) KEPT AWAKE.. Pen and black ink over traces of pencil, unframed 25 x 31cm. ++ Some tears

and handling marks near edges; some pale foxing

1592•HENRY MAYO BATEMAN (1883-1970) "BUSINESS!" Titled in pencil, pen and black ink over pencil, unframed 38 x 25.5cm. ++ Some

tears in margins; paper a little tim toned and with handling marks

1593

•HENRY MAYO BATEMAN (1883-1970) DOING HIS LITTLE BIT (THE LITTLE BIT IS INDICATED BY A X) Initialled and dated 14,

inscribed with title, editor's note in pencil reads Roulette Smoke/ Etc where/ needed, pen and black ink over traces of pencil, unframed

21.5 x 35cm. ++ Some rust marks upper centre ...[more]

1594•HENRY MAYO BATEMAN (1883-1970) THE PLATE JUGGLER Pen and black ink over pencil, unframed 33 x 24cm. ++ Paper time

toned

1595•HENRY MAYO BATEMAN (1883-1970) GLAD EYES Signed and dated '920, titled, pen and black ink over traces of pencil, unframed

31 x 25cm. ++ Some handling creases and tears in margins

1596•HENRY MAYO BATEMAN (1883-1970) EVEN THE WORM DOES A VERY GOOD TURN Signed, titled in pencil, pen and black ink

over traces of pencil, unframed 28 x 20.5cm. ++ Generally good condition

1597

•HENRY MAYO BATEMAN (1883-1970) LITTLE LIVES - ESCOGRIFFE LOUPGAROU Signed and dated '9 (possibly 19), bears title in

pencil, agent's label verso, pen and black ink over traces of pencil, on paper laid on card, unframed 30.5 x 25cm in total; the sheet 25 x

20.5cm. * The curious title may be tran ...[more]

1598•HENRY MAYO BATEMAN (1883-1970) (?) THE MAYOR IN MUFTI Signed, with pencil title exactly as given, black ink with nib and

brush over traces of pencil, unframed 36 x 24cm. ++ Some creases and handling marks at edges

1599•HENRY MAYO BATEMAN (1883-1970) A SCIENTIC [sic] ANOMALY. CAN THERE BE SUCH A THING AS A COLD HOT DOG?

Signed, titled in pencil, pen and black ink over traces of pencil, unframed 40.5 x 28.5cm. ++ Some slight handling marks and creases

1600

•JEKA KEMP (1876-1967) `MERE TOTO` Signed, watercolour 31 x 31cm.; with two signed watercolours by Elizabeth Geddes (`Near

Blairgowrie` and `The Carse of Invergowrie`), 1887 and 1889, 24 x 37.5cm and 16.5 x 24cm. (3) Exhibited: (Kemp) possibly Paris, Salon

1922 ++ Kemp with foxing and a few gr ...[more]

1601•COLIN W. BURNS (b.1944) ON THE UPPER REACHES OF THE ANT Signed, watercolour heightened with touches of bodycolour

22.5 x 30cm. Provenance: Norfolk, Sheringham, Westcliffe Gallery ++ Good condition

1603•ROWLAND LANGMAID (1897-1956) TOWER BRIDGE Signed and inscribed with title, watercolour and pencil 10 x 29.5cm. ++ Needs

a light clean

1604•DEREK GEORGE MONTAGUE GARDNER (1914-2007) HMS RESOLUTION Signed, watercolour 23.5 x 34cm. Provenance:

Liverpool, The Rembrandt Gallery ++ Good condition

1605•COSMO CLARK (1897-1967) EVENING LIGHT, DIEPPE Signed, watercolour and gouache 28 x 38cm. Exhibited: London Royal

Society of Painters in Water Colours (label on backboard) ++ Some slight light staining

1606 •ROBERT EADIE (1877-1954) DUNURE HARBOUR Signed, watercolour and pencil 26.5 x 35.5cm. ++ Good condition

1607 ANTON CALBET (1860-1944) GIRLS IN A PARK Signed in pencil, watercolour and pencil 31 x 23cm. ++ Needs a light clean

1608•ALICE DES CLAYES (British/Canadian, 1891-1971) LA RENCONTRE Signed, signed on fragmented label on backboard (possible

former title: `Gossips`), pastels 25 x 31cm. ++ Good condition; not rubbed

1609REGINALD GUY KORTRIGHT (1876-1948) VILLAGE SCENES Two, both signed (one very faint), watercolour and pencil 35 x 24.5cm.;

and 29.5 x 23.5cm. (2) ++ One with slight spotting in sky upper right

1610

•EDNA CLARKE HALL (1879-1979) AT THE KEYBOARD, c.1895 Watercolour with pen and ink 19 x 13.5cm.; with `Wooded

Landscape`, 1916, a pastel study by the same hand, 23 x 29cm. (2) Provenance: London, New Grafton Gallery, February 1982, nos. 36

and 68 (label verso) Provenance: Collections of Mrs M. ...[more]

1611

•ELINOR BELLINGHAM-SMITH (1906-1988) THREE CHILDREN BY A MISTY POND Signed with initials, watercolour 47 x 30cm. *

Possibly an illustration for Harper's Bazaar, 1935 Provenance: Christies, Orchardleigh Park, Frome, September 21st-22nd 1987, lot 345

++ Good condition

1612•HARRY KEIR (1902-1977) IN A GLASGOW PUB Signed and dated 39, watercolour with pen and black ink 25.5 x 26cm. ++ Good

condition

1613•DAVID ORD KERR (b.1951) BARN OWL Signed, watercolour and bodycolour, on pale grey paper 17 x 12.5cm. Provenance: Norfolk,

Sheringham, The Westcliffe Gallery, from whom purchased 2005 (with exhibition catalogue) (2) ++ Good condition

1614•CHARLES WALTER SIMPSON (1885-1971) CALVES IN A WOOD Signed and dated 13, watercolour and gouache 48.5 x 58cm. ++

Good condition

1615

•CHARLES FREDERICK TUNNICLIFFE, OBE, RA (1901-1979) THRUSH ON MISTLETOE Signed, watercolour and pencil 16.5 x

22cm.; with `Beach Cottage from Shorelands`, inscribed, watercolour and pencil, 17 x 26cm.; and a farmyard sketch, signed and dated

26, ink and pencil, this unframed, 20 x 28.5cm. (3) * ...[more]

1616•PETER COKER, RA (1926-2004) SALMON NET DRYING Signed with initials, artist's label on backboard, watercolour with pen and

brown ink 38 x 56cm. ++ Central vertical crease where formerly bound into a book

1617LOUIS WAIN (1860-1939) READY FOR ANOTHER! Signed and titled, soft pencil vignette Sight 24 x 16.5cm.; subject 14 x 10cm

approx. ++ Scattered pale foxing * To be sold for the benefit of St Margaret's Hospice

1618

•AUGUSTUS JOHN, OM, RA (1878-1961) `THE THREE GRACES` Pen and ink 24.5 x 15cm. Provenance: Formerly in the collection of

the businessman Michael Clark of Braxted Park, Essex, who was a noted collector of John's drawings. ++ Tape stains apparent at

edges and corners; handling creases

1619•KARL PARSONS (1884-1934) PATRICIA Signed with monogram, dated 1933 and inscribed with title, pencil 38 x 29.5cm. ++ Slight

time toning to the paper

1620•LIONEL EDWARDS (1878-1966) RUNNING THE SHEEP PATHS (EXMOOR) Signed with initials, and indistinct word and the date 22,

soft black crayon, letter verso 19.5 x 26cm. ++ Some slight handling marks

1621•PATRICK DOLAN (1926-1980) DANCER; DANCERS Two, both signed and dated 63, pencil Each 28.5 x 22cm. (2) Provenance:

Leeds, Queen Square Gallery, 1965 (labels verso) ++ Good condition

1622•ANNE YVONNE GILBERT (b.1951) DRAWING OF LINDER & ZOE Signed, titled and dated 1982, coloured crayons and pencil 22.5 x

34cm. ++ Good condition

1623

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) LANDSCAPE AT SUNSET Signed, watercolour and pencil 44 x 70.5cm.

Provenance: London, Thos. Agnew & Sons Ltd, Drawing Exhibition, 1933 (label on backboard). The title is indistinct but ends with the

word `.... Reds`. ++ Pale sky; a few spots o ...[more]

1624•MARY FEDDEN, RA (1915-2012) GREEK LANDSCAPE Signed and dated 1971, pencil 54 x 74cm. ++ Some mat staining and time

staining

1625

ATTRIBUTED TO SIR WILLIAM ORPEN, RA, HRHA (1878-1931) RECLINING NUDE Bears signature ORPEN, black chalk 43 x 59cm.

* A comparable study, possibly of the same sitter, was sold at Bonhams & James Adam, Dublin, May 30th 2007, lot 65 Provenance:

London, The Goupil Gallery (printed label on back ...[more]

1626 •MARY FEDDEN, RA (1915-2012) SHEEP Signed and dated 1984, watercolour 18.5 x 13cm. ++ Good condition

1627•MARY FEDDEN, RA (1915-2012) GRAPES AND LEMONS ON A TABLE Signed and dated 1988, watercolour 19 x 14cm. Provenance:

London, 20th Century Gallery, September 1989, item 271, from whom bought by the owner ++ Good condition

1628 •MARZIA COLONNA (b.1951) CORRIDA Signed, mixed media collage 30 x 39cm. ++ Good condition

1629

•STUDIO OF MIGUEL CANALS (1925-1995) STILL LIFE OF FLOWERS (STYLE OF ODILION REDON) Bears signature ODILON

REDON, Canals studio stamp verso, pastels 65 x 49cm.; with a pastel of a girl, in the style of Emile Claus, bears E Claus signature,

Canals studio stamp verso, 28.5 x 24cm. (2) ++ Each in ...[more]

1630

•LESLEY FOTHERBY (b.1946) STUDY OF BURMESE CAT 2; SKETCHES OF A BLUE BURMESE Two, both signed, inscribed verso,

watercolour 37 x 54cm.; and 34 x 50.5cm. (2) Exhibited: Both London, Chris Beetles Ltd, the latter in an exhibition, Lesley Fotherby,

March-April 1993 ++ Good condition

1631

•HELEN STUART WEIR (Fl.1915-1969) VENETIAN GLASS Signed, oil on canvas 75 x 62.5cm. Exhibited: London, Royal Watercolour

Society (c.1960); London, Royal Society of British Artists; possibly Ridley Art Club (at the Grafton Galleries, London) (labels verso) ++

Lined; some associated retouching

1632LESLIE FOLKSMAN (American, Contemporary) TROMPE L'OEIL: WINE, GOURDS AND A HUMMING BIRD Signed, oil on canvas,

lath frame 99 x 84cm. ++ Good condition; faint graze on right

1633FRENCH SCHOOL, 20th CENTURY INTERIOR WITH REFLECTIONS IN A LOOKING GLASS Oil on canvas 98 x 79cm. ++ Good

condition

1634

ENGLISH FOLLOWER OF IGNACE HENRI THEODORE FANTIN LATOUR (1836-1904) OLD ENGLISH ROSES Oil on canvas 57.5 x

47.5cm. Provenance: Norfolk, Sheringham, The Westcliffe Gallery ++ Two patched repairs lower with associated retouching; retouching

along lower edge; needs a light clean

1635•STUART SCOTT SOMERVILLE (1908-1983) STILL LIFES OF MIXED FLOWERS IN A BOWL ON A LEDGE A pair, both signed, oil on

board Each 24 x 34.5cm. approx. (2) Provenance: Norwich, Mandell's Gallery ++ Each needs a light clean

1636JOHN WHITE (1851-1933) ON BEER COMMON Signed, inscribed Mrs Longe/ On Beer Common/ Xmas 1922 - verso, oil on panel 19.5

x 24cm. ++ Fine crack at left; graze in sky; needs a light clean

1637•JOHN FREDERICK PERCY RENDELL (1872-1955) SOUTHWARK BRIDGE, LONDON Signed, oil on canvas 54 x 74.5cm. ++ Lined;

associated retouching and some craquelure in the sky

1638 WILLIAM ALFRED GIBSON (1866-1931) BIRCH TREES Signed and dated 97 or 07, oil on thin panel 26 x 34cm. ++ Good condition

1639

MORTIMER MENPES (1855-1938) A GENERAL VIEW OF MARLOW Signed, oil on card 16 x 20cm.; with a copy of `The Thames` by

Menpes and G. E. Mitton, published by A. & C. Black, 1906, in which this work is illustrated, facing p.106 (2) ++ The oil with some

craquelure and paint losses, principally in ...[more]

1640•DAVID MACBETH SUTHERLAND, RSA (1883-1973) HIGHLAND LANDSCAPE, POSSIBLY WESTER ROSS Signed and dated 32,

artist's label verso, oil on thin panel 32 x 39cm. ++ Needs a light clean

1641•PETER BIEGEL (1913-1988) OUT ON THE GALLOPS A near pair, both signed and dated 46, oil on board 25.5 x 35cm and 23.5 x

33.5cm. (2) ++ One with a superficial scratch; each with slight bloom; each needs a clean

1642 •MICHAEL LYNE (1912-1989) RIDING OUT WITH THE HOUNDS Signed, oil on canvas 39 x 49cm. ++ Good condition

1643•CHRISTIAN SANSEAU (b.1952) FANIONS ET CASIERS Signed, acrylic on canvas 40 x 100cm.; with an unframed poster for the

artist's exhibition at Galerie Flore, Saint Brieuc, 2002 (2) ++ Good condition

1644•MARGARET PULLEE (1910-2003) CAFE IN SEVILLE Signed, oil on board 46.5 x 34cm. Exhibited: London, The Mall Galleries, NEAC,

1988 (label verso) ++ Good condition

1645

•STUDIO OF MIGUEL CANALS (1920-1995) A SNOWY STREET (STYLE OF CLAUDE MONET) Bears signature Cla...., Canals studio

stamp verso, oil on canvas 33 x 43cm.; with a portrait of a boy, in the style of Frederic Leighton, Canals studio stamp verso, oil on

canvas, 39.5 x 31.5cm. (2) ++ Each with some c ...[more]

1646•EVE KIRK (1900-1969) LANDSCAPE: A CITADEL ABOVE A TOWN (SPAIN?) Signed, oil on canvas 39.5 x 49.5cm. * This subject was

reproduced in `The Studio` in 1934 with the title `Landscape` ++ Needs a clean

1647 JULIUS OLSSON (1864-1942) THE GLOW OF SUNSET Signed, oil on canvas 44.55 x 49.5cm. ++ Good condition

1648JULIUS OLSSON, RA (1864-1942) EVENING PORTHMEOR Signed (incised), also signed and inscribed with title verso, oil on board 34

x 44.5cm. ++ Some slight craquelure; a few very minor surface grazes etc

1649•TIM NICHOLSON (b.1939) CART HORSE Oil on paper laid on board 54.5 x 60cm. ++ Good condition; very minor crease upper right

corner

1650•CAREL WEIGHT, RA (1908-1997) OVERLOOKING COLBY ROAD Signed and inscribed with title verso, oil on canvas 68.5 x 90cm. ++

Craquelure; needs a clean

1651ARTHUR MEADE (1863-1948) THE OLD BRIDGE AT WAREHAM Signed, oil on canvas 85 x 107cm. ++ Needs a clean to removed

scattered spots and marks etc

1652 JULIUS OLSSON (1864-1942) MOONLIT SPUME Signed, oil on canvas 49.5 x 59.5cm. ++ Good condition

1653

•JOHN ANTHONY PARK (1880-1962) THATCHED HOMESTEADS, BLEWBURY Signed, bears title on the stretcher, oil on canvas 40 x

49.5cm. * Park and his wife Peggy were close friends with Dorothea Sharp and Marcella Smith, who had a house in Blewbury. ++ Some

slight paint separation; needs a clean

1654R** STONE (Fl.c.1921) GATHERING SHELLS Signed and dated 21, also incised with initials at the water's edge, oil on panel 30 x

24cm. ++ Needs a light clean

1655

RODNEY JOSEPH BURN, RA (1899-1984) DOROTHY AND ROSAMUND AT THE MOORINGS Bears initials verso, bears inscribed

label on the stretcher, oil on canvas 50.5 x 63.5cm. * The Moorings was the artist's home at Strand-on-the-Green from c.1956. These

are thought to be the artist's daughters. Provenance: ...[more]

1656CIRCLE OF GLYN WARREN PHILPOT, RA (1884-1937) HEAD OF A YOUTH Reconstituted stone 32cm; plus 15cm marble base ++

Good condition

1657

•HUBERT LINDSAY WELLINGTON (1879-1967) PORTRAIT OF THE ARTIST Bears inscription on the stretcher, oil on canvas 49.5 x

39.5cm. Exhibited: London, Allied Artists' Association., 1905 ++ A little craquelure (see side of nose, left hand etc) * Wellington was born

in Gloucester and studied art the ...[more]

1658•HUBERT LINDSAY WELLINGTON (1879-1967) INTERIOR WITH FIGURE Oil on canvas 39.5 x 29.5cm. ++ Lined; some associated

retouching; needs a clean

1659•HUBERT LINDSAY WELLINGTON (1879-1967) PORTRAIT, PROBABLY OF THE ARTIST'S SECOND WIFE, CHARLOTTE Oil on

canvas 49.5 x 39cm. ++ Some craquelure; needs a clean

1660

•HUBERT LINDSAY WELLINGTON (1879-1967) GOLDEN CAP, NEAR LYME, DORSET Signed with dedication (To Evelyn/ with Love

from Hubert/ - hope to see you soon -) and title verso, oil on canvas laid on board 24 x 33cm.; with two further landscapes on panel,

including one of Cerne Abbas, Dorset, 1937, 20.5 ...[more]

1661•TESSA NEWCOMB (b.1955) PAINTED DISPLAY BOX The painted wooden display comprising thirteen subjects 63 x 61 x 6.5-11cm

Provenance: Brentwood, Brandler Galleries ++ Some signs of wear etc

1662•TESSA NEWCOMB (b.1955) A JUG OF FLOWERS Signed with initials and dated 88, oil on board 13 x 12.5cm. Provdenance: Sussex,

Ian McVitie Weston ++ Good condition

1663BUDWIN CONN (American, 1927-2007) YUKI Oil on canvas 34.5 x 44.5cm. Exhibited: possibly, London, The Mall Galleries, Royal

Society of Portrait Painters, 1977 (label on stretcher) ++ Good condition

1664BUDWIN CONN (American, 1927-2007) EN TRANSE, 1975 Titled and dated on stretcher, oil on canvas 64 x 42cm. ++ Slight

craquelure

1665BUDWIN CONN (American, 1927-2007) ON THE BEACH Oil on canvas, bears remains of exhibition label verso 45 x 60.5cm. ++ Good

condition

1666BUDWIN CONN (American, 1927-2007) LOVE LETTER, 1962 Signed and dated 63; also signed, titled and dated 62 verso, oil on

canvas 80.5 x 64cm. ++ Good condition

1667BUDWIN CONN (American, 1927-2007) AUTISTA, 1969 Signed with initials; titled and dated on the stretcher, oil on canvas 64 x

84.5cm. ++ Good condition

1668BUDWIN CONN (American, 1927-2007) BEACH GAMES With signature, title Portrait of/ Mary Jane Reilly and date 58-64 verso, oil on

canvas 91 x 70cm. ++ 12mm tear in sky

1669

•AMY KATHERINE BROWNING (1881-1978) PORTRAIT OF RHODA, LADY BIRLEY AT HER DESK Signed, oil on canvas 100.5 x

75cm. * The setting is the Birleys' drawing room at 62 Wellington Road, St. John's Wood, London. Sir Oswald's self portrait (1920)

hangs above the fireplace. Lady Birley (1900-1981), born ...[more]

1670

•BENNETT OATES (1928-2009) HOLLYHOCKS Signed, oil on board 59.5 x 49cm. Provenance: Sheringham, Norfolk, The Westcliffe

Gallery, Exhibition Bennett Oates Flower Painter, from whom purchased December 2005 (with exhibition catalogue) (2) ++ Good

condition

1671•STEVEN SPURRIER, RA (1878-1961) THE RECITAL Signed, oil on canvas 100 x 125.5cm. Exhibited: Southport Gallery, 1958

Provenance: London, Christies, October 15th 1993, lot 145 ++ Lined; some associated retouching

1672

•DAME LAURA KNIGHT, DBE, RA, RWS (1877-1970) LAMORNA COVE Signed, watercolour and gouache 37.5 x 42.5cm.

Provenance: London, The Royal Academy, The Diploma Gallery, 1965, no.119, whereat purchased by Mrs P. Murray; thence by direct

descent in Mrs Murray's family. A letter from the artist to Mrs ...[more]

1701

FRENCH BRASS CARRIAGE CLOCK, the enamelled dial inscribed Exam.d by Dent, 61 Strand, London, the eight day repeating

movement striking half hourly to a gong, the back plate inscribed Rety Poller, Paris 3984, the case with columns to each corner, with

keys, height excluding handle 15cm

1702FRENCH GILT BRASS FOUR PANE CARRIAGE CLOCK, the ivorine dial inside a scrolling gilt frame on a brass, eight day, half hourly

striking movement with repeater mechanism, striking to a gong, serial number ?2453?, height excluding handle 15cm

1703FRENCH GILT BRASS CARRIAGE TIME PIECE, the gilt dial with black arabic numerals on a brass, eight day movement, serial

number 2926, the case with twisting columns to each corner, with key, height 11cm

1704FRENCH BRASS FOUR PANE CARRIAGE CLOCK, the enamelled dial with subsidiary alarm dial on a brass, eight day movement

striking to a bell, height excluding handle 11cm

1705GERMAN WALNUT BRACKET TIME PIECE, circa 1900, of urn silhouette, the 2 3/4" dial on a brass, eight day movement stamped

Lenzkirch, 1 million, the case with gilt metal mounts, with its original, similarly decorated bracket, height of clock 25cm (2)

1706LEATHER CASED TRAVEL CLOCK, the 3 3/4" enamelled dial with blue arabic numerals on a manual wind pocket watch movement

inscribed Longines, case 16cm x 15cm

1707FRENCH MANTEL CLOCK, the 3" enamelled dial on brass movement striking to a bell, the case with gilt figures on a white alabaster

base, under a glass dome, height of clock 30cm

1708

FRENCH GILT BRASS MANTEL CLOCK, late 19th century, the 3" enamelled dial inscribed Alfred B Pearce, 23 Ludgate Hill, on a brass

eight day movement half hourly striking to a bell and stamped Pert Bally Brevete A Paris, the case with a classical maiden draping a

garland over a bust above a Sevres sty ...[more]

1709VICTORIAN WALNUT MANTEL TIME PIECE, the 3 3/4" enamelled dial inscribed Samuel Dixon, 23 Cornhill, London, on a brass, eight

day, single fusee movement, the case with triangular pediment and barley twist columns, with key and pendulum, height 36cm

1710

WALNUT MANTEL CLOCK, circa 1830, the 3 3/4" enamelled dial inscribed A.B. Savory, Cornhill, 19256 on a brass, eight day

movement with matching inscription and serial number striking to a bell, housed in a rectangular case with stepped base, with pendulum

and key, height 24cm

1711BRASS SKELETON CLOCK, the 4 1/2" silvered chapter rim with gothic piercing on an eight day, single fusee, chain driven movement

with a scrolling frame, on an ebonised base under a glass dome, with pendulum, height of clock 29cm

1712

FRENCH MANTEL CLOCK, the 3 1/4" enamelled dial on a brass, eight day movement striking to a bell, the case with a classical

maiden and birds on a gilt metal and black marble base, height 44cm; together with a pair of conforming, four light candelabra, with key

and pendulum (3)

1713WHITE ALABASTER MANTEL CLOCK, the 4 1/4" gilt and enamelled dial inscribed T Skarrat & Co, Worcester, on a brass Japy Freres

eight day movement striking to a bell, height 44cm

1714

FRENCH GILT METAL AND MARBLE MANTEL CLOCK, the 3 3/4" dial on an eight day movement striking to a bell, stamped 'Japy Fils,

Medailles D'Argent 1844-1849', also stamped '993', raised on twin pillar supports bearing porcelain plaques, with pendulum and key,

height 40cm

1715

FRENCH GILT METAL MANTEL CLOCK, the 3" enamelled dial on a brass, eight day movement, the case modelled as figures before

ruins, under a glass dome with key and pendulum, height of clock 32cm *This items comes from Christopher Barry Gents Outfitters of

Bath (see Lots 1981-1987)

1716

REGENCY BRACKET CLOCK AND BRACKET, the 6 3/4" silvered dial inscribed Payne, 163 New Bond Street beneath a Strike Silent

lever, on a brass, four pillar, twin fusee, eight day movement striking to a bell, the back plate inscribed as the dial, the ebonised case

with caddy top, with pendulum, height 3 ...[more]

1717

EBONISED BRACKET CLOCK, the brass dial with 6.5" chapter ring enclosing a date aperture and bob pendulum, inside cherub head

spandrels and beneath a plaque inscribed Johs Stretch, on a five pillar, eight day, single fusee movement, the case with caddy top and

glazed doors and sides, with key and pe ...[more]

1718

OAK BRACKET CLOCK, the brass dial with silvered 6" chapter ring beneath Fast Slow and Chime Silent dials surrounded by gilt foliage

on a brass, eight day, four pillar, two train movement quarterly chiming to two gongs, the domed case with arched door flanked by figural

spandrels, the sides with sil ...[more]

1719

FRENCH GILT BRASS MANTEL CLOCK, late 19th century, the 3" gilt dial inscribed JJ Peters/Paris on a Japy Freres eight day brass

movement half hourly striking to a bell (lacking), the back plate and pendulum stamped 6459, the pagoda style case with turned finial

and columns to each corner, the whole ...[more]

1720ROSEWOOD WALL CLOCK, early 19th century, the 11 1/2" enamelled dial inscribed Geo. Wadham, Bath, on a brass, eight day, twin

fusee movement, the case with a short trunk with scrolling cartouche, with pendulum and key, height 64cm

1721WALNUT AND BRASS INLAID DROP DIAL WALL CLOCK, mid 19th century, the 11 1/2" enamelled dial inscribed Parsons & Horne,

Castle Street, Holborn, on a brass, single fusee, eight day movement, with pendulum, height 49cm

1722

GEORGE III MAHOGANY LONGCASE CLOCK, the 12" painted dial beneath an arched panel and with maidens to the spandrels,

subsidiary seconds dial and date aperture on a brass, eight day, four pillar movement striking to a bell, the case with pagoda hood and

reeded columns, the trunk with an arched door a ...[more]

1723

WEST COUNTRY OAK LONGCASE CLOCK, the 11" brass dial with date aperture and inscribed Samuel Pearce, Honiton on a brass,

four pillar, eight day movement hourly striking to a bell, the crossbanded case with square glazed hood door flanked by columns, with

weights, key and pendulum, height 208cm

1724

MAHOGANY AND INLAID MUSICAL LONGCASE CLOCK, the brass dial with 11 1/2" silvered chapter ring with subsidiary seconds dial

and chime silent dial to the arch on a brass, eight day three train movement chiming to a nest of eight bell and striking to a gong, the

case with a broken swan neck pediment, ...[more]

1725

CHANNEL ISLANDS INTEREST: mahogany and inlaid longcase clock, the brass dial with an 11 1/2" silvered chapter ring inscribed N

Blondel a Guernsey, enclosing a subsidiary seconds dials and date aperture, beneath a silvered strike silent dial, on a brass, five pillar,

eight day movement hourly striki ...[more]

1726

OAK NORFOLK SHAPED WALL CLOCK, the 13" enamelled dial inscribed J Giscard, Ely, the reverse stamped W Francis, on a brass

four pillar movement, the case with a top hatch above a glazed circular door, the arched door with walnut crossbanding, with weight and

pendulum, height 125cm

1727

MAHOGANY LONGCASE CLOCK, the brass dial with 11" silvered chapter ring enclosing a subsidiary seconds dial and date arch and

inscribed Benjn Abrahams Yeovil, on a brass, four pillar, eight day movement striking hourly to a bell, the hood with a rectangular,

glazed door flanked by 3/4 octagonal colu ...[more]

1728

MAHOGANY LONGCASE CLOCK, the 12" enamelled dial inscribed Pitt, Tetbury, on a brass, eight day, four pillar movement striking to

a bell, the hood with a circular aperture flanked by brass mounted columns and surmounted by fretwork, the trunk with quarter columns

with foliate brass capitals, with ke ...[more]

1729

OAK LONGCASE CLOCK, early 18th century, the brass dial with an 11 1/2" silvered chapter ring, enclosing a subsidiary seconds dial

and date aperture beneath a silvered boss inscribed Ralph Cloud Beamister (Beaminster), on a brass, five pillar, eight day movement

striking hourly to a bell, the case w ...[more]

1730REGENCY MAHOGANY AND CROSSBANDED WHEEL BAROMETER, the broken swan neck pediment above a hygrometer and

thermometer, the 10" silvered main dial inscribed F Amadio & Son, 118 St John Stt Road, London, height 110cm

1731REGENCY MAHOGANY AND LINE INLAID WHEEL BAROMETER, the hygrometer above a thermometer, mirror and silvered main

dial, the spirit level inscribed Angani, Newcastle, Warrented, height 110cm

1732 MAHOGANY STICK BAROMETER, the silvered dial inscribed John Putter, Edinr., height 95cm

1733

MAHOGANY AND CROSSBANDED WHEEL BAROMETER, by F Amadio and Sons, 118 St John Strt Road, London, early 19th

century, the broken swan neck pediment above a hygrometer, a mercury thermometer behind a bow fronted glass, an ivory inscription

plaque, 12" main dial and spirit level, height 121cm Footnote: ...[more]

1734 WITHDRAWN

1741COPPER JUG, c.1850, with side handle and engraved crest on side, height 15cm; together with a small copper haystack measure and

a small cider mug (3)

1742 CAST IRON JUDY DOOR STOP, possibly Victorian, with residual painted decoration, height 29.5cm

1743LARGE BRASS SKIMMER, 18th century, with maker's mark, length 60cm; together with a brass ladle (2). For the skimmer: c.f. Butler,

R.A, Study Collection of Related Domestic Brass and Other Base Metal Ware c. 1600

1744PAIR OF CONTINENTAL CARVED POLYCHROME FIGURES, 18th century, depicting St. Mary Magdalene and St. John, the gowns

with traces of red and blue paint with gilt highlights, height of tallest 42cm (2)

1745COLD PAINTED BRONZE PHEASANT, in the Bergmann style, length 13cm; together with a Cartier lighter, cloisonne blotter and

'Samson' porcelain snuff box (4)

1746OAK KNIFE OR SPOON RACK, 18th century, with fretwork top rail, two racks, box section lacking cover and a single drawer, height

70cm, width 35cm; together with a collection of 13 horn handled knives and three pronged forks (14)

1747BRONZE SKILLET, 18th century, the handle inscribed Cox. Taunton. V, length 44cm; together with another inscribed Washborough,

repairs, length 49.5cm (2)

1748 GEOGRAPHICA 8 INCH TERRESTRIAL GLOBE, with paper gores, on a stepped, domed bakelite base, height 31cm

1749THREE TAPESTRY TABLE SCREENS, with gilt metal mounts, height 55cm; a pair of applique face screens, tapestry bell pull and an

icon (7)

1750 WROUGHT IRON KITCHEN HOOK, 19th century, with six hooks, diameter 31cm; together with a pewter plate, diameter 24cm (2)

1751 BRASS FRIENDLY SOCIETY POLE HEAD, probably 19th century, mounted on a turned wooden handle, length 36cm

1752TWO VICTORIAN SHELLWORK PICTURES, each with a circular harbour scene under a convex glass and inside a shell frame

diameters 28 and 22cm (2)

1753MINIATURE MAHOGANY CHEST OF DRAWERS, 19th century, with two short above three long drawers, height 34cm, width 38cm,

depth 16.5cm

1754 SYCAMORE DAIRY BOWL, diameter 40cm

1755

JENNENS AND BETTRIDGE PAPIER MACHE TRAY, of scalloped oval form, painted with a crest of a lion's paw holding five feathers

inside a gilt and mother of pearl inlaid border, impressed mark, 80cm x 61cm; together with another tray of cartouche form with painted,

gilt and mother of pearl floral decora ...[more]

1756REGENCY ROSEWOOD BOOK TROUGH OR PORTER, with baluster turned gallery and handles above a single drawer fitted with a

pen rest and compartments, height 25cm, width 42cm, depth 31cm

1757 IVORY CORPUS CHRISTI, 19th century, probably Dieppe, on a hardwood cross, height of cross 27.5cm, height of figure 11.5cm

1758 PITCAIRN ISLAND: a carved wooden fish, length 32cm

1759 COOPERED MAHOGANY AND BRASS TRAY, 19th century, of oval, two handled form with a wavy rim, length 54cm

1760GEORGE III MAHOGANY AND INLAID MINIATURE BUREAU, early 19th century, the fall front with inlaid patera enclosing a fitted

interior and above three drawers and bracket feet, height 37cm, width 37cm, depth 25cm

1761 20TH CENTURY SCHOOL, Shire horse and foal, bronze, length 17cm

1762DUTCH STAINED PINE MINIATURE DRESSER, 19th century, the superstructure above an arrangement of six drawers, height 32cm,

width 29.5cm, depth 12cm

1763COLLECTION OF SEVEN GEORGIAN WOODEN COASTERS, to include mahogany, elm and walnut examples, various diameters

from 15.5 to 18cm (7)

1764WROUGHT IRON FIELD ANVIL, 19th century, length 31cm; together with an oak strickle, length 43cm; and a small sickle, length 41cm

(3)

1765 FAIRGROUND DARTBOARD, painted onto a planked, pine board, 43cm x 42cm

1766 TWO OAK LION HEAD CORBELS, with open mouths, height 21cm; together with a pair of cherub head corbels (4)

1767GEORGE III TORTOISESHELL AND IVORY LINED TEA CADDY, of waisted form with twin canister interior, height 15cm, width

19.5cm, depth 12.5cm

1768 BRASS CHAMBER STICK AND SNUFFER, 19th century, with ratchet ejector, height 20cm

1769 BRASS SUNDIAL, 18th century, of octagonal form, width 16cm

1770EMPIRE STYLE BRONZE TABLE LAMP, late 19th century, the reeded column above three children, the base with ram's heads and

foliage above three lion paw feet and shaped triangular plinth, fitted for electricity, height excluding fittings 53cm

1771BRONZE DOOR KNOCKER, probably 19th century, cast with a mask boss above a pair of female busts and a cherubs head, height

25cm

1772

TOOLS: EBONY AND BRASS COMBINATION MORTICE AND MARKING GAUGE, late 19th century, with heavy brass stock, 23.5cm;

an ebony and brass mortice gauge by David Flather and Son, with brass stem; a rosewood and brass mortice gauge; two rosewood and

brass try squares and a rosewood and brass sliding bevel ...[more]

1773METAL CRUCIFIXION ICON, 19th century, probably an electrotype, depicting Christ on the Cross, the Virgin and St John looking on, on

a velvet mount, 9cm x 6.5cm

1774VICTORIAN SILK PARASOL, the ivory shaft carved to emulate bamboo, a gilt metal band with coral cabochons and coral handle carved

as a lion's head, coral flower bud finial, length 57cm; together with another bone handled parasol (2)

1775MIXED LOT; a bronze dish with classical decoration, diameter 13cm; a small bronze bust marked 'Musée de Florence', height 13cm;

and an inlaid cube form tea caddy, 12cm x 12cm (3)

1776 19TH CENTURY FIGURE OF A CHERUB, lime or boxwood, standing holding a lyre, possibly a young Hermes, height 34cm

1777 GEORGE III BOWFRONTED MAHOGANY KNIFE BOX, with original, velvet lined, fitted interior, height 33.5cm

1778 PAIR OF GEORGE III MAHOGANY SERPENTINE KNIFE BOXES, with adapted interiors, height 37cm (2)

1779 GEORGE III MAHOGANY AND INLAID TWO HANDLED TRAY, of oval form with a central shell inside a wavy border, length 68cm

1780 GEORGE III LARK ROASTING FORK, the three prong fork on a turned mahogany handle, length 88cm

1781MAHOGANY AND SPECIMEN WOOD PARQUETRY WORKBOX, early/mid 19th century, the cover with geometric inlay enclosing a

fitted interior, height 8cm, width 28.5cm, depth 23cm

1782 TUNBRIDGEWARE GAMES BOX, late 19th century, with cribbage board top, floral decoration and fitted interior, length 25.5cm

1783

COLLECTION OF ENGLISH PEWTER, mainly 18th to 20th century, including two pairs of oval dishes, three chargers, three small

plates and a group of ewers and tankards, some with London touch marks, one tankard with an inscription including Hugo Cumberbatch

(parcel)

1784VICTORIAN BEADWORK CUSHION COVER, the central rose surrounded by ribbons on a red ground, 46cm x 42cm; together with a

Victorian walnut oval foot stool, with cream upholstery, height 16cm, width 35cm, depth 26cm (2)

1785TREEN: a collection to include a sycamore dairy bowl, two further turned bowls, burr or curly birch wood bowl and four various spoons,

diameter of bowls 31cm to 16.5cm (8)

178619TH CENTURY CHESS BOX, with turned miniature boxwood chess set, box length 31.5cm, height of king 5cm; together with another

box (2)

1787GEORGE III DOMED DOCUMENT BOX, probably early 19th century, textured paper bound and red painted, with swing handle, height

17cm, width 36cm, depth 20cm

1788TREEN: a collection to include an oak salt box and cover, three, turned wood double ended measures, a George IV birch grain measure

and another measure or scoop possibly a Scottish luggie, salt box height 18cm, width 25cm, depth 18cm (6)

1789 BRONZE BELL, possibly from a ship, with iron clapper, height 17cm

1790PAIR OF GILT BRONZE CANDLESTANDS, 19th century, the stems cast as vine branches holding the sconce, on a rectangular base

mounted with a cherub on a goat, height 22cm (2)

1791ANGLO INDIAN BONE AND MOSAIC INLAID WORK BOX, 19th century, the sarcophagus cover enclosing a fitted interior above a

single drawer, height 16cm, width 43m, depth 28cm

1792PAIR OF FRENCH ORMOLU CHENET, 19th century, of rococo style scrolling foliate design, height 37cm; together with a pair of rococo

style fire dogs and irons (7)

1793C THENN, Etude Difficile, an older boy trying to teach a younger child, brown patinated bronze, signature verso, stamped Copywrite

Vienna/Thenn, height 13.5cm

1794 GEORGE III CHIPPENDALE STYLE MAHOGANY TRAY, of silver form with a moulded rim, with a stand, diameter 29cm

1795FRENCH SILK AND GILT METAL MOUNTED JEWELLERY BOX, later 19th century, the cover with engraved glass panel inside trellis

work on a base with silk and trellis panels, acanthus leaf corners, height 17cm, width 19cm, depth 19cm

1796 GEORGE III MAHOGANY PARCEL GILT TOILET MIRROR, the base with three drawers, height 55cm, width 40cm

179720TH CENTURY SCHOOL, Profile portrait of a moustached gentleman, bronze or bronzed metal, signature to shoulder ?Tom Taylor?,

33cm x 25cm

1798PAIR OF MAHOGANY CANDLESTICKS, the brass sconces above fluted and wrythen stems, height 40cm; together with a Chinese silk

panel framed as a tray, length 72cm (3)

1799

VICTORIAN RED LEATHER 'PRESIDENT' DESPATCH BOX, the top with gilt 'VR' cypher and brass handle, bearing maker's mark

'Wickwar & Co. 6 Poland Street - Manufacturers to H.M Stat'y Office', height 12cm, length 39.5cm; together with a black leather

despatch box by Asprey, initialled 'M.S-B', height ...[more]

1800WROUGHT IRON OAT CAKE TOASTER, of horse shoe form with an easel stand, height 30cm; together with an iron potato rake and

another item, possibly an arrow shaped bread reel (3)

1801CHINESE EXPORT LACQUERED AND GILT WORK BOX, mid 19th century, of octagonal form with a single, fitted drawer, swing

handles and lion paw feet, the fitted interior with lift out tray and various sewing accoutrements, height 15.5cm, width 35cm, depth 26cm

1802FRENCH ORMOLU FIVE BRANCH CANDELABRA, 19th century, the porcelain mounts decorated with cherubs and flowers, the whole

with scrolling and swag decoration, height 43cm; together with a pair of French twin branch candelabra, height 31cm (3)

1803GLASS AND ORMOLU CORNUCOPIA OR RHYTON, 19th century, the faceted glass vase on a goat's head mount and white marble

base, height 23cm

1804PAIR OF MAHOGANY CANDLESTICKS, possibly George III, the metal sconces above a twisting column, reeded urn base and turned

foot, height 33cm (2)

1805FLORAL EMBROIDERED PANEL OR TABLE RUNNER, probably 19th century, worked with meandering flowers issuing from a vase,

professionally mounted on a hessian backing, length 256cm approx, width including backing 30cm

1806 OVAL SILKWORK PICTURE, early 19th century, of a basket of flowers in a verre eglomise mount, image size 32cm x 26cm

1807GEORGIAN SAMPLER, by ?Hellan? Robertson, worked with flowers, trees, deer and birds including toucans inside a meandering floral

border, 44cm x 44cm

1808WELSH INTEREST: early 19th century sampler by Mary Phillip, Aged 13, Carmarthen beneath alphabets, numbers, a rhyme, plants,

hearts and birds, 37cm x 31cm

1809PAIR OF CONTINENTAL GILT FRAMES, 19th century, the circular aperture inside a square frame with scrolling foliate corners, now

displaying a French porcelain plate with classical scenes, frame size 39cm x 39cm, aperture diameter 20cm (2)

1810 TAPESTRY FRAGMENT, probably 18th century, depicting a heron with a fish beneath a tree beside a lake, 300cm x 121cm

1811PAIR OF TINSEL PRINTS, to include Mr Phelps as Hamlet and Mr Phelps as King John, in ebonised, moulded frames, image size

14cm x 11cm and 13cm x 10cm (2)

1812

PAIR OF STUMPWORK PICTURES, 18th century and possibly German, worked in wool, metal thread and probably silk, the first

depicting hounds bringing down a stag before birds in a tree and a huntsman, the second of the huntsman and hounds before a deer

and bird hanging from a tree, two hooded birds of ...[more]

1812AWROUGHT IRON FOLDING FENDER, with gilt, scrolling foliage on a mesh background, height 46cm, length of front panel 140cm,

length of side panels 71cm

1813SILK ALTAR FRONT, possibly late 17th or early 18th century, worked with meandering flowers on an ivory silk ground, mounted on a

silk backing, panel size 35cm x 95cm

1814TRIPLE FOLD ICON, the central printed scene of the Crucifixion after Johannis Memling flanked by further prints of saints and other

scenes, in a gilt and ebonised frame, height 75cm width closed 53cm

1815

PAIR OF RESTAURATION ORMOLU SURTOUTS DE TABLES, circa 1825, the oval mirror plate in a frame of pierced palmette with

scrolling handles, on lion paw feet, height 9cm, length 74cm, width 51cm, (2) Provenance: Niall Hobhouse; Christies, London, Thomas

Hope & The Neoclassical Vision & the ...[more]

1816CHILDS WALNUT OR FRUITWOOD SPINNING WHEEL, 19th century, the 20cm brass wheel with eight turned spokes on a turned

frame with a single drawer and vase shaped foot plate, height 84cm

1817PAIR OF TURNED WOOD, PAINTED AND GILT PRICKET CANDLESTICKS, possibly 17th century, with iron spikes, height 76cm; and

another pair, similar, probably 18th century, height 67cm (4)

1818WALNUT SPINNING WHEEL,possibly 18th century and perhaps Swiss, in the Swiss lateral treadle design on a flyer brake system,

carved initials PB, SKH, the 24" wheel with eight turned spokes, height 96cm

1819PAIR 18TH CENTURY BRASS CANDLESTICKS, with knopped stems above circular bases, height 22cm; together with another pair of

brass candlesticks with floral and swag decoration above octagonal bases, height 24cm (4)

1820 TWO INLAID MINIATURE TABLES, on turned baluster columns and tripod bases, height of tallest 21cm

1821 19TH CENTURY SCHOOL, Bust of a Young Man, tinted plaster, inscription dated November 1858 verso, height 48cm

1822 PAIR OF BRASS TABLE CANNONS, on mahogany carriages with brass wheels, length of barrel 33cm (2)

1823THE SAINT AND GREAT MARTYR GEORGE, a Greek icon of the saint slaying the dragon, oil on panel, signed ?Dionysus Monagos?

and dated 1900, 78.5cm x 58.5cm Footnote: it is understood the the blue pigment used is lapis lazuli.

1824EDWARIAN ROSEWOOD AND INLAID STATIONERY CABINET, the hinged cover with velvet lining enclosing a fold out writing slope

and pen tray, stationery rack and drawers, the lock stamped Bramah, London, height 30cm, width 43cm, depth 25cm

1825CARVED WOODEN KEY, possibly a shop sign for a locksmith, with remains of blue and white paint, length 52cm; together with a

carved oak walking stick (2)

1826 PAIR OF CAST IRON FIRE DOGS, with cherub head finial and scrolling legs, height 61cm, width 30cm, depth 47cm (2)

1827 CARVED OAK PANEL DEPICTING A SAINT, probably circa 1700 and of St Luke holding a book, 43cm x 17cm

1828COLLECTION OF CARVED WOODEN PANELS, 17th century and later, mainly in oak, with floral, foliate or fluted decoration, various

sizes; together with an oak pew end with gothic style decoration, height 77cm (9)

1829 CARVED OAK PANEL, possibly 17th century, a central cherubs face on a geometric ground and inside a foliate frame, 56cm square

1830 CARVED OAK PANEL, 17th century, with flower and leaf decoration, length 51cm; together with a carved oak wall bracket (2)

1831

NEOPOLITAN ROSSO ANTICO HEAD, 18th century, with archaising features, possibly representing Apollo or Dionysus, on a marble

base inset with various stones, height 24cm Provenance: Crowthers, from whom purchased circa 1910 by Margaret Hobhouse; Niall

Hobhouse removed from Hadspen House

1832WHITE MARBLE HEAD OF A YOUTH, possibly Roman, carved with thickly curled head, height 23cm Provenance: Crowthers, from

whom purchased circa 1910 by Margaret Hobhouse; Niall Hobhouse removed from Hadspen House

1833WHITE MARBLE HEAD OF A FEMALE, possibly Roman, carved wearing and diadem, height 33cm Provenance: Crowthers, from

whom purchased circa 1910 by Margaret Hobhouse; Niall Hobhouse removed from Hadspen House

1834

PAIR OF CHIPPENDALE STYLE CARVED WOOD DOOR SURROUNDS, late 18th century, the main border of stiff leaf lappetts inside

a band of beading and an outer border of stylised foliate motifs interspersed by darts, one mounted with a two plate mirror, overall height

228cm, width 136cm, aperture 213cm, widt ...[more]

1835MOORISH FRAME, inlaid with brass and bone scrolling floral decoration inside bone and ebony chevron borders, overall dimensions

110cm x 98cm, opening dimensions 67cm x 55cm Provenance: Niall Hobhouse

1836VENETIAN STYLE CHANDELIER, the seven scrolling lights from a central multi-knopped column, the flaring top with droplets, height

85cm, diameter 66cm

1837BRASS CEILING PENDANT LIGHT, of ovoid form, the four frosted glass panels inside a frame with fruiting foliage and flower bud finials

suspended from a central column with foliate boss, height excluding chain 66cm

1838FRENCH GILT GESSO MIRROR, 19th century, the oval plate inside a trellis and flowerhead border, foliate and egg & dart frame,

surmounted by a foliate crest flanked by a pair of cherubs, height 106c, width 78cm

1839VICTORIAN GILTWOOD BULLS EYE MIRROR, the convex glass beneath a spread eagle and above a foliate terminal, height 105cm,

width 68cm

1840 REGENCY STYLE GILT BULLS EYE MIRROR, late 19th century, the convex plate inside a frame applied with balls, diameter 55cm

1841GEORGE III WALNUT FRETWORK MIRROR, the bevelled rectangular plate beneath a crest centred by a gilt shell, height 118cm,

width 55cm

1842GEORGIAN STYLE WALNUT WALL MIRROR, the rectangular plate in a fretwork frame, the crest with a carved and gilt phoenix, height

82.5cm, width 48.5cm

1843 QUEEN ANNE STYLE WALNUT CUSHION MIRROR, the rectangular plate inside a rounded frame, height 56cm, width 50cm

1844VENETIAN TRIPLE MIRROR, circa 1900, the foliate crest above an arched plate flanked by a pair of shaped side plates, height 89cm,

width open 92cm; together with another, similar but smaller, height 73cm, width open 84cm (2)

1845VENETIAN CUSHION MIRROR, 19th century, the rectangular plate inside a border with meandering floral decoration and a frame with

roundels beneath an acanthus shaped crest flanked by foliage, height 132cm, width 81cm

1846PORTUGUESE GILTWOOD MIRROR, possibly 18th century, the rectangular plate inside a scrolling foliate frame and beneath an urn

shaped crest, height 121cm, width 95cm

1847REGENCY STYLE GILT OVERMANTEL MIRROR, the triple plate beneath a frieze with an urn flanked by scrolling and swagged

foliage, height 69cm, width 125cm

1848 GILT OVERMANTEL MIRROR, 19th century, the rectangular plate inside a gilt, moulded frame, height 168cm, width 114cm

1849 GILT PIER MIRROR, late 19th century, the rectangular plate inside a floral, burnished gilt frame, height 137cm, width 93cm

1850VICTORIAN GILT FRAMED PIER MIRROR, the rectangular plate beneath a trellis frieze and flanked by Egyptian pilasters, height

79cm, width 54cm

1851

GRAND TOUR PLASTER RELIEF PANEL, cast from the main panel of the Ludovisi Throne, depicting Aphrodite rising from the sea

wearing diaphanous robes and flanked by a pair of attendants holding a veil, height 85cm, width 125cm Provenance: Provenance:

Crowthers, from whom purchased circa 1910 by Marga ...[more]

1852

ELGIN MARBLES: two Grand Tour plaster relief panels taken from the end panels of the frieze on the Parthenon, 102cm x 142cm and

101cm x 167cm (2) Footnote: By repute, these were cast for Lord Elgin and are of the two end panels of the frieze that his team were

not able to remove before shipping th ...[more]

1853

PAIR OF HEXAGONAL CAST IRON GOTHIC LANTERNS, mid 19th century, in the manner of Karl Friedrich Schinkel, the arched lattice

work beneath pointed, foliate finials interspersed with spires with trefoil finials, height 137cm, width 58cm (2) Provenance: Niall

Hobhouse.

1854SEVEN IRON GOTHIC STYLE LANCET WINDOW FRAMES, six with hinged top lights, 2 @ 155cm x 32cm; 3 with top light @ 142cm x

36cm, 1 casement @ 142cm x 36cm 1 @ 142cm x 51cm, (7)

1855 MARBLE URN, of campana form on a square foot, height 31cm

1856 PAIR OF CAST IRON URNS, with a foliate rim, reeded base and square foot, height 38cm (2)

1857 PAIR OF CAST IRON CAMPANA URNS, with egg and dart rim, reeded base and square foot, height 48cm (2)

1858SET OF FOUR RECONSTITUTED STONE PLANTERS, of circular form with foliate decoration, on short stems and foliate cast square

feet, height 42cm, diameter 50cm (4)

1859 CARVED STONE FINIAL, with scrolled foliage, height excluding iron rod 50cm

1860STONE PLAQUE, possibly an antiquity, carved with a roundel of flames, on a rectangular base, height 28cmi Provenance: Crowthers,

from whom purchased circa 1910 by Margaret Hobhouse; Niall Hobhouse removed from Hadspen House

1861 PAIR OF RECONSTITUTED STONE SPHINX, modelled seated, length 53cm (2)

1862 GRITSTONE PUMP TROUGH, with D end, 55cm x 53cm

1863STONE PLINTH, possibly 19th century, in mottled grey and pink stone, of rectangular section with a panelled front, height 92cm, width

37cm, depth 35cm Provenance: Niall Hobhouse

1864LARGE PAINTED OAK AND PINE ALCOVE HOOD, with a striped, green painted and gilt interior, height 59cm, width 122cm, depth

60cm Provenance: Niall Hobhouse.

1865PAIR OF FRENCH LIMESTONE CORBELS, of half decagonal form, carved with flowerheads and stiff foliage, height 52cm, width 50cm

(2)

1866MILTON HORN (AMERICAN, 20TH CENTURY), Two angels in a romantic embrace with beasts looking on, bronze, signed, height

75cm Provenance: Niall Hobhouse

1867MILTON HORN (AMERICAN, 20TH CENTURY), Male angel beneath an arbour and surrounded by flowering foliage, bronze, signed,

height 95cm Provenance: Niall Hobhouse.

1868 LARGE MARBLE URN, of two handled amphora form, height 105cm Provenance: Niall Hobhouse.

1869 PAINTED COPPER LANTERN, of tapering square section on a wrought iron mount, height of lamp 80cm

1870COALBROOKDALE STYLE CAST IRON BENCH AND PAIR OF ARM CHAIRS, with a central crest inside scolling foliage, the pair of

arms with dragon or griffin head supports, lacking seat slats, height 95cm width of chairs 63cm, width of bench 122cm (3)

1871COALBROOKDALE STYLE CAST IRON ARM CHAIR, the scrolling back with a central crest over arms with dragon or griffin amongst

foliage, height 102cm

1872LEAD WATER FEATURE, probably late 19th century, modelled as a standing child holding a fish fountain head, on a circular foot and a

square plinth with rope twist decoration, height 126cm

1873

SET OF TEN GEORGE III LEAD FAN LIGHTS, of semi-circular form, the five panes with harebell swags around a central half

flowerhead, height 68cm, width 130cm (10) Provenance: Phillips, 24 and 25 October 1995, The Contents of Ray Mill House, Reybridge,

Wiltshire on behalf of the Parker Bowles Family.

1874 PAIR OF STONE PLINTHS OR COLUMNS, of tapering square section, height 130cm (2) Provenance: Niall Hobhouse

1875 GRITSTONE SPRINGHEAD/TROUGH, of key hole shape with drainage hole, length 112cm Provenance: Niall Hobhouse

1876 WITHDRAWN

1877 STONE PART CAPITAL OR CORNICE, carved with an owl, height 35cm, width 35cm, depth 30cm Provenance: Niall Hobhouse

1878GRITSTONE PEDESTAL OR PLINTH, carved with stylised foliate decoration, height 52cm, width and depth 36cm Provenance: Niall

Hobhouse

1879STONE CAPITAL, in the Roman style, carved with a bird amongst flowering foliage, height 50cm, width 53cm, depth 50cm Provenance:

Niall Hobhouse

1880

SET OF FOUR INDIAN STONE PILASTERS, with stiff leaf capitals, fluted bodies and stepped plinths, height 550cm, width 66cm, depth

35cm (4) Provenance: Niall Hobhouse IMPORTANT NOTICE: these are NOT on view at the saleroom but available to view off site by

appointment through the Department.

1881 LARGE TERRACOTTA POT, with a band of fruit and leaf decoration, height 76cm

1882 SQUARE METAL PLANTER, of tapering form, one side set with a mask, height 62cm

1883 LARGE TERRACOTTA OLIVE JAR, with banded decoration and three loop handles, height 110cm

1884 SET OF FOUR STONE POTS, decorated with scrolling grape vines, height 29cm (4)

1885 PAIR TERRACOTTA SQUARE PLANTERS, height 44cm (2)

1886 SET OF THREE SQUARE ROSETTE PLANTERS, height 35cm (3)

1887 CARVED STONE PEDESTAL URN, the lobed top raised on cylindrical column, height 63cm

1888 WEATHERED CARVED STONE TROUGH, 18th century, of rectangular form with two-section interior, length 92cm

1889 PAIR STONE URNS, with swag decoration and three looped handles, height 38cm (2)

1890 WITHDRAWN

1891 SET OF FOUR TERRACOTTA POTS, of conical form, height 42cm (4)

1892 SET OF SIX STONE PLANTERS, of barrel form with floral decoration, height 32cm (6)

1893 CARVED YORK STONE BIRD BATH, the octagonal top raised on tapering cylindrical column and circular base, height 63cm

1894 CARVED STONE BIRD BATH, early 20th century, the circular bowl on tapering cylindrical column, height 58cm

1895 SET OF FIVE ROSETTE PLANTERS, of circular form with Greek borders, height 23cm (5)

1896 WEATHERED WOODEN BENCH, length 153cm

1897 A PAIR OF TERRACOTTA BAS RELIEF PANELS, with rope and urn decoration, height 58cm (2)

1898 RECONSTITUTED MARBLE STATUE OF HEBE, raised on a circular plinth with rose and swag decoration, height 157cm

1899 PAIR CARVED LIMESTONE HERALDIC PUTTI, raised on stepped square bases, height 115cm (2)

1900 WEATHERED TEAK X-FRAMED GARDEN TABLE, with six carver chairs, length 198cm, width 116cm (7)

1901 WITHDRAWN

1902 PAIR OF WEATHERED TEAK DIAMOND LATTICE GARDEN SEATS, length 147cm (2)

1903 MIXED GROUP OF GARDEN STATUARY, to include a large weathered terracotta pot, pair putti etc (7)

1904 WEATHERED MARBLE COMPOSITION FIGURE OF A SEATED YOUNG GIRL, height 66cm

1905 MODERNIST MARBLE COMPOSITION GARDEN SCULPTURE, height 107cm

1906 OLD WEATHERED STADDLE STONE, height 71cm

1907 OLD WEATHERED STADDLE STONE, height 71cm

1908 OLD WEATHERED STADDLE STONE, height 71cm

1909 OLD WEATHERED STADDLE STONE, height 71cm

1910 PAIR OF ARTS & CRAFTS TERRACOTTA FLOWERHEAD ARCHITECTURAL ROUNDELS, diameter 46cm (2)

1911 SET OF FOUR WROUGHT IRON CANDELABRA, each having nine sconces, height 122cm (4)

193517TH CENTURY OAK CHAIR, the shaped top rail above a panelled, letterbox back and seat on turned legs with a box stretcher, height

104cm

1936 WITHDRAWN

1937OAK JOINT STOOL, perhaps 17th century, with tapering legs and box stretcher, height 56cm, width 44cm, depth 26cm; together with

another, later, with baluster turned legs, height 48cm, width 42cm, depth 28cm (2)

1938

PAIR OF DUTCH PAINTED LADDERBACK CHAIRS, early/mid 19th century, painted with windmill and canal scenes to the back rests,

with meandering floral decoration beneath gilt finials, rush seats and double stretchers, height 110cm (2) Ref: Lyon and Turnbull, 14th

November 2018, lot 392 for a similar pa ...[more]

1939OAK GATELEG OCCASIONAL TABLE, probably 18th century, the oval top on block and turned legs, height 65cm, width 79cm, depth

open 86cm

1940CARVED OAK DOOR, possibly 17th century, a panel of scrolling serpents above four panel with scrolling foliage, 132cm x 66cm;

together with two further, small carved panels (3)

1941OAK AND INLAID WAINSCOT CHAIR, 17th century and later, the arched back with foliate carved top rail and two panel and inlaid back,

down swept arms with stylised carving, solid seat, tapering, turned front legs and box stretcher, height 115cm

1942PAIR OF OAK ELBOW CHAIRS, probably 19th century, either Derbyshire or Yorkshire, the arched back rests with scrolling, foliate

carved decoration, solid seats, block and turned legs and stretchers, height 115cm (2)

194318TH CENTURY OAK BIBLE BOX, the lid with chip carved detailing and later slot, the interior with three small drawers, height 30cm,

width 66cm, depth 40cm

1944 ELM DOUGH BIN, 18th century, with a lift off cover, baluster legs and block stretchers, height 73cm, width 116cm, depth 51cm

1945OAK HALL TABLE, 18th century, the rectangular top above three drawers on square section legs, height 77cm, width 83cm, depth

52cm

1946 SWISS OAK STOOL, 19th century, with line decoration to the legs, height 44cm, width 41cm, depth 32cm

1947CAROLEAN OAK CHEST, the moulded top above a slim drawer and three, graduated, moulded drawers with lozenge bosses, height

87cm, width 95cm, depth 52cm

1948JACOBEAN STYLE OAK CHEST OF DRAWERS, probably 18th century, the four long drawers with geometric moulding, panelled

sides, on bun feet, height 98cm, width 98cm, depth 56cm

1949CAROLEAN STYLE OAK CHEST, probably 18th century, the two short and three long drawers with geometric moulding and bun front

feet, height 103cm, width 101cm, depth 56cm

1950OAK GATELEG DINING TABLE, 18th century, the oval top above a single drawer on baluster turned legs with block stretchers, height

72cm, width open 180cm, depth 154cm

1951OAK FARMHOUSE TABLE, the rectangular five plank top above single drawer on turned supports and box stretcher, height 75cm,

width 160cm, depth 85cm

1952GEORGE III OAK AND CROSSBANDED DOG KENNEL DRESSER BASE, the rectangular top above a central, arched door flanked by

two pairs of drawers, height 79cm, width 178cm, depth 55cm

1953OAK COFFER, late 17th century, the hinged cover enclosing a vacant interior above a quadruple panel front with arched and foliate

carving, height 70cm, width 137cm, depth 58cm

1954OAK COFFER, early 18th century, the hinged cover enclosing a vacant interior above a triple panel front with lozenge carving, height

62cm, width 120cm, depth 57cm

1955OAK GATELEG DINING TABLE, 18th century, the oval top on turned legs and block stretchers, height 74cm, width open 150cm, depth

120cm

1956OAK COFFER, 17th century, the hinged lid in two sections and with pin hinges above a scrolling foliate top rail and four panel front with

similar decoration, height 76cm, width 147cm, depth 61cm

1957

OAK AND INLAID DWARF CUPBOARD, possibly late 17th century, the rectangular top above an inlaid frieze, the door with a top rail

carved with scrolling foliage above two panels inlaid with flowering foliage and bottom rail with scrolling foliage, height 83cm, width

71cm, depth 48cm

1958OAK COFFER, late 17th or 18th century, the cover with pin hinges enclosing a vacant interior above an arcaded top rail and triple panel

front, height 74cm, width 132cm, depth 59cm

1959OAK WARDROBE, 18th century and later, the panelled doors with two carved profile busts beneath an arcaded top rail, height 165cm,

width 110cm, depth 48cm

1960

OAK AND INLAID STANDING DESK, probably late 17th century, the lifting top enclosing a vacant interior above a pair of inlaid panels,

the rail inscribed Happys That Man that Feares God, a pair of drawers with blind fretwork and a pair of cupboard doors inlaid with

figures, height 137cm, width 122cm ...[more]

1961OAK DRESSER BASE, 18th century, the planked top above a single, central drawer above two matching fielded panels and flanked by

fielded panel doors enclosing shelves, height 90cm, width 169cm, depth 49cm

1962GEORGE II STYLE OAK WAKE TABLE, the oval top on block and turned legs and block stretchers, height 76cm, width 215cm, depth

145cm

1963OAK LIVERY CUPBOARD, early 18th century, the pair of panelled doors flanking a matching panel on a base with three short drawers,

height 186cm, width 177cm depth 52cm

1964GEORGE III OAK DRESSER, 18th century, the three shelf plate rack on a base with three short, cockbeaded drawers on tapering

square section legs, height 208cm, width 183cm, depth 46cm

1965

LARGE GOTHIC STYLE OAK REFECTORY TABLE, first half twentieth century, the cleated, planked top on a Pugin style arched base,

height 74cm, width 305cm, depth 121cm Footnote: made by a former member of the the Somerset Guild of Craftsmen and being sold

on behalf of the Guild.

1966OAK REFECTORY TABLE, 17th century style, the planked and cleated top on six barrel turned legs and block stretcher, height 78cm,

width 335cm depth 95cm

1967

ENGLISH JOINED OAK AND INLAID WAINSCOT OR ARM CHAIR, late 16th or 17th century, the scrolled crest rail above flower heads,

the single panel back, probably later, inlaid with scrolling flowering foliage issuing from a vase, down swept arms on cup and cover

supports, later, solid seat and block &amp ...[more]

1968

JOINED JOINED OAK MERCHANTS WAINSCOT OR BOX CHAIR, probably early 17th century and possibly Irish or Welsh, the

scrolling crest rail between domed uprights, two fielded panel back, slight downswept arm on turned supports, the planked seat above a

locking, front sliding drawer on block and turned le ...[more]

1969

ENGLISH JOINED OAK WAINSCOT OR ARM CHAIR, 17th century, the scrolling crest rail above a single panelled back carved with a

lozenge inside an arch, slightly downswept arms on tapering, turned supports, planked seat, shaped apron and turned legs with square

front feet, height 111cm

1970

ENGLISH JOINED OAK WAINSCOT OR ARM CHAIR, mid 17th century, the scrolling crest rail carved IH and the date 1674, above a

single panel back carved with a foliate arch, curved arms on turned supports, planked seat, arcaded rails, turned legs and box stretcher,

height 120cm

1971

ENGLISH JOINED OAK WAINSCOT OR ARM CHAIR, mid 17th century, the foliate scrolling crest rail above a single panel back carved

with a thistle inside an arch, slightly down swept arms on tapering turned supports, replacement seat, arcaded rails, turned tapering legs

and box stretcher, height 112cm

1972

ENGLISH JOINED OAK WAINSCOT OR ARM CHAIR, mid/late 17th century,of broad proportions, the arched top rail above a single,

fielded, arched panel flanked by turned supports, slightly downswept arms on baluster turned supports, replaced solid seat, block and

turned front legs and stretcher and a furth ...[more]

1973

ENGLISH JOINED OAK WAINSCOT OR ARM CHAIR, mid 17th century, possibly Yorkshire, the central flower bud crest above a single

panelled back carved in low relief with an arch, arms with elbow rests, solid seat with carving to the rails and box stretcher, height

109cm

1974ENGLISH JOINED OAK WAINSCOT OR ARM CHAIR, mid 17th century, South Yorkshire or Derbyshire, the two splats carved with rose

heads, shaped arms on bobbin turned supports, planked seat, bobbin turned legs and stretchers, height 110cm

1975

ENGLISH JOINED OAK WAINSCOT OR ARM CHAIR, early or mid 17th century, the crest rail centred by a male mask flanked by

scrolling beasts above a single panel carved with an arch enclosing fruiting vines and flanked by caryatids above sloping arms with

scrolled ends on tapering supports, solid seat, s ...[more]

1981 PAIR OF GREY MARBLE OBELISKS, of tapered square section form above stepped mid-section and base, height 46cm (2)

1982EDWARDIAN MAHOGANY SERPENTINE BIJOUTERIE TABLE, the hinged cover enclosing a velvet lined interior, scrolling legs and

shelf stretcher, height 77cm, width 62cm, depth 44cm

1983 VICTORIAN OAK STANDING BOOK TROUGH, on turned supports with undershelf, height 74cm, width 70cm

1984GEORGE III MAHOGANY TRIPOD TABLE, the circular tilt top on a baluster and ring turned column and tripod base, height 70cm,

diameter 87cm

1985SHERATON REVIVAL MAHOGANY AND LINE INLAID CHEVAL MIRROR, the shield shaped glass on scrolled supports with paterae

and down swept square section legs, height 174cm, width 77cm

1986CONTINENTAL MAHOGANY CENTRE TABLE, the shaped rectangular top above single drawer, on cabriole legs raised on castors,

height 76cm, width 115cm, depth 82cm

1987 BRASS AND LEATHER CLUB FENDER, the two rectangular seats on a brass frame, height 41cm, width 132cm

1988CHINESE CHIPPENDALE STYLE MAHOGANY SILVER TABLE, early 20th century, the rectangular top above a fretwork frieze and

bamboo effect triple column legs, height 68cm, width 81cm, depth 56cm

1989LOUIS XVI STYLE GILTWOOD CONSOLE TABLE, of serpentine form, the peach and cream marble top above a moulded ftieze and

harebell swags, height 73cm, width 72cm, depth 40cm

1990

WILLIAM IV ROSEWOOD POLE SCREEN, with a tulip base and concave triangular foot, the screen mounted with a sampler referring

to the Lambert and Higham families with several sets of initials beneath coronets, a rhyme and a house flanked by trees, height 134cm,

sampler size 36cm x 33cm

1991REGENCY MAHOGANY AND CROSSBANDED FOLD OUT TEA TABLE, the rounded rectangular top above a frieze with brass, foliate

inlay, turned and wrythern column, moulded sabre legs and brass casters, height 75cm, width 91cm, depth closed 45cm

1992

GEORGE IV POLLARD OAK CHIFFONIER, the two shelf superstructure with brass three quarter galleries and supports, the base with

a central fitted drawer with adjustable, leather covered writing surface flanked by two candle drawers above a pair of doors flanked by

columns, height 136cm, width 92cm, de ...[more]

1993

REGENCY ROSEWOOD BONHEUR DU JOUR, the superstructure with three quarter, pierced brass gallery over an open shelf and two

drawers, the adjustable leather writing surface above a single, fitted side drawer, a false front and side drawer and turned legs, height

107cm, width 58cm, depth 47cm

1994GEORGE III GILLOWS STYLE MAHOGANY STOOL, the rectangular drop in seat on moulded legs with canted inner corner and H

stretcher with concealed mitre dove tail joints, height 44cm, width 53cm, depth 47.5cm

1996GEORGE III MAHOGANY CHEST, the four graduated and cockbeaded drawers with floral and ring pulls on ogee bracket feet, height

102cm, width 110cm, depth 55cm

1997VICTORIAN PAINTED LEATHER FOUR FOLD SCREEN, each panel with floral sprays inside scrolling frames, height 191cm, total

width 200cm

1998EIGHT CHIPPENDALE STYLE DINING CHAIRS, late 18th century and later, with pierced, vase shaped splats, leather stuffed over

seats and H stretchers, matched (8) Provenance: Niall Hobhouse

1999

19TH CENTURY MAHOGANY TELESCOPIC TABLE, perhaps for reading, the slightly bow fronted, rectangular marble top with pierced

brass, three quarter gallery on a moulded, hexagonal column with brass pull, on an off-centre tripod base, lowest height 80cm, top 27cm

x 39cm Provenance: Niall Hobhouse; Chri ...[more]

2000GEORGE III MAHOGANY TEA TABLE, the crossbanded, rounded rectangular top above a crossbanded frieze and shaped and

moulded legs, height 75cm, width 91cm, depth closed 45cm

2001VICTORIAN MAHOGANY SLIDING CHEVAL MIRROR, the rectangular plate sliding up and down on a pair of rectangular supports with

urn finials, on swept legs, height 145cm, width 62cm

2002TWO GEORGE III MAHOGANY TRAY TOP COMMODES, the pierced galleries above a pair of doors and pot drawers, height 78cm,

width 51cm, depth 45cm and 73cm x 53cm x 46cm (2)

2003GEORGE III MAHOGANY AND BOXWOOD BANDED DEMI LUNE CARD TABLE, with a central drawer on tapering square section

legs, with double gateleg action, height 73cm, width 102cm, depth closed 48cm

2004 MARBLE, TIN AND IRON DRUM TABLE, the circular top supported on crossed arrows, height 58cm, diameter 41cm

2005 PAIR OF LOUIS XVI STYLE FAUTEUILS, the foliate carved walnut frame with with floral tapestry upholstery, height 97cm (2)

2006EDWARDIAN MAHOGANY OCCASIONAL TABLE, the circular top painted with flowers, surrounded by floral banding, height 71cm,

width 53cm

2007REGENCY MAHOGANY AND LINE INLAID SIDE TABLE, the rounded rectangular top above a single drawer and turned legs, height

72cm, width 45cm, depth 55cm

2008VICTORIAN PAPIER MACHE TRAY ON STAND, mid 19th century, the rounded rectangular tray with charioteer sihouettes and gilt

scrolling to the border, stamped London beneath a crown, on bamboo effect legs, height 51cm, width 77cm, depth 58cm

2009EDWARDIAN SATINWOOD AND LINE INLAID DISPLAY CABINET, of square section, glazed to each side, wavy apron and tapering

square section legs, height 111cm, width and depth 38cm

2010GEORGE III MAHOGANY URN STAND, the oval top with a wavy rim above a single cup slide and on slender tapering, square section

legs, height 68cm

2011VICTORIAN MAHOGANY AND SILK FIRE SCREEN CUM WRITING TABLE, the scrolled top rail above a fall front enclosing a fitted

interior, on rectangular supports and down swept legs, height 120cm, width 54cm

2012DUTCH WALNUT AND INLAID DEMI LUNE PIER TABLE, 19th century, inlaid with foliage issuing from a vase and surrounded by

scrolls above a pair of drawers and tapering square section legs, height 74cm, width 78cm, depth 39cm

2013WILLIAM IV MAHOGANY POLE SCREEN, the rectangular screen with a needlepoint image of a hound on a column wth tapering

hexagonal base, triangular foot and foliate feet, height 148cm

2014

EDWARDIAN SATINWOOD ELBOW CHAIR, in the Sheraton Revival style, the top rail with inlaid decoration above a pierced splat and

outswept arms, needlework seat and tapering square section legs, height 93cm, width 56cm Provenance: Somerset Edwardian Country

house.

2015PAIR OF REGENCY MAHOGANY AND BRASS INLAID CARVER OR ELBOW CHAIRS, the bar back above a foliate splat, tapestry

upholstered drop in seat and sabre legs, height 81cm; together with a matching side chair (3)

2016

DUTCH MARQUETRY CARD TABLE, probably late 18th century, the fold out triangular top on a double gateleg base, the top inlaid with

vases issuing meandering flowers, trailing flowers to the frieze and legs, can be folded flat, open height 74cm, width 82cm, closed width

104cm

2017VICTORIAN WALNUT CENTRE TABLE, the oval top with scrolling apron on tapering, wrythen supports with scrolling legs and turned

and carved stretcher, height 72cm, width 122cm, depth 61cm

2018GEORGE III CIRCULAR MAHOGANY OCCASIONAL TABLE, on a tapering, octagonal column and concave triangular base, height

65cm, diameter 47.5cm

2019GEORGE III CHINOISERIE BOW FRONTED CORNER CABINET, the pair of doors with with a painted and gilt landscape with figures

in low relief, height 92cm, width 59cm, depth 40cm

2020PERSIAN FOUR FOLD PAINTED SCREEN, late 19th century, each leaf painted with three Middle Eastern miniatures to each side

inside black and floral painted frames, height 152cm, width of each leaf 38cm

2021 VICTORIAN MAHOGANY STOOL, the rectangular upholstered top on tulip carved legs, height 45cm, length 97cm, depth 47cm

2022VICTORIAN BURR WALNUT CARD TABLE, the rectangular top above carved column and scrolling quadripartite base, height 72cm,

width 94cm, depth 47cm

2023QUEEN ANNE GATELEG TABLE, probably red walnut, the oval top above a single drawer, block and baluster turned legs, height

73cm, width open 114cm, depth 98cm

2024VICTORIAN MAHOGANY BOOKCASE, with arched trellis grille door, green painted interior with four shelves, height 157cm, width

66cm, depth 34cm

2025 GEORGE III MAHOGANY DUMB WAITER, two tiers on a turned column and tripod base, height 85cm, diameter 64cm

2026VICTORIAN ROSEWOOD BREAKFAST TABLE, the circular top above baluster column and tripod base with foliate carving, height

73cm, diameter 120cm

2027WALNUT FOLD OUT TEA TABLE, the shaped rectangular top above a single drawer and cabriole legs, height 79cm, width 89cm, depth

closed 45cm

2028ROSEWOOD X FRAME STOOL, circa 1840, the rectangular seat above the scrolling frame with tulip decoration, height 40cm, width

46cm, depth 39cm

2029GEORGE II STYLE MAHOGANY CHEST ON STAND, the hinged cover above a long drawer, the base with a central shell carving and

cabriole legs with shell carved knees and lion paw feet, height 97cm, width 128cm, depth 63cm

2030

VICTORIAN 'KILLARNEY' OCTAGONAL SPECIMEN WOOD OCCASIONAL TABLE, probably Irish, the central scene of a city archway

with flag flying inside a star burst, the border of geometric inlay, arched apron, twisting column and octagonal foot, height 65cm,

diameter 61cm

2031GEORGE III MAHOGANY BACHELORS CHEST, of two short and three graduated long drawers and ogee bracket feet, height 79cm,

width 78cm, depth 45cm

2032

TWO GILLOWS STYLE MAHOGANY DINING CHAIRS, late 18th century, one with vertical splats with gothic piercing, the other with

pierced 'ladderback' rests, both with drop in seats and concealed mitre dove tail joints to the H stretchers; together with a George III

shield back dining chair and another wi ...[more]

2033GEORGE III MAHOGANY KNEEHOLE DESK, with one long drawer above two runs of three drawers either side of the kneehole with a

cupboard, on ogee bracket feet, height 80cm, width 86cm, depth 47cm

2034GEORGE III MAHOGANY SECRETAIRE BOOKCASE, the pair of astragal glazed doors above a fitted secretaire drawer and three

further long drawers, height 223cm, width 109cm, depth 57cm

2035

WALNUT KNEEHOLE DESK, late 18th century, the shaped rectangular top above a pair of shaped, short drawers and two runs of three

graduated drawers flanked by stop fluted columns and eitherside of a central cupboard, with boxwood and ebony line inlay, height

75cm, width 103cm, depth 54cm

2036EDWARDIAN ROSEWOOD DISPLAY CABINET, the superstructure with galleried shelves and glazed cupboards above a base with an

arrangement of shelves and cupboards, the whole with neo-classical inlay, height 200cm, width 138cm, depth 40cm

2037VICTORIAN MIRRORBACK SIDEBOARD, the arched plate beneath a scrolling crest on a base with a central drawer above a pair of

cupboards and flanked by a further pair, height 226cm, width 186cm, depth 62cm

2038VICTORIAN MAHOGANY BREAKFRONT TRIPLE WARDROBE, the central, mirrored door enclosing slides and drawers flanked by two

panelled doors, height 207cm, width 215cm, depth 65cm

2039QUEEN ANNE WALNUT CHEST ON STAND, the chest with two short and three, graduated long drawers on an adapted stand with a

single drawer above arching and turned legs, height 120cm width 109cm, depth 62cm

2040SET OF SIX ANGLO INDIAN ROSEWOOD CHAIRS, 19th century, the backrest with triple splat flanked by barleytwist columns, stuffed

over seat and barleytwist legs and stretchers, height 89cm (6)

2041GEORGE III MAHOGANY CUMBERLAND ACTION DINING TABLE, the rounded rectangular top on a gateleg action base with turned

supports, down swept legs and lion paw brass casters, height 72cm, width 122cm, depth open 136cm

2042GEORGE III MAHOGANY SERPENTINE CHEST, of bachelors size, two short and three graduated, cockbeaded long drawers flanked

by fluted, canted corners, on ogee bracket feet, height 71cm, width 76cm, depth 50.5cm

2043PAIR OF VICTORAIN SATINWOOD SIDE TABLES, in the manner of Gillows, the rounded rectangular top on rectangular supports with

turned stretchers, height 74cm, width 90cm, depth 50cm (2)

2044VICTORIAN OAK BOOKCASE, with three runs of adjustable shelving, the divides with scrolling capitals and bases, height 133cm, width

153cm, depth 31cm

2045GEORGE II WALNUT CHEST OF DRAWERS, the quarter-veneered top above two short and three long drawers, on bracket feet,

height 100cm, width 99cm, 50cm

2046SET OF CONTINENTAL SIX OAK DINING CHAIRS, the arched top rail centred by a lions mask above a Spanish embossed leather

back and seat, foliate carved legs and fluted H stretcher, height 117cm (2)

2047CAMPHOR WOOD CHEST OF DRAWERS, 19th century, campaign style in two sections with brass carry handles, height 105cm, width

104cm, depth 51cm

2048SET OF EIGHT CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, with foliate carved and pierced splat, leather drop in seats,

scrolling arms with acanthus leaf carving and H stretcher, comprising two carvers and six side chairs, height of carvers 101cm (8)

2049VICTORIAN DECOUPAGE FOUR FOLD SCREEN, the arched panels decorated with figural and floral prints, height 195cm, width of

each panel 61.5cm, overall width 246cm

2050

VICTORIAN WALNUT WELLINGTON STYLE SAFE CABINET, the rounded rectangular top above a false drawer, a single door as four

false drawers enclosing a Thornhill safe, the door lock stamped S Mordan & Co, London, a base drawer with a later combination lock,

with key, height 112cm, width 62cm, depth 5 ...[more]

2051VICTORIAN MAHOGANY SECRETAIRE BOOKCASE, the broken swan neck pediment with a central urn above a pair of glazed doors

on a base with a secretaire drawer with fitted interior above a pair of panelled doors, height 278cm, width 135cm, depth 55cm

2052VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rectangular top on tapering reeded legs, with three extra leaves, height

73cm, width 117cm, maximum length 258cm

2053GEORGE III MAHOGANY BUREAU BOOKCASE, late 18th century, with a pair of astragal glazed door above a fall front enclosing a

fitted interior, four, graduated long drawers and bracket feet, height 215cm, width 99cm, depth 51cm

2054EDWARDIAN MAHOGANY KIDNEY SHAPED DESK, the red leather top above a kneehole with a single drawers flanked by two runs of

outward hinged drawers, the reverse with two book shelves, height 73cm, width 118cm, depth 80cm

2055 EDWARDIAN MAHOGANY AND CANED DESK CHAIR, the swivel seat on four outswept legs, height 93cm

2056FRENCH LOUIS XVI STYLE MINIATURE KINGWOOD SERPENTINE COMMODE, circa 1900, the red marble top above three drawers

veneered to all sides and slightly splayed feet, the whole with gilt metal mounts, height 56cm, width 57cm, depth 38cm

2057REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE, the rounded rectangular top above two true and two false drawers, high

stretcher and outswept legs, height 72.5cm depth 68.5cm, width open 151cm

2058

SHERATON STYLE MAHOGANY BOW FRONTED SECRETAIRE BOOKCASE, circa 1800, the arched pediment above a pair of

astragal glazed doors enclosing adjustable shelving on a base with a secretaire drawer with satinwood fitted interior above three

graduated and cockbeaded drawers and bracket feet, height 244cm, ...[more]

2059

GEORGE II WALNUT BUREAU, the feather banded fall front enclosing a fitted interior with a mirrored cupboard and secret column

compartments, above four graduated long drawers, the lowest with a concave panel inlaid with a starburst motif, height 109cm, width

100cm, depth 55cm

2060CONTINENTAL WALNUT SINGLE BED, with scrolled and brass inlaid headboard, turned and pierced sides with marble roundels and

pierced foot board, height 135cm, length 190cm, width 99cm Provenance: Niall Hobhouse

2061GEORGE III MAHOGANY SERPENTINE CHEST, the shaped top with a fitted top drawer and three further graduated drawers, height

87cm width 98cm, depth 58cm

2062GEORGE IV ROSEWOOD CENTRE TABLE, the canted rectangular top with ebony edging above a pair of drawers on tapering square

section supports and bases tied by a hexagonal stretcher, height 74cm, width 183cm, depth 70cm Provenance: Niall Hobhouse

2063GEORGE III STYLE MAHOGANY KNEEHOLE DESK, with a long drawer above a central cupboard and flanked by two runs of three

drawers, height 81cm, width 93cm, depth 55cm

2064HOWARD AND SON SOFA, the arched back above slightly scrolled arms and tapering square section legs, the loose floral upholstery

over the original H & S printed fabric, stamped serial number and Howard & Son, Bernier Street to one leg, width 172cm

2065

LARGE HOWARD CHAIRS LIMITED THREE SEAT SOFA, modern, with scrolled back and arms, loose seat cushions and tapering

square section legs, stamped Howard Chairs Limited, London England to one back leg, label applied to the underside, serial number

S/10337JL, width 220cm

2066PAIR OF VICTORIAN ROSEWOOD ARMCHAIRS, the frame with scrolling crest above a buttoned suede back, out scrolled arms and

serpentine seat, the frame and legs with foliate carving, height 110cm (2)

2067 HOWARD AND SONS ARM CHAIR FRAME, stamped 16946 7924, Howard & Sons, Berniers St, height 94cm

2068PAIR OF VICTORIAN WALNUT FRAMED SETTEES, of serpentine form with exposed frame, buttoned back seat and stuffed over seat,

on short scrolling legs and castors with a central support leg, heights 97cm and 93cm, width 180cm, depth 80cm (2)

2069

GEORGE III STYLE MAHOGANY BREAKFRONT BOOKCASE, the dentil cornice above four grille doors enclosing adjustable shelving

on a base with a bow fronted run of four graduated, cockbeaded drawers flanked by a drawer and cupboard to each side with lion mask

and ring handles, height 199cm, width 179cm, de ...[more]

2070

QUEEN ANNE STYLE WALNUT BUREAU BOOKCASE OR ESTATE CABINET, the double domed top with arched, cut and bevelled

mirror doors enclosing a fitted interior above candle slides, the fall front enclosing a well and fitted interior above three graduated

drawers, the lowest drawer with a concave, sunburst f ...[more]

2071MARBLE MARQUETRY TABLE TOP, 20th century, probably Italian, the central flowerhead flanked by scrolling designs, on an iron and

brass mounted base, losses and areas lifting, height 76cm, width 248cm, depth 100cm

2072GEORGE III STYLE MAHOGANY SILVER OR CHINA TABLE, of serpentine form with fretwork gallery, canted and moulded legs with

scrolling, foliate brackets and concealed brass castors, height 76cm, width 98cm, depth 65cm

2073

SHERATON REVIVAL MAHOGANY AND INLAID BREAKFRONT BOOKCASE, stamped Morison & Co, Edinburgh, with four doors with

line inlay enclosing adjustable shelving, the frieze inlaid with paterae and 'fluting', the uprights with harebell swags, height 128cm, width

267cm, depth 33cm

2074

SHERATON STYLE LIBRARY BREAKFRONT BOOKCASE, the dentil cornice above four, geometric, astragal glazed doors enclosing

adjustable shelving, the base with four panelled doors and plinth foot, with boxwood and ebony line inlay, height 227cm, width 212cm

depth 55cm

2081TIBETAN SADDLE RUG, late 19th/early 20th century, two joined panels each with a lotus flower surrounded by borders of dragons and

phoenix, together with three other Tibetan weavings (4)

2082NORTH WEST PERSIAN RUNNER, early 20th century, the deep indigo field of boteh enclosed by ivory borders of stylised meandering

vines, 560cm x 110cm

2083AFGHAN TURKMEN CARPET, circa 1960, the brick red field of quartered diamond guls enclosed by borders of stylised flower heads,

395cm x 305cm

2084SARYK TURKMEN CHUVAL FACE, 19th century, the madder field with rows of quartered guls enclosed by borders of reciprocal motifs,

the elem with parasol motifs, 145cm x 90cm

2085 SULTANABAD CARPET, West Iran, circa 1890, the madder Herati field enclosed by triple guard stripes, 420cm x 355cm

2086ORIENTAL CARPET, probably Indian, 20th century, the ivory field with an all over design of flowering vines enclosed by meandering

vine borders, 360cm x 270cm

2087MODERN ZIEGLER MAHAL DESIGN CARPET, probably Pakistan, the ivory field of scrolling vines and large palmettes and flower

heads enclosed by leafy vine borders, 400cm x 295cm

2088 WITHDRAWN

2089MAHAL CARPET, West Iran, circa 1920, the terracotta field with an all over design of flowering plants enclosed by indigo borders of

meandering angular vines, 410cm x 275cm

2090JOSHAGAN DESIGN CARPET, 20th century, the terracotta lozenge field of stylised plants centred by a diamond medallion framed by

ivory spandrels and stylised meandering vine borders, 300cm x 195cm

2091MODERN INDIAN CARPET, the polychrome compartmentalised field of Mihrab garden design enclosed by similar borders 405cm x

300cm

2092BAKHTIYARI CARPET, West Iran, circa 1930, the rose pink floral field centred by a medallion framed by spandrels and floral borders,

signed and dated, 310cm x 205cm

2093NORTH WEST PERSIAN RUNNER, early 20th century, the claret field with a column of linked anchor medallions surrounded by tribal

and zoomorphic devices, enclosed by leaf and calyx borders, 400cm x 100cm

2094MASHAD CARPET, North East Iran, circa 1920, the raspberry field of vines centred by a flower head medallion framed by spandrels

and triple borders, signed at one end, 420cm x 290cm

2095HERIZ CARPET, Iranian Azerbaijan, circa 1940, the brick red field of angular vines centred by a medallion framed by spandrels and

samovar motif borders, 345cm x 255cm

2096BAKHTIYARI CARPET, West Iran, circa 1950, the floral field with central medallion framed by spandrels and meandering vine borders,

300cm x 210cm

2097 AFGHAN TURKMEN CARPET, circa 1950, the field of 'elephant foot' guls enclosed by multiple narrow borders, 340cm x 230cm

2098 FERAGHAN RUG, West Iran, circa 1930, the deep indigo Herati field enclosed by raspberry borders of rosettes, 220cm x 120cm

2099HERIZ CARPET, Iranian Azerbaijan, circa 1930, the ivory ground with columns of geometric devices enclosed by indigo borders of

angular vines flanked by guard stripes, 320cm x 235cm

2100KASHAN CARPET, Central Iran, 20th century, the deep raspberry field of scrolling vines around a flower head medallion framed by

spandrels and indigo floral borders, 405cm x 295cm

2101CHINESE CARPET, probably Ningxia, 19th century, the ivory field centred by a flower head roundel medallion surrounded by eight

further roundels and stylised flowers, enclosed by narrow meandering vine borders, 530cm x 350cm

2102KIRMAN CARPET, South East Iran, circa 1940, the raspberry diamond lattice field enclosed by cartouche floral borders, 400cm x

300cm

2103MASHAD CARPET, probably North East Iran, c. 1940, the raspberry floral field of vines around a central medallion framed by

meandering vine borders, 305cm x 245cm

2104BAKHTIYARI CARPET, West Iran, circa 1920, the brick red field with columns of cruciform medallions and scrolling vines enclosed by

borders of palmettes and vines, 460cm x 335cm