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AboutHindusthani sashtriy sangeet and

the jazz music of the European bel esprit.Laszlo Hortobagy 28.Oct.2011

The last living (but dying) colloquial-vernacular musical language now can only be found

in the Arabian-Indian World on this planet.Though the extinction of the traditional Indian schools (gharana) had already commenced

in parallel with the disappearance of the mahrja courts, around the turn of the previous

century the general misunderstanding of the classical Indian music by white mansconsumption could also lead to the development of a consumable Indian music that was

comparable with the global conform-idiomatism of the awful pop-New Age industry and

finally died out about on the symbolical day of Ustad Vilayat Khan's death (March 13,

2004). Today it has become a Tantric rectum cleaning and the music of entertainmentindustry characterized by kitschyworld and wellness-ambient facility that will operate as

one of the Wellness-Neuronetics subdivisions of Wychi-Exonybm Corporation.

When in 1580 a choir-master-organist living in the Netherlands wrote a fugue to which in

the majority of the cases he did not add any key-signature, and there was no rhythmic

marking out, neither was the way of performance added in Italian, nevertheless a hundredyears later, in a distance of 2000 km, it was perfectly performed since the person who

wrote it trusted the other person who played it: "what both of us know, why should be put

down".The last "free improvisation" practice of the European music based on the huge basic-

melody treasury of the reformation choral music and on the contemporary improvisational

practice of the organ-cembalo-lute performances, with (above mentioned) very simplenotation system (like guru-sishya parampara or the scores of the gamelan banjar

orchestras, etc). The European continental-collective musical language's general practice

died out about on the symbolical day of J.S. Bach's death (July 28, 1750).

Later on the white hemisphere of the Earth temporarily appears the "quasi colloquial"

language of the jazzwhich is also extinct on the symbolical day of Miles Davis' death

(Sept 28, 1991), who just heard the singing of whales in the last stage of his life betweenislands of Vancouver.

(Whalecanto is a Track 3 of Mixology = http://www.guo.hu/joomla_1_5/index.php?

option=com_content&view=category&layout=blog&id=17&Itemid=19By that time the collective consiousness'connotations of the temporarlyexisted "flying rug" was exhausted and out of print from under him.

By the way, you can see the difference if you compare any of the main themes of a raga

(pakad), maquam or the gamelan gendhing to the masturbation of the primitive and

imbecile motifs of jazz music. Thejazzcomes from a totally different society with a totally

different "hidden meanings" and/of history.

http://www.guo.hu/joomla_1_5/index.php?option=com_content&view=category&layout=blog&id=17&Itemid=19http://www.guo.hu/joomla_1_5/index.php?option=com_content&view=category&layout=blog&id=17&Itemid=19http://www.guo.hu/joomla_1_5/index.php?option=com_content&view=category&layout=blog&id=17&Itemid=19http://www.guo.hu/joomla_1_5/index.php?option=com_content&view=category&layout=blog&id=17&Itemid=19

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Nowadays, the jazzwill never accomplish anything, because it is the ergonomy of the

onanism, so there is only a dysphemial "dialect" of the alienated individual's private

heavens and hells, (while seeking to break from this position by the fanciable karma-service of the jazz music as an exodusparade (for proletarians).

All high-cultures of the music history has developed their own sophisticated musicalinstruments, therefore it is obvious that the Sitar, for example, isnt suitable for rock or

jazz music and therefore it is obvious that the tuneless and agrestic-brutal, macho

saxophone isnt suitable for the performance of the classical Indian music which (interalia) based on the sophisticated 22 intervals-shruti system.

The final stage in a the Western World was the short period of the 60's years' "quasi

global" language of the youth, this later diminuted into hundreds little musical pods of

idioms of the gothic, acid, grime, house, dubsteps, Love Parade, etc.This is followed in our days by glittering metaphysical hodgepodges of money-maker

projects saturated with saliva and sweet mucus called world music.

(Laszlo Hortobagy 28.Oct.2011)