Kind of like Al Jarreau
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Ola Onabule presents its broad-based voice volume inSendesaal
Were in Sendesaal before 260 listenersthan acclaimed adding a real radio.Reference: Ola Onabule (free)
Kind of like Al JarreauVon York Schaefer - 09/03/2015 - 0 comments
Onabule sends before his band; PatrickScales on contrabass followed by pianistNick Flade and a percussionist, thendrummer Guido May and guitarist MartinScales. The first soft vast harmonies of"Love again" float through the hall.Appearance Onabule, a tall, athletic-muscular man in his forties in beige plaidsuit and with an equally broad-based voicevolume for classic soul of the sixties andseventies, improvised jazz singing andstimulant radio vocals.
"Love again" comes from his forthcomingalbum "It's The Peace That Deafens", on
which the singer deals with the African part of his biography and the currentsituation as a black man in England. Ola Onabule arrived in London for the world,at the age of seven to seventeen years he lived with his family in their country oforigin Nigeria.
Musically, the formative years, where the musicians worked on West African stylessuch as highlife, Afrobeat and Juju who previously however appear on his eightalbums since 1994 musically only in subliminal harmonic quotations and in the formof a certain genre typical polyrhythm.
Thematically turn his African roots are always present. "Jankoriko" for example, issuch a song, according Onabule an exclamation in his home when one hassuccessfully chased a thief. The sound is more urgent, poet, the singer gets going.By directing gesture he indicates the last bars and gets rid of his jacket. In "DarkMatter" is about to more metaphorical. The darkness explains Onabule, has neverbeen associated with something good, much to the chagrin of the people in Africa,the brightest of all continents.
In the velvety jazz ballad and title track of the upcoming album, "It's The PeaceThat Deafens", is a native of a rather wealthy parents songwriters personalachievement in a critical relationship with the necessary fight against oppressionand political instability.
"An entire generation in Nigeria has forgotten to fight," explains equipped withplenty of confidence Onabule production, whose crooning here to old soul and jazz
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singers like Al Jarreau or Al Green. Also, "Great Expectations" covers a topic of hishome, the hopes and expectations of African refugees on their way to Europe.
After the break the human and philosophical, "big" themes of Soul come off.Onabule sings about the 50yearold, "good love" of his parents, gives the"Devoured Man", the "tangled man", with its wellrehearsed, tightly grooving banda reggae touch. With excessive Scateinlagen he holds back thankfully. Instead,there is a widely acclaimed addition a real radio number on reasonable standingovation. Who knows, maybe the Sendesaal for next Bremen concert by Ola Onabuleis already too small.
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