Katalog 10 2mb

Kolding School of Design

Content

Introduction 9

Department of Communication Design 10 Graphic Design 12 Illustration 12 Interaction Design 13 Portraits 14

Department of Product Design 17 Fashion 18 Textile 19 Industrial Design 19 Portraits 20

Graphic Design Kimie Melanie Breidfjord 34 Birk Marcus Hansen 50 Kirstine Skov Hansen 52 Tenna Elisabeth Jacobsen 62 Lukas Neige 88 Nikoline Bitsch Nejsum 90 Bitten Fangel Nielsen 94 Cecilie Marie Skov 116 Nina Wasland 134

Illustration Christian Engemand Blom 30 Mathias Botfeldt 32 Claudia Egholm Castrone 38 Rasmus Palmelund Kviesgaard 70 Sidsel Wittendorff Sørensen 120 Jonas Prip Thorsen 126

Interaction Design Lærke Thorst Balslev 26 Silvia Bella 28 Christoffer Hjelm-Hansen 48 Jacob Keinicke 64 Soleil Zumbrunn du Midi 80 Alexander Muchenberger 84 Patrick Gilbert Nielsen 96 Bo Pedersen 106 Benjamin Buus Pedersen 108 Signe Mårbjerg Thomsen 124

Fashion Mea Andresen 24 Michelle Volquards Hansen 54 Laura Møller Henriksen 56 Katja B. Knudsen 66 Laura Locher 72 Mathilde Maalouf 74 Katrine Terese Nielsen 98 Alexander Katchen Sehested 112 Sarah Mi Svendsen 118 Laura Trzebuchowska 128 Merja Hannele Ulvinen 132

Textile Marie-Louise Dorothee Nathalie Buchholz 36 Anne Woidemann Christensen 40 Rosa Tolnov Clausen 42 Gitta Foldberg 44 Charlotte Bodil Hermansen 58 Linea Lund Hjorhöy 60 Ulla Næraa Mariager 76 Kristina Mielec 82 Krista Neergaard-Holm 86 Maria Rokkedahl Nørholm 102 Divya Sharma 114 Johanna Ulfsak 130

Industrial Design Nina Guldager 46 Lena Krogsgaard 68 Nikolaj Lorentz Mentze 78 Anne Ditlev Nielsen 92 Naija Nygaard 100 Osmund Olsen 104 Pauline Joy Richard 110 Ragnhild Lübbert Terpling 122

Department of Communication DesignPortraits 138

Department of Product DesignPortraits 140

9

I always look forward to the next Kolding School of Design grad-uation catalogue. Why? Because it represents the design language of a new generation and shows us how the new designers interpret our time and are able to generate products, services and systems that help us understand our present and our future.

The new designers take their point of departure in individual fields of interest, different professional skills, and various views of the World and of design. Their projects are successfully completed in collab-oration with companies, organisations, or public institutions, and build on the artistic and aesthetic subject knowledge that defines the school’s departments.

The end result is a genuine contribution to the creation of a better world.

Congratulations new designers!Happy reading!

Mette MikkelsenProrector

Introduction

10

The Department of Communication Design focuses on students achieving a broad grounding in design as well as specific profes-sional specialisations within the fields of Graphic Design, Illustration and Interaction Design. We have a firm belief in the power of story-telling and the magic to be found in everyday life, and we trans-form these into analogue, digital, sensory and spatial experiences where functionality and aesthetics merge in the most exquisite manner. By crossing aspects relating to perception with aesthetics, we are able to create beautiful experiences and intelligent interaction. With letters, images, drawings, video, animation, sounds, codes, shapes, objects, space, processe, and action, we educate innovative designers to make communication happen between and for people in local as well as global contexts. And because design is first and foremost about people, we centre social, ethical, moral, and human aspects.

Department of Communication Design

12

Graphic Design

I l lustration

Graphic Design establishes the context that enables powerful storytelling that will be noticed, absorbed and remembered. Material as well as immaterial contacts between the user and the communicator are designed, and the development and the planning and produc-tion of communication are approached from a theoretical as well as a practical angle. The output includes publications, identity design, typography, layout, branding, film, animation and script design.

Focusing on imagery as a primary commu-nication form, we create visual worlds that enhance the written word or are able to stand alone. We work with books, animation, wall patterns, photos, games for smartphones, or cinema movies. In short, anywhere that an image can add an additional dimension, per-spective, relevance and meaning to the mes-sage. We work to arouse people’s curiosity andengage their associative capacities emotionally and intellectually.

13

Interaction Design builds dialogues between people, objects, systems and spaces and incorporates technology as a fascinating new design material for experimentation. We focus on the indi-vidual and a need to engage with others as the point of departure for this work. An interdisciplinary approach is fundamental for designing contemporary interactions, experiences, and dialogues, as well as envisioning the future in the form of concepts, services, software, robots and objects.

Interaction Design

14

Kimie Melanie Breidfjord

p. 34-35

Christian Engemand Blom

p. 30-31

Mathias Botfeldt

p. 32-33

Claudia Egholm Castrone

p. 38-39

Rasmus Palmelund

Kviesgaard p. 70-71

Jonas Prip Thorsen

p. 126-127

Nina Wasland

p. 134-135

Kirstine Skov Hansen

p. 52-53

Tenna Elisabeth Jacobsen

p. 62-63

Nikoline Bitsch Nejsum

p. 90-91

Bitten Fangel Nielsen

p. 94-95

Illustration

Birk Marcus Hansen

p. 50-51

Lukas Neige

p. 88-89

Cecilie Marie Skov

p. 116-117

Department of Communication Design Graphic Design

Sidsel Wittendorff

Sørensen p. 120-121

15

Lærke Thorst Balslev

p. 26-27

Patrick Gilbert Nielsen

p. 96-97

Bo Pedersen

p. 106-107

Benjamin Buus Pedersen

p. 108-109

Signe Mårbjerg Thomsen

p. 124-125

Silvia Bella

p. 28-29

Christoffer Hjelm-Hansen

p. 48-49

Jacob Keinicke

p. 64-65

Soleil Zumbrunn du Midi

p. 80-81

Alexander Muchenberger

p. 84-85

Interaction Design

17

At the Department of Product Design, we educate the designers that will help generate products and solutions for our common future. Designers develop these while brilliantly meeting the classic require-ments for design concerning shape, function and aesthetics. However, their products and solutions also contribute by being innovative in terms of materials, ecologically desirable, service-oriented, and by having a wide — sometimes offbeat — target audience.

The Department of Product Design comprises the disciplines Fashion, Textiles, and Industrial Design. The common denominator for the specialist fields is that the solutions produced often involve a product; therefore, all of the students are very knowledgeable about materi-als, just as the workshops are often included as a natural part of the design process. The teaching is conducted by practicing design-ers as well as researchers, ensuring a knowledge generating inter-play between practice-based knowledge and recent design research. This enables the students to decode and translate trends and needs into unique expressions.

Department of Product Design

18

Fashion focuses primarily on designing clothing which decodes, mirrors and reflects the present. The students are given time and space for thoughts, experiments, reflections and intuition to roam freely in the constant slipstream of trends, which also characterises Fashion. Form and concept development and materials knowledge are part of the core subjects of the curriculum, and the students learn to build entire collections aimed at target groups and pro-duction facilities.

Fashion

19

Textile

Industrial Design

Textile Design students work with the classic tools of the textile fields: weaving, knitting, and print. The focus is on developing new design within the design areas fashion and interior design. However, there is an increas-ing emphasis on transforming textile values into new contexts and technologies. Hence,digital instructional tools have gained a foot-ing at the department and are now consid-ered equally important as the analogue tech-niques. The textile designers are given ample opportunity to apply their competences to the creation of material surfaces other than yarn and fabric, e.g. glass, steel and concrete.

Industrial Design focuses on design solutions which incorporate function, form and produc-tion possibilities into one collective design solution. Industrial Design students study clas-sic design disciplines such as sketching, 3D programming and model making, but they also spend more and more of their time on overall concepts focusing on the future of the users as well as immaterial values and aspects of the products. Hence, user studies and map-ping of consumer behavioural patterns have become core subjects in the teaching.

20

Textile

Mea Andresen

p. 24-25

Michelle Volquards

Hansen p. 54-55

Laura Møller Henriksen

p. 56-57

Katja B. Knudsen

p. 66-67

Laura Locher

p. 72-73

Mathilde Maalouf

p. 74-75

Katrine Terese Nielsen

p. 98-99

Alexander Katchen Sehested

p. 112-113

Sarah Mi Svendsen

p. 118-119

Laura Trzebuchowska

p. 128-129

Merja Hannele Ulvinen

p. 132-133

Rosa Tolnov Clausen

p. 42-43

Gitta Foldberg

p. 44-45

Charlotte Bodil Hermansen

p. 58-59

Linea Lund Hjorhöy

60-61

Department of Product Design Fashion

Anne Woidemann

Christensen p. 40-41

Marie-Louise D. N.

Buchholz p. 36-37

21

Industrial Design

Ulla Næraa Mariager

p. 76-77

Nina Guldager

p. 46-47

Lena Krogsgaard

p. 68-69

Nikolaj Lorentz Mentze

78-79

Anne Ditlev Nielsen

92-93

Naija Nygaad

100-101

Osmund Olsen

104-105

Pauline Joy Richard

p. 110-111

Ragnhild Lübbert Terpling

p. 122-123

Krista Neergaard-Holm

p. 86-87

Maria Rokkedahl Nørholm

p. 102-103

Divya Sharma

p. 114-115

Johanna Ulfsak

p. 130-131

Kristina Mielec

p. 82-83

24

Mea Andresen


www.meaandresen.dk

[email protected]

+45 28 56 51 07

MA Fashion Design, Kolding School of Design, DK

BA Fashion Design, Kolding School of Design, DK

Scandinavian Design College, Fashion and Textile, DK

Freelance Designer, Moonspoon Saloon, Copenhagen

Design Intern, Hussein Chalayan, London /Pattern

Cutting and Show Manager

Design Teacher, Ungdomsskolen Kolding, DK

/After school classes

2013

2011

2006-

07

2012

2011-

12

2010-

11

1

ExperienceEducation

25

MA Project.

—

—

—

Photo 1 and 3 by

Ida Buss.

1

2

3

4

3

2

The most important thing to me as a designer is being able to create impressions; impressions on people and their bodies through experiences, aes-thetics and intriguing constructions.

My MA Project is about the experience of time. The experi-ence that time stands still and slowly returns to its proper pace. I transform this feeling into women’s wear fashion using hand-painted and intelligent textiles, as well as complex pattern cutting and draping.

4

26


Department of Communication Design Interaction Design

www.cargocollective.com /larke

[email protected]

+45 29 87 32 23

MA Interaction Design, Kolding School of Design, DK

/Exhibition Tool for Museological Communication

CIRRUS Workshop, Local Holistic Sustainability

in the Progress of Global Reality, Iceland /Social

Design

Exchange, Man and Leisure, Design Academy

Eindhoven, Holland /Experience Design and

Sustainability

BA Interaction Design, Kolding School of Design, DK

/Installation and Cultural Meetings

Skolen for Kunst og Design, DK /Basic Training in

Design and Art

Les Ateliers d’art Concemporain, Brussels /Croquis

Skolen for Kunst & Design, Aarhus, DK /Fashion

Drawing

Design Intern, N55, Copenhagen /Concept and Art

Freelance Designer, MUNDHUG Copenhagen

/Logo design

Installation, Kvinde kend din kropsholder, Rundkant,

Trapholt /Storytelling Through Textile and Film

Sale of Silkscreen Print, TANK, Aarhus /Graphic Print

Exhibition, FÆNGSLET, Horsens /Interactive Video

Installation

Exhibition, Kvinde kend din kropsholder, Rundkant,

Carlsberghallerne /Storytelling through Textile and

Video

Happening and Exhibition, Tongji University Shang-

hai /Awareness of the Consequences of Pollution

Exhibition, Hinderup Library /Paperwork and Slide

Projection

Education Experience Other

2013

2012

2011

2011

2008

2004

2003

2012

2012

2013

2013

2012

2012

2010

2010

1

mailto:[email protected]

27

MA Project, Tool

kit for planning

exhibitions at a

culture-historical

museum.

THE HOLE,

Interactive video

installation about

the experiences of

prison inmates in

solitary confine-

ment.

MA Project,

Exhibition tool for

culture-historical

museums for

arranging ex-

hibitions of The

Collector.

1

2

3

In my MA Project, I investigate how to cross expe-riences from design processes with museological communication and ethnographic fieldwork when arranging travelling exhibitions, and have created an exhibition tool for organising mobile exhibi-tions. The project is completed in collaboration with Moesgård Museum and is based on the exhibition about “The Collector”.

I like to investigate how story-telling and invitation can initiate dialogue with and between people. Throughout my work process, I consider the physical and social interactions between people. Being able to develop concepts with a presence and communicative forms are my professional spheres of interest.

2

3

28

Silvia Bella


www.silviabella.dk

[email protected]

+45 53 40 12 26


/Social Design

BA Interior Design, Politecnico di Milano, Milan

/Design for Public Spaces

Summer School, Course in Communication, Media

and Advertising, IULM University, Milan /Communi-

cation in media

Design Intern, Rune Fjord Studio, Copenhagen

/Design for Public Spaces

Design Intern, Bureau Detours, Aarhus /Concept

Design and User Analysis

Showroom Assistant, Lago s.p.a, Milan /Marketing

Shanghai, Aalto-Tongji Design Factory, Safe Food

System Eat Your Darling

Milan Design Week, Exhibition, Dennis Design

Centre part of Bureau Detours

Milan Design Week, Exhibition, Il Formicaio Sensory

Analysis

Kolding School of Design, Design Camp iSpeack-

Electricity /Sound Installation

Urban Center Milano, Urban Planning, The Secret

Gardens

École Boulle and Politecnico di Milano, Workshop

on Set Design in Newscasts


2013

2011

2007

2012

2011

2010

2012

2012

2012

2011

2010

2009

1

2

29

The core of my works relies on communication with society through beauty, nudge and awareness. The aim is to provoke rather than resolve. “What I'm trying to do is make something happen by throwing a pebble into the water and creating ripples. I don't want to control the ripples” — Yoko Ono.

In collaboration with the educational programme of the Center for Rape Victims Aarhus, my MA Project aims to communicate to high school students the blurry concept of partner rape. Interviews with vic-tims, meetings with psychologists, analyses of society taboos lead me to use media as physical interaction but also conceptual videos and photos as storyteller.

MA Project, Book-

let for students

and their families.

Dennis Design

Center with

Bureau Detours.

Milan Design

Week 2012.

MA project, Still

from video.

1

2

3

3

30


Department of Communication Design Illustration

[email protected]

+45 40 13 44 67

MA Illustration, Kolding School of Design, DK

/Character Design and Concept Art

BA Illustration, Kolding School of Design, DK

Design Intern, Mountainwheel Games /Concept,

Artist and Storyboarding

Education Experience

2013

2011

2012

1

2

31

Character investi-

gations.

To be hung in

super markets

encouraging

collective play.

“Jens”.

Dut in search of

adventure.

1

2

3

4

3

To me, every project is about creating a world that enables a narrative to unfold.

In my MA I wanted to build a universe that centres a group of children and youngsters, their neighbourhood and their imagi-nary worlds. The project con-sists of a cartoon series and a computer game that encourages outdoor play like we know it from our own childhood.

4

32

Mathias Botfe ldt


www.cargocollective.com /mathiasbotfeldt

[email protected]

+45 20 71 92 71


/Concept Art

Exchange student, Unitec, New Zealand /Illustration

and Animation

BA Illustration and Graphic Design, Kolding School

of Design, DK /Motion Graphics

Classical drawing course, The Drawing Academy,

Viborg, DK

Conscientious Objector / Designer, DR, Copenha-

gen /Motion Graphics

Design Intern, Fabulab, Copenhagen /Animation

and Motion Graphics


2013

2011

2010

2007

2012

2010

1

TV!TV!TV! live show, DR /Award Design and Motion

Graphics

Reitir, international creative network project,

Siglufjörður Iceland /Installation: Voodoo Bacon

– A musical junk yard playground

Electrical car conference, Etrans /Graphic facilitation.

Designcamp, Making Electricity Tangible, Kolding

School of Design /Service design

Visual workshop in Syria between Department of

Communication Design, Kolding School of Design

and Faculty of Fine Arts, Damascus University

Other

2012

2012

2012

2011

2010

33

I am an illustrator and a motion graphics designer. I love inventing and designing objects that have not existed before and that tell a story. I am fascinated by that strange perspective that allows you to look at the World with fresh eyes.

My MA Project “Searching for Loneliness in Crustaurba” consists of concept illustrations for a fictional society, Crustaurba, the design of whichis based on invertebrate marine biology. The con-cept art is to be processed into a non-verbal graphic novel depicting everyday life and different levels of loneliness in Crustaurba, which, from the inside, very much resembles our own postmodern society.

MA Project, Work

in progress.

MA Project,

Crustaurba fashion.

MA Project,

jagtenpaaensom-

heden.blogspot.dk.

1

2

3

3

2

34



[email protected]

+45 27 35 95 44

MA Graphic Design, Kolding School of Design, DK

BA Graphic Design, Kolding School of Design, DK

Scandinavian Design College, DK /Graphic Design

Production Designer /Set Designer on various music

videos, short films, documentaries and conferences

Reitír, Creative Network Project, Siglufjörður, IS

/Workshop

Exhibition Reitír, Tiny Things in Big Locations,

Siglufjörður, IS /Photo documentation that shows

how similar people live in Siglufjörður

Visual workshop between Department of Communica-

tion Design, Kolding School of Design and Faculty

of Fine Arts Damascus University, Damascus, Syria


2013

2010

2007

2008-

13

2012

2012

2010

1

2

35

Speculative visualisations for the year 2039, which reflectively and critically supplements the debate concerning the influence of how Big Data alters the way we live. By working in the cross-field between research, fiction and design, I design for the future.

Production Design

– L’attrap, Photo

series.

Film Direction,

Production Design,

BA Project.

Production Design

– L’attrap, Photo

series.

Film Direction,

Production Design,

Music video made

for Kristina Reneé.

1

2

3

4

4

3

What drives me is creating de-signs that inspire discussions about the parameters which influence how we experience and understand spaces along with the considerations and strategies which define excellent design. My focus is on scenog-raphy, behavioural design and atmosphere design.

36

Marie-Louise Dorothee Nathalie Buchholz

Department of Product Design Textile

www.maloubuchholz.carbonmade.com

[email protected]

+49 151 201 57775

MA Textile Design, Kolding School of Design, DK

/Interior Textiles

BA Textile Design, Kolding School of Design, DK

/Interior Textiles

Artist Basic Course, Sønderjylland Art School, DK

/Painting, Drawing, Sculpturing, Installation, Video

and Photo as well as Land Art

Preparatory Course, Europäische Kunstakademie

e.V. Trier, Germany /Painting and Drawing

Textile Design Intern, Rubelli S.p.A., Mestre-Venice

/Design and Reconstruction of fabrics and patterns

Interior Decoration, Neubert & Behrens, Flensburg

/Decorating, Client Counselling and Upholstery

Shoemaker, Pingel and v. Scherrenburg, Flensburg

/Shoe Design

Stage Designer, Schleswig-Holsteinisches-Landestheater,

Harrislee /Stage Design and Replicating of Paintings

Glazier, Gallery Kruse, Flensburg /Framing and

Glazing

Indigo Fair, Primière Vision, Paris /Fashion Textile

Collection

Design Development, Ecco, Tønder /Shoe Collection

Interior Decoration Design, Vejle Hospital /Decora-

tion for a children’s emergency ward


2013

2011

2008

2007

2012

2012

2010

2003

2002

2011

2010

2010

1

37

Waffle blanket out

of wool and red

fox fur.

Graphical carpet

border with red

fox fur.

—

1

2

3

2

3

For my MA Project, I designed and created a textile collection on a digital- and handloom, based on the “Winter beauty”. Using different yarn qualities, comprising wool, paper, fancy polyester in com-bination with natural fox pelt, enabled me to cre-ate textile samples structured to invite a “sense of touch” attracting curios costumers.

The unique fabrics I design and weave are focused on interior decoration and fashion. Beauty and detailed characteristics in environmental surroundings inspire this task. Transparency, manufacturing process, natural and locally available materials are essential and important. My aim and target is to create a tactile encounter between costumer and textiles.

38



www.cargocollective.com / ccastrone

[email protected]

+45 20 94 08 87


/Photography

Exchange programme, Hochschule für Angewandte

Wissenschaften, Hamburg, Germany /Illustration

and Printmaking

Exchange programme, Bezalel Academy of Art

and Design, Jerusalem, Israel /Illustration and

Photography

BA Illustration, Kolding School of Design, DK /Book

Illustration

Preparatory course in Art and Design, Skolen

for Kunst & Design, Aarhus, DK /Art, Design and

Illustration

Freelance Designer, Lilian Brøgger, Copenhagen

/Graphic Design of a children’s book

Design Intern, Lilian Brøgger, Copenhagen /Book

Illustration and Graphic Design

Freelance Illustrator, Maria Ørndrup / CD Cover

Illustration

Freelance Illustrator, Johannes Torpe Studios

/Water Colour Paintings for Restaurant Decoration

Freelance Illustrator, HerDay, Copenhagen / CD

Cover, Illustration

Freelance Illustrator, Cevea, Aarhus /Illustration for

newspaper

Freelance Illustrator, LoveBike, Copenhagen and

Zanzibar /Logo Design

Graphic Design Assistant, Triangle Region

Denmark, Kolding /Graphic Design of publications

Artists residency, Tvak Residential Art Studios,

Ahmedabad, India /Photography and Printmaking

Exhibition, Café Nutid, Copenhagen /Photography

Exhibition, Verdenskulturcentret, Copenhagen

/Photography

Exhibition, Mascha Clothing, Hamburg /Woodcut

Scholarship, Erasmus

Scholarship, Oticon Fonden

Scholarship, Knud Højgaards Fond


2013

2013

2012

2011

2008

2012

2012

2012

2011

2010

2010

2010

2009-

12

2013

2013

2013

2013

2012

2012

2011

1

2

39

Ahmed from

Ramallah gets

ready for his first

marathon.

Haitham on the

marathon route

by the separation

barrier in the cen-

tre of Bethlehem.

Jacky (on the

right) and Tamara

are training for a

half marathon. In

the background

you can see the

separation barrier.

Lina runs 5K.

1

2

3

4

As a designer, I often take on the role of the observer. I like design to be open to the fact that everyone has their own individual experience of an image or a product.

Yalla, GO! My MA Project consists of photos from Bethlehem. There, I document the preparations for the first Palestine Marathon; the runners, the spec-tators and the many volunteers. Although conflict is part of everyday life for all Palestinians, the Palestine Marathon is a tribute to sports, nature and culture, and this is reflected in the pictures.

3

4

40

Anne Woidemann Christensen


[email protected]

+45 25 36 56 08


/Manipulating fabric into textiles for clothing


/Women’s clothing with focus on textiles

Scandinavian Design College, DK /Fashion and

Textile

Design Intern, Prémiere Vision, Paris /Assisted in

putting up the fair for AW13

Design Intern, Kono Business, Koidu, Sierra Leone,

/Design of Product Line and Responsible for

Production

Prémiere Vision, Collection at Indigo SS13

/2 swatches sold to Peachoo + Krejberg

Scholarship, Fællesfonden til fordel for beskæftigelse

i håndværksfagene i Kolding

Fashion show, Copenhagen Fashion Week SS12

/Bachelor Collection: By the Northsea

Exhibition, Kolding School of Design ⁄Folklore Project

Published, Sustainable Fashion /Issues to be

Addressed by DK:Lab /Polyester and Sustainability

Collaboration, Ecco /Shoe Design

Exhibition, Illum, Copenhagen, COP15 /Sustainable

Shoe Design

Published, Walk by DK:Lab /Sustainable Shoes

Collaboration, The Danish Cancer Foundation

/UV-protective clothing

Fashion Show, Institute of Technology, The Danish

Cancer Foundation

Published, Sustainability in the Design Process,

Methods and Materials in Fashion and Textile Training

by DK:Lab


2013

2010

2007

2012

2011

2012

2010

2010

2010

2009

2009

2009

2009

2009

2009

2009

1

2

41

As a textile designer, I work to create textiles that will give people an emotional experience. I build tactile spheres by experimenting and by manipulat-ing materials, balancing between that what is con-trasted and offbeat and that what is aesthetic and classically beautiful.

Sketching with

textiles on the

body.

Experiments on

how to express

emotions through

textile experi-

ments.

Combining textiles

with shape.

—

1

2

3

4

My MA Project is about self-portrayal and self-representa-tion. By doing a number of self-portraits expressing various sides of who I am, I have produced my own inspiration material. I have interpreted the material and conducted a series of mate-rial experiments and designed different textiles that I use to set certain moods in my collection of self-representative clothes.

4

3

42

Rosa Tolnov Clausen


[email protected]

+45 20 82 53 59


/Collection of Interior Textiles

School Exchange, Aalto University, Finland /Textile

Art & Design

Computer Textile Design, Fondazione Arte della

Seta Lisio, Italy, CAD for Jacquard fabrics


/Sustainable Backpack

School Exchange, Weißensee Kunsthochschule

Berlin /Textile and Surface Design


Textile

Company collaboration, Blindes Arbejde (Works by

The Blind), DK /Woven Concept

Company Collaboration, Campeche, Como, Italy,

/Woven Collection

Design Intern, Crespi1797, Novara, Italy /Woven

Textiles

Company Collaboration, Crespi1797, Novara, Italy

/Showpieces for Première Vision

Scholarship, Scandinavia — Japan Sasakawa

Foundation

Scholarship, Oticon Fonden

Scholarship, Knud Højgaards Fond

Scholarship, Ingeborg Mule Henningsens Mindelegat

Scholarship, Nordplus


Exhibition, Première Vision, Paris /Woven Show-

pieces for Crespi1797

Exhibition, Premiere Vision, Paris /Participation with

woven silk collection


Exhibition, Illum, Copenhagen, COP 15 ⁄Sustainable

Shoe

Exhibition, DMY — International Design Festival

Berlin, Think senses! /Textile Samples

Fashion Show, Danish Technological Institute,

Copenhagen /Sun Protection Clothes


2013

2012

2011

2010

2009

2006

2013

2011

2011

2010

2013

2012

2012

2012

2012

2011

2011

2010

2009

2009

2009

2009

1

2

43

Toolkit for the

blind weavers.

Weaving process

with the blind

weavers.

Finished textile

product woven by

the blind weavers.

Finished textile

product woven by

the blind weavers.

Photos 1, 3 and 4

by Peter Hoiss.

1

2

3

4

I specialise in woven textiles and European textile production and have completed company collabora-tions in Italy and exchange programmes in Helsinki and Berlin. I create textiles that point to the future while being rooted in the past. Process, quality, crafts-manship and colours are keywords of my work.

In my MA, I work with a group of blind weavers and visually impared weavers from the organisation Blindes Arbejde (works by the blind). I have created a model and within this model, the weavers are able to make three choices using their sense of touch. The three choices can be combined in one textile. This allows the weavers to influence the aesthetics of the product within the framework that I as a designer have created.

4

3

44

Git ta Foldberg




Textile College of Education, Viborg /Textile Inter-

mediary

College Skals /Felting and Print

Teacher Training College, Blaagaard College of

Education, Copenhagen

Teaching the Arts, Esbjerg

Participated in related courses in Visual Arts and

Crafts at the National Handcrafts Union of Teachers

Internship, Soft Gallery, Copenhagen, DK

Teacher, Copenhagen, Esbjerg, Fanø

Teaching the Arts, Adult Education, Esbjerg

Collaboration, Great Greenland

Collaboration, Gabriel

Collaboration, Ecco

Article, Inform 3/13

Collaboration, Fritz Hansen

Fair, Indigo, Premier Vision, Paris

Collaboration, Sydvestjydsk Hospital, Vejle

Collaboration, UNICEF

Article, Jydske Vestkysten, November

Collaboration, Kopenhagen Fur

Nomination, The Golden Fur Pin Award /Textile

Design

Exhibition, The Golden Fur Pin Award, Kødbyen,

Copenhagen

Exhibition, Copenhagen Fashion Week, Bella

Center, Copenhagen

Exhibition, Textile College of Education, Viborg


2013

2011

2008

2006

1986

1990-

92

1986-

08

2013

1986-

08

1990-

92

2013

2012-

13

2011-

13

2013

2011

2011

2010

2009

2009

2009

2009

2009

2009

2007

1

www.gittafoldberg.dk

[email protected]

+45 29 24 82 52

45

I develop textiles in an experimen-tal way, primarily working with un-conventional material compositions, surfaces and structures as well as creation of digital patterns and 3D installations for fashion and interior. I am usually inspired by a certain technique that I decide to advance, or by nature transformed into a new design giving priority to the experience and sen-suousness that occurs in the encounter with the user.

My MA Project “Seal on the Edge” takes its point of departure in Greenlandic nature and culture.This inspiration is transformed into a textile interior collection of assorted pillows and plaids with seal skin; a symbolic gesture to support Greenlandic sealer and whaler culture and draw attention to a material which is eco-friendly.

Details of “Combi-

nation”, seal skin,

leather and wool.

“Combination”,

seal skin, leather

and wool.

Details of “Edge”,

processed seal

skin and wool.

Materials study

of seal for

“Combination”.

1

2

3

4

2

4

3

46

Nina Guldager

Department of Product Design Industrial Design

[email protected]

+45 31 22 39 93

MA Industrial Design, Kolding School of Design, DK

Exchange Greenside Design Center, Johannesburg,

South Africa

BA Industrial Design, Kolding School of Design, DK

Skolen for Kunst og Design, Aarhus /Art and Design

Internship, Frama Copenhagen Coorporation, Carpenter Gustav D., Billund, DK

Glassblower Bente Sonne, Svendborg, DK


2013

2010

2010

2007

2012 2013

2012

2

1

47

Delicate and coordinated; these are words that char-acterise my designs. I give priority to simplicity and noble materials. Using my strong analytical sense, I am able to lift my designs to a level that makes them classic and functional and thoroughly Scandinavian.

Generally, design has a function, art has a moral. My MA Project partner, Textile Designer Krista Neergaard-Holm and I work to identify some of the most specific values in the bohemian lifestyle and transform these into an interior collection.

MA Project.

—

—

—

1

2

3

4

4

3

48



[email protected]

+45 50 77 88 99



Architecture Student, The Royal Danish Academy of

Architecture, DK /Architecture

Owner, Hjelm & Hansen, Kolding /Consultant

Design Intern, Hatch & Bloom, Aarhus /Interaction

Designer

DMY, Berlin


2013

2011

2006

2008

2012

2010

1

49

I believe that it is important for a designer to understand the context that should even-tually embrace his /her design. Therefore, throughout my study years, I have focused on acquiring tools for explor-ing this context and creating solutions that take it into account. In addition to my design competences,my sense of curiosity has given me a broader under-standing of sociology, anthropology, economy, marke-ting and philosophy.

My MA Project is about innovation and entrepre-neurship in state schools. Globalisation is threatening our competitive position and requires us to become more innovative. For this purpose, I have developed a tool that will help teachers teach innovation skills.

Innovation course

with pupils:

making a sports

cracker.

Teacher training

innovation class.

Teacher training

workshop: plan-

ning how to teach

innovation classes.

1

2

3

3

2

50

Birk Marcus Hansen


www.birkmarcus.dk

[email protected]

+45 40 94 76 69



School of Visual Communication, DK

Scandinavian Design College, DK

Art Direction and Graphic Design /CD, LP and EP

cover and promotion material for the female artist

Linkoban’s first album: Pop Gun Track

Guest Teacher, Kolding School of Design and

Scandinavian Design College /Courses focusing

on Pictograms, Layout, Grid, Typography, Idea

Development and Design Process

Video Art, performed at the Danish pavilion at

EXPO in Shanghai

Design Intern, MTWTF, New York /Signage, Picto-

grams, Concepts, Environmental Graphics

VJ, On tour in China, Germany, Iceland and Den-

mark with the band Reptile Youth /Video Artist and

Stage Designer

Design Intern, Light Designer Jesper Kongshaug

/Animation of sequences as part of the stage design

for the opera “Tomorrow in a Year” by Hotel Pro

Forma, and more

Video Art for the opera “Tomorrow in a Year” by

Hotel Pro Forma with music by The Knife

Exhibition in collaboration with Lego, commissioned

by Kolding School of Design for Il Salone Design

Fair, Milan


2013

2011

2007-

08

2006

2013

2010-

12

2012

2011

2010

2009

2009

2012

1

51

MA Project,

Differences and

similarities in

Chinese and

Latin investigated

through experi-

ments and studies.

Mixing outer shape

of Latin and

Chinese characters.

Pictorial composi-

tions with Chinese

characters.

The Betabet is

a collection of

new ligatures

and letters for the

alphabet

1

2

3

4

My approach to working with the written language of the future is conceptual, playful and investiga-tive. By focusing on the basic structures of the writ-ten language, I approach the challenge of future global communication. My studies are published in the paper “The Babel Issue”, which can be ordered on birkmarcus.dk.

I work with research based, con-ceptual graphic design. I create graphic musicality centred around content, whether working with typography, print or animation.4

2

3

52



[email protected]

+45 60 64 17 77


Design Graphique, Multimédia, École Nationale

Supérieure des Arts Décoratifs, Paris, France


Thorstedlund Art School, Frederikssund, DK

Salon-Service /Music & Authenticity, event at Aar-

hus Music Academy, Aarhus, DK

Inspiration for Entrepreneurship /Speaker Arbejds-

plads.nu, Kolding, DK

Salon-Service Cultural Platform and Events

/Co-founder together with Laura Møller Henriksen

and Michael Roloff, Kolding, DK

Intern, Orphelins Sida International/Website design

for partner organisations in Africa, collecting and

creating Text and Visual Material, Films on Humani-

tarian Aid and Missions, Paris, France.

ASDEB (Action Solidaire pour un Développement

Entretenu à la Base) /Website Design, Film and

Photo Reportage, Lomé,Togo

ONG Centre SAS (Le Centre Solidarité Action So-

ciale), Website Design /Film and Photo Reportage,

Bouaké, Ivory Coast

AJPO (Association des jeunes pour la promotion

des orphelins) /Website Design, Film and Photo

Reportage, Ouagadougou, Burkina Faso

Pecha Kucha Kolding, DK /Project Manager

Scholarship, Kulturpuljen, Kolding, DK

Scholarship, Ungepuljen, Kolding, DK

Bienal Internacional del Cartel en México, Quereta-

ro, Mexico /Workshop

Culture Salon, cultural event and debate about cul-

tural development in Kolding, in co-operation with

Head of Culture Department in Kolding, DK

Utopia, Film Screening, Nicolai Biograf, Kolding, DK

Illustration projects for children's library in

Valparaiso, workshop, Universidad Mayor,

Santiago, Chile


2013

2012

2011

2008

2013

2013

2012

2012

2012

2012

2012

2009-

13

2013

2012

2012

2011

2011

2010

1

2

53

I work within shifting contexts and human relations across disciplines, scientific fields and passions. My projects are born from an ongoing, analytical and reflective process centering people’s relationships with themselves, their surroundings and their cultures.

My MA Project is completed in collaboration with Designers Laura Møller Henriksen and Michael Roloff. The project takes its point of departure in the concept Salon Service; a series of thematic salons for conversation, discussion and artistic performance within a private space. The salons work as a cul-tural platform across disciplines, institutions and environments and collectively explore characteristic trends of contemporary culture. For more informa-tion go to www.salon-service.info

Salon 4: “Fra

Krise til Opstand”

(From Crisis to

Rebellion),

11 April 2013.

“Sonic Explorations

on a Sunday”,

12 May 2013.

“Autenticitet der

Sælger” (Authen-

ticity that Sells),

15 November

2012.

1

2

3

3

54

Michelle Volquards Hansen

www.michellevhansen.com

[email protected]

+45 21 74 59 33


/Curvy Fashion


/Fashion


Textile

Sales Assistant, Companys, Kolding

Design Intern, Munthe plus Simonsen, Copenhagen

/Graphic Design and Textiles

Print job, Munthe plus Simonsen, Kolding, DK

Freelance Construction and Production of prom and

wedding dress, Kolding, DK

Sales Assistant, Nielsens, Kolding

AIDA World Championship, DK /Freelance Logo

Design

Sales Assistant, Bebe, Kolding

Collaboration, Ecco /My Personal Shoe

Collaboration, Unicef, Pregnancy and AIDS

Collaboration, Kolding Municipality /Health care

uniforms


2013

2011

2008

2013

2011

2011

2011

2008-

11

2009

2008-

09

2010

2009

2009


1 2

55

MA Project.

—

—

—

1

2

3

4

3

4

The woman is the centre of my designs; her shapes, her desires and her personality. Her clothes must com-plement her figure and surround her femininity with a sense of well-being and mystique. To achieve this, I apply classic elements to the cutting process, print and draped details together with colours of the earth and a mix of materials.

My MA Project is inspired by raw, Icelandic nature to capture the sense of the Nordic woman; her strength and fragility. The collection is designed for curvy women in order to challenge the conven-tional, feminine beauty ideal and focus on a fan-tastic and exciting target audience.

56


Department of Product Design Fashion Design

www.salon-service.info

[email protected]

+45 26 39 58 06


Exchange, École Nationale Supérieure des Arts

Décoratifs, Paris, France


Existential philosophy, Aarhus University, DK

Scandinavian Design College /Fashion and Textile

Co-founder, Salon-Service, Kolding, DK

Documentarist, Passages from a Space in Time,

Documentary on Mutinerie Coworking Space, Paris,

France

Design Intern, Mutinerie Coworking Space, Paris,

France

Concept Development, Unit I, Hørsholm, DK

Concept Development and Project Manager, Salon

Culture meeting – new policy of Culture, Kolding, DK

Guide, Trapholt Art and Design Museum, Kolding, DK

Project Manager, Pecha Kucha, Kolding, DK

Public screening of documentary Passages from

a Space in Time, Paris, France

Event, Performance lecture: Music & Authenticity,

Aarhus Music Academy, DK

Scholarship, Kulturfonden Kolding, DK

Scholarship, Ungepuljen Kolding, DK

Public screening of the Short Film Utopia and

Guerilla Fashion Show, Nicolai Culture Centre,

Kolding, DK

Film workshop, open doors Grindsted Asylum

Centre, DK


2013

2012

2011

2010

2008

2012

2012

2012

2012

2011

2009-

11

2008-

13

2013

2013

2013

2012

2011

2010

1

2

Other

57

Salon 1: “Auten-

ticitet der Sælger”

(Authenticity that

Sells), 15 Novem-

ber 2012.

Salon 4: “Fra

Krise til Opstand”

(From Crisis to

Rebellion),

11 April 2013.

Salon 1: “Auten-

ticitet der Sælger”

(Authenticity that

Sells), 15 Novem-

ber 2012.

Salon 2: “Creative

Writing”, 31 Janu-

ary 2013.

1

2

3

4

My focus is on creating and staging concepts that enable reflection, inspiration and critical aware-ness; between people and by people. An ideal project challenges human perception, generates meaning and new ways of experiencing the World.

My MA Project is completed in collaboration with Designers Kirstine Skov Hansen and Michael Roloff. The project takes its point of departure in the con-cept Salon Service; a series of thematic salons for conversation, discussion and artistic performance within a private space. The salons work as a cul-tural platform across disciplines, institutions and environments and collectively investigate character-istic tendencies of contemporary culture. For more information go to www.salon-service.info

3

4

58

Charlot te Bodil Hermansen

Department of Product Design Textile Design

www.cargocollective.com /charlottebodil

[email protected]

+45 22 90 88 26



Decorative Painter, Svendborg Vocational School,

DK /Traditional Craft Techniques

The Independent Academy for Free School Teach-

ing in Ollerup, DK /Majoring in Visual Arts, Danish,

English and Outdoors

Clothing and Crafts, TEC Frederiksberg, DK /

Technical Skills

Design Internship, Fritz Hansen, Allerød, DK

/Model Work, Material Experiments, Concept

Development, Cooperation with external designers


Trapholt /Furniture Design

Scholarship, Gerda Hennings Mindelegat, Otto

Bruuns Fond, Klint-Fonden

Workshop, Created4Kids, Spinderihallerne, Vejle, DK


Carlsberghallerne /Furniture Design and exhibition

build-up

Winner of The Golden fur Pin /Home Wear Cate-

gory, Copenhagen Fur, DK

Pop-up workshop at IKEA, Älmhult, Sweden

Workshop on developing from leather remnants,

Fritz Hansen, Allerød, DK

Exhibition, My Ecco-Shoe, cooperation with Ecco,

Kolding School of Design, DK


2013

2011

2006-

07

2004-

06

2003-

04

2012 2013

2012

2012

2012

2011

2011

2011

2010

1

59

Prototype wall

modules of mould-

ed leather and

acrylic.

Asphalt blue seal

fur, PP bowl, cork,

elegance walnut

leather, melamine

Margrethe bowl.

E-type seal fur

(rejected),

moulded over

wooden ball.

1

2

3

Sensuousness and a playful approach are my focal areas in terms of process and design. Intuition, courage and challenging habitual thinking is thedriving force behind my work as is my artisan approach to industrial production.

In my MA Project I apply different moulding meth-ods to transform 2D materials into 3D to further develop moulded objects for use in homewear and accessories. The combination of natural and artificial materials adds a new dimension, odd detailsevoke instinctive desires to explore and discover.

The MA Project is realized in cooperation with: Fritz Hansen, Great Greenland, North Atlantic Fur Group, Hat Factory Andersen & Berner, Ecco, Vink Plast, Modulex, Smurfit Kappa.

3

2

60

Linea Lund Hjorhöy


[email protected]

+45 40 56 61 65


/Textile Print and Women’s Wear


/Print and Wallpaper Design

Women’s Tailor, EUC-Syd, DK

Internship, Munthe plus Simonsen, Fashion, DK

/Textile and Pattern Development for the collection

A / W 2011 and S / S 2012

Internship, Casa De Luxe by Naja Munthe, DK

/Pattern Development for the collection 2012, Home

Collection

Internship, Susanne Schjerning, Home Collection DK

/Pattern Making and Collection Development

Collaboration with Ecco, DK /Sustainable Footwear

Collaboration with Teijin Eco Circle, Tokyo, Japan

/Sustainable Polyester

Indigo Fair, Premiére Vision, Paris, France

Book, Sustainable Fashion – Issues to be Addressed,

DK: Lab

Book, Walk!, Shoes for a Sustainable Future,

DK: Lab

e_COLLECTION /Exhibition, Illum Copenhagen

Folklore project, Dresser of Mayianne Dinesen on

Model for 1 day Finals


2013

2010

2006

2011

2011

2010

2009

2009

2010

2010

2010

2009

2009

1

2

61

MA, Below the

surface — deep

down. Digital knit.

MA, Below the

surface — deep

down. Detail of

reversible, knitted

cardigan.

MA, Below the

surface — deep

down. Detail of

a knitted dress.

MA, Below the

surface — deep

down. Knitted

textiles.

1

2

3

4

3

4

As a textile designer, I love the process of working with the materials to be a hands-on process; to touch and feel how the materials develop and allow unpredictable things to become part of the design. My passion is working in the cross-field between the organic mode of expression and the graphic stroke. My process is distinctly colourful and playful, and I am passionate about print.

My MA Project Below the Surface — Deep Down is about developing textiles inspired by organisms living at the bottom of the ocean. My collection focuses on form, tactility, detail and organic textile design integrating the keywords of the title in the materials and in the silhouettes.

62



www.tennaelisabeth.dk

[email protected]

+45 60 10 07 45


Course in Online Communication, Web Kompetence

BA Graphic Design, The Danish School of Media

and Journalism

First year core course in Technology and Communi-

cation, KTS Frederiksberg

Design Intern, Scandinavian Designlab

Art Director Trainee, Bessermachen Designstudio

Brandhouse

Freelance Graphic Designer, Artwork for the Danish

Jazz singer Signe Galting

Scholarship, Staugaards Mindelegat


2013

2011

2010

2007

2012

2011

2011

2010

1

2

63

I am a graphic designer with a passion for devel-oping visual concepts for print and digital media. I love to experiment with analogue and digital design processes, and to me, aesthetics, a strong concept and excellent execution are essential to any project.

My MA Project is a visual identity for the Copenha-gen Songwriters Festival. The focus of the project is to challenge the concept of a classic, visual identity and create a design solution that is dynamic and flexible. The final solution comprises a series of sym-bols (inspired by the note system) which reflects the context. This changeability conceptualises the diver-sity of the artists, while the combination possibilities symbolise the act of composing and writing your own music.

Visual concept for

Firekites’ album

“The Bowery”.

Bodoni relief.

Font experiment.

MirrorMirror

poster series.

Screen-printed

reflections on

mirror-paper.

MA Project,

Dynamic visual

identity for CPH

Songwriters Festi-

val inspired by the

note-system.

1

2

3

4

4

3

64

Jacob Keinicke


www.jacobkeinicke.dk

[email protected]

+45 42 29 38 37



Danish Artists’ Autumn Exhibition

Winner of the Gaffa Photo Awards


2013

2011

2011

2010

1

65

Section from

“The Closer Book”.

See more on

jacobkeinicke.dk

—

—

1

2

3

I work with interaction, imagery and four to the dance floor. I like setting up stories. Good imagery you can sense in your stomach; a good message you can breathe in like air. Aesthetics is overrated, misleading and worth living for.

Existentially challenged at the last moment in the arena

My moves are mild and soft but I slip in the banana

All red I shout and make the clouds flicker and loom

Don’t you dare make card-board wine from our grapes after bloom

2

3

66

Katja B. Knudsen


www.katjaknudsen.dk

[email protected]

+45 25 36 15 39


/Handbag Design

Pelleteria Alexandra, Padova, Italy ⁄Bag Construction

Scuola del Cuoio, Florence, Italy /Making and

Construction of Handbags


/Women’s Wear

Freelance Handbag Designer, Diffus, Copenhagen,

/Handbag Constructor and Production Assistant

Handbag Designer, Ecco, Denmark, Holland

/Development of design language for bags and

accessories

Handbag Designer, Previous Prime Minister Lars

Løkke Rasmussen, Kolding School of Design, DK

/Design and handcrafting of a bag for the Danish

Prime Minister Helle Thorning-Schmidt

Fashion Design Intern, Margit Brandt, Copenhagen,

/Design Assistant

Collaboration, Ecco tannery in Holland /Design

and development of leathers for my Final collection

of bags

Scholarship, Le Klint legat

Collaboration, Le Klint, Kolding School of Design, DK

/Design and development of a lighting surface for

Ventura Lambrate in Milan

Award, Henriette Hørlück’s Culture Award

/Upcoming Designer

Bachelor Fashion Show, Copenhagen Fashion Week

Exhibition of sustainable rainwear, Innovating

Sustainable Fashion, Danish Design Centre

Exhibition of sustainable shoes, Design City

Kolding, Copenhagen


2013

2012

2011

2010

2012

2012

2011

2010

2013

2012

2012

2012

2010

2010

2009

1 2

67

I create handbags with a certain atmosphere /feeling that women can connect with. It is very important to me to achieve high quality handbags through craftsmanship, materials and functionality. My aesthetics is inspired by authentic and raw details in everyday life that I transfer into delicate, edgy and pleasurable bags.

My collection of bags is inspired by the silent and modest walls of Marrakech that encapsulate the noise and intensity of the city. They create a base on top of which the city applies itself, layer by layer. I would like to capture that senses-awakening experience in my collection of leather bags.

MA Project.

—

—

—

—

1

2

3

4

5

4

5

3

68

Lena Krogsgaard


[email protected]

+45 25 67 82 13


BA Product Design, ZHDK, Switzerland, Exchange

Student


To draw what you see, Drawing class, DK

Scandinavian Design College, Denmark /Product

Design

Design Intern, Judith Seng and Alex Valder, Berlin

/Art and Product Design

Interior Design, Children’s Care, Kolding /Interior

Design of three rooms

Interior Design, Kolding Children’s Library, Kolding

/In charge of the Interior Design at Children X

Dokumenta, Kassel ∕Happening, Food as a

Communication Tool


2013

2011

2011

2008

2006

2012

2011

2010

2012

1

2

69

Whom you share

a meal with great-

ly influences the

taste experience.

A successful meal

requires the pres-

ence of one or

more elements.

Presentation

and service are

expressive of one’s

identity.

Small anecdotes

from the lives of

the residents are

embroidered on to

place mats.

Ergonomic service

adds a personal

touch to the meal.

1

2

3

4

5

An Important Meal is a project that deals with food as a communication tool. Investigations show that Danish nursing home residents are losing weight. The reason could be that they lose their will to live and with that, their desire to eat. The kitchen staffs report that they put an extra effort into every meal because they never know when it will be the resi-dents’ last. Yet, the residents still keep losing weight. I focus on making the service in relation to the meal as unique and exciting as possible in an attempt to recover the residents’ zest for life. My work pro-cess is experimental and investigative. My primary strength lies in conceptual design and focusing on narration and the world behind the product.

4

5

3

70

Rasmus Palmelund Kviesgaard


www.foreningen-tegnerne.dk/om/rasmus-palmelund-kviesgaard

[email protected]

+45 29 84 57 94


Open Workshop Viborg, The Animation Workshop,

DK /Comic Book

BA Illustration, Hamburg University of Applied

Sciences, Germany /Children Book Illustration

Visual Designer (2009), Art Director (2010), DADIU

(the National Academy of Digital, Interactive Enter-

tainment), DK /Computer Game Development

Art Academy of Aarhus, DK /Basic Drawing and

Sculpting

Art School of Vejle, DK /Basic Drawing

Art Folk High School of Thorstedlund, DK /Basic

training in Drawing and Painting

Internship, Gimle Drawing Studio, Copenhagen,

Comic Book /Writing and Drawing

Scholarship, Svend Grams Mindelegat /Comic Book


2013

2011

2010-

11

2008-

10

2005-

06

2003

1997

2010 2011

1 2

71

I am a classically oriented illustrator and my main focus is on the craft of drawing by hand. I include digital media in my work when it fits my working methods. When possible, I research reference materials and places. In terms of style, I am in-spired by American superhero comic books, Japa-nese Manga as well as some European comic books.

My MA Project is a decoration assignment com-pleted for the children’s recovery room at Randers Hospital. The hospital wants a decoration which builds on the healing effect of colours on humans. My choice of colours is based on most recent know-ledge of this field. The thematic framework for the illustrations is the historic town of Randers.

Dronningborg

Castle. Recon-

structed from an

old 18th century

drawing.

The Jutlandic stal-

lion breed Sculp-

ture by Helen Schou.

Steam locomotive

from the Frichs

factory.

Niels Ebbesen.

The slayer of the

charred count.

Machine for mak-

ing rope. Randers

used to be famous

for its rope.

1

2

3

4

5

4

5

3

72

Laura Locher


www.lauralocher.com

[email protected]

+45 30 28 45 90


/Women’s Wear


/Women’s Wear


Textile

Artist In Residency, HKICC Lee Shau Kee School

of Creativity, Hong Kong /Teaching Sustainable

Fashion

Research Assistant, Kolding School of Design

/Research Project about Tactile Clothes Experience

Design Intern, Ida Gut, Zürich /Research Swiss folk

dress

Design Intern, threeASFOUR, New York /Tailoring

and Production

Design Intern, Moonspoon Saloon, Copenhagen

/Tailoring and Merchandise

Creative animator, Nicolai for børn, Kolding

/Creative Workshops for children and adults

Fashion Show, Aarhus Sustainability Festival, Aarhus

Scholarship, Pestalozzi Foundation

Collaboration with DTU (Danish Technical

University), Copenhagen

Collaboration with Jewellery Designer Lene Hald,

Copenhagen

Exhibition, Chreated4Kids Conference, Shoe Design

Featured in Book In on and Behind Fashion by

Gavin Davies

Competition, Designers Nest, Copenhagen Fashion

Week

Bachelor Fashion Show, Copenhagen Fashion Week

Fashion Show of sustainable rainwear Danish

Design Centre /Innovating Sustainable Fashion


2013

2010

2006-

07

2012

2012

2011

2010

2009

2008-

13

2013

2013

2013

2013

2012

2011

2011

2010

2009

1 2

73

MA Project, Wom-

enswear Collection,

Trousers and top

with 3D-print.

MA Project, Wom-

enswear Collection,

knitted top, skirt.

MA Project, Wom-

enswear Collection,

knitted top, skirt.

MA Project, Wom-

enswear Collection,

Jacket.

Photos by

Natascha Skow

1

2

3

4

I have a great passion for experimenting with the newest materials and techniques and using them for artistic and conceptual purposes. I am inspired by philosophical questions that I try to answer in a playful way.

My women’s wear collection is inspired by the symbolic mean-ing of a memorial day and by fire. Instead of fire being destructive, I use its heat to fuse garments into shape, using a special heat fusible thread. I play with hardness and softness within the same material; like a lit candle when the wax softens. Like the uncontrollable fire, my shapes are asymmetrical and reaching up.

4

3

74

Mathilde Maalouf


www.mathildemaalouf.com

[email protected]

+45 25 36 93 57


/Women’s Wear


/Women’s Wear

Rebekka Bay, Bruuns Bazaar /Assistant: Lookbook,

Show Preparations and Show

Rebekka Bay, Bruuns Bazaar /Assistant: Lookbook,

Show Preparations and Show

Design Intern and assistant, COS, London /Techni-

cal Sketches, Fittings, Handovers, Colour Library

Scholarship, Erasmus Stipendium

Scholarship, Samsoe and Samsoe, collaboration

of design

Scholarship, FællesFonden til fordel for

beskæftigede i håndværksfagene


2013

2010

2012

2011

2010-

11

2010

2009

2009

1

2

75

My work reflects an appreciation of clean and mini-malistic silhouettes and attention to fabrics. I will inthe shaping and the choice of colours and materials interpret Finn Juhl's home and thereby his aesthestical Universe. In the same way he did with his house, I will create an artistic unity in my collection of clothes, shoes and bags.

MA project, Home

of Finn Juhl, Krat-

vænget 15.

—

—

—

1

2

3

4

4

3

As a furniture designer wood, leather and weaved furniture textil-es were some of Finn Juhl's main components. And will also be elements in my collection, which can infuse a new aesthestic into fashion.

76



[email protected]

+45 26 21 03 75



El Taller De Gráfica, Cuba /Graphic Workshop

Skolen for Kunst & Design, Aarhus /Drawing

Higher Preparatory Examination Course

Skrædderskolen, Aarhus /Tailoring

Krabbesholm /Products, Painting, Art, Graphic

Vejle Sy & Tilskærerskole /Cutting and Sewing

Living Lightly /Textile Assistant

Intern, Isabel Berglund /Dance performance Stitch,

Knitting /Scenography, Costumes

Exhibition, Living Lightly, Shangtex, Shanghai

Exhibition, Living Lightly, the Ministry for the Envi-

ronment, Copenhagen

Scholarship, Mule Henningsens Fond

Scholarship, Edelweiss Fonden

ISEND11, international symposium and exhibition

on natural dyes, La Rochelle, France

Volunteering, in Fairtrade shop, Karibu, Odense, DK

/Workshops, Sales

The Square Project, finalist in the competition Inno-

vation Sustainable Fashion /Exhibited and shown

during COP15 in Copenhagen

Textile Collection, Premier vision, Paris

Fashion Show at A.P. Møller School in Schleswig

/Attending with two pieces


2013

2010

2010

2005

2003

2002

2002

2001

2011

2010

2013

2011

2011

2011

2011

2010-

11

2009

2009

2008

1

77

I am captivated by the role of the designer; that we as designers can help create change. My objective is to develop products and processes that centre sustainability. In terms of materials, my work pro-cess is artistic, intuitive and experimental.

Plant dyeing and the processes involved fascinate me. I want a practice which enables new possibilities for a sustainable textile production. My collection is based on material and plant experiments inspired by the changing of the seasons.

MA Project.

—

—

—

1

2

3

4

4

2

3

78



www.lorentzmentze.com

[email protected]

+45 25 38 75 23


/Furniture


Workshop of 5 weeks, Tongji University, Shanghai,

China

Crafts, Copenhagen Technical School, DK

Designer, Trip Trap, DK

Internship, Søren Rose Studio, NYC

Internship, Design by Us, Copenhagen

The Tube, collaboration with Grundfos and Kolding

School of Design. Il Salone, Milan

Conversation pieces, The Danish business promo-

tion and state visit, Chile

Fashion Installation /Fashion Show, BA’12,

Copenhagen

Annex East, Custom-made Interior, Bar / Pop Up

Restaurant /Gallery, London

Á bóndadag, Guest Artist, Reykjanesbær Art

Museum, Iceland

FSC Exhibition, Trapholt, Playhouse

Experience and Play Area, Kolding Hospital

FSC Design Award

Design on display, La Biennale Internationale du

Design de Liège Musée d’Art moderne et d’Art

contemporain (MAMAC)

Design WEEK09, Copenhagen Showhow, Sculpture

Formland, New Note, Herning, DK

Show, Il Salone del Mobile Satellite, Milan


2013

2011

2010

2006

2013

2012

2009

2013

2013

2012

2012

2012

2011

2011

2010

2010

2009

2009

2009

I work in the cross-field between art and design. I have a holistic view on objects, and my work combines fine detailing with honest materials rein-forcing the elegance and simplicity of the designs. I do various design commissions, and my work ranges from life style products to installations, exhi-bitions and set design.

In collaboration with Henning Larsen Architects, I have created a piece of furniture for Ny Moesgård Museum, the first new-built prehistoric museum in Denmark. The specific architecture of the museum enables a different communicative approach, and the piece of furniture plays an essential role as it must be included in the context, it must tie together space and exhibition, and it must allow the visitor to contemplate and reflect.

79

MA Project,

Cast Bronze.

1

1

80



www.alien.ch

[email protected]

+45 51 95 44 66 / +41 79 705 42 89


/Short Film

Erasmus Exchange, Zurich University of the Arts,

Switzerland, Department of Art & Media


/Video Installation

Preparatory School, The Scandinavian Design

College, DK

Design intern, IKONMAN, LTD, San Francisco

/Short Film Post-Production

Freelance Graphic Work, Einstein-Newton Books,

San Francisco /Graphics and Layout for eBooks

Freelance Webdesign, Multiple Artists,

Switzerland/Denmark/USA

Educational Scholarship, Canton of Bern,

Switzerland

Video Installation, Horsens State Prison Museum, DK


2013

2012

2011

2007-

08

2012

2012

2010-

13

2008-

13

2012

1

81

Rather than working to create the solution to a given problem, the main focus of my work has been to enhance the viewer’s insight into the subject matter, operating with the belief that people are capable of solving problems themselves, once they under-stand the actual complications. My communication of these insights has primarily been through film and video installations.

The short film's storyboard is as follows: “Sometimes it is only in great darkness that we can fully see the light”. My work is an attempt to create a visible void while still maintaining the form of portraiture; an observation of what is infinite from the inside although finite from the outside.

MA Project, Short

Film/Still.

—

—

—

1

2

3

4

4

2

3

82

Kristina Mielec


www.kristinamielec.com

[email protected]

+45 22 28 94 39



School of Art & Design, Aarhus /Drawing

Intern 6 months Marie I Dali, Copenhagen

/Costume and Stage Designer, Copenhagen,

Intern, Tartuffe, Grønnegård Theatre, Copenhagen

Intern, Fanny og Alexander, The National Venue of

Theatre, Bergen

Intern, Den Gyllene Draken, Helsingborg City

Theatre, Helsingborg


2013

2011

2007-

08

2012

2012

2012

2012

1 2

83

I have an analytical approach to inspiration mate-rials and ways of transferring these to textiles, and I like experimenting with surfaces, materials, tech-niques, structures, colours, and contrasts. Identifying the right technique and the right materials is essen-tial to me.

My MA Project takes its point of departure in decay aesthetics. My inspiration material is collected in Grabowsee and Beelitz, Berlin, with a view to trans-late surfaces of the pictorial material into textiles. The textiles are for garments and contain different usages of materials and techniques in order to impartthe textiles with the appropriate expression, mood and atmosphere.

Digital printet

dress, crackled

trousers. Photo

from Heilstätte

Grabowsee.

Rust dyed dress.

Crackled neo-

prene sweatshirt.

Dress with effect.

Beelitz-Heilstätten.

1

2

3

4

5

43

5

84



www.publichygge.dk / www.bureau.biz

[email protected]

+45 27 38 11 06


/Social Sculpture

BA Interaction Design Kolding School of Design, DK

Design Intern, Observatorium, Rotterdam /Concept

and Storytelling

Partner, Bureau Detours, Aarhus /Concept, Story-

telling and Craftsmanship

Senior Designer, DENNIS Design Center, DK

/Concept, Storytelling and Craftsmanship

Prize, Danish Arts, Crafts and Design, DENNIS

Design Center


2013

2011

2011

2009-

13

2011-

13

2011

1

2

3

85

Prototype af Dig

Deeper Collection.

Prototype af Dig

Deeper Collection.

Beach probe #2.

Container is god.

Beach probe #2

in USE.

1

2

3

4

5

One of the great things of being an interaction designer is that the job is varied; you get to meet different customers within different fields and get to learn about their needs.

I am looking for something beyond ‘good design’ — something extra.

4

5

CONTAINERSPOT

86



[email protected]

+45 26 16 66 23


Exchange, Artakademi, Aarhus, DK


Higher Commercial Examination, International

Business College, Kolding, DK

Internship, Weaver Lise Frølund Cooparation with companies: Carlsberg, Ecco,

Weaver Elise Housgaard

Exhibition, My Shoe, cooporation with Ecco,

Kolding School of Design, DK


2013

2009

2009

2006

2010 2013

2010

1

2

87

MA Project.

—

—

—

1

2

3

4

3

4

I work ambitiously, flamboyantly, intuitively, yet consciously. My designs are raw and unpolished and never compromise on quality. I value design with an edge, and I trust and believe in my calling as a de-signer. Process management, ideation, aesthetic flair, sensuousness, trend-spotting, and a solutionoriented approach are my specialities. Generally, design has a function, art has a moral.

My project partner, Industrial Designer Nina Guldager and I work to identify some of the most specific values in the bohemian lifestyle and transform these into an interior collection.

88

Lukas Neige


www.facebook.com,

find Lukas Neige

90



www.nikolinenejsum.dk

[email protected]

+45 26 27 86 98


/Aesthetics

Exchange, Willem de Kooning Academie, Nether-

lands /Graphic Design, Data Design

BA Graphic Design, Kolding School og Design, DK

/Infographics

Krabbesholm College, DK /Graphic Design

Graphic Design Intern, ArtRebels, Copenhagen

/Logo Design, Banners, Web Design, Festival

Decoration

Freelance Graphic Designer, Himmelfabrikken,

Kolding /Logo Design


2013

2011

2011

2007

2012

2012

1 2 3

91

Generally, I care for simple, stringent graphics as well as loose, artistic or humorous graphics. I like spending time on research and the design process and doing experiments before deciding the form of my design. Yet, my end-design is always specific and completed.

In my recent projects, I have enjoyed combining graphics and knowledge by experimenting with creating a visual overview of complex issues; my BA Project focused on “the good life” and my MA Project on aesthetics.

BA Project, 2011,

Philosophical

perceptions of

“the good life”

systematised.

—

Anti-commercial

Project: 1 of 3

posters, 2012.

1

2

3

4

4

92

Anne Dit lev Nielsen


[email protected]

+45 31 42 24 77


/Furniture Design and Shoe Design

Product Design, Aarhus School of Architecture,

Exchange student, DK /Furniture Design


/Furniture Design

Five week workshop, Tongji University, China /Bike

Design

Krabbesholm Højskole, DK /Product Design

Design Intern, Ecco, Tønder /Shoe Design

Design Intern, Schmidt Hammer Lassen Design,

Aarhus /Furniture and Interior Design

Scholarship, Fællesfonden til fordel for beskæftigede

i håndværksfagene i Kolding

Exhibition, World Expo2010, China /Bike Design

Exhibition, Illum /Sustainability Shoe Design

Exhibition, Shanghai Creative Industry Week, EXPO

/Bike Design

Exhibition, Odense Robot Festival, Robots that move

you, Ambulances and children

1st price, Sydvestjysk Hospital, DK /Poster Compe-

tition


2013

2010

2010

2009

2007

2012

2011

2011

2010

2010

2009

2009

2008

Other

1

93

Being a designer, I take great interest in the objects that surround us and the feelings and thoughts that are put into making them. I am fascinated with how the way we experience products influences the way we live and how this might be used to design prod-ucts that add meaning to our lives.

Asymetric angles

create dynamics

that enable better

social interaction.

Asymetric angles

create dynamics

that enable better

social interaction.

Sponsored by:

SDE College,

Vejle. Dan Vals

A S. Kvadrat.

Fredericia Furniture.

JH Ståldesign.

Especially children

can get into a tight

corner when two

families merge

into one.

1

2

3

4

My MA Project is inspired by modern family structures and our need to form emo-tional attachments within this ever changing family life. I have investigated how furniture can influence human interaction in a positive way and help cre-ate a personal space for each individual.

4

2

3

94

Bit ten Fangel Nielsen


www.bittenfangel.com

[email protected]

+45 20 67 47 17




Aarhus University, DK, Department of Aesthetics

and Communication /Art History

Graphic designer, Carne Vale, Flux Factory, New

York /Poster Design

Workshop participant, International Poster Biennial

of Mexico, Querétaro, Mexico

Graphic designer, In Words Drown I, Copenhagen

and Roskilde /Logo, Poster and Catalogue Design

Graphic designer, Fri Lyd — Sound Art Festival,

Den Frie Centre of Contemporary Art, Copenhagen

/Poster Design

Graphic Design Intern, Den Frie Centre of Contem-

porary Art, Copenhagen

Graphic Designer, worgw.org, Copenhagen

/Visual Identity

Freelance Illustrator, Scandinavian Design College,

10th anniversary illustration

Danish Championship in Drawing for kids

/Animation and Book Workshops

Electronic Music Festival, Sønderborg, Suro

/Interactive Installation


2013

2011

2007-

08

2005-

07

2013

2012

2012

2012

2012

2011

2010

2010

2009

1

95

MA Project, “Eye

Hearing Ear

Looking”.

—

—

1

2

3

Working with visual communication, I find myself to be inspired by the possibilities of new and old tech-nologies. I use systems and dogma to experiment with aesthetics and discover new ways of generat-ing images and graphic design. Experiments may lead to mistakes but to me, a mistake is a new opportunity.

My MA Project deals with methods for visualising sound; methods that explore various aspects of the translation from sound to graphics. The project focuses on everyday sounds, and by applying the methods, the sounds are used to create a graphic product.

2

3

96



www.cargocollective.com/patrickgilbertnielsen

[email protected]

+45 26 28 38 49


/Animation



Design Intern, DR Grafik, Aarhus, TV Production

/Motion Graphics

Design Intern, Mountainwheel Games, Graz,

Austria /Environmental Concept Artist


2013

2011

2007

2012

2012

1

2

97

MA Project.

—

—

1

2

3

Animation and games have a huge future potential in terms of storytelling and the creation of engaging spaces. The tools that are available to us today have really opened up the field of possibilities. My passion is to build a reality from scratch and make it come to life.

My MA Project concerns the reality that we as indi-viduals construct. For some, depression is a condition that they have to face on a daily basis. I have created a short film to describe the nature of this condition.

3

98



www.cargocollective.com/katrineterese

[email protected]

+45 28 49 18 28


/Women’s Wear


/Women’s Wear

School for Visual Arts, Denmark /Drawing

Design Intern, Iris van Herpen, Amsterdam

Design Intern, Nikoline Liv Andersen, Copenhagen

Company cooperation, Barbara I Gongini,

Copenhagen

1st prize, Aarhus Sustainability Festival, fashion

show, Nomads

First runner-up, The Golden Fur Needle, A Love

Story

First runner-up, H&M recycling, Aura

Among the exhibiting, Ghost project exhibition,

Serbia, Dough Shoe


2013

2010

2007

2012

2011

2010

2013

2012

2012

2012

1

2

99

I work in the cross-field between fashion and art developing conceptual silhouettes for the female body.

Each silhouette comprises masculine, feminine and animal elements that melt together and express the pulsating, sexual impulses which occur between a man and a woman who experience a physical attraction. The marks they leave on one another inspires the collection visually.

MA Project,

Loop Dress.

MA Project,

Leather Jacket.

MA Project,

Ostrich Cape.

1

2

3

3

100

Naija Nygaard


www.naija.dk

[email protected]

+45 30 22 86 12


Exchange Willem de Kooning Academy, Rotterdam

/Spatial Design and Interior Architecture


Copenhagen Technical School, Goldsmith /Basic

Techniques

Rigshospitalet Patient Hotel, reception area /Light

and Sound solution

Farmateket Internship, 4 month /Store Concept and

Lighting Design

Internship Hotel Pro Forma, 3 weeks /Lighting

Design for new performance

Vejle Emergency Hospital, Children’s Ward, Interior

Design, in collaboration with Industrial Designer

Julie Damhus

Ideriget Aarhus, Interior Design on entrance hall in

collaboration with Industrial Designer Stine Weigelt

Nielsen

Jonker Fransstraat in Rotterdam, Urban Planning

project, exhibiting suggestion for the renewal of the

North Square in Rotterdam, in collaboration with

students of the Willem de Kooning Academy

Lightyears, collaboration on suggestion for new

lighting design

Tongji University of Shanghai, exhibiting charging

station for electrical vehicle

Belgium Biennale, wind turbine Maple, in coopera-

tion with Vestas

Vestas, Aarhus, wind turbine Maple, in cooperation

with Vestas

DMY Design Festival, Berlin, exhibiting Polar Array

lamp

Hinnerup Library, Art Project — Design Children,

in collaboration with Industrial Designer Signe

Mårbjerg Thomsen


2013

2012

2011

2006-

07

2013

2012

2011:

2011

2010

2013

2012

2010

2010

2010

2010

2010

Throughout my study years, my designs have been a reflection of my fascination with light and space. I have focused on human behaviour in relation to light and explored how light affects spaces and materials. My fixture designs are created based on the many possibilities and qualities of LED, which challenge materials and form anew.

In relation to my MA project I carried out observa-tions at Rigshospitalet Patient Hotel in Copenhagen. These observations have resulted in a soundreduc-ing fixture designed to hang above the reception desk; an area that requires discretion, peace to work and efficient work light. To fit these needs, I have created a design made from glass wool and LED.

1

101

Initial drawing

model inspired by

fungi lamella.

Model for testing

size over a recep-

tion counter.

Lamp module put

together in one

of many possible

patterns.

Single module

separated into

parts.

1

2

3

4

4

2

3

102



www.choose-me.dk

[email protected]

+45 23 45 27 52


Portfolio course, KTS, DK

Fashion Jewellery, Exchange, London College of

Fashion, UK



Textile

Record cover, Os med Kælder, Rekompileret,

Copenhagen, DK /Pattern made by a repetition of

a rubber stamp

Internship, Norman Copenhagen, Copenhagen, DK

Workshop, Kopenhagen Fur, Copenhagen, DK

/Designing my own fur collection

Internship, Interior Stylist Mette Helena Rasmussen,

Copenhagen, DK /Styling for the Danish lifestyle

and interior magazine Boligliv /Styling a Danish

second hand shop, Fashion department and other

styling projects

Swatch, Desigual, Spain /Sold a swatch to the fash-

ion company Desigual at Indigo Fair in Paris

Great Greenland and Ecco /Collaboration MA

Project

The Golden Fur Pin, Danish Design Center, Design

Museum Denmark, Trapholt /Accessory Collection

in fur

Collaboration Kopenhagen Fur, DK /Fur collection

1st prize The Golden Fur Pin, DK /Accessories

Indigo Fair, Paris

Erasmus Schoolarship, Kolding Kommunes Kunst-

håndværker legat, Toyota Fondens Rejselegat

e-COLLECTION, Collaboration with ECCO, Exhibited

at Illum, Copenhagen /Shoe Design

Teijin, Collaboration, Japan /Textile design


2013

2012

2011

2007

2007

2012

2011

2010

2010

2009

2013

2011

2011

2010

2010

2009-

11

2009

2009

1

103

In my work as a textile designer, I process my mate-rials by investigating them and let my discoveries leadme to the final design. I have a strong eye for mate-rial composition and find myself drawn to current trends which I then reinterpret. Oftentimes, my designstake a commercial direction; yet, with audacious material compositions and play as the mainspring.

The Personal Project takes its point of departure in three interviews. It challenges classic forms and mate-rials by presenting a jewellery collection made from seal, copper, leather, cork, plastic, wood, and acrylic that displays untypical material clashes: Natural meets artificial, hot meets cold, hard meets soft. The collec-tion has a brave, Nordic and graphic expression.

Compositions;

Copper, leather

and cork. Seal,

plastic, acrylic and

wood.

Combination;

Three surfaces,

three scents, same

method.

Collar; Natural

meets artificial.

Hard meets soft.

Seal and plastic.

Cluster; Cork,

leather and cop-

per foil.

Classic; Sharp

meets round.

Acrylic and wood.

Double ring.

1

2

3

4

5

3

2

45

104

Osmund Olsen


www.osmundolsen.com

[email protected]

+45 30 66 72 18


/Industrial and Product Design


/Industrial and Product Design

Multimedia Design, NoMA Nordic Multimedia

Academy, DK

Drawing Course, Den klassiske tegneskole, DK

/Classic Drawing

Business College Syd, DK /Sales Assistant

Design Summer Camp, House of Design, Kolding

/Assistant Teacher

Design Intern, SHL Design, Aarhus /Product Design

Designer, Teknistovan Spf, Faroe Island /Web

Designer

Sales Assistant, Vr — bilar, Auto parts, Faroe Island

Volunteer Worker, OM — Logos Hope, Copenhagen

/Project Worker

Cargo bikes parking, Workshop, City of Copenhagen

/Concept and Product Design

International DesignCamp, Etrans /Product Design

Publication, My Shoe, Ecco /Shoe Design

Publication, Report 3, Etrans, Kolding /Electric

Charging Station Design

Exhibition, etrans, Dong Energy headquarter,

Gentofte /Electric Charging Station Design

Exhibition, Biennale Internationale du Design de

Liège, Belgium /Ocean Wind Turbine

Exhibition, Vestas, Aarhus Headquarter /Ocean

Wind Turbine Design

Publication, Wind, Vestas /Ocean Wind Turbine

Design

Vestas, Aarhus, Ocean Wind Turbine /Wind Turbine

Design in cooperation with Vestas

Faroe Island represents, ICHY 2009, Island /Product

Design

Nani, Raadvad cooperation, Silkeborg /Knife Design


2013

2011

2008

2007

2007

2012

2012

2009

2007

2004

2012

2011

2010

2010

2010

2010

2010

2010

2010

2009

2009

1

105

Born in the heart of the North Atlantic Ocean, I am a Scandinavian designer with a passion for form and aesthetics. I am inspired by elegance and driven by the excellence of perfection.

My MA Project is a LED lamp collection inspired by the movement of a ballerina and the strength, disci-pline and elegance she possesses.

MA Project.

—

1

2

2

106

Bo Pedersen


www.cargocollective.com/bopedersen

[email protected]

+45 28 57 76 23


/Interaction and Illustration


Design Intern, Nordisk Film A/S /Animation and

Graphics

3rd prize, Ecco 360 Challenge /Interaction and

Recycling, New Store Concept


2013

2011

2012 2010

1

107

2 parts interaction, 2 parts illustration, 2 parts think tank, 1 part graffiti and 1 part gaming. This is pretty much the sum of me as a designer. Usually, this mixture results in playful interaction projects that visually reflect my long-time background in drawing and graffiti.

Final sketch for the

illustration part of

the installation.

Old building

waiting to be torn

down creates the

framework.

1

2

My MA Project is an instal-lation carried by illustration. It loosely revolves around the theme “Copenhagen in the year 2018, after the civil war”. Visually it brings the horrors of the World closer and forces the spec-tator to experience some form of emotional reaction.

2

108



[email protected]

+44 74 48 16 86 06 / +45 29 82 28 99


/Service Design and Interaction

INDEX-YONSEI Design to Improve Life /Summer

School, South Korea


/Service Design and Interaction

Kompetancehuset, Aarhus /Drawing and Design

Designer, Windowvation Ldt, London

Design Intern, 1508 A/S, Copenhagen

Represented Kolding School of Design at The Hong

Kong Business of Design Week

Shanghai Design Week

Odense Robot Festival


2013

2011

2010

2005

2012

2011

2012

2009

2009

1

2

109

I ask stupid questions. What is the context and what metaphor might describe it? Can you say it, or should it be drawn? Maybe experienced through play? Behind the numbers and letters are colours and stories, secrets and possibilities! We are in an endless stream of data and the future belongs to those who can decipher the stars and dare to navigate. As a child I loved the treasure hunt. The journey of riddles and clues, people with masks, and the mysterious treasure chest. The journey is magical and vital to how we understand design; whether good or bad.

4

3

MA Project,

Context.

MA Project, Focus.

MA Project,

Research.

MA Project, Proto-

typing.

MA Project, Test.

1

2

3

4

5

5

110

Pauline Joy Richard


www.paulinejoyrichard.com

[email protected]

+33 63 24 10 907 / +45 50 38 75 97


BA Product Design, Central Saint Martins, London, UK

Product Design Exchange Course, Nuova Acca-

demia Di Belle Arti Milano, Italy

Art Foundation School, L’Atelier de Sèvre, Paris,

France

Freelance, ERES, Paris, Window Display for Saint

Valentines in Paris and France

Design Intern, Chanel, Paris /Interior and Industrial

Design

Lead Designer, Bamboa, Hong Kong /Industrial

Design

Product Designer, Bureau Detours, Aarhus /Furni-

ture Design

The little black Jacket, Chanel, Seoul, Korea

Collaboration, Ecco, DK /Project exhibited at the

Salone del Mobile in Milan

Head of the Central Saint Martins BA Product De-

sign Degree Show, London /Space Design, Curation

and Organisation

FashionForShow, London, Catwalk and Space Head

/Design and Construction

Collaboration, Design Against Crime (DAC)

Research Centre, London /Social innovation project

in collaboration with the NCR and the Royal Bank

of Scotland, UK


2013

2011

2008

2007-

08

2013

2012

2012

2011

2012

2012

2011

2011

2011

1

111

You find beauty, delicacy and humour in the unex-pected, the surprising. Design practice should chal-lenge conventions and cultures, whilst combining fine detailing and honest materials, reinforcing the ele-gance and the simplicity of an object. My work aims to channel and benefit from these values, through product design and installations. HONGKONGmade is a collection of objects design-based on the undefined identity of Hong Kong; the combination of traditional Chinese with Western modern, made in collaboration with designer Emil Søgård Jacobsen. These products reflect the history and the roots of Hong Kong that are already embod-ied in the city, hence produced by craftsmanship and artisans of Hong Kong, and destined to be distributed locally.

MA Project,

Objects found

in the streets of

Hong Kong.

MA Project,

Hong Kong sketch-

book page.

MA Project,

Hand-carved

wood stamp logo.

MA Project,

Prototype models

of The Collection.

1

2

3

4

2

3

4

112



[email protected]

+45 60 94 22 15


/Fashion

Exchange, Weißensee Kunsthochschule Berlin

/Fashion

London College of Fashion, England /Menswear

Fashion


/Fashion

The Scandinavian Design College, DK /Product

Design

Design Intern, Patrik Ervell, New York,

Design Intern, Yigal Azrouël, New York

Freelance Designer, The Golden Fur Pin /Design

and Production of trophies

Design Intern, Vilsbøl De Arce, Copenhagen

Design Intern, Femmes Regionales, Copenhagen

1st prize, The Golden Fur Pin, Kopenhagen Fur

/Fur outfit, in collaboration with Designer Louise

Fenger Hvilsted


2013

2012

2012

2011

2007

2011

2011

2010

2010

2009

2009

1 2

113

I am fascinated by functionality and purpose in relation to menswear, and so I mix sports refer-ences with details of classic tailoring.

My MA Project is inspired by the contemporary Romany. I combine their sense of aesthetics with their use of second hand clothes, love of patterns and gold to create my menswear collection. The collection is a mixture of elements ranging from sportswear to classic suits.

3

4

MA Project.

—

—

—

1

2

3

4

114

Divya Sharma


[email protected]

+45 50 34 88 40


/Home Furnishings

BA Textile Design, National Institute of Fashion

Technology, India /Home Furnishings

Textile Designer, Varnali Exports Pvt.ltd, New Delhi,

India /Fashion Accessories and Home Textiles in Prints

and Surfaces

Textile Designer, Decosit and Texworld International

Fairs, Bharat Tissus Pvt.ltd, Bangalore, IndiaPrinted

Textiles for Home and Fashion

Design Intern, Graduation project, Heimtextil’09 Inter-

national Fair, Bharat Tissus Pvt.ltd, Bangalore, India

/Home Furnishing Collections in Embroidery Surfaces

Design Intern, National Botanical Research Institute,

Lucknow, India /Revival of Natural dyes for Eco-

friendly Fabrics

Design Intern, Craft project, Kala Raksha, Gujarat,

India /Home Textiles inspired by Indian arts and crafts

Design Intern, Craft project, Heimtextil'07 Internation-

al Fair, SEWA, Gujarat, India /Home Textiles inspired

by Indian arts and crafts

Gold Medal, Best Academics Performance Award in

Fashion Textile Design, National Institute of Fashion

technology, India

1st prize, Best Graduation Project Award, National

Institute of Fashion technology, India


2013

2009

2011

2010

2009

2008

2007

2007

2009

2009

1 2

115

Nature motifs

developed by live

sketching at the

Botanical Garden,

Copenhagen.

—

Prints and surfaces

for bed linen

developed from

the flora-fauna

motifs sketched

by me providing

“the original and

ecological feel”.

—

Nature motifs

developed by live

sketching at the

Botanical Garden,

Copenhagen.

1

2

3

4

5

My journey in design has been a process of finding inspiration in the shapes of nature as well as the different arts and cultures of the World, in order to develop innovative ornamented textiles in prints and embroidery surfaces, adding aesthetic visual pleasure to our homes and to ourselves.

“Decoration and the pursuit of visual pleasure are constants in human life, and by better sat-isfying customer needs it may be possible to reduce the rate at which design products are replaced”.

These words, stated by David Brett and Sandy Black, have in-spired my MA Project in which I develop ornamentations in-spired by the living botanical world around us for the already existing sustainable woven lin-ens, thus finding for myself as a designer the connection between “Ornamentation, pleasure and sustainability”.

3

4

5

116

Cecilie Marie Skov


www.cargocollective.com/cecilie

[email protected]

+45 24 91 07 56


/Visual Communication

Design Camp, Kolding School of Design, DK

/Nudging

BA Graphic Design Kolding School of Design, DK

/Visual Communication

Multimedia Designer, Business Academy Aarhus, DK

Graphic Designer, Jutland Art Academy, Aarhus

/Catalogue Design for the final exhibition

Graphic Designer, Rundkant, Copenhagen /Visual

Identity

Design Intern, DR Design, Copenhagen /Graphic

Design for the Danish Broadcasting Corporation

Graphic Designer, Trifork, Aarhus /Book Layout

Design Intern, Lower East, Aarhus /Graphic Design

and Web Design


2013

2012

2011

2007

2012

2012

2011

2011

2007

1

117

Being a graphic designer, I work with visual com-munication. I use my graphic tools to design mes-sages that will challenge and engage the specta-tor. I give great priority to the fact that my designs should be able to interact with the spectator/user. I want to make a difference and speak to people’s hearts.

For my MA Project I have designed an information campaign intended to make people contemplate the way they live their lives; put day-to-day life in per-spective and enjoy the moments that make up a life-time. The campaign encourages individuals to take a stand and eliminate what is not important. The proverbial glass is either half-full or half-empty; I want people to focus on the glass that is half-full and stop stressing about what is lacking in their lives and start enjoying what is.

Poster from my

MA Project 2013.

The campaign

Look up!

Selected collection

of my work at

Kolding School of

Design.

Poster from

the exhibition

“Kvinde kend din

kropsholder” 2012

by Rundkant.

1

2

3

2

3

118

Sarah Mi Svendsen


www.sarahmi.dk

[email protected]

+45 30 13 33 37



Skolen for Kunst og Design, Aarhus, DK

Internship, Anne Sofie Madsen, 8 months,

Copenhagen, DK

Internship, Bibi Ghost, 6 months, Copenhagen, DK

Internship, Mandy Coon, 3 months, New York, US


2013

2010

2006-

07

2012

2011

2010

1

2

119

Part of the collec-

tion AW14.

Swarovski Sweat

Shirt, inspired by

the Centre Pompi-

dou at night.

Centre Pompidou.

SteelCut Jacket,

tight look in high-

tech materials.

Inspiration board:

1

2

3

4

When I start a process, I like to establish a frame-work or a set of rules within which to explore my inspiration, build concepts and experiment. I work with feminine silhouettes and clean, stringent lines. Contrast and balance are recurring elements of my creations, both in terms of colour, cut, materials and form, and give my designs a complete look.

The architecture of the art muse-um Le Centre Pompidou in Paris and the ideas that it builds on serve as the inspiration for my MA Project “Exhibition”. I have reinterpreted the layers and the construction of the building, its architectural lines and its integrity and readability, and translated these into a fashion collection consisting of a mixture of tradi-tional and high-tech materials.

4

3

120

Sidsel Wit tendorff Sørensen


www.sidseldraws.com

[email protected]

+45 20 76 95 78


/Storytelling

BA Honours Illustration, Cambridge School of Art,

UK /Narrative Illustration

Freelance Illustrator, Væksthus Midtjylland, Aarhus

/25 Book Illustrations

Freelance Illustrator, Saint Motel — band, L.A.

/Illustrated Portrait

Freelance Illustrator, DR P4, Aarhus /Postcard

Intern, DR, Aarhus /Storyboarding, Illustration,

Animation, Concept

Intern, Barq Video, Kolding /Illustration, Concept,

Animation, Explainers

Freelance Illustrator and Graphic Designer, SF Sorø

/Posters, Flyers and Cinema Spot

Freelance Illustrator, Huset i Magstræde, Copenha-

gen /Poster and Flyer

Freelance Illustrator, Darwin i Danmark, Aarhus

/Poster and Flyer

Freelance Illustrator, Women in Politics: The 100

year anniversary, Sorø /Poster Design

Highly commended, House of Illustration & Folio

Society Book Illustration competition, London /Book

Illustration

Collaboration, Unicef /Explainer Animation

DesignCamp, Kolding School of Design /Service

Design, Making Electricity Tangible

Exhibition, New Designers, London /Illustration

Exhibition, CSA Degree Show, Cambridge

/Illustration

CSA Degree Show, Cambridge /Fundraiser and

Organiser


2013

2009

2013

2013

2012

2012

2012

2009-

11

2011

2010

2010

2012

2011

2011

2009

2009

2009

1

2

121

I always start out with pencil and paper but I love mixing the analogue and the digital. The analogue gives a human presence, and the digital allows me to experiment freely. My work focuses on storytell-ing, a fascination with everyday life and humour expressed through a flat, illustrated landscape, personal mark making and patterns.

For my MA Project I have developed a music video for the L.A. band, Saint Motel. The animation is done by hand in pencil, the backgrounds are ink painting and collage, and finished digitally. The narrative of the film has emerged from the develop-ment and the mood of the music and illustrates its primary theme: Unrequited love.

MA Project, Stills

from music video

for the band Saint

Motel.

—

—

1

2

3

3

122


www.gooddesign.dk

[email protected] / [email protected]

+45 25 88 48 09


/Urban Rough Sleeping

Journalism Additional Training, School of Media

and Journalism, DK

Exchange student, Aarhus School of Architecture, DK


Design Camp, Tongji University, China

Sketching Techniques, Art & Design School, DK

Writer’s course, Kompetencehuset, DK

Owner, Good Design, Aarhus /Product Design,

Graphic Design and User Research

Industrial Designer, 3PART, Aarhus /Product Design,

Graphic Design and User Research

Design Intern, 3PART, Aarhus

News article: “Designere: Vi har svært ved at

forklare, hvad vi kan”, published by Danish Design

Association, DK

Exhibition Ecco Shoe, Ecco, Illum Copenhagen, DK

Publication: Robots That Move You, Kolding School

of Design, DK

Exhibition, Odense Robot Festival, Robots That

Move You, DK

Scholarship, Fællesfonden til fordel for beskæftigede

i håndværksfagene i Kolding, DK

Publication, Transitioning Stigma, GN Resound, DK


2013

2012

2012

2010

2009

2006

2004

2013

2012

2011

2012

2009

2009

2009

2008

2008


1

2

3

mailto:[email protected]%20/%[email protected]

123

It is important to me to understand the context and the people that I design for. In order to be able to successfully involve users in the design process, I have supplemented my design education with a degree in journalism. The interplay between design and journalism has provided me with valuable tools that I am able to use as joint owner of the design company Good Design.

Ulrik has been

homeless for five

years.

Ulrik sets up camp

in less than one

minute.

Mobility is

extremely impor-

tant to Ulrik.

The tent bag

resolves sleeping

and storage issues

for homeless

people living on

the street.

Having his tent

bag, Ulrik is able

to sleep safely at

night.

1

2

3

4

5

My MA Project builds on the experiences of homeless people living on the street. The result is a multifunctional product which combines storage of personal belongings with a place to sleep at night. The tent bag supports and improves the current lifestyle of the target group by meeting some of their most basic needs.

4

5

124



www.signemaarbjerg.dk

[email protected]

+45 61 31 91 11


/Behavioural Design

Exchange, Copenhagen Institute of Interaction

Design, DK /Interaction Design


/Industrial Design

Krabbesholm College, DK /Product Design

Design Intern, INudgeYou-Development, Copenhagen.

/Behavioural Design

Co-Founder, Rundkant, Copenhagen /Administration

and Curating

Design Intern, Laboratory for Social Inclusion, Kold-

ing School of Design /Method Development

Costume Designer, Carnivalesque of the Prejudice

2.0, Aarhus /Costume Design


Trapholt /Exhibition Concept


Carlsberghallerne /Exhibition Concept

Design fair, DMY Berlin /Product Design

Exhibition, Hinnerup Library and Cultural House

/Installation


2013

2012

2011

2007

2013

2011

2011

2011

2013

2012

2010

2010

1

125

To me, design is more than just form. Design is new structures in an existing world. Therefore, I spend time exploring the trivial life because this is the life that I wish to build on. I have a critical approach; however, I do try to communicate my rebellion with a twinkle in my eye. My strength lies in concept development and working closely with users.

This is also the case with my MA Project which focuses on developing solutions that will make students at SOSU Aarhus (the social and health care assistant school) increase their level of physical activity.

Product design.

LED lamp with a

physical interface.

Critical design.

Visualising the

problems of peo-

ple with dementia

when interacting

with machines.

Interaction design.

Making prostheses

which do not

hide a physical

disability.

Behavioural

design. Getting

students to drink

more water.

1

2

3

4

3

4

2

126

Jonas Prip Thorsen


www.jonasprip.com

[email protected]

+45 20 61 95 67


/Visual identity for the organisation Børns Voksen-

venner

Exchange student spring semester, HAW Hamburg,

Germany /Illustration

BA Illustration, Kolding School of Design, DK

/Illustrated Textbook for 3rd and 4th grade pupils

Scandinavian Design College, Randers /Graphic

and Product Design

Design Intern, Lower East – Graphic Design Studio,

Copenhagen /Illustration, Websites, Logos, Posters

and Magazine Design

3xPrip Exhibition, Hans Falcks Hus, Aabenraa

/Drawings and Paintings

Illustrator, Medievark Study Magazine /Illustrations


2013

2012

2011

2007-

08

2011 2011

2010-

11

1

2

127

MA Project,

Børns Voksen-

venner (children’s

grown-up friends)

poster.

Make a donation

and support the

volunteer work

at Børns Voksen-

venner

(Children’s Grown-

up Friends).

Outline of 3D

paper illustrations.

Remote controlled

racing car.

1

2

3

4

3

Being an illustrator and graphic designer, I build visual universes designed to engage the spectators and make them open their eyes wide, smile and think. I experiment with expressions and materials. I am particularly interested in lifting motifs from 2D to 3D.

My MA Project is a redesign of the visual identity of Børns Vok-senvenner (Children’s Grown-up Friends). Through 3D illustration, using cardboard and paper, the project suggests a new visual mode of expression for the organisation.

4

128

Laura Trzebuchowska


www.lauratrzebuchowska.com

[email protected]

+45 52 79 56 54



School of Art & Design, Aarhus /Drawing Course

Design Intern, Anne Sofie Madsen, Copenhagen,

/Draping, Designing Demi Couture Garments

Course at Kolding School of Design, DK /General

knowledge of Textile, Textile Production and Textile

Manipulation, Designing and Creating Digital Prints

Course at Kolding School of Design, DK /Ideation,

Research and Concept Development

Course at Kolding School of Design, DK /Pattern

Construction and Sewing Techniques

Collaborations with Kvadrat A/S

Collaborations with Ecco


2013

2011

2008

2012

2009-

11

2009-

11

2009-

11

2013

2010

1 2

129

MA Project.

—

—

—

—

1

2

3

4

5

Processing inspiration material is a large part of my design process. It is important to me that what inspir-ed me to begin with, is visible in my final collection.

My MA Project focuses on en-tropy in relation to sand, and the way the grain of sand strives for chaos. My inspiration material consists of 43 grains of sand that have been magnified 250 times through a microscope. The images serve as the starting point for my use of materials and colour. In addition, I have included various elements from the history of sand in order to maintain my focus on entropy as the mainspring. The outcome of the collection is a stylistic chaos involving elements from the fashion trends of different times.

3

4

5

130

Johanna Ulfsak


www.ulfsak.com

[email protected]


Kasuri weaving course, autumn semester, Kawashima

Textile School, Japan

BA Textile Design, Kolding School of Design,

Erasmus exchange programme, DK

BA Textile Design, Estonian Academy of Arts,

Estonia

BA Leather Design, Estonian Academy of Arts,

Estonia

Boessert Schorn /Jewellery and Accessory Production

Design Intern, Boessert Schorn, Berlin /Jewellery

and Accessory Design

Freelance Illustrator

Intern, Kuukulgur Film, Tallinn /Stylist Assistant


2013

2012

2010

2010

2007

2013

2012

2008-

12

2009

2013

2013

2013

2012

2012

2011

2010

2010

2009

Collaboration with Graphic Designer Marke

Saaremets, Graduation Project, Tallinn

Collaboration with company Mott Tailoring

/Graduation project, Copenhagen

Graduate Exhibition, Municipal Museum of Art, Kyoto

Scholarship, Estonian Ministry of Culture

Scholarship, Estonian Cultural Endowment

Scholarship, Estonian Cultural Endowment

Advertising Award Golden Egg, Gold /Illustration

Category

Advertising Award Golden Egg, Bronze /Outdoor

Ad Category

ADC Estonia Design Award, Gold /Illustration

Category

1

2

131

Having dedicated the past three years to studying the language of weaving technique, my aim is to use the acquired knowledge in order to integrate this tradition — its creative and ethical potential — into the context of contemporary design. As a textile designer, I want to create transparent design and as a weaver, I want to represent the slow fashion movement.

My MA Project explores the ethical prospective of the consumer-product relationship through devel-oping a niche brand for men. My objective is to bring back the enchantment of luxury of traditional weaving and discover my potential position in the textile/fashion industry.

Combination of

Estonian merino

wool and Japa-

nese silk.

MA Project, woven

niche products

for men

Mushroom dyed

silk and wool.

1

2

3

3

132



[email protected]

+45 81945270 / +35 8408474977


BA Fashion Design, University of Lapland, FIN

Exchange, St. Petersburg State University of Tech-

nology and Design, Russia

Oulu Vocational College of Crafts and Design, FIN

/Fashion Design

Oulu Vocational College of Crafts and Design, FIN

/Textile Design

Liminka School of Art, FIN /Comic Drawing

Design Intern, Moonspoon Saloon, Copenhagen

Design Intern, Daniel Palillo, Helsinki

Intern, IVANAhelsinki, Helsinki


2013

2011

2009

2005

2004

2003

2012

2011

2007

2011

2011

2010

2010

Exhibition, Cheongju International Design & Crafts

Biennale, Cheongju

Fashion show, ERKI, Tallinn

Fashion show, ERKI, Tallinn, in collaboration with

Minna Ylitalo

Fashion show, Northern Lights, Helsinki, in collabo-

ration with Minna Ylitalo

12

133

MA Project,

REACTION.

MOMENT, 2013.

—

—

—

—

Photos by Balder

Skånström-Bo.

1

2

3

4

5

I see things as entities. To me, shapes, textures and colour combinations are inseparable. My visual language derives from my interest in the complex beauty of human emotions. I am curious to discover the different nuances in all the elements and to bring them together in collections in unexpected compositions.

My MA Project focuses on the space between cause and effect, where something changes, an emotional reaction occurs and a memory is created. Through juxtaposition of different struc-tures, colours and materials, I have created a collection in which every silhouette repre-sents a different reaction on a human body.

4

3

5

134

Nina Wasland


www.wasland.dk / feedmyprint.tumblr.com

[email protected]

+45 21 18 42 61




Rogaland Art School, Norway /Art Studies

Intern, Drucksalon, Berlin /Screenprinting

Production Assistant, Keno Advertising, Kristiansand

∕Signage Decoration


2013

2011

2007-

08

2004-

06

2012

2007

2013

2012

2012

2010

2010

2006

2004-

06


Trapholt /Furniture Design

Natural Colors, Solo Exhibition, Drucksalon, Berlin

/Screenprinting


Carlsberghallerne /Furniture Design & Exhibition

Build-Up

Collaborative project with Universidad Mayor,

Santiago, and Libro Alegre, Valparaiso Ideas

/Design and Presentation

Creative Workshop, Danish Championship

in Drawing, Horsens /Ideas and Communication

Graduation Exhibition, Rogaland Art School,

Stavanger Kulturhus, Stavanger /Photographs and

Drawings

Volunteer Work, Gallery Folken, Stavanger

/Curating and Presenting Exhibitions

1 2

135

The field of graphic design is a large space of oppor-tunity. This fascinates me, and I explore this space by incorporating craftsmanship, spatiality and research in my projects. Craftsmanship, in the form of a beautiful binding or a unique handmade print, appeals to me, as does a work of graphics which evolves into some-thing spatial.

Over time, I have started integrating research elements in my projects, including my MA Project. In addition to being an in-depth exploration of thae potential of colours, my MA Project involves a production process in which I produce my own colours using exclusively natural raw materials.

Natural Colours.

Screenprinted

poster printed

with the colours

of the depicted

vegetables.

Natural Colours.

Screenprinted

poster with colour

derived from

parsley.

The Chemistry of

Colours,

MA Project, Col-

our Map.

1

2

3

3

138


p. 34-35


p. 30-31

Mathias Botfeldt

p. 32-33


p. 38-39Sidsel Wittendorff

Sørensen p. 120-121

Jonas Prip Thorsen

p. 126-127

Nina Wasland

p. 134-135


p. 52-53


p. 62-63


p. 90-91

Bitten Fangel Nielsen

p. 94-95

Illustration

Birk Marcus Hansen

p. 50-51

Lukas Neige

p. 88-89

Cecilie Marie Skov

p. 116-117


Rasmus Palmelund

Kviesgaard p. 70-71

139


p. 26-27


p. 96-97

Bo Pedersen

p. 106-107


p. 108-109


p. 124-125

Silvia Bella

p. 28-29


p. 48-49

Jacob Keinicke

p. 64-65


p. 80-81


p. 84-85

Interaction Design

140

Textile

Mea Andresen

p. 24-25

Katja B. Knudsen

p. 66-67

Laura Locher

p. 72-73

Mathilde Maalouf

p. 74-75


p. 98-99

Sarah Mi Svendsen

p. 118-119

Laura Trzebuchowska

p. 128-129


p. 132-133

Anne Woidemann

Christensen p. 40-41

Rosa Tolnov Clausen

p. 42-43

Gitta Foldberg

p. 44-45

Charlotte Bodil Hermansen

p. 58-59

Linea Lund Hjorhöy

60-61

Marie-Louise D. N.

Buchholz p. 36-37


Michelle Volquards

Hansen p. 54-55


p. 56-57


p. 112-113

141

Industrial Design


p. 76-77

Nina Guldager

p. 46-47

Lena Krogsgaard

p. 68-69


78-79

Anne Ditlev Nielsen

92-93

Osmund Olsen

104-105

Pauline Joy Richard

p. 110-111


p. 122-123


p. 86-87


p. 102-103

Divya Sharma

p. 114-115

Johanna Ulfsak

p. 130-131

Kristina Mielec

p. 82-83

Naija Nygaad

100-101

142

Colophon

Editor

Co-Editor

Layout

Photo

Print

Paper

Font

Advisor

ISBN

EAN

Kolding School of Design

Ågade 10

6000 Kolding

www.designskolenkolding.dk

© Kolding School of Design /Designskolen Kolding 2013

All rights reserved. No part of the book may be reproduced in any form by any electronic

or mechanical means (including photocoping, recording or information storage and

retriever) without permission in writing from the publisher.

Thank you

Rikke Hansen /Marianne Baggesen Hilger /Bo Severin Bilde Bruun /Søren Grønning Iversen

/Lotte Eggert Kiil /Bitten Fangel Nielsen /Graduates 2013.

Tage Vanggaard og Hustrus Fond

Prorector Mette Mikkelsen

Department of Communication Design

Josephine Jensen

Rikke Hansen

Josephine Jensen

www.josephinejensen.dk

Jens Christian Hansen

Graduate students and others

Zeuner Grafisk as

Munken Pure 100g / m²

Munken Pure 300g / m²

Futura Std. Medium, Medium Oblique

Rikke Hansen

978-87-90775-43-8

9788790775438

Katalog 10 2mb

Documents

Transcript of Katalog 10 2mb