La Haine Le Blanc et le Noir. Lesson Objectives: In this lesson we will discuss the use of black and...
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Transcript of La Haine Le Blanc et le Noir. Lesson Objectives: In this lesson we will discuss the use of black and...
La HaineLe Blanc et le Noir.
Lesson Objectives:In this lesson we will discuss the
use of black and white in the making of La Haine.
Black and white in the age of colour. Why?
• Making a black and white film in 1995 is a statement.
• Since the 1970’s colour in film became ubiquitous.
• Some film makers continued to make black and white films
• E.g. Manhattan (Woody Allen 1979)
• She’s Gotta Have It (Spike Lee 1986)• Raging Bull ( Martin Scorsese 1980)
Reasons?
• In Raging Bull, Martin Scorsese said that black and white makes the blood less disturbing and that technically it fades less than colour. (see also Kill Bill sequences, Quentin Tarantino)
• It gives a period feel.• It appears unrealistic, yet like music
videos – cool• It allows for more overt play on
characters’ skin colours. (Hubert on the poster)
Reasons?
• Reference to film noir (Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize moral ambiguity and sexual motivation.)
• Vinz in the cinema – smoke patterns• The Boxing Match• Uses classic film noir photography (Chiaroscuro
(Italian for light-dark) is a term in art for a contrast between light and dark)
and backlighting• Vinz in the BMW looking moodily at the
street.• Constructs a mood of urban edginess and
expectancy.
Reasons?
• To distinguish La Haine from other beur and banlieu films. (Beur is a verlan (French slang) term for a descendant of immigrants of North African origin living in France. Can be used as a pejorative term)
• Other films in colour.
• The obvious highlight of black, white and grey subject matter in La Haine.
Unrealistic?
• Unrealistic in that black and white film it is not of now!
• However, Kassovitz uses other devices to bring it into the present.
• Newsreel footage• Tv news archive
• Still retains a gritty, cool feel, both real and unreal
• The film doesn’t really age as it would in colour.
• E.g. Saïd’s tracksuit is gold!
Research
• Bavure• Banlieu• Beur• Film noir• Social unrest/ grèves post 1995.
what were people protesting about?
See also…
• DVD extras – scenes in colour
• Behind the scenes 2 – Filming in the cité.