LA HALLE SAINT PIERRE PRESENTS HEY! modern art & pop...

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LA HALLE SAINT PIERRE PRESENTS

HEY! modern art & pop culture / Act III

Press kit

09.18.15 ‑ 03.13.16 Inernissage Press September 17 morning

About HEY! modern art & pop culture / Act III . . . . . . . . . . . . . . . . . . . . . . . . . 1

Presentation of the exhibition

by Martine Lusardy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

by Anne & Julien . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Anne & Julien Biography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Artists presented . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-11

Galerie du Bas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

HEY! Revue d’art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13-14

Events outside the walls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Halle Saint Pierre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Practical information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

SUMMARY

The magazine Culture founded in 2010 by Anne & Julien is back at HalleHEY! Modern Art & Pop

St. Pierre after the first two editions (2011 and 2013) enthusiastically by

le public. Ce troisième volet, HEY! modern art & pop culture / Act III, continued the exploration and

diffusion of different artistic expressions of the cons-culture art, art outsider, Band lowbrow

and more broadly comic holders media street culture.

Offering unprecedented come (Gabriel Grun, Thomas Woodruff, Ed Hardy) and exceptional

(Marion Peck, Horiyoshi III, Ray Abeyta), the exhibition also reveals the work yet

con fi dential, such as Joel Negri, Salle Albert and Alain Bourbonnais from the

Fabuloserie, emblematic place of the art non-standard in France. Premiere in Europe,

Halle Saint Pierre exhibits the works of Mark Ryden, tutelary fi gure of surrealism pop.

The scene defended for many years by Anne & Julien is alive, heterogeneous,

Complex: its multiple streams or territories, ranging from the most radical form - art crude - to

the most learned forms - pop surrealism - make it fully enter into the history of the art

contemporary.

It is these characteristics that the eyes of Anne & Julien give this stage of its value

modernity. Lcommitment of the two activists is to realize through their magazine, their

performances and exhibitions. They have enabled the universe ar highlightingsingular tics

whose common denominator is the resistance by the imaginary resistance standards,

categorization, and to the institutional imperatives of fashion. They are broadcasters and historians

a marginal scene, underground and alternative.

For the Halle Saint Pierre, accompany this adventure is rich in meaning. Lhistory of arts a tou-

days were marked by profound paradigm shifts. In the geopolitical and turning

where currently the cultural world is, the visual arts are also going through a period of crisis

et de mutation. La trilogie en est la manifestation.HEY ! modern art & pop culture

ABOUT

HEY! MODERN ART & POP CULTURE / ACT III

63 ARTista INTERNALTIONAL

1

THISATION DE L’EXPOSITION

PAR MARTINE LUSARDY

HEY ! Modern Art & Pop Culture, Act III concludes a series of three exhibitions -

tions arising from the collaboration of the Halle Saint Pierre Anne & Julien,

creators of the eponymous magazine. Icons of pop culture with the mysteries

the singular artThis trilogy is intended as a free synthesis, bold,

bubbling of the alternative art scene. Functioning as

a rhizome, each exhibition weaves possible relationships between pro -

independent cultural productions located away from the mainstream

and market abuse. Figures of the seditious lowbrow art nour-

ries of the iconography of popular media phantasmagoria pop

Surrealism rediscovering the legacy of the great pictorial traditions,

activists of tattoo, individual breakaways and lonelystreet art

Art Brut to re fi expressions born and liberments of an "eye to the state sau -husbandry, "artistic margins are presented in all their diversity and complexity. Testimony inour artistic reality of another knowledge and another sensibility.

Martine Lusardy

Director of the Halle Saint Pierre

curator

PAR ANNE & JULIEN

"Many will wonder why, the Quai Branly MuseumWe return to the museum of La Halle Saint Pierre. L’exposition Tatoueurs, Tatoués is a cross exhibition, ethnographic and artistic,

and was an opportunity for us to defend the tattoo, heart about taking us for over 20 years: it

was a question of restoring their rightful place underground history and the path had written to the wire

centuries. Our history with the Halle Saint Pierre is different.

HEY! Act III comes close a cycle of exhibitions not based on any standard or acquired, conducted

open heart alongside the Halle St Pierre, built on bymind and partnership based on

common desire: the representation and defense of the arts known outsiders. With HEY! ActIII, we clôtu -

So Rons a trilogy. This group shows three police have revealed more than 200

inter artistsnational in a global current movement. TOith these three exhibitions and for HEY!

2

inter artistsnational in a global current movement. TOith these three exhibitions and for HEY!the first time in Europe, we opened a Pandora's box, our gesture underlining the future explosion fi guratifs arts defended in our magazine since 2010. Moreover, these three components consti -

now kill a founder and historical base. They give us the tempo of a new Depart, and we

encourage spread over time this worldview, as a future appointment HEY!

regular... Here or somewhere else.

This ambition is not ours, it is shared by all arNew argue that possibly co.

For we are not "people time" defined by a sum of furtive acts conjugates Nothing. We record ourselves in a sustainable course, is years of experiments and field.

We are located on the crossroads of high culture and pop culture, where finds himself

Reconciliation of knowledge and the self, popular intelligence. Is our support and spread

first mission. This is our label, our ideal, our poetic claim. "

Anne & Julien / HEY! modern art & pop culture

curators

Anne & Julien work in pairs. Chief editors and creators

the art magazine culture, authors, committed HEY! modern art and pop -

sary exposure or artists / directors, they work

© Zoé Forget

in musical circles and those of the picture since 1986, analy -health subcultures are passionate about. In 1986, they create a struc -The nomadic tureHydra Art, and in 1990 the art gallery of the same

name having stencil, Graf fi ti, cartoon, free figuration,

outsider art. For 15 years, the duo is dedicated to journalism,

for press, television (8 documentaries to their credit), and radio

sign ten books music and band -

sinée. En 2010, Anne & Julien fondent la revue HEY! Modern art &

pop culture, and transpose them on stage with pages HEY! Cie.

After being at the origin of the exhibition mu Moebius / Miyazaki -

Sée Mint (Paris), they settle at the Halle Saint Pierre for

sign curated group exhibitions 2 HEY! modern art

& Pop culture gathering each inter sixty artistson -

tional. The critical and public success of these events lead them

the Quai Branly Museum to ensure the Commissariat of exhibitions -

tion Tatoueurs, Tatoués, a world first on the tattoo, then

their troop HEY! Co. gives seven shows on the history of

Tattoo (Ink Notes) at the Théâtre Claude Lévi‑Strauss (museum

quai Branly). They also publish a duet copyright book

the Rackham Editions While (Worlds promised). HEY! modern

art & pop culture / Act III returns to the Halle Saint Pierre, HEY! Coy

will be for ten days at Electric Circus (October 2015) with a

new show, waiting for the third edition of the festival HEY !.

3

THE SUBMITTEDARTISTS

WITHT TRENCHESFrance

BARBER Shawn Painting / Artist tattoo artist - United States

Bode InaughnCartoons - United States

Hunting Back , 1914-18, Private Collection

Tattooed Self Portrait IV, 2008,

Collection Joshua Liner

ABEYTA RayPainting - United States

Ritchie Valenzuela2004, Private Collection

BERG TomTattoo fl ashes - United States

BOHNERT HerpaintingSculpture — France

CALVOCartoons - France

Dead Bone Erotica 351972, Private Collection

4

BOURBONNAIS AlainSculpture — France

Opium Devil, ca1910,

® Hardy Marks Publications

Custume, The ant , 1970-1973, Museum

La Fabuloserie, Photographie® Zoé Forget

Untitled, 2014 Courtesy Galerie Jean-François

Kaiser, Photography ® Christian Creutz

CHIACHIO Léo et DanielGIANNONEPainting and embroidery - Argentina

Linked , 2012, Courtesy School GallerY,

Photography ® Zoe Forget

CORBEN RichardCartoons - United States

CRITES ChrisPainting - United States

CONN ASKEW ChristopherPainting / Artist tattoo artist - United States

Carmelia, 2009, Private collection


Mobius Comics, Issue 1, début1970

Courtesy Richard Corben et Galerie 9e Art

Larceny, 2012,

Courtesy G. Gibson GallerY

5

DiabloPhotography stereoscopic France England

Satan Journalist,

ca1875,

Private collection

DICEFrance

Mistigri, 1968, Courtesy Galerie Alain Margaron

COMPANIES RenoPainting - France

ENGLISH RonPainting - United States

The Casseroles in Satan,

Photography Jacques ® Pépion

Combrat House, 2013, Courtesy de l’arones

et de Corey Helford GallerY

FERGUSON PeterPainting - Canada

Petrel, 2011 Private collection

THE SUBMITTEDARTISTSGARCIA Camille RosePainting - United States

GIBBONS SamPainting - United States

Glendinning LucySculpture - England

Hello Orpheus, 2013, Private collection,

Photographie ® Jonathan Levine GallerY

Best of Luck, 2009,

Courtesy Jonathan LeVine GallerY

Pink and Fluffy Little Darling, 2014,

Courtesy de l’artist and Da-End Gallery

6

BASES GabrielPainting - Argentina

Tact, 2010

HALILI GregorYSculpture — Philippines

Memento I, 2013-14,

Courtesy Nancy HofGrating fmanY

GRIMM BertTattoo fl ashes - United States

Girl Heads, ca1950,

® Hardy Marks Publications

HARUKAInA NamioDrawing - Japan

Untitled, undated ,

Courtesy Galerie Arts FactorY

THE SUBMITTEDARTISTSHARDY Don EdPainting / Artist tattoo artist - United States

HESHKA RyanPainting - United States

HORIYOSHI IIIPainting / Artist tattoo artist - Japan

SilkInA HiroshiPainting - Japan

Huot BenoîtSculpture — France

Madara Maru, 2008, Private collection

Pilgrim (For PG), 2014,

Collection privée Don Ed Hardy

Keep America Free, 2008, Acryl ester and mixed media on panel, T Collection. Brudvik

Sea of Noon, Sea of Night, Private collection

Couple of owls, 2011, Courtesy Galerie Eva Hober

® Y Photography. Little

7

THIS HirotoshiSculpture — Japon

Laughing stones, 2013, Private collection


LEBOW DaveKOKUBO Norimitsu

KENNY StevenPainting - United States

Painting - United States

Painting - Japan

LIAN ANDu-PeiSculpture — Taiwan

MENICHETTI EudesPainting - France

LEU FilipArtist Tatoueur — Suisse

MARSHALL FrancisSculpture — France

MCKEE TomDrawing - United States

LEVASSEUR LudovicSculpture — France

Three Cheers, 2012, Private collection

Three Cheers, 2012

Hedgehog, 2008,

Photographie © Peggy Lee, Courtesy Aki GallerY

St Sebastien2014


1, 2015,

Photographie © Bobby C. Alkabes

It lightens, 2014, Courtesy de l’arthose


Inacation pictures from Wambootie2014 ,

Private collection

Doll 2007, Photography ® Zoe Forget

8

The Web, 2011, Private collection

Untitled, Collection of the artist


NOBBS DerekPainting - United States

PECK MarionPainting - United States

PANTER Gar YPainting - United States

PEYRE GilberttSculpture (installation) — France

REX VAN MINNEN ChristianPainting - United States

PWITHTINGTON Claire Sculpture - England

Dead Seas Trading Company, 2012,

Private collection

Sleepwalk, 2009, Private collection

end of year 1980

Courtesy Scott Eder GallerY

Artist's studio , 2015,


Born Bad2013 , Private collection

The Put-down, 2013,

Courtesy James Freeman GallerY

9

NEGRI JoelSculpture — France

MISEMONO-GOYABanners / Folk Art - Japan

NINE CarlosPainting - Argentina

The winged chariot, Ca1970, Museum of Fabuloserie,


Collection Kyoichi Tsuzuki

Controversial decision of the chamber

commerce, 2014, Courtesy de l’arthose et

Galerie Petits Papiers

ROTH EdDrawing - United States

Aqua Nut!, 1963, Courtesy Scott Eder GallerY


STONEHOUSE FredPainting - United States

Truong IninnieDrawing - Canada

TENMYOUYA HisashiPainting - Japan

UNDERWOOD HarrYPainting - United States

TODOROVIC AlexanderDrawing - Serbia

Largeyland, 2014,

Courtesy Feinkunst Krüger GallerY

Japanese Spirit #2, 1997,

Private collection

Iconostasis of Serbocapitalism, 2012,

Private collection

RYDEN MarkPainting - United States

Grotto of the Old Mass, 2008,

® Courtesy de l’artiste et Michael Kohn GallerY

Salle AlberttSculpture — France

SANDLIN DavidPainting - United States

SIMON DeborahSculpture - United States

The Crêche, Ca1960, Musee de La Fabuloserie,


Ooooh My Son, All This Is Yours (inalpurgis

Nachtmart), 2004

Ursus maritimus, 2012,

Photography Dan W ®onderly

Fair Feathered Friend, 2015,

Courtesy de l’arones

Melodia, 2013,

Courtesy Galerie J. P, Ritsch-Fisch

10

WILLIAMS RobertPainting - United States

WOODRUFF ThomasPainting - United States

XOOANG ChoiSculpture - Korea

GAPAA RaviPainting - United States

Drag Cartoons, End of the 1960s,

Courtesy Scott Eder GallerY

Batter fl yariation, Phlegmatic , 2010-11,

Courtesy de l’arthose et de P.P.O.W Gallery

The Dreamer Blue, 2007, Private collection

Leash, 2012, Private collection


VILLIERS, DE Jephan Sculpture — France

LBear fledged dreamed and quiet forest, 2011,

2015, Courtesy Espace Jephan de Viliers

11

On the occasion of the exhibition


HEY! et Arts Factorthere schedule

in any complicity in the "Galerie du Bas" artists published in the magazine HEY !.

A new exhibition every month and a half

Amandine URRUTY

From September 17, 2015 to 1 is November 2015Artist exhibited at HEY! Act 1

(Halle Saint Pierre 2011/2012),

and published in the HEY! # 3 and # 20.Galerie Arts Factorand (Paris).

Laurent IMPEDUGLIA

from January 8 to February 7, 2016 Artist published in the HEY! # 24.Galerie Arts Factorand (Paris).

Caroline ONY

November 3 at December 13, 2015Artist published in the HEY! # 8.Galerie Arts Factorand (Paris).

Angela Dalinger

& Matthias LEHMANN

February 9 to March 6, 2016 Artists published in the HEY! # 24.Galerie Arts Factorand (Paris).

12

HEY! REVUE D’ART

- 23 numbers in bookstores -linethe tie 23: September 18, 2015

In just five years of existence (23 quarterly issues), the journal of art bilingual (French, English) HEY!

modern art & pop culture opened a real gap by presenting a panorama of works and pop

singular: painting, cartoon, sculpture, illustration, workshop tattoo artists work (...).

Today it is the only one in Europe to make this proposal very speci fi c.

Are always reading about how a temporary exhibition we travel it perputs kissing

the energy of the present. Between the cabinet and the lover of curiosities, his apparent mess -

small theater accumulation - always track the strange and the seaderful. It reveals, if one wants to go

the detail, Amazing complicity, and celebrates the imagination as a safe haven.

Echoing this urban graphic and global scene in broad widths, providing readers

Echoing this urban graphic and global scene in broad widths, providing readers interviews rarely searched and printed in such visual quality, all staged by a scale model, still drawn by hand in his workshop, HEY! demonstrated a vision artics

resolutely original and unpublished. Finally, every three months the time it gives a fascinating creation,

that of outsider art and pop fi gurative current.

"Putting art in his life and life in his art"

Henri Jeanson - Door, film, 1938.Stage

HEY! modern art & pop culture

Quarterly / bilingual magazine

Bookstore

144 pages

+ 16 pages comics

+ booklet 16 pages XL

+ 1 page de stickers d’artistes

heyheyhey.fr

facebook.com/hey.review

Editions Ankama

Label 619

13

- How did the magazine HEY! ?

Anne & Julien: Initially, we were very

desire to create an art magazine that is re fl

This was forbidden for years

As journalists and collectors, and

can synthesize all our passions. A

dayWhile we were doing a crossview de RUN

as part of his artistic work, we

fi nor talk about the project; He was quickly packed

and offered to make a number zero in

an extremely short time. As we had

everything in us for so long, we have

we have executed within days. The

project was introduced in Japan a leader

Ankama, who said yes.

- On what is the choice of arpossibly co à chaque number?

Anne & Julien: The choice of artists is both very

narrow and extremely broad: it sweeps large

countries on the planet. However, in the same

time, because the magazine is dreamed, imagined,

fantasy, it makes a world

closed. That is to say that we are not the

permeable all the news, or the taste of others.

We used to say Is aHEY!

selfish business in terms of the choice of artists.

We watch, read, taste to artists

When we start looking at a

subculture or someone, you attack

dark corners that have not been shown,

that have not left any testimony form

books, interviews, catalogs ... We

therefore also call for a real job search,

a spirit of inquiry and stair. He always us

characterized, it determines us. We love to discover.

So we're looking.

- HEY! meeting a success more and more.Inll expect you to Depart such a return?

Anne & Julien: We were very surprised. He's fromincreasingly warm, sharerAnd applicant.

And this throughout the world: the match is

not just francophone. It meets a need without

have wanted to make 'the answer' to this need. Inother words, people are attached to the journal

because they feel that obeys neither a niche or to

a "pre-production" of departure. With over twentyyears of journalism behind us for many

national media, we have with taken aHEY!

undisguised pleasure to deconstruct all that

learned in this field, to thwart the

represents the outline of a support proved -

a highly visible logo, always the same, for example ...

We chose the title Very quickly because weHEY!

did not manage to pronounce it ... and that we

her laugh. We refuse to seduce advertising

that nourish us since our adolescence, and our character is to never forget what thrilled us. On the contrary, we continue

tracks, let us yarns, we will never stop

at work discovered. existed since 2010,HEY!

we look at the painting, cartoons,

we read of the comic (...) from the end

of seventy years. The choice of artists is

So in terms of the pleasure that continues to have

watching their works today. The reputation and

the weight of an artist on the market arDoes not

determinants for us.

When the No. 1 came out, it was so beautiful and

rich as many have told us that we would

impossible to hold the road on several numbers.

But time passes, and we are still

power of discovery, and relays. The choice of

artists is also indirectly.

her laugh. We refuse to seduce advertisingor instrumentalize the artists. Ustons du that the reader is intelligent. So we

perturb his reading, because the gesture is nice and

it creates movement and the requirement. If we

defend an overall energy level

global in terms of artistic production, we

stand in our pages the strength of individuality

- We are talking here not of individualism. Us

celebrate the person as such and power

to exist and create in a group subject to

the rules it has not selected. The readers

feel it, and most faithful maintain a

truly personal dialogue with the magazine, which we

escapes. From this perspective then we can say

that the review is a success. For us, success

measured not only in the number of readers,

but in the light of the quality of the relationship that

has managed to settle with its readership.

14

EVENTS OUTSIDE THE WALLS

HEY! LA CIE

STOLE ON ARM COSTENTENUS!

In a Tattoo Hall dedicated to the memory of the great tattooed, music hall and circus blend, a relic belonging to the history of the tattoo disappears.

> 20, 21, 22, 23, 24, 25, 28, 29 October 2015 Cirque Electrique, Paris I

LThe idea of experimental and aesthetic dimension here

applied to the performing arts. STOLE ON ARM

COSTENTENUS! commented a perspective fantasma -

gorique tattoo mindset and large figures

who crossings. The show also draws on

myths of this popular art, greeting the character Souter -

rain environments in which he sailed. From the beginning

representation, we understand that we are facing a

company dedicating his life and his art in memory of the "Great Tatoués ". This imaginary company chose to "venerate"historical star tattoo - Costentenus - she

owns (oh miracle) the arm! Punctuated by clues to the disappearance of the famous relic, one tasted

a strange atmosphere and specifically, in the form of a succession of appearances.

FESTIVAL HEY

> 30, October 31, 1

is

November 2015 Electric Circus, Paris I

30, October 31, 1 November 2015 Electric Circus, Paris I

After two editions in 2011 and 2013, HEY! returns to play for his new Electric Circus Festivaland offers shady evenings scenic and aesthetic dialogue capabilities in one

goal: the search for a universal language in the development of a singularity, highlighting

a common energy, the value of dialogue where it does not yet appear possible to communicate.

This new program allows HEY! to engage further in its mission "federa -trice "scenes that ignore and yet operate in parallel. Lopportunity to present - and connect - works apparently dissociated in their formulation, but presented together,

highlight a real community spirit.

OUTSIDER ART FAIR

3th Edition / Paris

> 22 to 25 October, 2015 Hotel du Duc - 22 rue de la Michodière - Paris 2 I is

Partner Institution of Outsider Art Fair since its first edition in Paris, the Halle Saint Pierre y

installs its reference library Outside the walls, and a selection of books, catalogs and

magazines, as well as unpublished works available for the first time in France.

Reference Fair Art Brut and Outsider installed for 23 years in New York, l’Outsider Art Fair se

held for the third time in Paris in off the FIAC at the Hotel du Duc. This third edition meets

careful selection extended to 36 inter galleriesNational to show the best of art brut and outsider

international.

15

LA HALLE SAINT PIERRE

Since 1986, the Halle Saint Pierre in Paris is the cultural center of art brut and singular art. Grace

Art exhibition in the rough company and in 1995, a first in France, the Halle Saint Pierre established his

Experimental Museum reputation and precursor. It has ceased to present to the public collec -

tions vanguard, a deep look and reflexive on contemporary folk art.

Many SuccessThe great historical exhibitions exploring the artistic and cultural reality that cover the concepts

d’art brut, art singular and art outsider in other cultures: Art Outsider and FolkArt Haïti : ange (USA),

and devil,Japanese art brut,British Images of the unconscious Outsider, (Brazil), and the last success,

Bandits art (Italie) ...

Thematic exhibitions initiate or deepen research on topics related to the

Domain specificity: unconscious, madness, engineering, automation, mystical, myths, origins: Art spiritualist,

mediumship and visionary, Scripture Delirium, Dolls ...

The collective exhibitions and monographs provide a space needed for living creation: Leye

wild state, drawing praise, Louis Pons, The World According to HR GigerUnica Zurn, Fred Deux ‑ Cécile

Reims, Macréau Michel, Jean Rustin, Chomo ...

Self-taught virtuoso primitive or unconscious, these radically individual creators offer us

works of excess carriers but also poetry and innovation.

Halle Saint Pierre give the floor to those excluded from traditional circuits, allergic to laws

market, and reveals to each exhibition a kind of art without borders, in constant evolution.

A living and evolving cultural place in international influence

Halle is built around temporary exhibitions, a library and a café. More than an ar centert,

it is a place where both intersect artists, collectors, amateurs or just visitors who exchange

ideas, views and critical information.

Multiple cultural and educational activities contribute to the mediation work around art

gross: presentations of singular artists who bene fi t of any broadcast networks, festival films,

poetic and literary evenings, lectures and debates, exhibition of small publishing houses, entertainment

young public ...

Essential hub of Hall, the library specializes in the writings of the art and participates each

year at the Outsider Art Fair. It publishes since 1995 the French edition of Raw Vision magazine.

In France and abroadIt occupies a unique place in the news and the promotion of a form

marginal art, moving, fascinating.

Manager: Lusardy, Tues.you founder of the cultural project of the Market and exhibition curator since 1995

16

REPORTSTIONS PRATICKS


September 18, 2015 March 13, 2016Inisnishing Release: September 17, 9h30-13h

HALLE SAINT-PIERRE2, rue Ronsard

75018 Paris

M ° Anvers (2) / Abbesses (12)

Open weekdays from 11h to 18h / 11h to 19h Saturday / Sunday from 12h to 18h

Temporary exhibitions: 8,50 €, reduced rate 6.50 €

Temporary exhibitions: 8,50 €, reduced rate 6.50 €

hallesaintpierre.org

museehallesaintpierre

HalleStPierre

Catalogue

340 pages

Format 22 x 28 cm

Hardcover, sewn, toilée coverage

silkscreen printing, if the slice

Price 44.90 €

Editions Ankama / 619

CONTACTS PRESSEPIERRE LAPORTE COMMUNICATIONFrédéric Pillar: frederic @ stone-lapor te.comMangion Roman: Roman stone-lapor @te.com

51, rue des Petites-Stables

75010 Paris

01 45 23 14 14

17

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