L16 fm2 - american gangster key scene analysis l1
Transcript of L16 fm2 - american gangster key scene analysis l1
HomeworkGoodfellas Misogyny – Henry threatening Karen after she threatens to shoot him over his affair. American Gangster Misogyny – Frank burning the jacket. Goodfellas Machismo – “Never rat on your friends” scene American Gangster Machismo – Frank and his brother in Harlem – “Either you’re somebody or nobody”
Due:
TODAY
YOU MUST establish the theory represented by the image clues that relate to BOTH texts.
YOU SHOULD support your understanding with evidence from the films that we have analysed.
Entrance Activity
Entrance Activity
Propp’s Narrative Functions - WEDDING: Hero marries and ascends the throne (is rewarded/promoted).
Title:‘American Gangster’ – Key Scenes Analysis –
Screening (L1 of 3)
Tuesday 28th April 2015
FM2 – British and American Film (60%) of AS Level)
Section C – US Cinema Comparative Study –
‘Goodfellas’ and ‘American Gangster’ - (40 marks)
Why?
Aims & Objectives
• YOU WILL re-cap prior learning.• YOU WILL develop your
understanding of the key messages & values represented in some of the key scenes from ‘American Gangster’
• YOU WILL be able to recognise where theory/key ideas apply to these key scenes.
• Review the learning.
AO1
Demonstrate knowledge and understanding of film as an audio-visual form of creative expression together and
AO2 Apply knowledge and understanding, including some of the common critical approaches that characterise the subject, when exploring and analysing films.
Task - 25 minutes
YOU MUST analyse the recommended scenes and establish HOW the Theoretical approaches surrounding the Gangster Genre apply to these 3 scenes and WHERE (Micro Feature Evidence – Sound, Mise-en-Scene, Cinematography)YOU SHOULD consider HOW these scenes COMPARE to other scenes from ‘Goodfellas’
• Opening 5 minutes (up to Bumpy’s Funeral)
• Tango and Frank clash
• “Hold on” Scene – Empire grows
Vladimir Propp – Narrative FunctionsRobert Warshow (1958)Friedrich Engels (1884)Propp’s Character rolesStella Bruzzi (1995)
VIOLATION of INTERDICTION. The interdiction is violated (villain enters the tale). This generally proves to be a bad move and the villain enters the story, although not necessarily confronting the hero. Perhaps they are just a lurking presence or perhaps they attack the family whilst the hero is away.
Propp’s ‘narrative functions’
FEEDBACK
What have you learnt?
3 Point summary – YOU MUST write down a 3 point summary of the scenes analysed today.